
Sadia Imam shares and deletes emotional video, fans express concern
Pakistani actress and television host Sadia Imam posted a tearful video on Instagram, prompting mixed reactions before it was later deleted.
In the video, Sadia appeared with tears in her eyes while a slow, melancholic song played in the background. The caption read 'Sad mood' followed by a broken heart emoji.
The post quickly gained attention, with fans and fellow celebrities expressing concern and sending messages of support. Many asked what had happened and offered kind words.
Photo: ScreenGrab
However, some social media users criticised the actress for sharing a personal moment publicly, calling it attention-seeking and unnecessary.
Photo: ScreenGrab
Sadia deleted the video shortly after posting it. She has not given any explanation for either the video or its removal.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Express Tribune
2 hours ago
- Express Tribune
'Two kids more than enough'
Mariyam Nafees may have entered motherhood for the first time in March with the birth of her son Isa, but the actor already knows how many children would be the perfect number for her: two. "You should have a total of two kids!" declared the Ishq Jalebi actor during a recent appearance on Hasna Mana Hai. Tongue in cheek, she added, "You're automatically raising your husband raising your husband — he's already a kid! But other than that, two kids are enough — a boy and a girl." Working as a team Mariyam and filmmaker husband Amaan Ahmed took to Instagram in March to announce that their long awaited baby boy had arrived safely. Mariyam had previously spoken publicly about her pregnancy and documented her milestones on Instagram for her followers to enjoy. Jokes aside, Mariyam hinted that Amaan may not be as much of a manchild as she may have earlier implied when she spoke fondly of how well aligned the couple are when it comes to raising their son. For example, the couple's Karachi home may be without the support of an extended family network in the vicinity, but Mariyam pointed out that a supportive husband has the power to smoothen the challenges of parenting. "Of course it is easier when you have grandparents around, but if your partner is helpful — if your husband is there for you — then you can easily manage everything," she observed. Working in sync with her husband as they navigate parenting together, Mariyam thus has no qualms about who their son will take after, in either looks or temperament. "Both of us are very morally correct!" she pointed out. "And as for looks, I don't mind which one of us he grows up to resemble, although right now, people do say that he looks like Amaan." Mariyam's confidence as a new parent is evident in her social media posts; earlier this month, the star took to Instagram Stories in a bid to uplift her fellow mothers. "Mommas — listen to everyone, but do whatever you want," instructed the Neem actor underneath a screenshot of a recent parenting post shared on the Pakistan's women-only Facebook group, Soul Sisters. "You know what's best for your child," continued Mariyam. "You're the mother. You're God-gifted when it comes to instincts. You do what you feel is right!" Advice for stars Mariyam may have taken a break from acting to focus on her son, but that, of course, does not mean that she has forgotten what it is like to be behind the camera. Looking back on her television credentials, the actor maintains that her toughest role to date has been playing the role of Khajista (friend to Sajal Ali's character Zubiya) in the 2017 drama Yaqeen Ka Safar. "Khajista was a domestic abuse victim, and that was really difficult," she recalled. "It was emotionally very challenging, especially with all the physical abuse she also went through." Despite having stepped away from the drama industry for now, Mariyam remains aware of showbiz's biggest stars of today, as well as what their full potential might be. When it comes to Kabhi Main Kabhi Tum actor and producer Fahad Mustafa, for example, Mariyam noted that she would "like to see him produce films". "It's something he has said himself," added Mariyam. "He's doing great when he's producing dramas — he's got great content and amazing scripts." As for Qarze Jaan star Yumna Zaidi, Mariyam expressed, after a minor internal debate, "I would love to see Yumna take on satire. I think she'll do great if she does comedy." Mariyam may have a point. Given that Yumna's most recent heavyweight roles – all of which have gained her critical acclaim — include the battling-for-justice Nashwa in Qarze Jaan, Zarnab, a journalist amongst gangsters in Gentleman and aspiring cricketer Nayab in Nayab, Mariyam's wish to see the young actor take on a lighter role in the world of satire may be warranted. Hania vs Mahira When it came to the dimpled Kabhi Main Kabhi Tum star Hania Aamir (and one of Pakistan's most followed celebrities on Instagram to boot), however, Mariyam appeared lost for words. "What advice could I possibly give Hania?" she wondered aloud. Mariyam remains convinced that the young star's popularity is on par with Pakistan's other superstar: Love Guru lead Mahira Khan. Refusing to pit either woman against the other, Mariyam warmly noted that both actors are on equal footing in their craft and star power. "I mean – why not?" asked Mariyam. "They both have world recognition, they are both superstars, and they are both beautiful women! What else do you need? They both also represent Pakistan globally in a very positive light!"


