
Tom Holland hints he would play Bond amid 007 rumours
The Hollywood actor and star of Spider-Man responded to speculation that he might play the world's most famous spy by saying: 'We'll get there one day.'
Holland, 29, added that for 'every young British actor, it's the pinnacle of working in our industry'.
The Londoner is among several actors tipped for the role of 007 following Amazon's takeover of the franchise.
These include: Jacob Elordi, the Australian who starred in Euphoria and Saltburn; Aaron Pierre, star of Rebel Ridge, the 2024 American action thriller; and Harris Dickinson, who acted opposite Nicole Kidman in Babygirl, the erotic thriller.
Holland admitted in a conversation with his friend, Gordon Ramsay, that he was aware there were rumours he might become Bond.
When the celebrity chef asked Holland about the role on his YoutTube channel this week, the actor smiled and said: 'Listen, there's speculation at the moment. We'll keep it to a minimum for now. We will get there one day.'
He was asked by Ramsay: 'Can you imagine what's going to happen to your life if you do? First of all, you'd love that opportunity, right?'
Holland replied: 'Dude, I mean every young British actor, it's the pinnacle of working in our industry. I already consider myself to be the luckiest kid alive. I could never have dreamed to have the career that I have.'
Dune director takes over
Denis Villeneuve, the acclaimed Canadian film-maker behind the Dune franchise, will direct the new Bond film. However, the lead role is yet to be cast.
The movie is being co-produced by Amy Pascal, who works closely with Holland on the Spider-Man movies. It has been reported that Amazon, which is making the 26th Bond film, wishes to cast a younger Bond for the next film.
Daniel Craig, the British actor, starred in five of the spy films between 2006 and 2021, beginning with Casino Royale and ending with No Time to Die.
Earlier this year it emerged that Amazon had secured creative control of the James Bond franchise, prompting fears among fans and in Hollywood that the new 007 actor would be American.
However, last month Variety magazine cited sources close to the film saying that the studio and producers were interested in casting a British actor under the age of 30.
Glasgow filming
Meanwhile Holland is currently filming the latest Spider-Man film in the streets of Glasgow.
The city centre is being redesigned in the image of New York, with US flags draped on its famous buildings, as filming gets under way for the new Marvel movie, set for release next year.
The film stars Tom Holland as the titular character and Holland's girlfriend, Zendaya, as Michelle Jones 'MJ' Watson.
A number of American-style vehicles have been spotted near the Scottish Event Campus, including New York Police Department-labelled cars, buses, and food vans. Filming is expected to last until the middle of August.
It will be the fourth instalment in the Marvel Cinematic Universe's Spider-Man franchise, and creators have said it will change the tone of the previous three movies, which were released in 2017, 2019, and 2021.

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The Independent
15 minutes ago
- The Independent
‘Role model' father who fell to his death at Oasis gig in Wembley named and pictured
A man who fell to his death during Oasis's Saturday night gig at Wembley has been named as Lee Claydon. The father from Bournemouth fell from the upper tier balcony of the London stadium during a sell-out concert by the Gallagher brothers. Describing him as a 'loving family man' who loved fishing and outdoor activities and a 'role model' to his son, Lee's brother Aaron Claydon said: 'We will miss him so very much.' Aaron paid tribute to his brother on a GoFundMe page set up to support Lee's partner, Amanda, and their family. In the post, he said Lee was 'the man I have always looked up to' who 'would have done anything for any of us'. 'Our family has been turned upside down and are struggling to deal with this devastation and unexpected loss,' Aaron wrote. 'Lee leaves behind his son, dad, partner, brothers, sisters, nephews and niece. 'Lee was a loving family man who was a role model to his son Harry and was loved so much by all his family. Lee would have done anything for any of us and he was taken from us far too soon and we will miss him so very much. 'Lee loved all outdoor activities, one of his favourite hobbies was fishing. He also loved music and his guitar. He also really enjoyed going to watch and support the boys and his nephew at their football games. 'Amanda and the boys have our full support at this very sad time, which is why we would love to be able to help them financially as well as emotionally. 'Please help us raise as much funds as we can to take one worry off Amanda and family right now as they are going through any family's worst nightmare.' Aaron also took to Facebook to pay tribute to his brother, writing: 'Still in shock and cannot believe I am writing this, but sadly over the weekend I lost by best mate the man I looked up to and the man I was lucky enough to call my brother Lee Claydon. 'This is gonna be a tough long journey and I have set up this GoFundMe page to help and support his loved ones. Please read and share. 'Until we meet again Rkid.' Lee's cousins, Shannon Gabrielle and Richard Norris, also paid tribute to Lee on the social media platform and shared the fundraiser. 'Absolutely shocked and gutted to hear about our cousin Lee Claydon,' Mr Norris wrote, describing the incident as 'heartbreaking beyond words'. 'Please consider supporting the fundraiser to help his loved ones during yet another incredibly difficult time,' he said. Shannon Gabrielle wrote Lee had died 'after no doubt having the time of his life at the Oasis concert this weekend'. She added his death had 'devastated the whole family' and said any donations would help support his 'closest knit' relatives. 'You just don't fathom you will go out for a night of amazing fun and not come home at the end of it,' she wrote. In a statement issued on Sunday, the Metropolitan Police said: 'A man – aged in his 40s – was found with injuries consistent with a fall. 'He was sadly pronounced dead at the scene. 'The stadium was busy and we believe it is likely a number of people witnessed the incident, or may knowingly or unknowingly have caught it on mobile phone video footage. 'If you have any information that could help us to confirm what happened, please call 101.' The Gallagher brothers also said they had been left 'shocked and saddened' by the news of the death following their show. On Sunday, a spokesperson for Wembley said: 'Last night, Wembley Stadium medics, the London Ambulance Service and the police attended to a concert-goer who was found with injuries consistent with a fall. 'Despite their efforts, the fan very sadly died. Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers. 'The police have asked anyone who witnessed the incident to contact them.'


