logo
William Finn, Broadway composer known for Tony Award-winning 'Falsettos,' dies at 73

William Finn, Broadway composer known for Tony Award-winning 'Falsettos,' dies at 73

USA Today08-04-2025

William Finn, Broadway composer known for Tony Award-winning 'Falsettos,' dies at 73
Theater composer and lyricist William Finn, best known for his work on the Tony Award-winning musical "Falsettos," has died. He was 73.
The acclaimed playwright died Monday following a battle with pneumonia, Finn's literary agent, Ron Gwiazda, confirmed to USA TODAY on Tuesday.
He made his off-Broadway debut in 1979 with the one-act musical "In Trousers," a loosely autobiographical piece about a man named Marvin who struggles with his queer sexuality. The show spawned two sequels, 1981's "March of the Falsettos" and 1990's "Falsettoland."
Finn graduated to Broadway in 1989 with the musical "Dangerous Games," for which he composed the lyrics alongside Argentinian arranger Ástor Piazzolla. His breakthrough came three years later with 1992's "Falsettos," a sung-through musical that combines the stories of "March of the Falsettos" and "Falsettoland."
The emotional musical, which takes inspiration from the AIDS epidemic of the 1980s, won Finn a pair of Tony Awards for best original score and best book of a musical.
"I hope it's a show that will rise above the horribleness of the time," Finn told the Lincoln Center Theater in 2016. "Do you not want to see 'Angels in America' again because it's about a horrible time?"
Finn's other works include "The Sisters Rosensweig," "A New Brain," "Love's Fire" and "The 25th Annual Putnam County Spelling Bee," the latter of which was nominated for best original score at the 2005 Tony Awards.
The playwright's final show, "The Royal Family of Broadway," premiered in 2018 at the Barrington Stage Company in Finn's home state of Massachusetts. The musical was an adaptation of the 1927 play "The Royal Family" by George S. Kaufman and Edna Ferber.
Val Kilmer died of pneumonia: How does the common illness turn deadly?
'I like to write songs that tell you the story of a life in three or four minutes'
In February 1952, Finn was born in Boston to Jason and Barbara Finn, and the Jewish couple raised him in the neighboring town of Natick, Massachusetts. Finn developed an early love for the world of musical theater, dancing around his family's living room to the Frank Loesser-penned "Guys and Dolls."
"I was always interested in the theater and just gravitated there," Finn previously told The Cultural Critic. "And I was always smart, so my parents figured I wasn't doing anything stupid, and they were supportive. I must have been an obnoxious child, always singing and always — well, dancing is not the word. Moving is more accurate."
During his adolescence, Finn took up the guitar after receiving the instrument as a gift for his bar mitzvah, per The Cultural Critic. Inspired by folk singer-songwriters such as Joni Mitchell and Simon & Garfunkel, the self-taught musician began writing his own songs and later learned the piano.
Michael Hurley dies: Singer known as 'Godfather of freak folk' was 83
Finn honed his craft as a theatrical composer while attending Williams College in Williamstown, Massachusetts, where he wrote three musicals and studied the work of college alumnus and Broadway icon Stephen Sondheim, according to his interview with the Lincoln Center Theater.
"When I began to get personal, my songs got better," Finn told The Cultural Critic. "I like to write songs that tell you the story of a life in three or four minutes, where a panoply of emotions is expressed, and also where real craft is demonstrated."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Weinstein jury still has one charge to go after partial verdict in sex crimes retrial
Weinstein jury still has one charge to go after partial verdict in sex crimes retrial

Boston Globe

time2 hours ago

  • Boston Globe

Weinstein jury still has one charge to go after partial verdict in sex crimes retrial

