logo
Necessary or excessive?: Debate over K-pop security at airports

Necessary or excessive?: Debate over K-pop security at airports

Korea Herald2 days ago
Having a formal plan on how security will be managed at the airport will reduce chaos, according to security service expert
Bodyguards clad in black security vests are a familiar sight at airports in South Korea, often accompanying celebrities through large crowds of fans who sometimes get too close or behave in an unruly manner.
But the actions of some security guards and managers have sparked debate over the use of excessive force.
Last week, a video of K-pop boy group Zerobaseone's manager pushing fans at an airport and appearing to raise his fist circulated on X.
In the video, the band's manager is heard shouting "Move out of the way," which is then followed by a loud thud, suggesting that someone may have been pushed or the camera was struck.
While some view the security measures for celebrities as excessive, airport security escorts for idols are necessary due to safety concerns, according to industry insiders.
"There is no strict rule requiring idols to have security at airports, but it is typically arranged for safety reasons. Also, in some countries, the crowd cannot be controlled, which makes bodyguards even more necessary," an official at an entertainment company, who wished to remain anonymous, told The Korea Herald.
"While much of the footage shows the bodyguard's aggression, bodyguards typically try to handle the situation calmly and gently, but fans sometimes get pushed or fall in the process. Although the bodyguards' actions in these moments cannot be fully excused, they respond this way because the situation is urgent and demands quick decisions to protect the idol, as well as maintain order," the official explained.
Recently, V of BTS also asked fans to be "mindful of public space" during a Weverse livestream, noting that airports are "not private venues, but shared spaces for everyone."
"I hope people can maintain order instead of causing chaos," the singer said, as he referenced the "Purple Line," a safety campaign launched by BTS' fandom, Army, at airports in 2018. At the time, some 20 fans gathered at Los Angeles International Airport holding purple ribbons — the group's official color — and formed orderly lines to help ensure the bandmates' safe arrival and departure.
Amid growing calls to address the chaos caused by celebrity arrivals and departures, an official at Incheon Airport described the authorities' difficulties.
"While restricting fans from crowding arrival and departure zones would be ideal, such measures are hard to implement effectively in real-world airport settings and require coordination with multiple departments within the airport," the official told The Korea Herald.
As excessive celebrity security continues to become a widespread issue, Kim Tae-hwa, a professor at Yongin University's Department of Security Service, suggested implementing a "safety management plan."
"The safety plan would allow entertainment companies to submit detailed protocols outlining how security will be managed at the airport, including the specific routes the celebrities will take. This kind of structured planning could help prevent the poorly managed situations we are seeing today," Kim said in a phone interview.
"Having a formal safety plan would help inform the public, especially fans, about what is allowed and what is not. For example, it could include clear rules that ban fans from coming within three meters of the celebrity. When these guidelines are in place, fans are more likely to follow the rules and less likely to get too close, reducing chaos," Kim said.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Iconic headwear worn by Saja Boys 'more than just a hat'
Iconic headwear worn by Saja Boys 'more than just a hat'

Korea Herald

time12 minutes ago

  • Korea Herald

Iconic headwear worn by Saja Boys 'more than just a hat'

