
Linklater feared Cannes entry 'Nouvelle Vague' would be rejected by France
CANNES, France, May 18 (Reuters) - Acclaimed U.S. director Richard Linklater initially thought his film about the French New Wave movement, "Nouvelle Vague," would never be shown at theatres in France due to his nationality, he told journalists at the Cannes Film Festival.
"Ten years ago, when we were thinking about this movie, I'm not kidding, at the time I said I imagine a film with subtitles. And I thought, they'll hate that an American director did it," he said on Sunday, a day after the film's red carpet premiere.
"We'll show it all over the world, but never in France, because they'll just hate it," the director of "Boyhood" and "Before Sunset" recalled in the French Riviera resort town.
"But as I got closer to it and I found enthusiastic partners, I realised how much it meant to them," he said.
"Nouvelle Vague," shot in a black-and-white 4:3 format with all the actors speaking in French, follows director Jean-Luc Godard, arguably one of the most influential filmmakers of his generation, in the making of the seminal 1960 film "Breathless."
French actor Guillaume Marbeck plays Godard, while Zoey Deutch and Aubry Dullin play the iconic duo Jean Seberg and Jean-Paul Belmondo, respectively.
The making of the film was well-documented, which allowed Linklater to faithfully re-enact the 20-day shoot: "We had the camera notes, we had the reports. I never knew more about a film that I didn't make," he said.
The Oscar-nominated filmmaker, who shot "Nouvelle Vague" in France, also expressed his admiration for the French film industry and its focus on taking care of the sector.
"The U.S. could use a little bit of that," Linklater said, adding that he didn't think U.S. President Donald Trump's proposed tariffs on foreign-made films would come into force.
"That's not going to happen, right? The guy changes his mind like 50 times in one day," Linklater said about Trump.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
28 minutes ago
- Telegraph
PSG the antidote to cautious over-coaching that made Premier League duller
The image of the night – a recurring image – during Paris St-Germain's demolition of Inter Milan in the Champions League final was provided by one of the players who did not score in the 5-0 victory. It was Ousmane Dembélé who adopted a starting position every time Inter took a goal-kick on the edge of their penalty area that was akin to a sprinter ready to spring from the blocks. When the ball was played, Dembélé propelled himself forward to set the press and close down the opposition for the most exciting, creative team in the world at present. 🚨 Special camera from the Champions League final Watch how Ousmane Dembele was pressing Watch the horror in Sommer's eyes. Enrique said : Is there a player in the world who presses better than Ousmane Dembele? What a beast that never stops running 🤯 — KinG £ (@xKGx__) June 1, 2025 Dembélé's incredible work-rate, allied to his skill and teamwork, is all the more impressive because earlier this season he was dropped from the PSG squad – for the Champions League group game away to Arsenal, which was lost – because of a fall-out with head coach Luis Enrique who did not like his attitude. Dembélé was just not doing what the Spaniard wanted. Now the 28-year-old France international is probably the favourite to win the Ballon d'Or. What a transformation and what a transformation of PSG's football by the demanding Enrique. PSG play football for the new era. They are the antidote to the safety-first, over-coached approach that has unfortunately crept into the Premier League and that involves too many managers wanting to copy Pep Guardiola. Without being able to reach those standards. Even Guardiola has fallen short of them. Cole Palmer was revealing as he turned match-winner in Chelsea's Europa Conference League triumph. The England international admitted he had grown bored with having to play the ball sideways and backwards – presumably under instruction from Enzo Maresca – and decided to grab the game by the scruff of the neck with two brilliant assists. Where Jose Mourinho and Rafael Benítez, with their defensive-first approach, helped define the football of the early 2000s and then Guardiola did so for the next decade with a progressive, possession-based approach, so Enrique's PSG has shown Europe the way forward now. With honourable exceptions such as Liverpool, Newcastle United and smaller clubs such as Bournemouth, too many Premier League clubs are guilty of possession for possession's sake and appear to believe keeping the ball is more important than risking losing it by trying to score. How many times have we seen the ball played from right to left and back again, obviously and understandably probing for space, only a winger to be picked out. And what do they do? Stop, turn, check back and play a pass infield. Just take on your marker! Run into the space ahead of you! Make the opposition commit! Take a risk! The coaching approach of many managers – obsessed with statistics and expected goals – has not helped. Take Arsenal's Mikel Arteta, who argued all the data suggested his team deserved to beat PSG in the semi-finals. But anyone who watched the game would have concluded otherwise. To an extent it has become paralysis by analysis and