
Sufi music festival launch in Bradford postponed over India-Pakistan tensions
A launch event for a three-day festival celebrating the spiritual and artistic richness of Sufi culture has been postponed due to tensions between India and Pakistan.The three-day Sufi Music Heritage Festival in Bradford is the culmination of a wider 16-month project which has included workshops with community groups and schools.The sold-out launch event was due to feature a Qawwali performance by acclaimed artist Hamid Ali Naqeebi at Mind the Gap Studios.He was unable to travel back to the UK from Pakistan due to restrictions on international flights because of the ongoing tensions between India and Pakistan, organisers said.
The Sufi Music Heritage Project was launched by Bradford's WomenZone community centre with support from the National Lottery Heritage Fund.Organisers said given the ongoing uncertainty they did not see "airspace restrictions being lifted in the immediate future"."As a result, we have made the difficult decision to reschedule the event to a later date, once we are confident that Hamid will be able to return to the UK and perform."Festival co-ordinator Aamta Tul Waheed said planned events due to take place on Saturday and Sunday would still go ahead.
Sufi music is rooted in a mystical branch of Islam, and often uses soaring singing of classical poetry, traditional instruments and rhythmic clapping to induce a spiritual state in audiences.Qawwali is a devotional Sufi music form from South Asia, featuring powerful vocals and rhythmic drumming. It was popularised in the Western world by legendary singer Nusrat Fateh Ali Khan and has many fans outside of the Indian subcontinent and its global diaspora.
Singer, poet and lyricist Kauser Mukhtar, who is performing as part of the festival over the weekend, said Sufism's "global" messages of community, connection and seeking inner peace "apply to everyone"."People practise it differently and in the South Asian culture it is particularly related to Qawwali singing, to a very strong culture of poetry, but there are also things like Rumi or the whirling dervishes in Turkey."She said it could be "very emotional" to sing literature or poetry written 500 years ago that was still as important and "impactful" as when it was written.Saturday and Sunday's events, held at WomenZone's Hubert Street base, include a youth-led performance, children's crafts, mosaic making, and yoga sessions for families.An open mic event on Sunday invites local voices to share stories and poetry inspired by their cultural roots.
Listen to highlights from West Yorkshire on BBC Sounds, catch up with the latest episode of Look North.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
5 hours ago
- The Guardian
‘We wanted to tell the wider story': play highlights impact of ‘spycops' scandal
There's one moment from the public inquiry into undercover police officers – known as 'spycops' – that sticks in the theatre director Rhiannon White's mind. It was during the questioning of Bob Lambert, an officer who deceived at least four women into sexual relationships in the 1980s, and fathered a child with one of them. 'Lambert's lack of attention to detail was shocking; the whole thing seemed like a process to him. Whereas Belinda Harvey, one of the women, meticulously remembered every single detail of their relationship, every feeling, every thought. She said she was in her early 20s when she met him, and she was basically groomed into activism by him. This is someone whose life was completely turned inside out and upside down by the state. This is someone who was raped by the state.' White, the artistic director of Cardiff and Bradford-based theatre company Common/Wealth, is directing a new play based on the scandal and inquiry. Entitled Demand the Impossible, the play – written by Taylor Edmonds and initially commissioned by National Theatre Wales – interrogates police injustice and the infiltration of more than 1,000 political groups between 1968 and 2010. The play has been developed in close collaboration with campaign groups including Undercover Research Network and Police Spies Out of Lives, drawing on the victims' enormous sense of betrayal and their ongoing fight for justice. 'My own friends who were part of the Cardiff Anarchist Network [CAN] were spied on by the police,' White said. 'My friend Tom Fowler found out his best friend of four years was an undercover copper called Mark 'Marco' Jacobs.' According to CAN, Jacobs took minutes at meetings and made newsletters and banners, but in reality he was gathering intelligence, disrupting the group's activities, and using it to infiltrate other groups, including a European network of activists. 'Tom was frustrated because a lot of people were taking on the spycops story and sensationalising it without talking to the activists involved. So we decided to put on our own play,' White said. 'We wanted to tell the wider story of how activism has been affected. The impact on society has been massive. Some of the changes that historically activists have campaigned for, and which are now enshrined in law, like the right of women to have bank accounts, or animal rights, were slowed down because of the effects of infiltration. The spycops turned people against each other, pulled them apart. 'We also wanted to ask: how do we go beyond that state interruption, to really demand a better world and be defiant with it?' The spycops scandal, one of the most closely guarded secrets in British policing, has been the subject of extensive reporting, spearheaded by the Guardian since 2010. At least 144 undercover officers in deployments typically lasting four years were sent to infiltrate mainly leftwing and progressive groups, and at least four of the undercover officers are known or alleged to have fathered children with women they met during their deployments. Fowler, who hosts the Spycops Info podcast, said it was challenging to express 'how fundamental the impact of the infiltration of progressive social movements has been, not just on the individuals who were targeted but also on society at large. 'We are in Britain all haunted by successive governments' decisions to suppress dissidents on the left and allow the far right to flourish – so much so that through the vetting and the blacklisting, nobody with any serious leftwing credentials gets into any positions of influence within society, whilst those on the right are all around us. 'I really hope the play serves as a glimpse into just how dystopian this country has become,' he added. Demand the Impossible premieres at the Corn Exchange, Newport, from 6 to 13 October 2025.


