Sir Ian Mune in End of the Golden Weather at new Court Theatre
The brand new long awaited home for The Court Theatre officially opens Saturday May 3 in Otautahi Christchurch. It is an impressive $61.4 million purpose-built home for New Zealand's largest professional theatre company. The new space features a 379 seat main auditorium and a second 150 seat theatre. It's a significant moment for the city: this major production house has been in temporary lodgings in a shed in Addington since the 2010 and 2011 earthquakes. Centre mainstage for the opening production is one of Aotearoa New Zealand's most beloved actors, directors and writers for theatre, film and television. Sir Ian Mune. He was knighted in 2024 in recognition of a 60-year career. Involved in our professional theatre since 1964, Sir Ian gained further attention when he co-wrote seminal film hits Goodbye Pork Pie and Sleeping Dogs in the 1970s, and went on to direct Came a Hot Friday in the 1980s, to name just a few iconic works. It's a work he adapted from stage to screen as a director in 1992 that sees him on the new Court stage. Sir Ian Mune is narrator in End of the Golden Weather, Bruce Mason's classic solo play, adapted as a full cast version by Raymond Hawthorne. Another great senior theatre figure, Hawthorne died on the fifth of April. End of the Golden Weather is a coming of age story imbrued with nostalgia for a New Zealand childhood summer spent at the beach. That idyll plays out as the realities of the outside world and approaching adulthood start to seep in. Culture 101's Mark Amery spoke with Sir Ian Mune during rehearsals this week and began with a reading of the play's famous opening scene setter.
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NZ Herald
9 hours ago
- NZ Herald
Does A Dog's Show really need a movie? Glenn Dwight
And while The Simpsons Movie gave us Spider-Pig, it also gave us 90 minutes of something we used to enjoy in 22. Still, perhaps a sheepdog trial epic will break the curse. This announcement has already shaken the rural entertainment scene. It's a scene that, until now, has been dominated by the Kiwitahi Little Theatre's production of The Rocky Horror Picture Show and the scandal that erupted when Old Man Ian turned up in fishnets and a suspiciously well-fitting corset. Now, we risk seeing stock agents moonlighting as talent agents, wandering paddocks with iPhones, angling for the perfect light to capture the next big woolly breakout star. 'She's got something,' they'll whisper, watching a ewe blink slowly into the wind, 'Bit of a young Meryl about her'. Welcome to Woollywood. Of course, the casting team will likely stick with local legends. Dogs called Jess, Pip, Meg, Boss and maybe a young upstart named Flash who's got a bit of attitude but a good heart. These are proper working dogs. Dogs who know that the sound of a tailgate opening means it's time to get serious. Dogs that can move three stubborn ewes across a muddy paddock using only eye contact and Chiefs mana. And speaking of ewes, they'll need to bring their A-game. This film isn't just about the dogs. Expect strong supporting roles from Meryl Sheep, Wool Smith, Ewen McGregor, and, if we're lucky, Judi Drench as the old ewe who refuses to budge through the final gate. Plot-wise, it almost writes itself. An ageing triallist and their trusty dog take one last shot at glory. There's a wise neighbour who only speaks in parables. A grumpy rival from across the valley. A sheep that goes rogue and causes chaos at regionals. A moment of quiet in the mist, the handler gives a nod, the dog swings wide. The crowd holds its breath. The music swells. You'll laugh. You'll cry. It's Top Gun with more wool and less volleyball. Instead of shirtless Tom Cruise flexing under the sun, you'll get a retired shepherd oiling his gate hinges while muttering, 'Used to be better dogs in my day'. Naturally, the soundtrack needs to come from Dave Dobbyn. You'll hear the first chord and know deep down, this is the moment it all comes together. And yes, you'll cry again. And if you're picturing glitzy city premieres, think again. The first screening won't be in a theatre with valet parking and a flute of French bubbles. It'll be in a woolshed in Waimate or Waipukurau. Hay bales for seating. Fairy lights strung around the drafting pen. A local MC who also doubles as the projectionist. The catering will be classic. Sausage rolls (pork, of course – anything lamb-based would be offensive to the cast). Cheese rolls, crisp and curling at the edges. Tux biscuits tipped out into ice cream containers. Someone's mum pouring instant coffee into polystyrene cups. And the only bubbles will be cask wine mixed with SodaStream. Dress code? Formal farmwear: Harlequin shorts, a fleece without visible holes and gumboots that have had the worst of the mud hosed off. No limousines – just a tidy row of Hiluxes with a minimum of 300,000km on the clock. Just broken in, really. And there'll be no concrete cowboys in freshly pressed jeans, RM Williams boots and North Face puffers that have never seen a real frost. Not tonight. This premiere is for the real farmers, not the spreadsheet warriors. And if it works —who knows what comes next? Country Calendar: The Movie. Woolly Valley V: The Flystrike's Back. We could see the birth of an entire Farm Cinematic Universe, our Marvel Universe. But right now, it's all about the dogs. The ones who've been doing Oscar-worthy work for decades without asking for applause. The ones who'll give you 110% and still act like they've let you down. The ones who work through rain, hail or thunder – although they'll accept a triangle biscuit and a scratch under the collar for their efforts. So that's how I see the A Dog's Show movie going … But will I go and see it? Probably not. Because for me, A Dog's Show belongs on a Sunday night. On the telly. With a cup of tea and a couple of gingernuts. It needs to stay a bit grainy, a bit unpredictable, like that one ewe who just refuses to be bossed around. You know the one. It bolts right past the gate, straight into the crowd, trailling glory and defiance in equal measure. And that's exactly why I love it the way it was. Not the Woollywood remake.