although no one analyses the game more than Enrique – who often stands high up on a scaffold so he gets an overview of training – he also demands far more bravery and positivity in how his players do attack. Right-back Achraf Hakimi even pops up on the left wing. Quarter-final goal ✅ Semi-final goal ✅ Final goal ✅ Achraf Hakimi gives PSG an early lead in the Champions League final, but refuses to celebrate against his former side Inter ⚽ 📺 @tntsports & @discoveryplusUK — Football on TNT Sports (@footballontnt) May 31, 2025 Punditry does not help. Some of it is excellent. Gary Neville is along the right lines when he talks about teams being 'micro-managed'. But then the same players are micro-analysed on television and any mistake is seized upon, with replay after replay and touchscreens and some pretty damning comments. It adds to the growing sense of wanting to be risk-averse. "That's not a Premier League game of football." Gary Neville explains why he's disappointed after the Manchester derby. — Sky Sports Premier League (@SkySportsPL) April 6, 2025 Which brings us back to what PSG do and how they can provide a template. First of all, it requires a huge amount of energy and buy-in with the 10 outfield players asked to counter-press and man-mark all over the pitch – a bit like Andoni Iraola's Bournemouth. It probably also needs a team of athletic, technically superb youngsters, which PSG have assembled. Dembélé sets that press, effectively, by being a 'false' nine who harries the opposition but also has licence to interchange with the two wingers, who make up the front three in the fluid, 4-3-3 formation. Crucially, though, those wingers stay wide. The demand is that they go high and run at, or beyond, their full-backs. That is where the real threat lies, not coming back inside where the pitch is more congested. It helps to have wingers of the quality and game intelligence of Désiré Doué, the man of the match in the final, and Bradley Barcola, who started the season ahead of Doué but replaced him off the bench against Inter. And then there is Khvicha Kvaratskhelia, whose arrival from Napoli in the January window lit the red-and-blue touch paper. The Georgian is the most swashbuckling and charismatic winger in world football and, like Doué and Barcola, works prodigiously hard. Another of the images from Munich was Kvaratskhelia sprinting back to tackle an Inter player deep in his own half even though the game was won. He celebrated as if he had scored. And then went down the other end and scored. It is also risky. PSG lost the ball several times in dangerous positions and Inter were unable to capitalise, partly through some great defending, but also because of their shortcomings. Yes, PSG are effectively a state-owned and were assembled at enormous cost. They still have a vast wage bill, despite moving on from the galacticos of Lionel Messi, Neymar and Kylian Mbappé. That is a valid argument and should not be overlooked but neither should the football they play and just how entertaining they are at a time when there is genuine concern over the direction in which the sport is heading at the highest level. Both those thoughts can co-exist and other clubs have also spent heavily without coming close to achieving such a return. On the night, PSG's brilliance was highlighted even more by Inter's far more rigid, essentially conservative, 3-5-2 approach, with set-pieces providing their best hope of scoring. This is not the sort of football we want, surely? Enrique has shown the way, as Guardiola did, and it is up to other coaches – including Guardiola – to respond. Football will be the better for it.


The Independent
31 minutes ago
- The Independent
Jack Draper vs Alexander Bublik start time: When is French Open match?
Jack Draper will look to book his spot in the quarter-finals of the French Open as he takes on Alexander Bublik at Roland Garros. The British No 1 was in outstanding form as he swept aside talented teenager Joao Fonseca in a potentially problematic third-round encounter, with Draper really finding his feet on the surface during this clay-court swing. He will be fully aware of the threat that Bublik might pose, though, with the Kazakh already having dumped out ninth seed Alex de Minaur since arriving in Paris. Draper has won the pair's two previous tour meetings but is yet to take on the former top-20 player on clay, and the unpredictable big server could yet spring a shock in a match that promises plenty. Here's everything you need to know: What time is Jack Draper vs Alexander Bublik? Draper vs Bublik is the final match scheduled on Court Suzanne-Lenglen on Monday 2 June at the French Open. It will follow the conclusion of Madison Keys's all-American battle with Hailey Baptiste and could begin around 5.30pm or 6pm, though the exact time will depend on how quickly the three preceding matches are concluded. French Open order of play - Monday 2 June (from 10am BST) Court Suzanne-Lenglen Mirra Andreeva [6] vs Daria Kasatkina [17] Alexander Zverev [3] vs Tallon Griekspoor Madison Keys [7] vs Hailey Baptiste Alexander Bublik vs Jack Draper [5] Is it on TV and how can I watch? Yes, the match will be on TV, with viewers in the United Kingdom able to watch the French Open on TNT Sports. A live stream will be available to subscribers via the discovery+ app or website.


