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What it's REALLY like to work with Sir David Attenborough as star launches show ‘that's like stepping into his films'

What it's REALLY like to work with Sir David Attenborough as star launches show ‘that's like stepping into his films'

The Irish Sun18-06-2025
THE British legend that is Sir David Attenborough has launched a new attraction that feels like stepping straight into his documentaries.
From watching a pack of gazelles try to outpace a hungry
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It's the first time the Natural History Museum has shown an immersive experience like this
Credit: Jenna Stevens
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The stunning location: London's Natural History museum
Credit: Jenna Stevens
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The stunning visuals were ten times better than watching TV at home
Credit: Jenna Stevens
And when I heard he was narrating an epic new 360 experience at London's Natural History Museum, I knew I had to go.
With 24 projectors, 50 speakers and 5 screens later,
Our Story with David Attenborough
is now opening its doors to the public.
It's an immersive experience created by
Open Planet Studios
(the company that's worked with Sir David to make films like
Ocean
) alongside the Natural History Museum, a big team of experts, and Sir David Attenborough himself.
These powers have come together to create something that feels like stepping inside your TV screen into the world of the nature documentary.
Read more on UK attractions
I walked into the room and picked my seat, with enough space for about 100 people at a time.
With the show projected onto all the walls that surround you, it feels a bit like a 360-degree cinema experience.
The show begins in space. The room is dark, as projected stars rush over your body, and you zoom past the planets of our solar system.
You eventually reach earth - and what happens next is a 50-minute deep dive into the history of life on our planet.
Most read in News Travel
From the first ever microscopic signs of life, to jellyfish, to the moon landing, you watch how life on earth has adapted and evolved into all sorts of wondrous forms.
Now I'm not the most scientific of people - I only knew the basics of evolutionary history from school.
Britain's 'Tiger King' Dr Terry Moore stars in Snow Leopards of Leafy London doc
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It was surreal to see Sir David speak directly to you
Credit: Jenna Stevens
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From scorching hot planets to freezing cold, you begin with a journey through the solar system
Credit: Jenna Stevens
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The first signs of life on planet earth: microbes
Credit: Jenna Stevens
But my favourite thing about the show is that it wasn't just pretty animations.
Whilst you're being wowed by the visuals, you're also learning about history and the latest
There's this particular scene that shows how
Glowing, cartoon-like mushrooms illuminate the screens, climbing over the walls and building pathways onto the floor.
"Those mushrooms are based on time-lapse footage of real mushrooms" says Victoria Bromley, director-producer at
Open Planet Studios
.
"And there's a point where we asked 'Do they look too
Disney
? Are people even going to believe that that's real?'"
"But the original footage actually looks like that. Nature is just so unbelievable".
That's what makes this immersive experience so different to others I've been to before. It's not a flashy lights show - you're watching modern scientific discoveries come to life before your eyes.
After spanning thousands of years, the show soon reaches animal life.
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I thought the mushrooms looked like a Willy Wonka creation - but they were based on real science
Credit: Jenna Stevens
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Observing the apes made me feel like I was in the heart of the jungle
Credit: Jenna Stevens
You're met with a
Whilst the gorilla footage is taken from
Listening to David Attenborough excitedly describe the animals around you was way better than watching the documentaries at home.
"What's so lovely about Sir David is that he still has this childlike delight in nature" says Victoria.
"I see it in my kids, that fascination with a bug or
Victoria has been able to work with Sir David on multiple projects and films, and still remembers the first time they worked together.
"To get in touch with Sir David, you had to handwrite him a letter. He didn't have email. So I wrote him this letter with all my hopes and dreams".
"He loves pangolins, so I wrote and said we're doing this documentary, would you consider doing it?
"Then I didn't hear anything, and one day someone came over and said Victoria Bromley, we've got a letter for you'."
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Sir David has hope for the future, even after all the devastation he has seen
Credit: Jenna Stevens
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The 'fixing our broken planet' section next door has useful tips on what we can do to help the environment
Credit: Jenna Stevens
Now, after years of collaborations, they have worked together once again to create this exhibit:
Our Story
.
As the show turns to humans, Sir David runs through the highs and lows of human life on earth - everything from
And in a heart-warming ending that genuinely got me choked up, Sir David shared how after a near century-long career, he is filled with hope for the future.
"Let's use our dazzling minds for good" he says. "And work with the world instead of against it". What a hero.
Walking out of the viewing room, I felt moved and inspired, but it was also a real shock to the system.
It felt like when the credits start to roll at the cinema, and you remember that you have a real life to go back to after losing yourself for an afternoon. (Can't I just stay, watch the gorillas and listen to David forever? Please?)
The exhibit is open to the public from Thursday 19th June. Tickets for adults are £20, with tickets for children aged 4-16 priced at £10.
If you're a student, you can get in for £16. If you happen to be a member of the museum, you get 50 per cent off.
There's multiple showings a day, starting every hour on the hour.
There's also an option to book in for a 'relaxed' viewing, a smaller capacity designed for neurodivergent visitors.
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The giant whale skeleton in the Natural History Museum is fittingly called 'Hope'
Credit: Jenna Stevens
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Of course I had to go visit the famous roaring T-Rex after the show
Credit: Jenna Stevens
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The visual experience really makes a trip to the Natural History Museum complete
Credit: Jenna Stevens
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I just knew one day people would finally get Nick Drake, says legendary producer Joe Boyd
I just knew one day people would finally get Nick Drake, says legendary producer Joe Boyd