The group was stuck on the third charge: a rape accusation involving a woman who also said she had a consensual relationship with the Oscar-winning producer. Under New York law, the third-degree rape charge carries a lesser penalty than the other two counts. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Weinstein denies all the charges. In an unusual exchange with the judge during some legal arguments before the partial verdict was disclosed Wednesday, he insisted it was unfair to continue the trial after two jurors came forward with concerns about the proceedings. Advertisement 'I can't be judged by a situation that's going on like this,' said Weinstein, 73, saying the judge was 'endangering' him. Jury-room strains started leaking into public view Friday, when a juror asked to be excused because he felt another was being treated unfairly. Then Monday, the foreperson complained that other jurors were pushing people to change their minds and talking about information beyond the charges. Advertisement The man raised concerns again Wednesday. In a closed-door discussion with prosecutors, defense lawyers and the judge, the foreperson said another juror was yelling at him for sticking to his opinion and at one point vowed, 'You going to see me outside.' 'I feel afraid inside there,' the foreperson told the judge and attorneys, according to a transcript. The judge sent the jury home for the day after the partial verdict, but the foreperson later asked to come back and recapped his concerns to Farber in court. The foreperson said he was willing to return Thursday, with Farber saying the man wouldn't be forced to go into the jury room if he didn't want to. It's unclear how deliberations could proceed if that happens, and it's equally uncertain what the court would then do. Weinstein's initial conviction five years ago seemed to cement the downfall of one of Hollywood's most powerful men in a pivotal moment for the #MeToo movement against sexual misconduct. But that conviction was overturned last year, and the case was sent back for retrial in the same Manhattan courthouse. Weinstein's accusers said he exploited his Tinseltown influence to dangle career help, get them alone and then trap and force them into sexual encounters. His defense portrayed his accusers as Hollywood wannabes and hangers-on who willingly hooked up with him to court opportunity, then later said they were victimized to collect settlement funds and #MeToo approbation. Miriam Haley, the producer and production assistant whom Weinstein was convicted — twice, now — of sexually assaulting, said outside court Wednesday that the new verdict 'gives me hope.' Accuser Kaja Sokola also called it 'a big win for everyone,' even though Weinstein was acquitted of forcibly performing oral sex on her when she was a 19-year-old fashion model. Her allegation was added to the case after the retrial was ordered. Advertisement The third accuser, Jessica Mann, was still waiting for an outcome. The hairstylist and actor testified for days — as she did in 2020 — about the rape she said she endured in a Manhattan hotel room and about why she continued to see and have consensual encounters with Weinstein afterward. 'Rape can happen in relationships — and in dynamics where power and manipulation control the narrative," Mann said in a statement Wednesday. Weinstein also was convicted of raping another woman in California. He's appealing that conviction. The Associated Press generally does not name people who say they have been sexually assaulted, unless they agree to be identified. Haley, Mann and Sokola did so.

‘Angry Alan' review: A commanding John Krasinski takes on YouTube in compelling off-Broadway play
‘Angry Alan' review: A commanding John Krasinski takes on YouTube in compelling off-Broadway play

New York Post

time3 hours ago

  • New York Post

‘Angry Alan' review: A commanding John Krasinski takes on YouTube in compelling off-Broadway play

Theater review ANGRY ALAN 85 minutes with no intermission. At Studio Seaview, 305 W. 43rd Street. For nine years, audiences grew to love John Krasinski's mild-mannered Jim on 'The Office': His half-grins, dry confessionals, knowing glances at Pam. Jim was one of TV's nicest guys. And that's what makes the puppy-dog actor's casting in Penelope Skinner's engrossing play 'Angry Alan,' which opened off-Broadway Wednesday at the brand-spankin'-new Studio Seaview, so shrewd. There's instantaneous affection for Krasinski's divorced dad character Roger, sight unseen. In director Sam Gold's production — a rapid-fire slideshow of a man unraveling — he even lives in a sit-com-like shoebox house. After a short honeymoon phase, our devotion to Roger is repeatedly tested, tensely, as the normal-at-first dude grows darker and becomes obsessed with frightening ideologies in a warped corner of the internet. Like watching a terrible news story, we quietly wonder if the same unfortunate fate could befall someone emotionally struggling in our own lives. Freakier still, it absolutely can. Roger has a lot of reasons to be unhappy. His teen son barely speaks to him, an artsy girlfriend has been distant after meeting new like-minded friends and he's landed a job at a grocery store since getting let go from a lucrative gig at AT&T. The downcast dad finds some solace in 'Angry Alan,' a YouTuber who rails online about men being given the old heave-ho by what he believes is now a women-run world. 3 John Krasinski plays Roger in 'Angry Alan.' Jonny Cournoyer Initially, Rog's takeaways from the channel are innocent enough: That more men are depressed today; that fewer are graduating from college; that being a provider is an unnecessarily burdensome male stereotype. But the rhetoric fast turns violent, rage-filled and all-consuming. Those early sparks of sweet Jim are soon snuffed out. Roger still wrings out a laugh here and there, but with increasing discomfort. He pours all his time and cash into 'Angry Alan.' He's glued to his screen constantly and attends a messed-up convention with weirdos in Detroit. He stops paying child support. He keeps damaging secrets from his girlfriend. Eventually Roger's gross jokes make us squirm in our seats. The ever-shifting part takes full advantage of Krasinski's naturally positive vibe, which adds complexity to a chatty fellow who could easily be a pain in the ass. The actor also reveals an unexpected magnetism that TV kept under a bushel. 3 Roger's life unravels after he discovers a charismatic and controversial YouTuber. Jonny Cournoyer Krasiniski is a much more commanding stage performer than I ever thought he'd be, and he capably freight-trains through his almost-monologue while never sacrificing nuance or beats of the story. Gold, who theatergoers tend to associate with pregnant pauses, does just as well with Skinner's gap-free dash as he does with Annie Baker's pot-head grazes. 'Angry Alan,' to be sure, is a good play, not an excellent one. I'm particularly iffy on Skinner's ending. There's a powerful visual reveal, and then the drama's most tender — and, in the case of Krasinski, tenderizing — acting. 3 The play doesn't quite stick the landing. Jonny Cournoyer But the confluence of climactic events happens way too smoothly, too deliberately, and results in more of a thesis statement about the state of gender and masculinity than a believable, gripping interaction. It's OK to be both, however 'Angry Alan' skews too far toward the essay side of things. A moment later, the whole shebang is abruptly over with a snap of the fingers, as if a producer offstage is giving a 'wrap it up!' signal. That said, it's a play that keeps you thinking well after blackout. 'Angry Alan' leads to a contemplative audience.

