
Rajinikanth gets staggering Rs 150 crore salary for Rs 350 crore-Coolie: Report
Actor Rajinikanth, known for his larger-than-life on-screen persona, is all set for his cinematic spectacle with director Lokesh Kanagaraj's 'Coolie.' The film, which is the first collaboration between the veteran actor and the filmmaker, is reportedly made on a massive budget of Rs 350 crore. Apart from being mounted on a massive scale, 'Coolie' has joined the league of movies that has paid one of the highest remunerations to the lead actor.advertisementA recent report by Pinkvilla stated that the film is being made on a huge budget, justifying the star power. Quoting a source close to the development, the portal wrote, "Rajinikanth has bagged an upfront salary of Rs 150 crore for 'Coolie,' which is amongst the highest of all time for an actor. Lokesh Kanagaraj, on the other hand, got a pay cheque of Rs 50 crore for 'Coolie,' which is again an all-time record for a director. The remaining Rs 150 crore has been spent on mounting the film, alongside the fees for other members of the star-cast. The total budget of 'Coolie', excluding print and publicity, is Rs 350 crore."It also added that the producers have kept around Rs 25 crore aside for print and publicity, taking the total budget to Rs 375 crore. Given the reported recoveries of 'Coolie,' it is being considered a risk-free project despite the pre-release hype.advertisement
The report concluded, "'Coolie' has fetched Rs 130 crore from digital players, Rs 90 crore from satellite, and Rs 20 crore from music rights. This takes the total non-theatrical recoveries to Rs 240 crore, leaving Rs 135 crore to be recovered from theatrical medium."Apart from Rajinikanth, 'Coolie' also features Nagarjuna, Aamir Khan, Upendra and Shruti Haasan in crucial roles. The film is produced by Sun Pictures.'Coolie' releases in Tamil, Telugu and Hindi among other Indian languages on August 14 worldwide in standard and IMAX formats.After 'Coolie,' Rajinikanth is working on Nelson Dilipkumar's action-drama 'Jailer 2.' The film will release in theatres next year.
IN THIS STORY#Rajinikanth
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
15 minutes ago
- Time of India
Most Watched TV shows: Anupamaa maintains the number 1 position; Laughter Chefs season 2 makes entry in Top 5
The latest weekly rankings of the most-watched Hindi TV shows have been released, revealing major shifts in the TRP chart—particularly among the top 5 shows. Like last week Anupamaa holds on to the number one position on the TRP chart this week also. The recent death track of Aryan, which has created upheaval in Anupamaa's life is being enjoyed by the audience. Next on the list is Kanwar Dhillon and Neha Harsora starrer Udne Ki Aasha which has taken the second spot on the list and the makers are further trying to up the drama in the show. Rohit Purohit-Samridhii Shukla-starrer Yeh Rishta Kya Kehlata Hai which is on the third spot. The show recently took a 7-year leap, showing Armaan living with his daughter Maira, while Abhira now resides with Kaveri and Vidya. Yeh Rishta is currently giving a tough fight to Kanwar Dhillon's Udne Ki Aasha in the TRP race and both are going neck-to-neck in the race. The cooking-themed reality show Laughter Chefs 2 has climbed into the top 5 rankings after steadily gaining viewership over the past few weeks. This week, it proudly claims the fourth position on the TRP chart. After struggling with low ratings for several months, Hiba Nawab and Krushal Ahuja's Jhanak has finally made its way into the top 5 shows. The original cast recently exited the daily soap as the storyline prepares for a major leap. Following the generation jump, Rhea Sharma and Arjit Taneja are set to join the show, bringing fresh twists to the narrative. This week the daily soap takes the fifth spot. Mangal Lakshmi and Lakshmi Ka Safar have both recorded close viewership figures, claiming the 6th and 7th spots on the TRP chart. Advocate Anjali Awasthi continues to maintain a solid hold at number 8. Taarak Mehta Ka Ooltah Chashmah ranks ninth this week, while Ayesha Singh's lead show Mannat secures the 10th position. TRP chart: 'Anupamaa' retain top spot, 'Kundali Bhagya' jumps to spot 2


India.com
16 minutes ago
- India.com
Meet actress who started her career as model, debuted with Shah Rukh Khan, sacrificed her glittering career for…, she is…
In the dazzling world of Bollywood, some debuts leave a mark that time cannot fade. One such actress stepped into the spotlight opposite superstar Shah Rukh Khan and instantly became the talk of tinsel town. Over time, she transformed into one of the most successful actresses of her generation, delivering a string of box office hits and memorable performances. However, she could've become the next big thing from Bollywood until she decided to step away from the glitz and glamour. The Most Successful Debutant of Bollywood Here we are talking about Bollywood actress Anushka Sharma, who started her acting career at the young age of 20, with a debut at Lakmé Fashion Week in 2007, where she walked for designer Wendell Rodricks. Later, she stepped into Bollywood alongside Shah Rukh Khan in the classic Rab Ne Bana Di Jodi, released in 2008. The movie, made on a budget of Rs 