The Irish Sun

timean hour ago

  • The Irish Sun

I just knew one day people would finally get Nick Drake, says legendary producer Joe Boyd

Drake died aged 26 in 1974 from an overdose of antidepressants, never enjoying commercial success in his lifetime, never knowing how much he would be appreciated. TROUBLED SOUL I just knew one day people would finally get Nick Drake, says legendary producer Joe Boyd 'I REMEMBER the moment I first saw Nick. He was very tall – but kind of apologetically tall.' Legendary producer Joe Boyd is casting his mind back to January 1968, to the day 'very good-looking but very self-effacing' Nick Drake dropped a tape off at his London office. 5 Nick Drake died aged 26 in 1974, never enjoying commercial success in his lifetime Credit: Getty - Contributor 'He stooped a bit, like he was trying not to seem as tall as he was. Advertisement 'It was wintertime and there were ash stains on his overcoat. He handed me the tape and trundled off. 'My first encounter with Nick's music was, most likely, that same evening or possibly the following one.' Boyd, an American who became a central figure in the late Sixties British folk-rock boom, was 25 at the time. Drake was 19. He cut a striking figure — lanky with dark shoulder-length hair framing his boyish features. Advertisement Through his company, Witchseason Productions, Boyd came to helm stellar albums by Fairport Convention (with Sandy Denny), John Martyn, Shirley Collins and The Incredible String Band. But there was something indefinably mesmerising about those three songs passed to him by the quiet teenager who studied English Literature at Cambridge University. As Boyd switched on his 'little Wollensak reel-to-reel tape recorder', he was captivated by Drake's soft but sure tones, allied to his intricate fingerpicking guitar. 'I think the songs were I Was Made To Love Magic, Time Has Told Me and The Thoughts Of Mary Jane,' he says. 'From the first intro to the first song, I thought, 'Whoa, this is different'.' I'm speaking to Boyd to mark the release of a beautifully curated box set, The Making Of Five Leaves Left, a treasure trove of demos, outtakes and live recordings. Advertisement Rounding it off is the finished product, Drake's debut album for Chris Blackwell's fabled Island Records pink label. Bob Dylan biopic is an immaculate portrayal of the grumpy singer's rise to fame - shame his women feel like complete unknowns In 2025, the singer's status as one of Britain's most cherished songwriters is assured. A troubled soul, Drake died aged 26 in 1974 from an overdose of antidepressants, never enjoying commercial success in his lifetime, never knowing how much he would be appreciated. But Boyd, now 83, had no doubts about the rare talent that he first encountered in 1968. He picks up the story again: 'Ashley Hutchings, the Fairport Convention bass player, saw Nick playing at The Roundhouse [in Camden Town, North London] and was very impressed. Advertisement 'He handed me a slip of paper with a phone number on it and said, 'I think you'd better call this guy, he's special'. 'So I called and Nick picked up the phone. I said, 'Do you have a tape I could hear?'. He said, 'Yes'.' Boyd still didn't hold out too much hope, as he explains: 'I was very much a blues and jazz buff. I also liked Indian music. 'White middle-class guys with guitars were never that interesting to me — Bob Dylan being the exception that proves the rule. 5 John Boyd holding The Making Of Five Leaves Left, a treasure trove of demos, outtakes and live recordings Advertisement 'But Nick was something else. He wasn't really a folk singer at all.' Boyd describes Drake as a 'chansonnier', a French term for a poet singer who performs their own compositions, often drawing on the themes of love and nature. He says: 'I'm always a bit bemused when I go into a record store — one of the few left — and see Nick filed under folk. He's unclassifiable and that's one of the reasons he endures.' To Boyd, Drake's enduring appeal is also helped 'by the fact that he didn't succeed in the Sixties'. 