logo
Sir David Attenborough: 17 fascinating facts about career

Sir David Attenborough: 17 fascinating facts about career

Glasgow Times08-05-2025
Dubbed a 'national treasure' by many, the broadcaster and naturalist has travelled the world filming documentaries about the Earth and the lives of creatures that inhabit it.
While you might get stuck into Planet Earth, there are probably a few facts you don't know about Sir David, so to help you out, here are some fascinating facts about him.
Sir David Attenborough has presented many shows (Image: Aaron Chown/PA Wire)
17 fascinating facts about Sir David Attenborough
Sir David has enjoyed a long and successful career in the media.
National Geographic Kids and Beano have previously shared some interesting facts about him – let's take a look.
Sir David Attenborough was born in 1926 – the same year as the late Queen Elizabeth II.
At 11 years old, he started selling newts to University College, Leicester for 3d (three pence) each. He found them in a pond near the zoology department at the university.
He studied Natural Sciences at Clare College in Cambridge and graduated in 1947.
After graduating, Sir David served two years of National Service in the Royal Navy.
When Sir David applied for his first role at the BBC (radio talk producer), he was rejected.
When he joined BBC Television as a trainee, he didn't own a TV.
His first programme was called Coelacanth, and it was about the rediscovery of the coelacanth, which is a prehistoric fish.
Sir David had a few jobs, including being in the Royal Navy, working as a director, TV presenter, narrator and author. He is also the creator of award-winning programmes and books.
He also received two Guinness World Records – one for having the longest career as a TV naturalist and another for having the longest career as a TV presenter.
Queen Elizabeth II knighted Attenborough in 1985 for his services to broadcasting, making him a Sir. In 2020, aged 94, he was knighted by the Queen again and was appointed a Knight Grand Cross of the Order of St Michael and St George, which recognised his services to TV broadcasting and conservation.
Nearly 20 plants have been named after Sir David by scientists and a type of dinosaur is called Attenborosaurus.
Sir David has never driven as he has never passed a driving test.
It was Sir David's idea to broadcast snooker on TV when new technology meant that shows could be broadcast in colour, instead of black and white.
He is the only person to have won Baftas for shows that were broadcast in black and white, colour, HD and 3D.
Recommended reading:
He is scared of rats.
Sir David Attenborough was stabbed by a cactus with needles like glass while filming The Green Planet on BBC One. He wore protective gear while investigating the cholla cactus in California but the combination of a Kevlar under-glove and a welding glove failed to prevent him from being hurt by 'spicules of glass' while reaching inside the plant.
He explored the Great Barrier Reef in Australia.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The horrifying moment baby spiders eat their mother will make you scream
The horrifying moment baby spiders eat their mother will make you scream

Metro

time17 hours ago

  • Metro

The horrifying moment baby spiders eat their mother will make you scream

To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video For most people, just the thought of a cluster of spiders crawling on top of each other within a large, entangling web is enough to send a shiver down your spine. But for David Attenborough and his latest series Parenthood, which explores the trials and tribulations of parenting within the animal kingdom, clearly, that's not enough. The 99-year-old natural historian seems to be intent on showcasing one of the most nightmarish sequences possible as a 1,000-strong pack of young African social spiders can be seen eating their mothers. Captured by TV cameras in a never-before-seen moment, the spiders prey in a game of 'grandmother's footsteps' where they freeze in unison like musical statues before eating their elderly relatives. Attenborough can be heard saying that the 'demands of parenthood are finally taking their toll' on the mothers who offer their body as a 'gift' to their offspring before they depart. The atmospheric music, toe-curling sound effects and Attenborough's iconic voice combine to create the painstaking moment. Series producer and director Jeff Wilson described it as 'probably one of the best' sequences he had worked on in 30 years of film-making. '[I've] never heard Sir David deliver a sequence as good as that… it sort of brings a lump to your throat… he's the master at delivery,' he told the Guardian. 'It makes one feel quite sort of chilled to the bone that you know that your own young could do that. It's an extraordinary behaviour [but] when you step away from it and from the horror of it, it sort of makes sense.' He added that Attenborough was both 'delighted and horrified' by the groundbreaking footage. Joking, he also said that 'there will not be a parent of the land who won't turn up to school pickup without snacks ever again'. This comes after a spectacularly tender moment on Parenthood between a baby gorilla and its mother brought a tear to viewer's eyes earlier this week. In an exclusive clip, Metro showed a female western lowland gorilla and her newborn baby. Just moments old, the baby sleeps on his mother's chest surrounded by plants and trees in the jungle. Narrating, Sir David explains that the mother is a female western lowland gorilla, who's resting on the forest floor as her baby snoozes on her stomach in a scene that would melt even the coldest of hearts. More Trending The five-part series promises to show viewers never-before-seen animal behaviours while delivering a 'universal message about preserving the natural world.' Speaking to The Mirror, BBC head of specialist factual commissioning, Jack Bootle, described Parenthood as 'wonderful, warm, engaging, and surprising'. He said that it is 'made by some of the very best wildlife filmmakers in the world,' adding: 'I'm thrilled Sir David is joining us again to narrate it.' View More » Parenthood will air on BBC One and BBC iPlayer, beginning on August 3 at 7.20pm. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: MasterChef star 'edited out of BBC series' after asking for it to be axed MORE: BBC gameshow already has fans obsessed and declaring it 'the new Traitors' MORE: Ncuti Gatwa admits he has one big regret about playing Doctor Who

