Ofcom accused of censorship in Carry On free speech row
Campaigners have accused the regulator of creating a 'culture of fear' through its rules on language and offence in golden oldie favourites such as Please Sir! and the Carry On series.
They argue that the overly stringent rules and the fear of being subjected to a crippling fine amount to censorship.
While Ofcom does not operate a blacklist of banned words and phrases, TV bosses have complained they are hostages to an arbitrary and ever-changing set of guidelines.
Ofcom has insisted it is not a censor and earlier this month issued a statement insisting broadcasters had editorial freedom to decide what they air.
But Jonathan Moore, chief executive of RewindTV, said Ofcom's response 'blatantly ignores' the reality of broadcasting and urged the regulator to 'come clean' about how much pressure it puts on small channels.
He said: 'Many broadcasters live in permanent fear of falling foul of Ofcom guidelines – small companies could fold if they're hit with a fine and so, inevitably, they are forced to take a 'safety-first' approach when it comes to censorship.
'That means more and more content ends up cut, damaging the authenticity of classic shows needlessly.'
Mr Moore called on the regulator to update its guidelines to recognise the importance of protecting classic British shows.
One proposed change is a 'presumption of innocence' that would exempt broadcasters from punishment if they show material that is deemed offensive, but would ensure Ofcom has the power to take action against repeat offenders.
Campaigners have previously suggested that classic comedy should be granted an exemption from modern broadcasting rules because of their cultural and historical significance in the same way that vintage cars are exempt from road tax and VAT.
They have also said they are willing to show a 'trigger warning' before any programme starts to alert viewers to potentially outdated content.
RewindTV is among a small number of channels – which also includes Talking Pictures TV and That's TV – that have built up modest but loyal audiences through their slate of nostalgic hits.
However, the prevalence of old-fashioned language, themes and viewpoints in these films and TV programmes has triggered a clash with regulators.
TV executives acknowledge that some viewpoints have no place in the modern age. But they argue that Ofcom's guidance on specific words is 'little more than a lottery'.
For example, in a recent broadcast of 1983 comedy-drama Brass starring Timothy West, the word 'queer' was cut but its synonyms 'nancy boys' and 'pansies' were left in.
Mr Moore argued that viewers should be granted greater authority to decide what they consider offensive.
He said: 'The sort of people tuning in to RewindTV comedies are likely to know what they're going to get in terms of content, and the rules should reflect that.
'The chances of our viewers being upset by shows such as Doctor in the House or Carry On Laughing are small – they are far more likely to take umbrage at the sort of adult language that is now the norm on mainstream broadcasters.
'But it's not appropriate for us to dictate to those broadcasters' audiences any more than it is appropriate for others to dictate to our audience.'
A spokesman for Ofcom said: 'Ofcom is not a censor. Freedom of expression is at the heart of our broadcasting rules – and these rules do not prevent the broadcast of content that may be offensive or controversial to some audiences.
'Each broadcaster has editorial freedom to decide the type of programmes or films it airs.'
Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
6 hours ago
- Yahoo
Tom Holland Plays Coy About James Bond Casting Rumors: 'There's Speculation'
If there's any truth to rumors that Tom Holland is in the running to play James Bond, he's keeping it top-secret for now. As the BAFTA winner returns to one major franchise with Friday's Spider-Man: Brand New Day teaser, he recently commented on 'speculation' that he's up for the coveted part in the Denis Villeneuve-helmed update of the franchise. More from Deadline Next James Bond Pic At Amazon MGM Studios To Be Penned By Steven Knight Tom Holland's 'Spider-Man: Brand New Day' Costume Gets Teaser: 'Something Brand New Is Coming' Steven Knight Describes James Bond Writing Gig As "Bucket List" Project In First Interview Since Announcement 'Listen, there's speculation at the minute. We'll keep it to a minimum for now,' he said in a video on Gordon Ramsay's YouTube. 'We'll get there one day.' Holland added, 'Every young British actor, it's the pinnacle of working in our industry. I already consider myself to be the luckiest kid alive. I could never have dreamed to have the career that I've had.' Daniel Craig played the iconic role in Casino Royale (2006), Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Following previous Bond stars Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan, Craig's successor has not yet been chosen. In June, Amazon MGM Studios officially tapped Villeneuve to direct the next installment, and this week, Steven Knight was announced to write the film amid the studio's new 007 partnership with returning producers Barbara Broccoli and Michael G. Wilson. Tanya Lapointe will executive produce. After announcing that Amy Pascal and David Heyman will produce the next film in the franchise, Amazon MGM's Courtenay Valenti and Sue Kroll said at CinemaCon in April that the pair of 'filmmaking legends' is currently in London working on the film. 'We are committed to honoring the legacy of this iconic character, while bringing a fresh, exhilarating new chapter to audiences around the world alongside Amy and David,' said Valenti, head of Film, Streaming and Theatrical. 'They are both in London getting started and couldn't be here tonight, but we wanted to thank them for what we know will be an incredible partnership. Thank you, Amy and David!' Best of Deadline 2025 TV Cancellations: Photo Gallery 2025 TV Series Renewals: Photo Gallery 2025-26 Awards Season Calendar: Dates For Emmys, Oscars, Grammys & More

