
Cadar celebrates its 10th anniversary, unveils The Golden Moment
Titled 'Cadar The Golden Movement,' the book was unveiled recently in New York as a finely printed history of a unique marque. It appears just weeks before the happening brand debuts its first flagship store in the city.
Movement has always been at the heart of Cadar's DNA, underlined by the book's cover which features a hologram of its yellow gold Feather Drop earrings, gently swaying and transforming from a vertical line to an S shape. The imagery links back to Michal's earliest childhood memories of sunset gardens and the last rays on the Mediterranean at Tel Aviv, where her parents moved to from Libya, via Italy.
A graduate of Alber Elbaz ' alma mater Shenkar College, Michal developed her own successful fashion label before moving to the US and meeting her husband Avraham Kadar. Frustration at not finding a suitable engagement ring led her to design her own – a canny yellow gold TU Ring, created with different 'jackets' over a solitaire white diamond to better express the different moods and moments of life.
That began a decade-long journey, which The Golden Moment subtly recounts. Michal debuted a series of collections including Light, where adaptable TU rings and drop earrings gently twist in the wind. This was followed by Water, where a choker necklace comes in small rivulets of gold, and earrings appear composed like gold droplets. The Water collection's cocktail rings feature interlinked semi circles of white and black diamonds, allowing the ring to assume multiple silhouettes.
All told, Michal has now created over a dozen collections, such as Bloom, an elegant series of floral shaped bracelets studded in diamonds. Bloom also includes a cocktail ring, where its white diamond seems to blossom like a bud. Later collections boast names like Endless, Psyche, Feather, Fur, and Origin – all featured in special chapters throughout the book.
These collections are chronicled all the way to Python, whose sinuous shapes glide snakelike around wrist, neck and nape; and Essence, whose section hoop earrings and lariat necklaces evoke the gilded glory of Gustave Klimt's 1909 painting The Tree of Life.
'When I design jewellery, I channel all of my history and heritage into the process, reimagining gold as a luxurious fabric, caressing and comfortable, that can constantly adapt to the wearer,' Michal explains in her introduction.
Each chapter is accompanied by artworks that inspired the designer – like Man Ray's iconic image Glass Tears of 1932. This hints at Cadar's Reflections cocktail ring, shaped like an almond eye with its lids dusted in diamonds, or the remarkable Reflections Statement Chandelier necklace, featuring droplets of white and black diamonds which the photographer would surely have loved.
Michal's designs have won multiple plaudits and prizes. In 2016, Michal received the prestigious Fashion Group International 'Rising Star' award for fine jewellery. The following year, Cadar garnered 'Best in Gold' at Couture, the expansive trade show in Las Vegas that is the heartbeat of the jewellery industry in North America. In 2018, Cadar nabbed 'Gold Design of the Year" in the inaugural Town & Country Magazine Jewelry Awards. Her blend of nature, haute gamme artisans, and artistry has clearly struck a chord.
Works by Degas, Yirawala, Leonardo Da Vinci, and Katsushika Hokusai illustrate The Golden Moment, which was printed in Italy with layout by Construct London. Moreover, images of the Chrysler Building and 19th century maps of New York are reflected in Cadar's geometric designs, seen in rectangular hoop earrings or pyramidical rings and bracelets in its Foundation collection. Crisp photography by Dudi Hasson underlines the sheer quality of Cadar's jewellery, designed in New York and primarily produced by top-level artisans in Italy.
Beside its special, undulating sense of movement, or sense of second skin adornment, Michal's jewellery often seems alive with the sense of nature's beauty. Whether it's her rose-gold Fur cocktail ring, sprouting delicate tendrils topped by tiny diamonds, or a fantastic Flora Statement choker, with diamonds seemingly sewn into golden lace shaped like a zinnia petal.
The book culminates with Michal's Home collection, and her most personal creations, from Shell rings that can open and close, to Shell charm necklaces. This brings the designer back full circle to collecting shells on the beach with her father.
Very much a brand on the move, Cadar will open its debut flagship this fall in The Meatpacking District, on one of Manhattan's most happening corners – 13th Street and Washington. Cadar currently retails in some 40 high-end stores in the US, from Bergdorf Goodman and Wilkes Bashford in San Francisco to the Four Seasons in Florida and Neiman Marcus in Newport Beach.
Next year, Michal plans a major international expansion for Cadar which, judging from the remarkable The Golden Movement, augurs extremely well for the future.
