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Doechii Hits No. 1 For The First Time On Several Charts

Doechii Hits No. 1 For The First Time On Several Charts

Forbes29-04-2025
Doechii's Alligator Bites Never Heal returns to five charts in the U.K., reaching No. 1 for the ... More first time on two of them. ATLANTA, GEORGIA - APRIL 24: Doechii performs onstage during the Uber and Delta SkyMiles partnership celebration at The Eastern on April 24, 2025 in Atlanta, Georgia. (Photo byfor Uber and Delta)
Doechii just keeps getting bigger, seemingly by the day, and Alligator Bites Never Heal is growing by leaps and bounds on the charts. The rising hip-hop superstar's mixtape, which dropped in August 2024, has only picked up steam since its release. Months after winning the Grammy Award for Best Rap Album, the project is still reaching new heights, and this frame, it surges back onto several U.K. rankings – even leading the charge on several rosters.
Alligator Bites Never Heal appears on five U.K. music charts. It didn't land on any of them just a few days ago, though it's also not new to any of the lists. Doechii doesn't just reclaim space on these tallies — she manages a new career best on every single one where her breakout effort can now be found.
Among the five tallies where Alligator Bites Never Heal reappears, two stand out above the rest. This week, the mixtape hits No. 1 on both the Official Vinyl Albums and the Official Hip-Hop and R&B Albums charts. These wins mark Doechii's first-ever No. 1 placements on albums rosters in the U.K.
As if two No. 1s weren't enough, Doechii also earns a pair of top 10 appearances on other tallies. Alligator Bites Never Heal reenters the Official Physical Albums chart at No. 4. Meanwhile, it settles at No. 5 on the Official Albums Sales roster. Both placements are new personal bests for the rapper.
Over on the U.K.'s most competitive album ranking, the Official Albums chart, which blends sales and streaming data, Alligator Bites Never Heal also scores a major new win. The Grammy-winning mixtape reenters at No. 40, and this week marks the first time it's cracked the top 40.
While Alligator Bites Never Heal continues climbing, the set's big single "Denial Is a River' remains on four U.K. charts, helping keep attention focused on the Grammy winner's current era. However, it's an older tune — "Anxiety" — that's managing an even bigger resurgence.
Originally released as a standalone single years ago, "Anxiety" recently went viral, and a brand new music video Doechii dropped to capitalize on its newfound popularity is helping it continue to soar. The Gotye-sampling track is truly thriving in the U.K., appearing on five separate tallies this frame. It even debuts on one and sits comfortably inside the top 10 on four others.
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Samsung Galaxy Watch8 Is Bravo Star Carl Radke's New Favorite Wearable

Forbes

time12 hours ago

  • Forbes

Samsung Galaxy Watch8 Is Bravo Star Carl Radke's New Favorite Wearable

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Almost 20 Years After Katrina, a Filmmaker Visited New Orleans. Everyone Told Her the Same Thing.
Almost 20 Years After Katrina, a Filmmaker Visited New Orleans. Everyone Told Her the Same Thing.

Newsweek

time14 hours ago

  • Newsweek

Almost 20 Years After Katrina, a Filmmaker Visited New Orleans. Everyone Told Her the Same Thing.