Express Tribune
3 hours ago
- Express Tribune
Pindi plans grand I-Day festivities
Pakistan's 78th Independence Day will be celebrated across the city with great enthusiasm, patriotic spirit, and ceremonial grandeur, the district administration formally announced on Tuesday. The central celebration will be held at Government Viqar-un-Nisa Girls College at 9am, where Civil Defence volunteers will present a march-past and guard of honour. The Commissioner and Deputy Commissioner will perform the flag-hoisting ceremony, followed by march-pasts by Girl Guides and Boy Scouts. Across the twin cities of Rawalpindi and Islamabad, prominent landmarks — including Parliament House, Aiwan-e-Sadr, the Supreme Court, Secretariat buildings, bazaars, railway stations, Adiala Jail, hospitals, parks, and other public venues — will be adorned with vibrant buntings, decorative lighting, national flags, and portraits of national heroes. Official buildings, private residences, vehicles, and even motorcycles will proudly display the Pakistani flag, contributing to a citywide atmosphere of national pride. Cultural floats showcasing the diverse traditions of Punjab, Sindh, Potohar, Kashmir, Gilgit-Baltistan, Balochistan, and Khyber-Pakhtunkhwa (K-P) will feature prominently in Independence Day parades and rallies, highlighting the country's rich cultural mosaic. At the Rawalpindi Arts Council, exhibitions will be held featuring rare photographs from the Pakistan Movement and portraits of key national figures. The festivities will also include thematic tableaux, quiz contests, speech competitions, a sports gala, and a Sufi night at Iqbal Park, which will also host a special Independence Day exhibition. Flag-raising ceremonies will take place at the Lahore High Court Rawalpindi Bench, district courts, District Bar Association, universities, and the Education Board. From August 1 to August 14, government officials and employees will wear Independence Day badges, and national flags will be prominently hoisted on rooftops across the city. In celebration of the occasion, sweets will be distributed at hospitals and Adiala Jail, and sentence remissions will be granted to eligible inmates. Awards will be presented to buildings with the most exceptional decorations. Citywide decorations will commence from August 1, marking the onset of celebrations. A high-level planning meeting, chaired by DC Hassan Waqar Cheema, was held to review and finalise preparations. During the session, a comprehensive programme of events was officially approved, underscoring the administration's commitment to celebrating Independence Day with unprecedented zeal, unity, and national pride.


Express Tribune
4 hours ago
- Express Tribune
Moving image exhibit opens at PNCA
"Seeing, Seen" a landmark exhibition exploring the moving image as a medium of resistance, memory, and reimagination, opened at the Pakistan National Council of the Arts (PNCA) on Wednesday evening. Inaugurated by Federal Minister for National Heritage and Culture, Aurangzeb Khan Khichi, the opening ceremony included remarks by Muhammad Ayoub Jamali and curator Sarah Rajper, followed by an engaging artist panel discussion. Supported by the British Council and organised by LUX and Art South Asia Project, the exhibition presents innovative works by artists from Pakistan and the UK, exploring themes of language, identity, history and perception through video, film and animation. In his address, Khichi praised the initiative, stating, "This wonderful exhibition, connecting Pakistani and UK-based artists, is a powerful example of cultural collaborationone that not only reflects our shared human experience but also strengthens the global standing of Pakistan's creative community." In her address, curator Sarah Rajper emphasised the significance of fostering support for new media and experimental forms in the region: "Moving image is still vastly under-supported in Pakistan despite its immense potential to reflect and reshape our realities. With "Seeing, Seen" we're not just showcasing art, we're building infrastructure for dialogue, risk-taking, and critical inquiry. It's a call to invest in the future of storytelling." The artist panel featured Kaiser Irfan, Mahnoor Ali Shah, M4HK, Ujala Khan and Rajper, who reflected on their practices and the role of moving image in Pakistan's cultural landscape. The exhibition features a wide range of mediums including video, animation, film, lenticular print, mixed media painting and stop-motion, as well as art from the British Council Collection. Participating artists include Abdul Haadi, Farida Batool, Kaiser Irfan, Mahnoor Ali Shah, M4HK, Rabeeha Adnan, Ujala Khan and UK-based duo John Wood and Paul Harrison. Highlights include Kaiser Irfan's "Language of the Birds", a meditative video exploring asemic writing and myth, Mahnoor Ali Shah's "Memory Flashbacks", which reflects on neurodivergence and memory, Farida Batool's lenticular works on trauma and perception and Rabeeha Adnan's "Field Reset", which uses glitchy VHS textures to explore desire and dissonance.