Look sharp — the return of jewellery pins
Male adornment is in vogue again — at recent red carpet events, pins have been spotted on many an A-list lapel. Their roots lie in the jabot pin, with which men secured a lace ruffle to the front of their shirts in the 17th and 18th centuries. During the early art deco period of the Twenties, they would be revived by jewellery houses such as Cartier, which also took inspiration from the turban pins of its newly acquired Indian royal clientele. Rock crystal, onyx and carved emerald beads characterised these creations with a decorative element set at each end.
Today, the British jeweller Glenn Spiro's first unisex collection includes a series of seven pins using materials such as ebony, horn and (west African) Baoulé gold mixed with antique diamonds. Boucheron has looked to its archive for the arrow motif, whose design naturally fits a pin's construction, here morphing from brooch to single earring. And Dior has gone punk — its take comes in the form of the humble safety pin strung with charms in new iterations from the maison's Rose des Vents collection — while Chaumet's diamond-set signature bee sits at one end of a gold pin, with a single cell of honeycomb in the shape of a hexagonal diamond at the other.
1. Flèche single stud earring in white gold and diamonds, £15,300, boucheron.com
2. Nomoli Deco tie pin in yellow gold, diamonds and ceramic, £6,500, matturi.com
3. Harlequin pin in yellow gold, silver, rubies and sapphires, £1,595, romanystarrs.com
4. Materials of the Old World Tribal brooch in yellow gold, diamond, horn and ebony, POA, glennspiro.com
5. Tasaki x Fiona Krüger Chaos lapel pin in white gold and black South Sea pearl, £8,100, tasaki.co.uk
6. Charms brooch in yellow and pink gold, diamonds and ornamental stones, £6,600, dior.com
7. Forces of Nature Fortitude lapel pin in titanium and diamonds, POA, debeers.co.uk
8. Bee My Love brooch in yellow gold and diamonds, £13,500, chaumet.com
9. Belle Époque stick pin in yellow gold, turquoise, pearls and rubies, £1,250, pragnell.co.uk
10. Fleur de Pavot Bud brooch in gold plate and rock crystal, £280, goossens-paris.com
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
21 minutes ago
- Daily Mail
Russell Crowe reunites with Superman son Henry Cavill for reboot of another beloved action franchise
Russell Crowe is reuniting onscreen with Henry Cavill, more than a decade after they acted with each other in the Superman film Man of Steel. The 2013 superhero movie starred Henry in the lead role and Russell as his biological father Jor-El, who saves his son's life just before losing his own. Now, fans will be able to see them back onscreen in a remake of the 1986 action fantasy picture Highlander, which launched a franchise of the same name. In the original Highlander, Christopher Lambert played Connor MacLeod, a 16th century Scottish warrior who discovers he is immortal unless his head is severed. He gets initiated into the secret world of immortals by the virtuoso swordsman Juan Sánchez-Villalobos Ramírez, memorably portrayed by Sean Connery. A reboot starring Henry as MacLeod was announced in 2021, and now, after years of development, Russell has been cast as Ramírez, according to Variety. The original Highlander emerged as a roaring success in 1986, leading to the 1991 sequel Highlander II: The Quickening, which flopped disastrously. However the series staggered on for the 1994 release Highlander III: The Sorcerer, a direct follow-up of the first film as if the events of the second never happened. There was also a TV series from 1992 to 1998, followed by the 2000 film Highlander: Endgame, which was a sequel to the show rather than to the previous movies. In 2021 it emerged that the original movie was being remade with Henry in the lead, back when he was still starring as Geralt of Riva on the Netflix medieval fantasy series The Witcher, before his departure and replacement by Liam Hemsworth. The new film will be directed by Chad Stahelski, who helmed all the John Wick movies, and will have a script by Michael Finch, who co- wrote the fourth John Wick picture. Russell first met Henry long before they ever worked together, back when the latter was a teenager at boarding school in the English countryside. The encounter took place when Russell was filming his 2000 drama Proof of Life, starring him and Meg Ryan, at the Stowe School - where Henry was a student along with Russell's onscreen son Merlin Hanbury-Tenison. Russell recalled that 'during a break in the shooting,' he caught sight of a rugby union game and noticed 'one kid on that field who was very fluid and in control.' The teenager 'came over to have a chat, but all his questions were about acting, and there was just this smile in his eyes but there was something dead serious behind that smile,' Russell said on The Graham Norton Show in 2013. 'So instead of not answering the questions or whatever - 'cause you get asked these questions a hundred thousand times - I told him the truth in the brief moment that I had with him, and put it in front of him that it's a challenge that's up to him. Nobody's gonna give it to you,' Russell remembered. 'A couple of days later, I was putting a package together for the kid who'd played my son, because I figured the greatest thing if you're at boarding school must be unexpected mail, and I thought: "I'll put one together for that other bloke," and I'd remembered his name because he'd been very clear when he said it,' he shared. His note to Henry was the saying: 'A journey of a thousand miles begins with a single step,' which Russell interpreted as meaning: 'If you want it, you go and get it.'