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A visitor in New Orleans might frolic around the French Quarter, revel in Mardi Gras culture or get lost in a blues performance. When trying to track down the tastiest jumbo, it is easy to forget the trauma that meanders the Mississippi. But for residents, there is no getting away from the impacts of Hurricane Katrina, which still haunts the city two decades on. Filmmaker Traci A. Curry visited Essence Festival in 2023, a behemoth of Black American culture hosted annually in the city. She soon uncovered a startling truth, uttered by pretty much everyone in New Orleans—from Uber drivers to bartenders. "What was interesting was that all of them said some version of the same thing, which was that for those of us who come to New Orleans as visitors, it looks and feels as the New Orleans we all know. The one of our imagination. It's the Mardi Gras, it's the drinking, it's the food, it's the music. "But for us, they describe this bifurcated experience of the city—of before Katrina and after Katrina, that continues to this day," Curry told Newsweek in an interview at the London pre-screening of the upcoming five-part documentary Hurricane Katrina: Race Against Time, premiering July 27 on National Geographic and streaming July 28 on Disney+ and Hulu. Anthony Andrews and Traci A. Curry during a Q&A event at the London pre-screening of "Hurricane Katrina: Race Against Time". Anthony Andrews and Traci A. Curry during a Q&A event at the London pre-screening of "Hurricane Katrina: Race Against Time". Lydia Patrick/Lydia Patrick It soon became clear to her that the city's recovery is somewhat surface-level. Curry's series—a five-part documentary—peels back the veneer of post‑Katrina New Orleans to reveal the lingering scars. A Man-Made Disaster Most Americans remember the mayhem when Katrina made landfall off Louisiana on August 29, 2005. Broadcasts aired stampedes of people trapped in the Superdome, overhead footage of submerged streets, and looted grocery stores. Now, the storm is memorialized as a "man‑made" disaster, noting the failure of the emergency response and the maintenance of the aging levee system that was supposed to protect the low‑lying neighborhoods from being utterly deluged. Curry told Newsweek: "So many of the things that happened during Katrina and the story that we tell were not things created by the storm. They were things that were revealed and exacerbated by the storm," noting how it disproportionately impacted poorer Black communities. A mandatory evacuation order was put in place; tens of thousands of the city's 480,000 residents fled, but more than 100,000 remained trapped. Many made their way to the Superdome, which descended into unbridled chaos as survivors were left without means to survive. Stranded New Orleans residents gather underneath the interstate following Hurricane Katrina in 2005. Stranded New Orleans residents gather underneath the interstate following Hurricane Katrina in 2005. KTVT - TV/KTVT - TV "When you're talking about class and race and, you know, all these things—so much of the reason that there were so many people left behind is because they could not afford to just because you are working class and don't have money, you are more likely to perish during Katrina," Curry added. A crowd of stranded New Orleans residents are gathered outside of the Superdome following Hurricane Katrina in 2005. A crowd of stranded New Orleans residents are gathered outside of the Superdome following Hurricane Katrina in 2005. ABC News/ABC News The Personal Stories Curry and her team sifted through hundreds of hours of footage to reframe the narrative of Katrina with humanity. Curry explained during a post‑screening Q&A hosted by Anthony Andrews, co-founder of arts company We Are Parable: "I used to be a news producer, and I understand how it goes. If you're on a deadline, you get your shot and go. If you run the same footage of one guy taking the TV over and over, that becomes the story." But she believes something more nefarious took place, too: dangerous stereotypes against Black people were perpetuated, dehumanizing victims of the unfolding tragedy. "There's a pre‑existing narrative about Black people in the U.S.—violence and pathology—that the media can easily lean into. News cycles don't incentivize a nuanced human story," she said. A military helicopter arrives to rescue stranded New Orleans residents in the aftermath of Hurricane Katrina in 2005. A military helicopter arrives to rescue stranded New Orleans residents in the aftermath of Hurricane Katrina in 2005. John Keller/John Keller The Oscar-nominated director counteracted this with personal and individualized footage. "You can either look at footage, look through hundreds of hours and see like shirtless Black men running crazy and say like, 'That's a criminal,' or you say 'that's a human being that's trying to survive' and allow that to inform the storytelling, which is what I and the team did," she explained. "You as the audience member must look into the eyes of the human being." Personal stories include that of Lucrece, a mother trapped in her attic with her children. Her daughter wrote their names on the walls, believing they were going to die. They were rescued by boat, but had to confront her haunting reality, a submerged city. Lucrece Phillips, resident of the 8th Ward at the time of Hurricane Katrina, who shared her harrowing rescue story in the documentary series. Lucrece Phillips, resident of the 8th Ward at the time of Hurricane Katrina, who shared her harrowing rescue story in the documentary series. Disney/National Geographic/Disney/National Geographic "There's a point at which she sees the body of a dead baby in the water. She says, 'Stop the boat, we have to get her.' The man goes, 'We have to focus on the living,'" Curry recalled. Lessons Learned? Fast‑forward 20 years and New Orleans is a city forever etched by disaster. The Lower Ninth Ward was completely decimated by Katrina, and today the area once populated by working‑class Black residents remains largely vacant. "It looks like it just happened," Curry said. "There's footage in the fifth episode we shot last year: block after block of concrete steps leading nowhere—houses that no longer exist. That neighborhood has never recovered." Meanwhile, gentrification has "turbo‑charged" the displacement of the original community, as rising housing costs transform shotgun doubles into Airbnbs with skyrocketing rents. Natural disasters are still having devastating effects. Before production wrapped, Hurricane Helene made landfall in September 2025, causing extreme flooding in Asheville, North Carolina. Crushed vehicles and storm debris sit along the Swannanoa River in a landscape scarred by Hurricane Helene on March 24, 2025, in Asheville, North Carolina. Crushed vehicles and storm debris sit along the Swannanoa River in a landscape scarred by Hurricane Helene on March 24, 2025, in Asheville, North Carolina. AFP/Getty Images "There were different weather events—the fires in Hawaii and Los Angeles. All very different. Katrina was singular in many ways, but we've seen the same contours: a weather event exacerbated by man‑made environmental impacts, an infrastructure unfit to sustain it, and harm that disproportionately affects the most vulnerable. As severe weather worsens with climate change, this will only continue unless we center the needs of the most vulnerable before the storm," Curry warned. Curry added that, while Katrina's impact is New Orleans‑centric, similar inequalities plague other communities—like the predominantly Black "Cancer Alley" upriver, where higher-than-average cancer rates have been blamed on factory pollution, or neighborhoods saddled with heat‑intensive data "server farms" and tainted water. "Katrina's story just has so much to teach us about related issues that are continuing to happen today. I hope people wake up," she added. Highlighting this point is footage of President George W. Bush flying over the apocalyptic scenes of New Orleans. The series cuts in near‑identical footage from 1965's Hurricane Betsy—when the Lower Ninth Ward was submerged similarly—yet that time President Lyndon Johnson came immediately, and emergency operations began at once. Curry notes that the Federal Emergency Management Agency (FEMA), whose response was heavily criticized, has since learned from Katrina and adjusted policies to better serve those most vulnerable before a storm. But today the agency faces significant financial cuts, and its survival hangs in the balance as political pressures threaten to dismantle the system altogether. Yet the bigger story Curry wants to tell—decades on from disaster—is one of community. "Even in the most inhumane conditions, when all of these systems had failed and civil society broke down, these people did not lose their humanity. They held onto it, expressed it through care for one another, and used whatever agency they had to maintain the tight bonds of kinship and community that characterize New Orleans."