Daily Mail
2 hours ago
- Daily Mail
Jack Draper's ready to fire more forehand bullets as he channels Rafael Nadal at the French Open - but his next opponent is riding high after a Las Vegas bender
As the new plaque of his footprint on Court Philippe Chatrier demonstrates, Rafael Nadal 's legacy at Roland Garros is eternal. His inspiration can be traced through the next generation - including our very own Jack Draper and his brutal forehand. The similarities in the two men's strokes are impossible to miss. The coiling of musclebound shoulders. The whiplash swing of a left arm, sending the ball fizzing through the air to land, grip on the clay then spit towards the opponent at head height. Draper has until now been hesitant to embrace the comparison. 'It's hard for me to look at my own forehand,' said the 23-year-old, who faces Alexander Bublik today in his first visit to the fourth round of the French Open. 'I can appreciate it's getting better and better but I still watch Rafa and… his forehand's a joke. But I definitely understand the comparison of how it's kicking up and the spin and the speed of it.' Like Nadal, Draper uses the height and spin of his forehand to push opponents back, leaving them vulnerable to the drop shot - a one-two punch which was incredibly effective in his third-round victory over Joao Fonseca. Draper's forehand lacks the curl of Nadal's, meaning it is harder for him to replicate the classic Rafa pattern of swinging the ball away from the right-hander's backhand. That lack of swing is not all downside, though - as Nadal's forehand angled away from the backhand side, it angled into the forehand side, making it easier for opponents to cover that space. Draper can fire a more direct arrow down the line. As a fellow right-hander who plays leftie, Nadal was a touchstone for young Draper. When I visited his first tennis club in Sutton last year, members told stories of young Jack playing in sleeveless tops to look more like Rafa. 'I modelled myself on his game but more so his competitive nature, his doggedness,' said Draper. 'I loved Rafa - the grunt, everything. He massively inspired me to become the player I am and hopefully I can get to his level.' If Draper has internalised Nadal's Stakhanovite work ethic, the same cannot be said of his next opponent, who puts his recent uptick in form down to a three-day bender in Las Vegas. Bublik is one of the great talkers in the game, so let's allow him the floor to explain how he went from a career high to a career low, then recovered. 'After Wimbledon 2024, I got to No 17 in the world,' he began. 'Then I'm like, "OK, I have to practise harder". Work on my diet, stop drinking, stop partying. 'Be a more professional soldier. Right now everybody is like robots, crazy, crazy performance guys. My fall was not linked with lack of attitude and lack of practising. It was the exact opposite. I just burned out. 'Then it was the other way around. I was No 80 in the world. My coach suggested a trip to Vegas in between Indian Wells and Phoenix. 'I said, OK, let's go to Vegas, and it worked.' To clarify, was this a training trip to Vegas? 'No, Vegas Vegas, like The Hangover Vegas,' said Bublik, referencing the 2009 stag-party-gone-wrong comedy film. The 27-year-old went straight from Nevada to Phoenix, Arizona, for a lower-tier Challenger event. He made the final, and then won his next Challenger in Turin. 'I came there to win,' said Bublik. 'I have to take matches more seriously, and I did. It's as simple as that. There was a shift in the mentality because I had no options whatsoever.' On his last-16 opponent, Bublik said: 'Jack, for me, is insane. I saw him here and I said, "Are you getting ready for UFC?" 'Last year the guy is No 40 in the world. This year he is top five. That's a crazy achievement. He doesn't seem to stop. 'What do I have to do to beat him? I don't know. I will just go there, enjoy the time - we all know what I'm capable of doing on court.' The Kazakhstani is capable of almost anything. If his array of tweeners, underarm serves and general zaniness gives the impression of a man messing around, Bublik insists he is just maximising his chances of victory against the 'robots'. 'I'm not a fighting person,' said Bublik. 'To win against the best of the best, I have to find ways to outplay them because they will outwork me, outrun me. 'Against Jack, I'm not capable physically of running for five hours. I would die, literally. I'm worrying about my health over tennis. So I find a way to beat these guys with what I have - and I have a lot, in terms of an arsenal of shots. Sometimes I have to go for what seem like crazy shots, but this is the only option I have.' If Draper needs reminding of how dangerous the world No 62 can be, he could ask Alex de Minaur. The No 9 seed took a two-set lead over Bublik in the second round before being blown away in 90 minutes of lights-out shotmaking. Draper has tuned up nicely for this test, riding out similar purple patches from Mattia Bellucci and Gael Monfils in the first and second rounds. 'I don't need to play my best to win matches because my base level is high,' said Draper. 'If I play point by point at that level, it's tough for guys to beat me. 'Especially if they're up and down, like Monfils or Bublik. They're gonna play some great tennis and they could beat me for sure, but I know it's going to be very tough (for them) because I'm always going to be at that level.' Sentiments of which Rafa would be proud.