Baby Mol to bollywood
Anna never actively sought to pursue cinema as a career. 'I studied at St Teresa's, a Girls's college in Kochi. I used to go for auditions during my college, not to land a movie but because it was a legit excuse to bunk classes. In any case, none of us ever got a call back with a role. So, it was just for fun. However, one of the auditions whose casting call was on Instagram led to me landing the role of Babymol in Kumbalangi Nights,' she recalls.
Although she debuted in 2019, 2023 was a busy year for Anna on the sets. However, she says 2024 had been an unsettling year. 'Anxiety comes as part of an actor's career. I had been waiting for Kalki 2898 AD and Kottukkaali to release. Whenever I feel restless, I talk to other artistes and then realise that I am not alone,' she adds.
Although Anna had to prepare for roles like the survival drama Helen (she practiced breathwork to make her lungs stronger so that they could shoot for longer hours in the freezer) and for Meena in Kottukkaali, she looks forward to playing a glamorous role. 'I would love to do a dance number, provided it is tasteful and respectful of women,' she says.
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Economic Times
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Following this devastating loss, the family decided to abandon their home and flee, embarking on a journey that would prove both physically punishing and emotionally a 1964 interview with Filmfare , Helen vividly recounted this exodus. She described how they alternated between trekking through dense wilderness and trudging across countless villages, surviving only because of the kindness of strangers. The family had no money, carried little food, and possessed only a few pieces of clothing. Occasionally, they encountered British soldiers who provided transportation, temporary shelter, medical attention for their blistered feet and bruised bodies, and much-needed meals. Helen revealed that her family was part of a larger migration group with the goal of reaching Dibrugarh in Assam, nearly 900 kilometers away. By the time they arrived, the group's numbers had been halved—some had succumbed to illness, some were left behind, and others perished from starvation. In the same interview, she shared that her mother, who had been pregnant during the journey, suffered a decades later to her stepson Arbaaz Khan on Bollywood Bubble, Helen recalled that there were roughly 300 to 350 people in their migration party. For her own family, it was just her mother, her younger brother, and herself—both children at the time. Her mother's pregnancy ended tragically during the journey, and she lost the baby girl who would have been Helen's younger finally reaching Assam, Helen's entire family was hospitalised due to exhaustion and illness. Once recovered, they relocated to Kolkata. But tragedy struck again when Helen's younger brother, who had been in critical condition upon arrival in India, contracted smallpox and died shortly thereafter. The family eventually moved to Mumbai, but the financial strain of city life proved overwhelming. Helen's mother found it increasingly difficult to cover even basic expenses.A lifeline appeared in the form of Cuckoo, a renowned Bollywood dancer and a family friend, who decided to help Helen. In an interview with , Helen recalled that she initially worked as a chorus dancer in various films before landing solo performances in Alif Laila (1953) and Hoor-e-Arab (1955). However, her career's pivotal turning point came in 1958 when she performed the now-iconic 'Mera Naam Chin Chin Choo' sequence in Shakti Samanta's Howrah Bridge. Composer O.P. Nayyar's lively score provided the perfect backdrop, and Helen's captivating performance at just 19 years old solidified her place in the industry. This success came at the cost of her formal education, which she abandoned to support her mother and manage household Howrah Bridge, Helen became one of Bollywood's most recognisable performers, known for her unique style and commanding stage presence. She frequently collaborated with celebrated playback singer Geeta Dutt, whose voice complemented Helen's on-screen persona in numerous productions. Yet, despite her growing fame, Helen often found herself typecast, sidelined to supporting roles that allowed the film's lead actress to remain the primary so, her talent shone in films such as Gumnaam (1965), China Town (1969), and Sachaai (1969), the first of which earned her a Filmfare nomination. With the encouragement and professional support of screenwriter Salim Khan—whom she married in 1981—Helen began securing more prominent roles. She went on to appear in enduring classics such as Don, Sholay, and Dostana. Her performance in Ramesh Sippy's Sholay remains one of Bollywood's most memorable musical sequences, in which she danced effortlessly to R.D. Burman's energetic composition while the villain Gabbar Singh looked on with calculated her commercial success, Helen never lost sight of her humble beginnings or the immense struggles her mother endured to protect her children. Her life and career have been well documented, most notably in the 1973 documentary Helen, The Queen of the Nautch Girls and Jerry Pinto's 2006 book Helen: The Life and Times of an H-Bomb. Over her nearly 70-year career, Helen has appeared in more than 500 films. Her final screen appearance was in Madhur Bhandarkar's Heroine (2015), which featured Kareena Kapoor, Arjun Rampal, Shahana Goswami, and Divya Helen remains married to acclaimed screenwriter Salim Khan, a key figure in Bollywood's golden era of storytelling. She is also the stepmother of superstar Salman Khan, one of the most prominent actors in Indian cinema.
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