Sabrina Carpenter sparks controversy with provocative 'Man's Best Friend' album cover
Sabrina Carpenter sparks controversy with provocative 'Man's Best Friend' album cover

USA Today

time3 hours ago

  • USA Today

Sabrina Carpenter sparks controversy with provocative 'Man's Best Friend' album cover

Sabrina Carpenter sparks controversy with provocative 'Man's Best Friend' album cover Show Caption Hide Caption Met Gala: Sabrina Carpenter wears bodysuit Sabrina Carpenter is giving "espresso" as she wears a stunning pinstripe bodysuit to the Met Gala red carpet. Sabrina Carpenter's next musical era doesn't have everyone wagging their tail. Following the release of her latest single "Manchild," the Grammy-winning pop princess revealed the title and release date for her new album, "Man's Best Friend," on her social media pages June 11. "My new album, 'Man's Best Friend' 🐾 is out on August 29, 2025," Carpenter, 26, wrote. "I can't wait for it to be yours x" The post also included an image of what appears to be the album's cover. The photo shows Carpenter, dressed in a black dress and high heels, kneeling on the ground in a dog-like pose while an unidentified individual stands off to the side and pulls her by the hair. "Man's Best Friend," Carpenter's seventh studio effort, follows the release of her breakthrough 2024 album "Short n' Sweet." The album, which peaked at No. 1 on the Billboard 200 chart, spawned the hit singles "Espresso," "Please Please Please," "Taste" and "Bed Chem," as well as solidified the singer's playful pin-up girl image. Carpenter first teased "Man's Best Friend" with the release of "Manchild" on June 5. The music video for the synth-pop track drew buzz on social media for Carpenter's bold look, which consisted of a white button-up, baby blue heels and denim "micro" shorts. Sabrina Carpenter divides fans with 'Man's Best Friend' cover Carpenter's album cover for "Man's Best Friend" set the comments section ablaze, with fans online chiming in with their hot takes on the provocative image. "Love (you) Sabrina but in this political climate with Trump as president and women's control over their bodies being taken away in the US… this is kind (of) insensitive," Instagram user @taylorrram wrote. "This just set us back about 5 decades," @uhhhlexa_ wrote, while user @mgracegunderson weighed in, "Excited for new music but this cover is a big no from me, dawg. In this political climate?? Girls, get up!" However, other fans welcomed Carpenter's daring imagery along with the announcement of new music. "SUMMER OF SABRINA FOR A SECOND YEAR IN A ROW," Instagram user @aislinndalston exclaimed. Sabrina Carpenter teases 'Manchild' in 'micro' shorts, fans are in awe "Sabrina is coming for album of the year, artist of the year, pop vocal album, all of it and I'm here for it 😍," @erik_osterberg wrote. Responding to some of the criticism aimed at Carpenter, X user @wickednewshub offered a more analytical view of the album artwork. "For those of you who may lack critical thinking skills, the cover is clearly satirical with a deeper meaning, portraying how the public views her, believing she is just for the male gaze," the user wrote. What Sabrina Carpenter backlash says about changing views on sex Carpenter channels sexual desire unapologetically in nearly every song from her most recent album "Short n' Sweet." On "Juno," a cheeky track about wanting to become pregnant because of how much she adores her partner, she croons: "Wanna try out some freaky positions?" The singer's tour performance of "Juno," in which she flaunted a sequined mini skirt and pantomimed a sex position while singing the line "Have you ever tried this one?," sparked fierce debate among fans, with some defending Carpenter's saucy performance style and others criticizing it as "male-focused." This debate actually focuses on a "false dichotomy," Leora Tanenbaum, author of "Sexy Selfie Nation: Standing Up For Yourself in Today's Toxic, Sexist Culture," previously told USA TODAY. "(People) ask if she's trying to appeal to the 'male gaze' — appearing hot to cater to hetero men's sexual desires — or to the 'female gaze' — looking sexy on her own terms to make a point about women's confidence and sex-positivity." Sabrina Carpenter, hookup culture and why the way we talk about sex is changing In a changing cultural landscape, in which views on female sexual agency are being reevaluated, women like Carpenter are often scrutinized for their overt sexuality. "Carpenter's lyrics are sexually explicit and may not be appropriate for the Disney audience of children she used to cater to, but her sexual frankness is shocking in this day and age only if you believe that women who are open about sexuality are sluts," Tanenbaum said. Contributing: Alyssa Goldberg, USA TODAY

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store