'He never became part of that decade's soundtrack in the way Donovan or [Pentangle guitarist and solo artist] Bert Jansch did. Advertisement 'So he was cut loose from the moorings of his era, to be grabbed by succeeding generations.' Drake was born on June 19, 1948, in Rangoon, Burma [now Myanmar], to engineer father Rodney and amateur singer mother Molly. His older sister Gabrielle became a successful screen actress. When Nick was three, the family moved to Far Leys, a house at Tanworth-in-Arden, Warks, and it was there that his parents encouraged him to learn piano and compose songs. I'm always a bit bemused when I go into a record store — one of the few left — and see Nick filed under folk. He's unclassifiable and that's one of the reasons he endures. Joe Boyd Having listened to the home recordings of Molly, Boyd gives her much credit for her son's singular approach. He says: 'When you hear the way she shaped her strange chords on the piano and her sense of harmony, it seems that it was reverberating in Nick's mind.' Advertisement When Drake gave him those three demos, recorded in his room at Fitzwilliam College, Cambridge, Boyd 'called the next day and said, 'Come on in, let's talk'.' During the ensuing meeting, Drake said: 'I'd like to make a record.' He was offered a management, publishing and production contract. Just as importantly, he had found a mentor in Joe Boyd. What you hear on the box set is the musical journey leading up to the release of Five Leaves Left in July 1969. The set was sanctioned by the Estate Of Nick Drake, run on behalf of his sister Gabrielle by Cally Callomon, but only after two remarkable tapes were unearthed. Advertisement His first session with Boyd at Sound Techniques studio in March 1968 — found on a mono listening reel squirrelled away more than 50 years ago by Beverley Martyn, a singer and the late John Martyn's ex-wife. A full reel recorded at Caius College by Drake's Cambridge acquaintance Paul de Rivaz. It had gathered dust in the bottom of a drawer for decades. Boyd says: 'I have never been a big enthusiast for these endless sets of demos and outtakes — so I was highly sceptical about this project. 'But when my wife and I were sent the files a few months ago, we sat down one evening and listened through all four discs. 'I was tremendously moved by Nick. You can picture the scene of him arriving for the first time at Sound Techniques. ­ 'This is what he's been working for. He's got his record deal and here he is in the studio. I was stunned.' 5 Five Leaves Left was released in 1969 Advertisement In pristine sound quality, the first disc begins with Boyd saying, 'OK, here we go, whatever it is, take one.' Drake then sings the outtake followed by some of his best-loved songs — Time Has Told Me, Saturday Sun, Day Is Done among them. It's just man and guitar, recorded before musicians such as Pentangle's double bass player Danny Thompson and Fairport Convention's guitarist Richard Thompson (no relation) were drafted in. Boyd continues: 'The trigger for those recordings, that first day in the studio, was wanting our wonderful engineer John Wood to get a feel for Nick's sound. 'Nick was wide awake and on it. He was excited about being in a studio and he wanted to impress.' Advertisement All these years later, one song in particular caught Boyd's attention — Day Is Done. 'He takes it more slowly than the final version. This gives him time to add more nuance and the singing is so good.' Back then, as Five Leaves Left took shape, Boyd witnessed the sophisticated way Drake employed strings, oboe and flute. Inspired by subtle orchestrations on Leonard Cohen's debut album, Boyd had drafted in arranger Richard Hewson but it didn't work out. 'It was nice, but it wasn't Nick,' he affirms. Advertisement When Drake suggested his Cambridge friend Robert Kirby, a Baroque music scholar, everything fell into place. Boyd says: 'Nick had already been engaging with Robert about using a string quartet but had been hesitant about putting his ideas forward.' SUBTLE ORCHESTRATIONS The producer also recalls being 'fascinated by the lyrics — the work of a literate guy'. 'I don't want to sound elitist but Nick was well educated. British public school [Marlborough College] and he got into Cambridge. 'Gabrielle told me he didn't like the romantic poets much. But you feel that he's very aware of British poetry history.' Advertisement This is evident in the first lines of the opening song on Five Leaves Left — 'Time has told me/You're a rare, rare find/A troubled cure for a troubled mind.' 'When I think about Nick, I think about the painting, The Death Of Chatterton,' says Boyd. 