Hypebeast
7 hours ago
- Hypebeast
Here Are (Some Of) The Best Artist Shirts Available Now
2025 has been a good year for music – not just for the various standout releases we've been blessed with like Little Simz'sLotus, Kevin Absract'sBlushand Jim Legxacy's recentblack british music,but for the conversations sparked at cultural intersections from Kendrick'shalftime showto Beyonce's best album double at theGrammys, too. We've seen Clipse get back to together anddebuta song at Louis Vuitton's Paris Fashion Week show, instant-classic Tiny Desk Concerts from the likes ofDoechiiandBad Bunny, andVybz Kartelis back like he never left. As artists continue to adapt to an ever-evolving industry while navigating the rise of AI, unfavorable streaming contracts and other challenges, tried-and-true revenue streams are making a comeback – namely, tours and merch. In an increasingly digital era, artists and fans alike want a better connection to each other and tangible experiences and merchandise carry more weight than ever. FromBritney x BalenciagaandIce Spice x Mercedes-Benz, to label-made official merch from the likes of UMG'sBravado, it's a good time to be a fan. Because let's be honest, anyone can hit 'Follow' – but are you even a fan if you don't have the t-shirt?! We've rounded up some of favorite pieces of band merch – check them out below in alphabetical order now. Shéyaa Bin Abraham-Joseph's – aka21 Savage– Wikipedia page describes him as a 'British rapper based in the United States.' But while the rapper might have been born in London, he was most definitely ATL-raised – and just in case you needed a reminder, the merch for hisAmerican Dream Tourincludes a t-shirt emblazoned with the Stars and Stripes behind a portrait of the artist staring you Aminé's13 Months of Sunshineliterally sounded like summertime – and it's that same sentiment that guides the album's solo graphic offering. 'Spring, Aminé, Fall, Winter' lands in black, all-caps lettering on a white tee and white tank-top, with a special edition landing for the rapper's one-night-only Brooklyn performance earlier this summer; that one includes an additional graphic on the backside to commemorate the Bad Bunnyis on a roll. His 30-night Puerto Rico residency is projected togenerate over $200 million USDin economic impact – and the accompanying merch is pretty cool The best part aboutBillie Eilish'smerch is that each piece looks like something the singer would actually wear. Eilish loves an oversized jersey, so the leadHit Me Hard And Softdelivery – a silver-hued football jersey – is perfect. Design wise, Eilish's face fronts the jersey, with additional patch-like graphics on the arms and her signatureblohshicon on the back. Another notable piece from the album's merch drop is the layered tour tee, complete with a camouflage long-sleeve underneath a black graphic tee with the tour's dates listed on the backside. (By the way, while we're talking Billie, checkthisout.)Shophere. Blink 182have been rocking since 1992, but found mainstream success in the early 2000s with their catchy pop-punk sound, irreverent humor, and era-defining anthems like 'All the Small Things' and 'What's My Age Again?'. Even if you aren't the biggest Blink fan, there's a good chance you know a word or two from one of their songs – like the eternally relatable line 'work sucks, I know' from their1999 hit single ATSM(sorry, boss… if you're reading this). Well, now you can get it on a t-shirt! And if you consider yourself an OG fan of the band, they've released a tee with the album art from 1995'sCheshire Cat(arguably one of their best).Shophere. Salmon was the color of choice forBon Iver'sSABLE, fABLE, engulfing the album cover and appearing in all of the project's promotional material, static visuals, and external collaborations. Since an all-salmon shirt might be a bit much for some, Justin Vernon made the color a bit more subtle in the album's lead merch, focusing instead on the best part of the album: his lyricism. There is a salmon-colored outline of Vernon in the middle of the long-sleeve T-shirt, but the highlight of the design is the lyrics 'There's a Rythmn' scribbled on the arms and down the Oops… he did it again. With his final collection for Balenciaga,Denma Gvasaliachanneled his inner '90s with this oversized Britney t-shirt. Is there anything more 2025 than aBritney Spears and Balenciagacollab?Shophere. This wasn't something we saw coming, but we're here for it. Thethree-way collabbetween hip-hop OGs Parappa the Rapper and De La Soul, together with Japanese brand WIND AND SEA, has resulted in some of the most wearable band merch we've seen. The collection is quite large – with everything from jackets to pants – but a stand-out for is this long-sleece Death Row Recordsneeds no introduction. Suge Knight's former label – nowownedby Snoop – is behind some of the most iconic rap records of the 1990s, including several of Tupac's. Perfect for fans of the label – past or While unfortunately sold out at the moment onDoechii'sofficial site, we had to include theAlligator Bites Never Healrugby tee, which features an album crest on the chest and an alligator graphic on the back. As one of the fan favorite cuts on the project, 'Denial Is A River' gets its own garment. On the front is a grid of the end clip of the music video with the production information listed underneath; the back aptly reads 'CAMERA CREW' in all It's been four years sinceDMXdied, but the New Yorker impact on East Coast hip-hop will be felt forever. Show your appreciation for the roughest Ryder with this In another unexpected partnership, Ice Spice and Mercedes-Benzlinked upas part of the German car giant's 'Class of Creators' program. From an iced-out CLA to a selection of tees and jerseys, these three pieces stood out for Jamiroquai'scelebrating the 20th anniversary of his iconic albumDynamitethis year. The car-obsessed Londoner is keeping it simple with the merch, though: together the Jamiroquai logo, his unmistakable 'Buffalo Man' character graces an all-black t-shirt and a zip-up The Buick GNX has been a key motif throughoutKendrick Lamar'sGNXalbum as well as its accompanying Grand National Tour with SZA. This theme is instilled more literally in the tour's graphic tees, one of which takes a retro feel with a graffiti-esque GNX graphic and 'Gloria' on top. Elsewhere, a mechanic's work shirt is emulated with 'Gloria Auto Repair and Auto Body Inc.' on one side of the chest and a vintage patch on the other. Additional retro lettering lands on the back of the pastel blue silhouette, Kevin Abstract'ssharp creative direction extends all the way to his graphic tees – and while we don't yet have merch forBlush, we do have quite the selection fromBlanketas well as a standout cobalt blueARIZONA BABYtee. Some ofBlanket's graphics take cues from the tracklist, while others feature the Texas flag (in homage to Abstract's Houston hometown.)Shophere. Kid Cudi'sINSANOvisuals all reveled in vibrant hues, and the accompanying merch followed suit. No stranger to design and creative direction, it's clear Cudi's merch comes from no amateur, with theINSANOgo-around carried by a pair of bright blue and pink crewnecks, imbued with a colorful face graphic in the middle atopINSANOin lime green and lyrics printed along the sleeves and Lil Wayne'ssixthThe Carteralbum dropped in June, along with a world-exclusive merchpop-up in London. If you missed it, you can now shop the album collection on Weezy's website, where you can also grab a t-shirt from his collab with BAPE. And, according to his label,BAPEis 'one of his favorite brands.' Don't Nas – who headlinedBRED Abu Dhabi, Presented By Hypebeastthis year– is New York. This photo has vintage hip-hop t-shirt energy as well as a full print on both the front and Playboi Carti'sMUSICbecame the first rap album of 2025 to sell over 1 million unitslast month, becoming platinum eligible in the process. But with his merch, Carti's keeping it simple: this all-black heavyweight tee is made from premium cotton and features his PBC logo on the front and 'skripper disc' on the The Rolling Stonesare prolific with the collab, but when you've been going as long as they have you can be. Their 'Hot Lips' logo, created by English art designer John Pasche in 1971, is about as iconic as it gets for band logos – and it has found its way onto these t-shirts from the band's collaboration with Slipknot'smerch is unrivalled. The band has been celebrating the 25th anniversary of their self-titled debut studio album for the past year, with its cover art and song lyrics song inspiring theirrecent collabwith PLEASURES. Fashion collaborations aside, the band doesn't skimp when it comes to their touring merch. There are 10 pages of products on their website, but we've pulled out these t-shirts as some Over the years,Snoop Dogghas somehow slowly become America's favorite uncle (crazier things have happened – recreational cannabis is legal in 24 states at the time of writing). With his 'gangster rap' days firmly behind him, there's one thing that's the artist and businessman has always been consistent with: his love for weed. These tees are am homage to his favorite InSteve Lacy's'Bad Habit' video, he dons a white button down shirt with a spray-painted black 'S' in the middle – which, when his black tie hangs over it, looks like a dollar sign ('$.') A high point ofGemini Rights, it was only right Lacy emulate the style for the album's SZA'sGrand National Tourmerch– designed byJas Bell– is alsotop-tier. The through-line tying everything together is the 'Camp' theme, camouflage patterns carried alongside ladybug and ringer beetle graphics. One in particular plays on her Super Bowl Halftime Show appearance, stamped with a green spotted ringer beetle perched on top of a football amidst the phrase 'SZA Bowl.'Shophereandhere. Following upThe 1975'sAt Their Very Best2022-2023 tour came 2023-2024'sStill … At Their Very Bestrun of shows. In support of the group's fifth studio album,Being Funny In A Foreign Language,the graphics