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Fashion Network
6 days ago
- Fashion Network
Cadar celebrates its 10th anniversary, unveils The Golden Moment
An elegant new book celebrating the 10th anniversary of the jewellery brand Cadar provides timely recognition of its founder Michal Kadar's unique talent and skill as a unique creator of emotive ornamentation. Titled 'Cadar The Golden Movement,' the book was unveiled recently in New York as a finely printed history of a unique marque. It appears just weeks before the happening brand debuts its first flagship store in the city. Movement has always been at the heart of Cadar's DNA, underlined by the book's cover which features a hologram of its yellow gold Feather Drop earrings, gently swaying and transforming from a vertical line to an S shape. The imagery links back to Michal's earliest childhood memories of sunset gardens and the last rays on the Mediterranean at Tel Aviv, where her parents moved to from Libya, via Italy. A graduate of Alber Elbaz ' alma mater Shenkar College, Michal developed her own successful fashion label before moving to the US and meeting her husband Avraham Kadar. Frustration at not finding a suitable engagement ring led her to design her own – a canny yellow gold TU Ring, created with different 'jackets' over a solitaire white diamond to better express the different moods and moments of life. That began a decade-long journey, which The Golden Moment subtly recounts. Michal debuted a series of collections including Light, where adaptable TU rings and drop earrings gently twist in the wind. This was followed by Water, where a choker necklace comes in small rivulets of gold, and earrings appear composed like gold droplets. The Water collection's cocktail rings feature interlinked semi circles of white and black diamonds, allowing the ring to assume multiple silhouettes. All told, Michal has now created over a dozen collections, such as Bloom, an elegant series of floral shaped bracelets studded in diamonds. Bloom also includes a cocktail ring, where its white diamond seems to blossom like a bud. Later collections boast names like Endless, Psyche, Feather, Fur, and Origin – all featured in special chapters throughout the book. These collections are chronicled all the way to Python, whose sinuous shapes glide snakelike around wrist, neck and nape; and Essence, whose section hoop earrings and lariat necklaces evoke the gilded glory of Gustave Klimt's 1909 painting The Tree of Life. 'When I design jewellery, I channel all of my history and heritage into the process, reimagining gold as a luxurious fabric, caressing and comfortable, that can constantly adapt to the wearer,' Michal explains in her introduction. Each chapter is accompanied by artworks that inspired the designer – like Man Ray's iconic image Glass Tears of 1932. This hints at Cadar's Reflections cocktail ring, shaped like an almond eye with its lids dusted in diamonds, or the remarkable Reflections Statement Chandelier necklace, featuring droplets of white and black diamonds which the photographer would surely have loved. Michal's designs have won multiple plaudits and prizes. In 2016, Michal received the prestigious Fashion Group International 'Rising Star' award for fine jewellery. The following year, Cadar garnered 'Best in Gold' at Couture, the expansive trade show in Las Vegas that is the heartbeat of the jewellery industry in North America. In 2018, Cadar nabbed 'Gold Design of the Year" in the inaugural Town & Country Magazine Jewelry Awards. Her blend of nature, haute gamme artisans, and artistry has clearly struck a chord. Works by Degas, Yirawala, Leonardo Da Vinci, and Katsushika Hokusai illustrate The Golden Moment, which was printed in Italy with layout by Construct London. Moreover, images of the Chrysler Building and 19th century maps of New York are reflected in Cadar's geometric designs, seen in rectangular hoop earrings or pyramidical rings and bracelets in its Foundation collection. Crisp photography by Dudi Hasson underlines the sheer quality of Cadar's jewellery, designed in New York and primarily produced by top-level artisans in Italy. Beside its special, undulating sense of movement, or sense of second skin adornment, Michal's jewellery often seems alive with the sense of nature's beauty. Whether it's her rose-gold Fur cocktail ring, sprouting delicate tendrils topped by tiny diamonds, or a fantastic Flora Statement choker, with diamonds seemingly sewn into golden lace shaped like a zinnia petal. The book culminates with Michal's Home collection, and her most personal creations, from Shell rings that can open and close, to Shell charm necklaces. This brings the designer back full circle to collecting shells on the beach with her father. Very much a brand on the move, Cadar will open its debut flagship this fall in The Meatpacking District, on one of Manhattan's most happening corners – 13th Street and Washington. Cadar currently retails in some 40 high-end stores in the US, from Bergdorf Goodman and Wilkes Bashford in San Francisco to the Four Seasons in Florida and Neiman Marcus in Newport Beach. Next year, Michal plans a major international expansion for Cadar which, judging from the remarkable The Golden Movement, augurs extremely well for the future.