‘I found a pair of £20 clover earrings that look just like Kate Middleton's designer pair'
‘I found a pair of £20 clover earrings that look just like Kate Middleton's designer pair'

Daily Mirror

time17 hours ago

  • Daily Mirror

‘I found a pair of £20 clover earrings that look just like Kate Middleton's designer pair'

Shopping Writer Meghan has potentially just found the perfect earrings to copy Kate Middleton's designer jewellery without splashing £6.3k - in fact, they're selling for a budget-friendly £20 The Princess of Wales is known for her luxury accessories, from antique jewels to designer pieces - and for most of us, her jewellery is outside of our budget. But there may be a way to copy Kate's stylish name-brand earrings without spending thousands and thousands of pounds, as I think I've found a pair of pearl clover earrings that look just like Kate's designer pair, but for a more reasonable £20. Clover jewellery is all the rage at the moment, with designer brands ensuring it's the symbol of opulence in your accessories. Kate wore a pair of pearl drop clover earrings to the BAFTAs back in 2020, which perfectly matched her extravagant white and gold dress and paired with her other jewellery. But if you don't have the £6300, this £20 pair from Ego may be just the set you need to copy Kate's designer look without breaking the bank. These Drop-Detail Earrings In White And Gold add an elegant touch to any look. They boast a white and gold material just like Kate's go-to jewellery, with similar clover detailing and a drop-earring design that can elevate your workwear or date night ensemble with a royal-approved style. Mirroring the pearlescent effect of Kate's earrings, this pair from Ego features an ivory motif outlined in gold. They are sure to suit any aesthetic, whether you're heading to Ascot or brunch with the girls. What's even more enticing is that this £20 pair from Ego is currently up for grabs for the majorly reduced price of £9 while this limited-time deal lasts. For those looking for an even cheaper pair, check out Joom, where you can find these Fashion Tassel Clover Earrings for £4.02. Or, for those that don't mind splashing a little cash, has these 9ct Yellow Gold Mother Of Pearl Clover Drop Earrings, which are currently reduced to £149, down from £179.

Dreaming of Dead People by Rosalind Belben review – rivals anything by Virginia Woolf
Dreaming of Dead People by Rosalind Belben review – rivals anything by Virginia Woolf

The Guardian

timea day ago

  • The Guardian

Dreaming of Dead People by Rosalind Belben review – rivals anything by Virginia Woolf