'Chatterton was a young romantic British poet who died, I think, by suicide. You see him sprawled out across a bed.' I ask Boyd how aware he was of Drake's struggles with his mental health. 'It's a tricky question because I was aware that he was very shy,' he answers. 'Who knew what was going on with him and girls?' Boyd believes there was a time when Drake was better able to enjoy life's pleasures. Advertisement 'When you read of his adventures in the south of France and in Morocco, it seems he was more relaxed and joyful. 5 Drake at home with mother Molly and sister Gabrielle 'And when I went up to Cambridge to meet Nick and Robert Kirby before we did the first session, he was in a dorm. 'There were friends walking in and out of the room. There was a lot of life around him.' Boyd says things changed when 'Nick told me he wanted to leave Cambridge and move to London. Advertisement 'I agreed to give him a monthly stipend to help him survive. He rented a bedsit in Hampstead — you could do that in those days. 'Nick started smoking a lot of hashish and didn't seem to see many people. I definitely noticed a difference. 'He'd been at Marlborough, he'd been at Cambridge and suddenly he's on his own, smoking dope, practising the guitar, going out for a curry, coming back to the guitar some more. He became more and more isolated and closed off'. Boyd describes how Drake found live performance an almost unbearable challenge. He says: 'He had different tunings for every song, which took a long time. He didn't have jokes. So he'd lose his audience and get discouraged.' Advertisement 'It still haunts me that I left the UK' For Drake's next album, Bryter Layter, recorded in 1970 and released in 1971, Boyd remained in charge of production. Despite all the albums he's worked on, including REM's Fables Of The Reconstruction and Kate and Anna McGarrigle's classic debut, he lists Bryter Layter as a clear favourite. It bears the poetic masterpiece Northern Sky with its heartrending opening line – 'I never felt magic crazy as this.' Boyd says: 'I can drop the needle and relax, knowing that John Wood and I did the best we could.' However, he adds that it still 'haunts me that I left for a job with Warner Bros in California after that. I was very burnt out and didn't appreciate how much Nick may have been affected by my leaving'. Advertisement Drake responded to Boyd's departure by saying, 'The next record is just for guitar and voice, anyway'. Boyd continues: 'So I said, 'Well, you don't need me any more. You can do that with John Wood'.' When he was sent a test pressing of 1972's stripped-back Pink Moon, he recalls being 'slightly horrified'. 'I thought it would end Nick's chances of commercial success. It's ironic that it now sells more than his other two.' Then, roughly a year after leaving the UK, Boyd got a worried call from Drake's mum. 'Molly said she had urged Nick to see a psychiatrist because he had been struggling,' he says, with sadness, 'and that he had been prescribed antidepressants. Advertisement 'I know Nick was hesitant to take them. He felt people would judge him as crazy — a typically British response.' Boyd again uses the word 'haunting' when recalling the transatlantic phone call he made to Drake. 'I said, 'There's nothing shameful about taking medicine when you've got a problem'. I know Nick was hesitant to take them [antidepressants]. He felt people would judge him as crazy — a typically British response Joe Boyd 'But I think antidepressant dosages were way higher in those days than they became. 'Doctors didn't appreciate the rollercoaster effect — how you could get to a peak of elation and freedom, then suddenly plunge back into depression. Advertisement 'Who knows but it might have contributed to the feeling of despair Nick felt the night he took all those extra pills.' 5 Boyd says of Drake: 'He's unclassifiable and that's one of the reasons he endures' Drake died at home in Warwickshire during the early hours of November 25, 1974. As for Boyd, he made a lasting commitment to the singer who had such a profound effect on him. He says: 'When I left, I gave my company to Chris Blackwell because there were more debts than assets — and he agreed to take on the debts. 'But I said, 'I want it written in the contract that you cannot delete Nick Drake. Those records have to stay. Advertisement 'I just knew that one day people would get him.'