Fashion Network
6 days ago
- Fashion Network
Cadar celebrates its 10th anniversary, unveils The Golden Moment
An elegant new book celebrating the 10th anniversary of the jewellery brand Cadar provides timely recognition of its founder Michal Kadar's unique talent and skill as a unique creator of emotive ornamentation. Titled 'Cadar The Golden Movement,' the book was unveiled recently in New York as a finely printed history of a unique marque. It appears just weeks before the happening brand debuts its first flagship store in the city. Movement has always been at the heart of Cadar's DNA, underlined by the book's cover which features a hologram of its yellow gold Feather Drop earrings, gently swaying and transforming from a vertical line to an S shape. The imagery links back to Michal's earliest childhood memories of sunset gardens and the last rays on the Mediterranean at Tel Aviv, where her parents moved to from Libya, via Italy. A graduate of Alber Elbaz ' alma mater Shenkar College, Michal developed her own successful fashion label before moving to the US and meeting her husband Avraham Kadar. Frustration at not finding a suitable engagement ring led her to design her own – a canny yellow gold TU Ring, created with different 'jackets' over a solitaire white diamond to better express the different moods and moments of life. That began a decade-long journey, which The Golden Moment subtly recounts. Michal debuted a series of collections including Light, where adaptable TU rings and drop earrings gently twist in the wind. This was followed by Water, where a choker necklace comes in small rivulets of gold, and earrings appear composed like gold droplets. The Water collection's cocktail rings feature interlinked semi circles of white and black diamonds, allowing the ring to assume multiple silhouettes. All told, Michal has now created over a dozen collections, such as Bloom, an elegant series of floral shaped bracelets studded in diamonds. Bloom also includes a cocktail ring, where its white diamond seems to blossom like a bud. Later collections boast names like Endless, Psyche, Feather, Fur, and Origin – all featured in special chapters throughout the book. These collections are chronicled all the way to Python, whose sinuous shapes glide snakelike around wrist, neck and nape; and Essence, whose section hoop earrings and lariat necklaces evoke the gilded glory of Gustave Klimt's 1909 painting The Tree of Life. 'When I design jewellery, I channel all of my history and heritage into the process, reimagining gold as a luxurious fabric, caressing and comfortable, that can constantly adapt to the wearer,' Michal explains in her introduction. Each chapter is accompanied by artworks that inspired the designer – like Man Ray's iconic image Glass Tears of 1932. This hints at Cadar's Reflections cocktail ring, shaped like an almond eye with its lids dusted in diamonds, or the remarkable Reflections Statement Chandelier necklace, featuring droplets of white and black diamonds which the photographer would surely have loved. Michal's designs have won multiple plaudits and prizes. In 2016, Michal received the prestigious Fashion Group International 'Rising Star' award for fine jewellery. The following year, Cadar garnered 'Best in Gold' at Couture, the expansive trade show in Las Vegas that is the heartbeat of the jewellery industry in North America. In 2018, Cadar nabbed 'Gold Design of the Year" in the inaugural Town & Country Magazine Jewelry Awards. Her blend of nature, haute gamme artisans, and artistry has clearly struck a chord. Works by Degas, Yirawala, Leonardo Da Vinci, and Katsushika Hokusai illustrate The Golden Moment, which was printed in Italy with layout by Construct London. Moreover, images of the Chrysler Building and 19th century maps of New York are reflected in Cadar's geometric designs, seen in rectangular hoop earrings or pyramidical rings and bracelets in its Foundation collection. Crisp photography by Dudi Hasson underlines the sheer quality of Cadar's jewellery, designed in New York and primarily produced by top-level artisans in Italy. Beside its special, undulating sense of movement, or sense of second skin adornment, Michal's jewellery often seems alive with the sense of nature's beauty. Whether it's her rose-gold Fur cocktail ring, sprouting delicate tendrils topped by tiny diamonds, or a fantastic Flora Statement choker, with diamonds seemingly sewn into golden lace shaped like a zinnia petal. The book culminates with Michal's Home collection, and her most personal creations, from Shell rings that can open and close, to Shell charm necklaces. This brings the designer back full circle to collecting shells on the beach with her father. Very much a brand on the move, Cadar will open its debut flagship this fall in The Meatpacking District, on one of Manhattan's most happening corners – 13th Street and Washington. Cadar currently retails in some 40 high-end stores in the US, from Bergdorf Goodman and Wilkes Bashford in San Francisco to the Four Seasons in Florida and Neiman Marcus in Newport Beach. Next year, Michal plans a major international expansion for Cadar which, judging from the remarkable The Golden Movement, augurs extremely well for the future.