The 'gat' is a symbol of men's status, pride, education and honor, says master crafter When the Saja Boys in Netflix's hit animated film "KPop Demon Hunters" stole fans' hearts with their style, many wondered what the members were wearing on their heads. The wide-brimmed hats, called "gat," were once a must for men stepping out in public. The headgear gained newfound interest, but to Chung Choon-mo, Intangible Cultural Heritage title holder for gannil, the film missed an opportunity to honor Korea's tradition. Gannil refers to the method of crafting gat with fine bamboo strips or horsehair. "'Gat' is more than just a hat. Historically, it represented a man's respect for etiquette, his sense of honor and ceremonial awareness, similar to how men today might wear a suit for formal occasions to show respect or dignity," Chung said Monday in an interview with The Korea Herald at his studio at the Korea Heritage Agency in Samseong-dong, Seoul. Today, hats are mostly about function and style. They shield us from the sun or complete a look. But a hat was essential to every man's outfit during the Joseon era (1392-1910); it showed his social status, profession, and reflected the occasion as well, according to Chung, 84, who has been making gat for some 67 years. "The tradition and significance of such items are often overlooked in dramas or movies, and it is a little disappointing. It makes me feel as if the traditions and aesthetics of men's attire are slowly disappearing. Now, Koreans rarely see the hats in real life, and even less try them on," he said. "Gat is unique to Korea. There is nothing equivalent in Western cultures or nearby Asian countries. Apart from Confucian values, it also served as a visible expression of how a person should live properly and honorably in society," Chung said. The master gat maker added that traditional hats seen on film and TV shows are typically cheap versions made with PVC or nylon, rather than the traditional bamboo and horsehair. While budget constraints may explain this choice, Chung said using authentic gat — even if rented — would better reflect and convey the cultural and historical value of the item. Looking around his workshop with stacks of bamboo strips, silk fabric and lacquer, each waiting to be transformed into an impeccable gat in the hands of the master who has spent a lifetime perfecting the craft, Chung pointed to an image of "jinsarip" hanging on the wall. "Something like this should be featured in dramas, shouldn't it?" he said, laughing. Jinsarip is a premium bamboo hat distinguished by its finely crafted, delicate brim that is constructed by layering fine strands of bamboo three or four times. Masters who craft the crowns and brims use heated irons to fuse silk threads one by one, blending precision with artistry for a flawless touch. Chung's gat making begins with shaping the crown, known as "chongmoja." Thin bamboo threads called "juksa" are carefully woven and secured using heated irons. Then, the flat "yangtae," or brim, is molded before the final finishing touches are applied. For an added aesthetic appeal, decorative paper embellishments called "jeonggot" and "eungak" made from hanji — Korean traditional paper — are added inside the crown's frame. Around the junction where the brown part meets the brim, a braided silk thread is carefully attached as a finishing touch. "This type of hat was typically worn by kings and noblemen, highlighting its status as a symbol of authority and prestige," Chung explained. "It usually takes a year to make this, and the one that I made last year is by far my favorite piece of art. It would be nice to see this on the screen. Or should I say the 'real gat'?" Chung's confidence isn't just empty bravado. He began learning gat making in 1958, and in 1991, was designated by the government as Important Intangible Cultural Property No. 4. He followed in the steps of his three mentors — Ko Jae-gu, Mo Man-hwan and Kim Bong-ju — who became the first gat makers to receive the title in 1964 in Tongyeong, South Gyeongsang Province. Chung is also based in Tongyeong, a small coastal city known since the Joseon period for its many crafts that were supplied to the royal court in Seoul, among them, gat. By 1973, Chung was the only one still learning the craft from the masters. The two young apprentices who started alongside him quit shortly after starting. "None of my teachers wanted their children to carry on the tradition because they knew it had no promising future. But I was afraid these skills would disappear." With only a few artisans keeping gat making alive, Chung called for more government support to preserve the vanishing cultural tradition. "I am trying to preserve gat with heart and skill, but government officials are out of touch, and at times, it feels like they do not truly understand or appreciate what I am doing," he stressed. "Holding exhibitions and allowing people to experience hat-making could help promote Korea's traditional hat for the time being, but that is not enough," he said.

Zerobaseone drops hints for 1st LP
Zerobaseone drops hints for 1st LP

Korea Herald

time2 hours ago

  • Korea Herald

Zerobaseone drops hints for 1st LP

Zerobaseone dropped a hint for fans concerning its soon-to-be-released set. The group uploaded a trailer video for its first studio album, 'Never Say Never,' Thursday, as an extended version of a clip it showed at KCON LA 2025 last week. The nine-member act performed at the event in Los Angeles, where three members also co-hosted through three days. The band will bring out the LP on Sept. 1 and host a showcase to be broadcast online as well. Zerobaseone's last album, fifth EP 'Blue Paradise,' debuted on the Billboard 200 at No. 28 and became the group's first entry on the chart, while focus track 'Blue' was listed among 'The 25 Best K-Pop Songs of 2025 (So Far)' by Billboard. The mini album sold over 1 million copies on the day of release and topped iTunes top albums charts in 17 regions.

Hybe, Geffen Records launch second global girl group project following Katseye
Hybe, Geffen Records launch second global girl group project following Katseye

Korea Herald

time3 hours ago

  • Korea Herald

Hybe, Geffen Records launch second global girl group project following Katseye

Global audition began Thursday in Japan for next multinational act Hybe is once again partnering with Geffen Records, a label under Universal Music Group, to launch a new global girl group next year, the company announced Wednesday. This marks the second multinational group to debut under the ongoing collaboration between the two companies. The new project, titled 'World Scout: The Final Piece,' will begin with a large-scale audition tour across Japan. It aims to discover outstanding global talent and form a next-generation girl group for the international music market. According to Hybe and Geffen Records, top scouting teams from Hybe will take the lead in identifying promising trainees with high potential. Those who pass the audition will undergo specialized 'K-pop-style training,' adapted for the US market, from October to December. Selected trainees will then move on to an advanced training camp in the US, where they will compete for a spot in the final debut lineup. The debut is slated for 2026. The entire journey — from auditions to the group's formation — will be exclusively broadcast in the spring of 2026 via Japanese streaming platform ABEMA. 'The program will capture how talented individuals grow while working alongside world-class producers,' Hybe and Geffen Records said in a statement. The move marks the latest phase in Hybe's strategy to globalize K-pop by expanding its production model beyond South Korea. In 2023, the two companies launched the audition program 'The Debut: Dream Academy,' which led to the formation of the multinational girl group Katseye. That project drew wide interest from global viewers, who watched contestants from diverse ethnic and regional backgrounds train and compete under Hybe's K-pop production system — a blueprint previously centered in Korea, but now adapted for the US market. The show became a milestone in exporting the K-pop "DNA" to the global pop mainstream.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store