Duolingo issue apology to JK Rowling after calling her 'mean' during lesson
Duolingo issue apology to JK Rowling after calling her 'mean' during lesson

Extra.ie​

time2 hours ago

  • Extra.ie​

Duolingo issue apology to JK Rowling after calling her 'mean' during lesson

Languages app Duolingo has had to issue an apology to Harry Potter author JK Rowling after describing her as 'mean' in one of their classes. The online app is a great asset for those looking to learn a new language, with a realm of free classes for basic phrases and words. The app also allows users to have a wide range of languages at the tip of their fingers, but they have confirmed they will be amending their German content following backlash. Languages app Duolingo has had to issue an apology to Harry Potter author JK Rowling after describing her as 'mean' in one of their classes. Pic:TV producer Gaby Koppel took to X, writing: 'Shame on you @duolingo: learning German and I came across the sentence 'Yes I like Harry Potter but the author is mean.' How woke you you have to be to let #trans ideology infect a language lesson? @jk_rowling.' The X account for the app, responded: 'We apologise for any offence caused and will remove this content from the app.' Fellow social media users took to the comments calling to remove the 'woke sh**' from the app. We apologise for any offence caused and will remove this content from the app. — Duolingo (@duolingo) August 20, 2025 One said: 'I stopped using your app after seeing so many gay couples in it and middle eastern 'Germans.' I've also deleted it from my kids devices, they don't need to be exposed to more homosexual 'normalization.' Another said: 'You guys should investigate how this happened, not fire worthy, but keeping politics out of language learning is good for business.' A third added: 'Weak ass.' Earlier this year, Rowling faced major backlash with Pedro Pascal among those hitting out at the 'heinous LOSER' following the UK Supreme Court's ruling over the definition of a woman. Pic: Karwai Tang/WireImage Earlier this year, Rowling faced major backlash with Pedro Pascal among those hitting out at the 'heinous LOSER' following the UK Supreme Court's ruling over the definition of a woman. The court ruled that transgender women would not be included under the definition of 'woman' under the Equality Act of 2010. It is understood the British author funded the campaign group which brought the case to the court. Following the ruling, the 59-year-old posed on her yacht as she puffed a celebratory cigar, while activist Tariq Ra'ouf took to social media calling on any future Harry Potter projects to be boycotted as he branded Rowling's move as 'serious Voldemort villain sh**.'

Millie Bobby Brown and Jake Bongiovi welcome first child via adoption
Millie Bobby Brown and Jake Bongiovi welcome first child via adoption

Irish Examiner

time5 hours ago

  • Irish Examiner

Millie Bobby Brown and Jake Bongiovi welcome first child via adoption

Millie Bobby Brown and Jake Bongiovi have adopted a daughter, the first child for the married couple, this summer, they have announced. 'We are beyond excited to embark on this beautiful next chapter of parenthood in both peace and privacy,' the couple wrote in a social media statement. No further details were released. Brown, 21, and Bongiovi, 23, were married in a private ceremony in May 2024. Brown gained recognition for her starring role as Eleven in the Duffer brothers' sci-fi series Stranger Things. The fifth and final season will air this November and December, a culmination of nine years of the show's production. The British actor has pursued other acting and business ventures in that time, including the Netflix original Enola Holmes films and a Godzilla film. She even released a romance book in 2023. Bongiovi is the son of Jon Bon Jovi, founder and frontman of the rock band Bon Jovi. Bongiovi debuted his own acting career as the star in Rockbottom, which released last year. Brown stressed the importance of family during the 2024 premiere of her Netflix film Damsel, where Bongiovi and his parents were in attendance. 'I'm just so lucky that they're here tonight and it just means so much to me,' Brown told The Associated Press then. 'Family is everything and just to have my second family here means everything.' The couple lives in Georgia. She recently told the AP she enjoys living on a farm, largely disconnected from social media, while promoting her 2025 Netflix film The Electric State.

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