Daily Mail
16 minutes ago
- Daily Mail
Sharon Horgan breaks her silence on romance with co-star Barry Ward following split from The Charlatans frontman Tim Burgess
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The Guardian
16 minutes ago
- The Guardian
Millet: Life on the Land review – phallic forks and suggestive wheelbarrows enliven a landscape of toil
The figures in Jean-François Millet's 1859 painting The Angelus, a French icon that's come to the UK on loan from the Musée d'Orsay in Paris, seem extremely odd on close inspection. Their faces are obscure, their bodies intriguing under their shapeless work clothes. What age are they? How are they related? The man is quite young, his top shirt button loose, although his legs are as stiff as a doll's, inside thick, rough-cut trousers. It's harder to tell the woman's age because she stands in profile, a breeze pressing her heavy skirt against her legs, as she clasps her hands. They might be a married couple or, as this painting's unlikely fan Salvador Dalí claimed, mother and son. Their physicality is intense. The phallic prongs of a thick wooden potato fork and wheelbarrow shafts add to the feeling that, now the working day is done and they're saying their prayers, they can finally get to bed. But if they're mother and son? I refer you to Dr Dalí. I think there's a reason Millet makes The Angelus not so much a religious as an erotic landscape. It was the climax of his love affair with the French peasantry. Millet made it his life's work to portray the rural poor – a class that had been denied full humanity. He depicts lives of backbreaking toil but wants you to see that, behind the hoe, is a human being with a mind, a body, desires. Landscape artists often can't draw the human figure for toffee: that means you, Constable and Turner. But Millet foregrounds the body in stark existential moments of sweaty action. Work that in reality must have been repetitive and mindless becomes full of heroic drama. In The Winnower, a man throws grains in the air in a golden mist to separate the wheat from the chaff. Painted at the time of the 1848 revolutions, when liberal and socialist risings were shaking the wheat from the chaff across Europe, the winnower is, you realise, wearing a reddish-pink bandana, a white shirt and has a blue handkerchief – the colours of the tricolour flag that the first French Revolution invented. Millet's a revolutionary and his people have plenty to rebel against. In The Sower, a man is sowing seeds in a deep gully: it looks as if he has descended into hell. This pit looks completely barren yet here he is, sowing seeds anyway, the symbolism as hard to ignore as the arses of the two cows that loom against the stormy sky above him. His act may be that of a political campaigner, sowing seeds of change, yet it's also an image of artistic creativity. The character could be Millet himself, creating something beautiful out of the brutal realities of rural toil. His autobiography is compacted into this small show. Millet was a country boy from Normandy. His painting The Well at Gruchy captures the world he grew up in – a woman fills pots of water from a stone-roofed well that appears to be centuries old. Life is slow there, in Gruchy, and history a massive, immobile presence. The Faggot Gatherers, which Millet was working on up to 1875, looks like a riposte to the impressionists' emphasis on modernity and middle-class pleasures on boulevards and in cafes. Women lug bundles of sticks through Stygian winter gloom in a scene that could just as easily have been in the 1370s as the 1870s. He found one fan looking desperately for soul in the world. Vincent van Gogh wanted to emulate Millet as a peasant painter. You see their deep connection in Millet's drawing A Man Ploughing and Another Sowing. As the broken-looking sower stumbles in the foreground and a ploughman hunches behind him, a flock of black crows rise into the sky – like the birds Van Gogh would see over the wheatfield near the end of his life. Yet for all his brooding compassion, you can't miss Millet's turbulent sexuality. The two athletic men in his painting The Wood Sawyers look as if they are cutting up a giant penis. Then again, the slices of trunk also resemble freshly butchered meat – another one for Dalí. More conventionally sexualised are Millet's portraits of shepherdesses and milkmaids. His painting The Goose Girl at Gruchy may be as much a memory of adolescent longings as a painting from life. Van Gogh in a frenzied letter claims Millet's women are as sexy as Zola's – you can see how he got to this and how much Millet's fascination with the silent passions of country people has in common with Thomas Hardy's novels. It all comes together in The Angelus, which you keep coming back to after scanning his other works. The scene it immortalises is ancient, the lives these people lived largely lost to history. Millet freezes them like statues. They grow like grass from the hard earth that can't wait to take them back. Millet: Life on the Land is at the National Gallery, London, from 7 August to 19 October