Times
8 hours ago
- Times
Kite surfer's 30ft jump — and more news in pictures
Andrew Shield making beer at the family-owned World Top Brewery in Driffield, East Yorkshire TIMES PHOTOGRAPHER JAMES GLOSSOP Steve Wheeler, 76, has the largest collection of milk bottles in the UK, having amassed more than 26,000 since the 1980s. He recently admitted he hates milk and hasn't had a glass in 65 years EMMA TRIMBLE/SWNS The Greek army's Apache helicopters send vegetation whirling during a US-led military exercise in Petrochori, northern Greece THANASSIS STAVRAKIS/AP Camels and sheep at a livestock market before the Muslim festival of Eid al-Adha — the Feast of Sacrifice — in Tripoli, Libya XINHUA/REX/SHUTTERSTOCK The Dalai Lama, 89, presides over an event in Dharamshala, India, during which exiled Tibetans gathered to pray for his long life ASHWINI BHATIA/AP The actor Hugh Jackman greeted fans and signed autographs outside Minetta Lane Theatre in New York before riding away on a bicycle BAUER-GRIFFIN/GC IMAGES/GETTY IMAGES Sun conures, also known as sun parakeets, huddle close together at Bird Gardens Scotland in Oxton PHIL WILKINSON Runners compete in the inaugural Annapurna Marathon in Myagdi, Nepal, marking 75 years since the first ascent of the world's tenth-highest peak PRAKASH MATHEMA/AFP/GETTY IMAGES ATTILA KOVACS/EPA ZHOU SHEGEN/XINHUA/ALAMY ROBERT HUGHES/DEVON SEA SAFARI/BNPS Mexican women in traditional attire attend Pope Leo's weekly general audience in St Peter's Square, Vatican City FABIO FRUSTACI/EPA Inmates compete in a boxing tournament at the Central Prison in Sofia, Bulgaria VASSIL DONEV/EPA Dua Lipa performs at the Ziggo Dome in Amsterdam, the Netherlands KRISTY SPAROW/ABA/GETTY IMAGES A photographer is photographed in front of Where Am I Now?, by the Cypriot artist Maria Loizidou, in Liverpool Cathedral, part of the Liverpool Biennial, Britain's largest free contemporary arts festival


The Guardian
12 hours ago
- The Guardian
Come Fall in Love: The DDLJ Musical review – loud, kitsch and joyous
On its release in 1995, Bollywood blockbuster Dilwale Dulhania Le Jayenge (DDLJ to its fans) spawned a new genre of Hindi film. A star-crossed romance about London-dwelling young adults Raj and Simran, the three-hour epic explored the lives of a new generation of diaspora Indians born abroad and navigating changing family values. Thirty years on and DDLJ has become one of the highest grossing Bollywood movies of all time, still screening at the Maratha Mandir cinema in Mumbai. For the many fans used to singing along to its songs on wedding dancefloors, director Aditya Chopra's stage adaptation will come as a surprise. With new music from Bollywood production duo Vishal-Shekhar and an updated story by Mean Girls co-writer Nell Benjamin, Come Fall in Love supplants Punjabi boy Raj with all-English 'Rog' (Roger) to produce a multiracial take on the diaspora tale. The racial dynamics and narrative beats are broad-brushstroke. Billionaire progeny Roger (Ashley Day) is the son of divorced parents and doesn't believe in lasting love, while straight-A student Simran (Jena Pandya) is a second-generation immigrant striving for an immaculate romance while promised to a family friend in Punjab. The pair are an unlikely couple, until they find themselves Interrailing around Europe and sparks fly. So far, so predictable. Yet, Day and Pandya have an undeniable chemistry, flitting around one another with nimble coyness and furtive passion, leaving the audience rooting for their inevitable love. Rob Ashford and Shruti Merchant's choreography is equally engrossing, making full use of the ensemble cast to dart around and leap over Derek McLane's intricate set, while standout solo performances come from Kinshuk Sen as clowning fiancee Kuljit and Kara Lane as Rog's mother, Minky, in the raucous number Hot and Independent and Hot. Vishal-Shekhar's bhangra, reggae and disco music may not reach the melodramatic peaks of the original film's yearning melodies but closing number Holi Hai is infectiously celebratory, leaving the audience on their feet. It is testament to the fact that while Come Fall in Love isn't the most nuanced or complex investigation of diaspora identity, it is joyously loud and kitsch, expertly embodying the tenets of the Bollywood art form. At Manchester Opera House until 21 June