There's no getting around it: Dreaming of Dead People is an extremely strange book. Born in 1941, Rosalind Belben was first published in the 1970s; this, her fourth novel, first came out in 1979. Her eighth and most recent, Our Horses in Egypt, won the James Tait Black award in 2007. Dreaming of Dead People might best be described as an early example of autofiction: its narrator, Lavinia, is the same age as Belben was at the time of writing, and she recalls a similar childhood in Dorset, including a father who was a Royal Navy commander and who was killed when she was three. Belben has described the book as 'a study of the human figure', and given its parallels with her own life story and its raw and deeply personal style any reader could be forgiven for assuming that the figure is her own. The book is divided into six very different sections, including a stay in Venice, a treatise on masturbation, a description of a beloved dog's euthanasia and a vivid erotic daydream involving Robin Hood. It is hard, at first, to understand how these parts relate to one another, for this uncompromising book offers few obvious clues, but on second reading they shift and merge, and the payoff for this extra mental and imaginative effort is a truthful and vivid portrait of a highly particularised human consciousness. In the first section, At Torcello, Lavinia recalls a trip to the Venetian island in winter. She is there to see a Byzantine mosaic of the Virgin Mary and baby Jesus, an image of motherhood that will echo through the book. While she is on the island she meets an English family for whom she will later babysit during a power cut, her relationship to children and the idea of family coming slowly into focus. Torcello and Venice itself are made strange by the things she notices, and by her attitude to them, both at the time and in recollection: a pregnant dog, a miserable rat, a canal's water, 'dull of eye'. 'In that sour and barren place, a spinster, who did not wish for the dry, un-rustling grass. I weep with mortification. Yet I was extremely happy.' Belben's angular syntax, frequent ellipses and unusual punctuation force the reader to slow down, think, and pay attention. It becomes clear that Lavinia is full of regrets. Having nursed her mother through a long final illness, she has not had sex for 10 years and wonders if others now see her as 'not among the fuckers of this world'. She had assumed she would marry and have children, but nobody ever proposed; in today's world, of course, she would not consider herself 'a shrivelled person … an old maid' at 36, but things were different in the 1970s, something which makes her lack of shame all the more remarkable: 'I have woken sopping and swollen, with a devil to suppress between my legs.' If this novel is as confessional as it seems, it is truly fearless: death, ageing, anorgasmia, loneliness, despair and madness are all here, jostling for attention, just as they do for many of us, for all we may seek to tune them out. Meanwhile, Lavinia learns to masturbate with an electric toothbrush. The Robin Hood section is a change of gear so abrupt it risks whiplash. As a child Lavinia identified with the idea of a forest-dwelling outlaw ('the myth of the greenwood … a cosy, complete, limited life'), and loved books about children who live outdoors: BB's classic Brendon Chase and Arthur Ransome's Swallows and Amazons also form part of the fantasy. But this book is no fairy story, instead a sensuous, funny account of a sexual encounter between Hood and the wife of Sir Richard atte Lee, a figure from early medieval ballads. This is a vision of sexuality as pure, natural and incorruptible, a vital component in what today's pop psychologists might call Lavinia's 'love map'. As the sections unfold, a succession of images and recollections relentlessly and obliquely illuminate one another in the manner of an Adam Curtis film. We glimpse Lavinia's relationship with her beloved but complicated mother ('something stiff and unyielding, fierce and loving') and learn more about her deep affinity for animals, particularly horses and dogs, both subjects of Belben's own later books; we understand her attitude to death, and to London; see the damage inflicted by her schooling, and witness her sustaining, at times ecstatic relationship with the natural world (her account of a trip to Scotland beats nearly all of today's nature writing into a cocked hat). She imagines the daughter she might have had, and names her 'Jessie', but dwells uneasily on the very different childhood she would doubtless have compared with her own: 'She would reckon a Forestry Commission plantation is a nice wood to walk in … she wouldn't have a clue about apples, how to pick them, how to store them: or pears.' You can feel Lavinia/Belben thinking and imagining her way through something that she might otherwise have had the opportunity to understand in practice: the inevitable distance between generations and the inexorable pace of change. 'I am worried that Jessie won't read,' she writes [italics her own]. 'It would be my greatest dread.' The last pages of Dreaming of Dead People dissolve into an impressionistic but carefully structured stream of consciousness, dwelling on ageing and mortality, loneliness and inner strength: extraordinary from any writer, but particularly from one in only her middle 30s. It is extremely beautiful, utterly convincing, and rivals anything by Virginia Woolf. 'There comes a time for making peace with oneself,' Belben writes, as Lavinia. 'Life as I have known it is ending. I am drying up … I am saying: here is a life, what do you make of it. And trying not to mind that you turn aside.' Dreaming of Dead People by Rosalind Belben is published by And Other Stories, (£14.99). To support the Guardian, order your copy at Delivery charges may apply.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store