Times
2 hours ago
- Times
Dua Lipa review — playing it safe at sold-out Wembley
Playing her largest ever headline concert at the first of two back-to-back hometown mega-shows, Dua Lipa strutted through a two-hour maximalist spectacular of costume changes, confetti blizzards and weapons-grade pyrotechnics as 90,000 screaming fans packed into a sold-out Wembley Stadium. This show boasted more sequins than stars in the Milky Way, a glittery catwalk parade of precisely engineered corsets, and the hardest working hair in showbusiness. Just enough glamazon razzle-dazzle, in fact, to elevate Lipa's oddly anodyne music, which remained in generic dance-pop mode for most of the evening. Plenty of killer outfits, too few killer tunes. Falling a year after the 29-year-old British-Albanian diva topped Glastonbury's main stage, these Wembley performances mark the British launch of Lipa's year-long Radical Optimism world tour, which kicked off in Australia last November. Divided into four acts, the set was sprinkled with tracks from the 2024 chart-topping album of the same name, which in fairness sounded more sparkly and dynamic than their studio versions, especially the opening stomper Training Season and the warmly melodic Falling Forever. In Taylor Swift fashion, Lipa has been punctuating this tour with bespoke cover versions that change every night, including a few guest duets featuring the original artists themselves. Having previously tackled classic crowd-pleasers by AC/DC, Kylie, Daft Punk and more, she called on Jay Kay of Jamiroquai for her Wembley debut. Now grey of stubble but still reliably goofy of headgear, Kay shared vocals on his vintage 1996 funk-pop hit Virtual Insanity. Anyone under the age of 40, which was most of the audience, appeared slightly baffled but cheered politely anyway. For a mainstream star with multiple global chart-toppers, three Grammy awards and billions in streaming sales, Lipa has an impressively rich cultural hinterland. Alongside the usual catalogue of luxury brand endorsements and charitable causes she also hosts a respected podcast interviewing authors, politicians, business leaders and fellow stars. She is commendably outspoken on politics, even contentious issues such as Israel and Palestine. Patti Smith recently endorsed Lipa as a feminist trailblazer, which is both surreal and sweet. The pity is that very little of this extra-curricular depth filtered through to her carefully polished stage persona in Wembley. Instead, Lipa peppered the set with bland boy-meets-girl lyrics, beaming selfies with fans and obligatory humble expressions of gratitude to the audience for making her teenage pop-star dreams come true. Which was charmingly soppy but, for such an obviously bright and engaged artist, dull to an almost calculated degree. After a dazzling, gravity-defying interlude on an elevated podium stage ringed by fire, Lipa galvanised herself for the finale with a disco-tastic medley of stronger tracks including her breakthrough hit New Rules, her Grammy-winning Barbie soundtrack contribution Dance the Night, and her almost-anthemic recent smash Houdini. In high-energy performance terms, she gave us everything. But in the confessional, funny, emotionally vulnerable terms that make good pop stars truly great, she gave us almost nothing. Businesslike to the last note, with an almost Tom Cruise-level of steely professionalism, the sense she left behind was a laser-focused star who knows how to work a room brilliantly, even when it's the biggest room in Britain.★★★☆☆Dua Lipa plays Wembley Stadium on Saturday, June 21, and Anfield Stadium in Liverpool on Tuesday and Wednesday, June 24 and 25. Follow @timesculture to read the latest reviews
BBC News
2 hours ago
- BBC News
Dua Lipa brings out Jamiroquai at emotional Wembley debut