Otago Daily Times
30-07-2025
- Otago Daily Times
‘Remarkable' award honours roots
Sir Ian Taylor says he has only been able to join the likes of Walt Disney in receiving a global innovation award because he set up his company in Dunedin. Sir Ian (Ngāti Kahungunu, Ngāti Pahauwera) has been awarded the Society of Motion Picture & Television Engineers' (SMPTE) global progress medal for his decades-long leadership and technological innovation in animation and sports production. Previous winners of the progress medal include Walt Disney (1940) and Ray M Dolby (1983). It is not awarded every year. Sir Ian founded technology and animation company Animation Research Ltd, known for its work in computer-generated imagery and virtual reality applications, in 1990. He was proud the company's sports division, Virtual Eye, was a sports graphics company people had never heard of — "because our clients' stories have always been more important to us than our own". "I come in here every day and am blown away by what they do and I've done that for 35 years. "That excitement has never dimmed, not because of me, but because of what I see happening here." He initially thought an email telling him of the award was a scam and it was a "remarkable" feeling when he realised it was legitimate. The medal also recognised Dunedin, he said. "I don't think I could have done this anywhere else." Head and founder of Animation Research Sir Ian Taylor (centre), of Dunedin, has been awarded the Society of Motion Picture & Television Engineers' global progress medal for his decades-long leadership and technological innovation in animation and sports production. He is seen here with Paul Sharp (left) and Craig McNaughton, senior developers at Virtual Eye, the sports division of the company. Photo: Gerard O'Brien The company had been set up in the city on the basis "we weren't ever leaving". "There's a Māori saying, a Māori whakatauki, which in English is, 'the footsteps we lay down in our past create the paving stones of where we stand today'. "And in that Māori world view, the footsteps are always in front of us, so we always see out there." Virtual Eye's success was an example of that kaupapa, which the city should continue to embrace, Sir Ian said. "Because I think one of the reasons we may have got this award was when you look at what we've done, nearly all of it is a world first, and it came out of the city of firsts. "All of the acknowledgments and awards, I've just been the luckiest person on the planet to be in the right place at the right time. "The one that gets to stand out the front and say thanks. But I'm saying thanks for all of us." SMPTE Oceania chairman Paul Whybrow said Sir Ian was "a humble leader" and a great supporter of the organisation's Oceania branch. "We feel so proud that an innovator from the Oceania region can make such a global impact for sports fans over decades." Sir Ian's award was recognised in Sydney last night and he will be given the award in October at the SMPTE Media Technology Summit in Pasadena, California.

RNZ News
27-07-2025
- RNZ News
Exploring decades of Banksy's iconic images
culture arts about 1 hour ago Banksy's street art and graffiti is some of the most recognisable and iconic images of the modern art world. Although his work started in the 90s in Bristol, Banksy's identity remains a mystery. Synonymous with public stunts and pop-up events, his art is also often perceived as free. But is it? The Art of Banksy has landed in Auckland - after touring around the world and brings together prints, sculptures and images of the aritsts' work from over three decades from collectors and those who've been gifted his art. Curator and producer Michel Boersma spoke to Culture 101 about what audiences will gain from the experience and discusses whether Banksy's art is 'free'.