Fashion Network
07-07-2025
- Fashion Network
Brazilian Enzo Peres Perederko wins Bloom competition at Portugal Fashion
Enzo Peres Perederko, a Brazilian from São Paulo, of Spanish descent through his mother and Ukrainian through his father, is the winner of the new Bloom competition (PWD by Salsa Jeans), benefiting from the mentoring of the Marques'Almeida duo, especially as a final year student at ESAD in Matosinhos. However, Portugal Fashion's Bloom, which reveals young talent, is now in the hands of Marta Marques and Paulo Almeida from the British label Marques'Almeida (M'A), who presented their pre-fall and fall-winter collections in Douro vineyards on the first day of the catwalk in Porto. Peres Perederko walked the catwalk barefoot, handing his boots to a model who was left without shoes by an unforeseen casting event. Let's face it: a good start for insolently marking his territory by chance (and not exactly by calling attention to himself), "connecting with the land," as he says he likes, on the catwalk that took him to the podium of the Old Vasco da Gama Canning Factory, in Matosinhos. And where an honorable mention was also awarded to Vânia Oliveira. Enzo came to Portugal three years ago to study at ESAD and plans to stay in the country to continue developing his label and enjoy the award as the winner of Bloom 2025, which includes a paid professional internship at Salsa Jeans, a postgraduate degree in Fashion Management at Católica Porto Business School, access to technical mentoring, specialist communication advice from Showpress and a cash prize of 2,450 euros. spoke to Peres Perederko after the show on Thursday, and later at a chance meeting in the atelier of the Portuguese-British duo Ernest W. Baker, who had just arrived from Paris to close the third day of the Portugal Fashion Experience, in Porto's Corujeira square. And where it was possible to get a closer look at the wonderful, well-finished tailoring that the Porto brand has been accustoming us to, including the introduction of a new color, green, as well as patterns with flowers and zebra stripes, Inês Amorim, whom her partner Reid Baker favors for interviews, told us during the event. Fashion Network: Do you have any plans for after this award you received as soon as you finished your degree? Enzo Peres Perederko: For the time being, I want to do the next collection and manage the award at the same time, in Portugal. But I'm open to all possibilities. FN: Also with your feet on the ground, like at the end of the show? EPP: I bowed with my feet on the ground because a model had to wear my boots. The casting was changed and a size 42 model came in and I only had women's shoes. I had to give up mine and went barefoot. FN: Did the model belong to this collection? EPP: Yes, they are boots that belong to this collection. FN: So are you going to stay in Portugal? EPP: For the time being, yes. I'm open to opportunities. I go where my intuition takes me. FN: How long have you been in Portugal? EPP: I came three years ago to finish university. I just finished my degree at ESAD. FN: Why ESAD? EPP: In Porto, it was the only school that had a degree in the area and I needed a university that would give me residency and it was the right fit. FN: How important are these competitions for young designers to Enzo? EPP: It's a driving force. For someone who's always had this dream and this desire, it's very important because they present us with a fashion show with an autonomous professional team, and we just worry about the clothes and bringing an interesting image and getting the idea out there, as well asnetworking. FN: What are you looking forward to now? EPP: I have a very interesting message to say. As I said before, I consider myself a clumsy, out-of-place person and I think that fashion is my comfort point. Now, with the award, I'm going to make the next collection. This was "Genêsis 01", now I'm going to do "02" and so on. FN: And what is the inspiration for this collection? EPP: It's the origin. I looked for origins in classic pieces of men's and women's clothing. I like to play with androgyny, and it's the origin of deconstructing and re-constructing these pieces that are all unconventional. They can be worn in different ways and I look for this questioning in myself when making the pieces. Taking a shoulder off here and putting it on there, playing with creativity. FN: Have these influences always been around? EPP: Yes, I'm from São Paulo, a fashion city. The influences are always there. In Brazil, clothing is very different, people dress differently, there's no winter and I'm fascinated by new things. I'd never worn a classic coat in my life before I left Brazil. I'm fascinated by clothes and it's all very new to me. I'm deconstructing and making my universe in my own way FN: How many looks did you present? EPP: I presented five looks, although the collection originally had eight androgynous looks. FN: What did you choose in terms of fabrics? EPP: Classic tailoring and shirting fabrics. I used cuts that aren't very traditional for tailoring and shirting, I also used denim from Troficolor, which wasn't sponsored but the denim is fantastic. I get a lot of materials from stocks. They're not always Portuguese, so I explore.