Phil Collins' rep sets record straight after rumors of hospice run wild
Phil Collins' rep sets record straight after rumors of hospice run wild

New York Post

time16 hours ago

  • New York Post

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Phil Collins' rep is speaking out about the singer's health. A spokesperson for the 74-year-old Genesis drummer told TMZ Saturday that Collins was hospitalized for knee surgery. The rep also shut down the rumor that Collins was in hospice care. 6 Phil Collins performs in Scotland in Oct. 2021. Redferns The Post has reached out to Collins' rep for comment. Collins has been out of the spotlight since he retired after his final show with Genesis in March 2022. He performed the concert while sitting down due to lingering effects of a spinal injury from 2007. The 'You'll Be In My Heart' singer also has drop-foot, a condition that left him with no sensation in one of his feet. He has used a cane to walk since 2015 after undergoing a spinal procedure. 6 Phil Collins attends the Little Dreams Foundation Gala Press Conference in Miami in 2017. Getty Images 6 Phil Collins seen at BBC Radio 2 in London in March 2020. GC Images In Feb. Collins gave a sad update on his health. 'The thing is, I've been sick. I mean very sick,' Collins shared to MOJO magazine. 'I keep thinking I should go downstairs to the studio and see what happens. But I'm not hungry for it anymore,' the Grammy Award winner added. 6 Phil Collins performs in Berlin in March 2022. Redferns In his 2024 documentary 'Phil Collins: Drummer First,' Collins opened up about how his health issues have left him no longer able to play the drums. 'I've spent all my life playing drums. To suddenly not be able to do that is a shock,' he shared. 6 Phil Collins performs at U Arena in Nanterre, France in March 2022. David Wolff – Patrick 'If I can't do what I did as well as I did it, I'd rather relax and not do anything,' he added. 'If I wake up one day and I can hold a pair of drumsticks, then I'll have a crack at it. But I just feel like I've used up my air miles.' Collins' son, Nic, who followed in his father's footsteps and took up the drums, also spoke about the 'Tarzan' composer's health in the doc. 6 Phil Collins sits court side at a New York Knicks game at Madison Square Garden in 2015. Paul J. Bereswill 'Musicians, people in bands in general had this thought that they were invincible,' said Nic. 'I think that's really what it is with my dad is just this kind of sense of you're a drummer, you're invincible, you do what you do. But you don't know it's gonna take a toll in the long run.' Collins started playing the drums at age 5. He joined Genesis in 1970 and later became the band's lead singer.

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