emulate the ethos of the project, one of our favorites a simple sketch of two people hugging each other with the tour name inscribed The Weekndand PSG? We're not sure why either, but the Parisian football team – which even has a store in the heart of London – does collabs well, like it's longstanding partnership with Jordan Brand. The outcome here is 10/ Top Dawg Entertainmentstays in its own lane – for that reason, the TDE Racing Moto Jersey feels just right for the legendary record label. With a TDE logo across the middle punctuated with a star in the middle, the design takes a true motocross feel, equipped with mode patch-like graphics down the sleeves and on the Dear Mamais one of Tupac Shakur's best known songs – and for good reason. Released in February 1995, it is a heartfelt tribute to his mother, Afeni Shakur, a former Black Panther who raised him as a single parent struggling with poverty and her own personal demons – namely, an addition to crack cocaine. In 2010, the Library of Congress selectedDear Mamafor preservation in the National Recording Registry, making one of his then already most iconic and emotionally resonant tracks a permanent part of U.S. history. In the song, Tupac raps honestly about his mother's problems with drugs – 'And even as a crack fiend, Mama, You always was a black queen, Mama, I finally understand, For a woman it ain't easy tryin' to raise a man' – lyrics that have become cultural touchstones. This anniversary collection – released by his estate andBravado– includes these two t-shirts, as well as a crewneck, woven blanket, and limited-edition 7' vinyl


Washington Post
9 hours ago
- Washington Post
Tensions in Maryland juvenile justice circles erupt over scathing audit
Three top officials overseeing Maryland's juvenile detention facilities were fired this week after a state ombudsman published a report containing allegations of numerous problems inside those buildings, including contraband drugs, food quality concerns, staffing shortages and a sexual incident among three young people who were incarcerated. The report, a mandated quarterly update on oversight work by the Juvenile Justice Monitoring Unit (JJMU), was published on Monday and is based on observations from the first six months of the year, when former juvenile services secretary Vincent Schiraldi was still leading the department. The report lays blame for the alleged problems, some of which have been chronic for decades, at the feet of Schiraldi's team and encourages state officials to 'determine a new direction,' a recommendation that underscores tensions between Schiraldi and Gov. Wes Moore's (D) administration since the former secretary left his position in June. Schiraldi did not respond to a request for comment, but his former chief of staff, Marc Schindler, said the report contains inaccuracies that their team was not allowed to address before it was published, including context regarding allegations that their team tried to withhold information from the ombudsman. State law mandates that JJMU reports include a written response from the Department of Juvenile Services, but this one did not — deviating from a practice that has existed for decades across dozens of watchdog evaluations. 'Fair-minded people who look at this report will have lots of questions,' said Schindler, who was also Schiraldi's deputy secretary. Acting Department of Juvenile Services Secretary Betsy Fox Tolentino said in a statement that she received a copy of the report on July 29, the day after it was published, and the firings — which the corrections watchdog recommended — happened July 30. 'The report confirms, with some truly appalling detail, many of the same challenges that I have learned about during my first weeks in my role as acting secretary as I visited facilities, spoke directly with staff, and assessed urgent operational changes,' Tolentino said in a statement. 'I am deeply troubled by the unacceptable conditions that some of our young people are facing in our care and it is absolutely unacceptable that some of our staff do not feel safe at work.' Adina Levi, deputy secretary of residential services, was terminated, as were two of her team members, according to a letter obtained by The Washington Post and interviews with people who have knowledge of the firings. Levi did not respond to a request for comment. The report was published at a politically fraught time for Moore's administration, as a fractured coalition of state officials, lawmakers, law enforcement and advocates grapple with how to best care for the children in the state's juvenile justice system. Moore appointed Schiraldi to reform the department in 2023, a move hailed by youth justice advocates as a bold step forward for an embattled agency that was once investigated by the Justice Department. But after two and a half years on the job, Schiraldi resigned in early June amid intense scrutiny from Republicans, prosecutors and some community members who worried his approach was too soft amid a spike in juvenile crime that has since subsided. Moore initially praised Schiraldi's work, then later said he had 'ordered' his resignation. The governor immediately appointed Tolentino, who Schiraldi said he had recommended to succeed him and who had worked within the department for many years. She also worked closely with Schiraldi's team through her most recent