Dua Lipa treated fans to a surprise appearance by Jamiroquai, as she played her first ever show at Wembley Stadium. Bringing out the band's frontman Jay Kay for a one-off performance of his 1996 hit Virtual Insanity, the star said he was 'a massive trailblazer for British music".Their performance came half-way through a stunning two-hour show, that saw Lipa tear through hits like Physical, One Kiss, New Rules and Levitating. 'This is such a massive, massive milestone for me,' she told her 70,000 fans. 'I've had a lump in my throat from the moment this show started.' Some dedicated fans had camped out since Thursday to see the singer's UK stadium debut, braving temperatures that exceeded 31C. 'It means the absolute world to me that you're here tonight,' she told them during the show. 'It feels like I've waited my whole life for this moment.' Reflecting on her ascent to the top tier of pop music, the 29-year-old added: 'It's been 10 years since our first ever London show, which happened to be about 350 people, and I dreamt of a night like this.''To be in front of 70,000 people. I'm so, so blown away." She then introduced one of her earliest singles, Hotter Than Hell, telling fans it was the track that had earned her a recording contract. Since then, she has stockpiled an enviable selection of armour-played hits, most of which got an airing on Friday night. The show began with a new-agey wash of ocean sounds, that segued seamlessly into her 2024 single, Training Season. Lipa sang the first verse slowly, over a sultry orchestral backing. But before long, the band kicked into gear, and the disco pulse barely let up for the next two hours. In many respects, the set played like an extended remix of her triumphant Glastonbury performance last year - full of pin-sharp choreography and fiercely futuristic pop. Her voice remains a strong point - resonant and flexible, with a hint of the rasp she inherited from her father, Albanian rock singer Dukajin Lipa. It was particularly effective on the cascading vocal runs of Falling Forever, and the Flamenco-flavoured Maria. Somehow, Lipa managed not to lose her breath, despite demanding, body-rolling dance routines that only occasionally recalled Jane Fonda's 1980s keep fit videos. She leaned into the schtick with an interlude instructing her fans to "move those hips" over the intro to Physical. Jay Kay arrived to a scream of recognition from older members of the audience, suited up in a tasseled white cowboy jacket and pink jeans. "What a privilege and an honour to be on stage with you," said the singer, before launching into Virtual Insanity - a song that became a hit when Dua was just one year songs, the star spent time getting personal with fans in the front row - borrowing their phones to pose for selfies, signing records (side note: who on earth brings a vinyl record to the front row of a stadium concert?) and even appropriating one person's scarf to accentuate her own stage outfit. It was a simple, but personal, touch that helped to illustrate why the star has become only the second British woman after Adele to headline Wembley Stadium. Watched from the stands by her family, including fiancé Callum Turner, she wrapped up the show with a flawless four-song encore that included some of her biggest hits: New Rules, Don't Start Now and Dance The finished with the psychedelic pop smash Houdini, ratcheting up the tension with a flurry of fireworks as she head-banged to a shredding guitar solo. Then the music suddenly stopped and she vanished in a cloud of smoke. A powerhouse performance from a star at the top of their game, it was proof that you don't need giant mechanical props or cutting edge video technology to pull off a compelling stadium show. Sometimes, the right songs, the right choreography and a generous helping of feel-good energy are enough. As an added bonus, that keeps the tickets affordable: The most expensive seats cost £155, compared to some stadium shows this summer, where prices have topped £900. Lipa continues her Radical Optimism tour with a second night at Wembley on Saturday, followed by dates in Liverpool and London before the North American leg kicks off in September. Dua Lipa's Wembley stadium setlist Training SeasonEnd of an EraBreak My HeartOne KissWhatcha DoingLevitatingThese WallsHotter Than HellVirtual Insanity (with Jamiroquai)MariaPhysicalElectricityHallucinateIllusionFalling ForeverHappy for YouLove AgainAnything For LoveBe the OneEncore:New RulesDance the NightDon't Start NowHoudini