role at the Roca Impact Institute. The JJMU audit is the first quarterly report to publish since the department's change in leadership and since Nick Moroney, the longtime director of the JJMU, resigned this spring. The JJMU, which has existed for decades, was housed under the Office of the Attorney General until last year, when the Maryland General Assembly passed legislation creating a new, independent Office of the Correctional Ombudsman. The juvenile monitors were relocated under the ombudsman's umbrella, and the governor appointed Yvonne Briley-Wilson to lead the office. The report — which combines two quarters — was overseen by Briley-Wilson because the JJMU director role has been vacant since the departure of Moroney. He said he left because he did not agree with Briley-Wilson's 'methodology' or the direction she was taking the unit he had led for more than a decade. Both Moroney and Schindler said that it's impossible to get a full picture of the incidents and allegations documented in the report because the ombudsman did not follow the state law that requires prepublication response from the department. The report includes potentially identifying information about children in the state's care, including details from their private medical files, which Moroney called inappropriate. He said the exclusion of a DJS response — and the call for specific individuals to lose their jobs — in the report was 'unprecedented.' He oversaw the assembly of dozens of such reports during his more than 17 years with the office, he said, and all included a written response from the department. The law requires the quarterly reports from the JJMU to include 'actions taken by the Department resulting from the findings and recommendations of the Unit, including the Department's response.' Briley-Wilson said in a statement that the JJMU 'regularly conducted investigations and submitted debriefing reports to DJS,' and that the report released this week was 'submitted appropriately and as required by law. We stand by the content and recommendations of the report.' Spokespersons for the governor and the Department of Juvenile Services did not respond to questions about the state statute requirements. Moore said in a statement on Wednesday that the findings were 'unconscionable, unacceptable, and must be addressed in the swiftest and most certain terms.' Tolentino, the governor said, 'is deeply engaged in the full-scale work to correct the systemic failures that contributed to the report's findings.' Among those findings was a May incident at Green Ridge Youth Center in Western Maryland, where three students had engaged in sexual activity with one another in a dorm sleeping area. The sexual conduct had taken place in a bunk bed behind a sheet that had been draped from the upper wrung, which violated the department's policy regarding privacy screens, according to the report. Surveillance video footage of the incident shows a Green Ridge staff member lifting up the sheet and walking away without removing it, though it is not clear from the report what the staffer saw behind the sheet. One of the involved young people had previously told staff he felt unsafe and had asked to be moved, according to the report, though it did not specify what had made him feel unsafe. The incident was reported by a young person to a case manager, and the department's inspector general and the JJMU were notified. In the report, Briley-Wilson said Schiraldi's team delayed providing the video footage and other requested documents to the ombudsman, writing that she had requested for numerous video files to be shared by email and was denied. Schindler said that department officials told Briley-Wilson's team that their requests were 'inconsistent with long-standing and mutually accepted practices' and that they could view the video in person at the facility to protect the confidential information of juveniles. He said that the ombudsman did not respond to numerous requests to meet with DJS leaders. 'Failure to include this information in the report resulted in an inaccurate portrayal of DJS's willingness to share information and its commitment to transparency,' Schindler said. The report outlined widespread issues with contraband and drugs in four of the state's juvenile facilities, including suboxone strips and vape pens. The report said that 'systemwide staff shortages have created potentially unsafe environments for both staff and students,' including situations where low staffing meant girls at Western Maryland Children's Center were put in 'pseudo-seclusions' in their rooms. The state employee union, AFSCME Maryland, has voiced similar concerns about staffing shortages. Criticisms regarding facility cleanliness, tattered clothing, spoiled food and the handling of an evacuation at Green Ridge during heavy rainfall in May were also documented in the report. On Wednesday, Tolentino sent Briley-Wilson a six-page response letter to the report, thanking the ombudsman for 'continued oversight and partnership' and saying she is 'fully committed to transparency.' That letter included a response to the report's many recommendations and what actions the department has taken so far to address them. 'The JJMU report provides a strong foundation for us to move forward,' she wrote, 'and address long-standing challenges that arose under previous leadership.'