39 crores, became a box office success, raking in over Rs 157 crores. Following her debut, Anushka starred in a series of successful films. In 2010, she delivered a notable performance in Badmaash Company, with Shahid Kapoor, which was well-received. That same year, she won over audiences in Band Baaja Baaraat, which also did well at the box office. The Down Phase of Anushka Sharma Until… After Band Baaja Baaraat, her fourth film Patiala House, with Akshay Kumar, did not perform as expected and was considered a disaster. Later, Ladies vs Ricky Bahl, released in 2011, emerged as a hit. In 2012, Anushka reunited with Shah Rukh Khan for another successful film Jab Tak Hai Jaan. Her success continued with Aamir Khan's 2014 blockbuster PK, which became one of the biggest hits of all time. Another major success followed in Salman Khan's 2016 sports-drama Sultan, which also dominated the box office. When Anushka Decided to Step Down from the World of Glitz and Glam When Anushka Sharma was riding high in her career, soaking up all the success, she crossed paths with Virat Kohli. They both showed up for an ad shoot, and that's where their friendship blossomed. What started as a friendship soon turned into a romance, and they dated for a while. After some time together, they decided to tie the sacred knot in 2017. Anushka chose to step back from her acting career to support her husband and manage their family. Her last film before marriage was Zero, with Shah Rukh Khan, which hit theaters in 2018 and became a box office dud. Post-marriage, Anushka devoted herself to her family and Virat Kohli. While she may have stepped away from acting, she continued to produce films. Anushka Emerged as a Strong Pillar for Better Half Virat Kohli and His Career Anushka stood firm at every stage of her husband Virat's career. She was seen cheering on her husband during the World Cup, Champions Trophy, and IPL events. Anushka could not hold back her feelings of excitement on Tuesday when Virat Kohli's team RCB won the IPL for the first time in 18 years.

The Hindu
40 minutes ago
- The Hindu
‘Malai koothu' has evolved, but there's not much in the art form for ‘koothadi'
In the sprawling landscaped compound of the Kadavu Nachiamman Temple of Nilavur in the Yelagiri Hills, a 'malai koothu' on Haribalan-Sivabalan Sandai was about to open. On that new moon night, the audience had arrived for the temple festival from as far as Jolarpet. They would stay up till dawn. 'Here comes 'Boppan' for the opening Act.' 'Boppan', the buffoon, makes an entry in a jazzy orange outfit, prancing up and down to the blaring but often indiscernible vocals. The buffoon jumps, gets whipped, pretends to scare children seated on the ground, gets whipped again. As the night advanced, a section of the audience dozes off with banners for blankets, while a few elders keep themselves warm, crouched beneath woollen blankets. An artist hurls profanities at Maradhanda Asuran, causing giggles, and falls on the lap of an old woman in the audience after a pretence-chase by Maradhanda Asuran. A ploy to keep the audience awake on that chilly night. Tearful monologue Haribalan-Sivabalan Sandai opens with Maradhanda Asuran and his daughter Sillingi, and Sillingi's sons Haribalan and Sivabalan conceived of a boon from Lord Siva, according to mythology. Sillingi, played by an old man draped in a sari and a wig, comes out to narrate her story. Sillingi's tearful monologue is interrupted when a visibly moved old woman, gets up and pins a currency note to Sillingi's sari at the shoulder. This would be the last act for this season from the Tamil month of Thai to Aadi. 'Malai koothu', a form of 'therukoothu' (street play), a seemingly plebeian art, is culturally moored in the lives of the inhabitants of the hills — the Malaiyali tribes of Dharmapuri and the Javadhu and Yelagiri Hills in Tirupathur. It is also an expression of social cohesion and is primarily performed as a temple dance form in the hills. 'We perform 'koothu' for temple festivals, births and deaths, and marriages,' says K. Govindasamy, former president of the Adhanur panchayat comprising 14 villages of the Yelagiri Hills. The 75-year-old is a veteran 'koothu' artist. He runs the Kadhavu Nachiamman Koothu Kuzhu that trains artists at Nilavur village. 'We did not allow film songs to contaminate the form,' he says. In the hills, the performers are high pitched so as to reach a larger assembly of audience while performing with no mikes, something that the artists from the plains find hard to emulate, says A. Thirumalaisami, an artist and researcher from the family of 'therukoothu' artists in the plains in Krishnagiri. The 'koothu' centres around The Mahabharata and the Puranas. The story-telling revolves around Draupathi. The art form is closely associated with the regions that worship Draupathiamman in a dedicated temple, with a puritan style of performance seen in Krishnagiri, Tiruvannamalai, Villupuram, and Cuddalore districts. 'The Therkathiya Bani (the southern style) is different from the Vadakathiya Bani (the northern style) seen in Kancheepuram and Chengalpattu districts. 'Vanniya Puranam can be performed by anyone here; but in Tiruvannamalai, troupes comprising only Vanniyars perform it,' he explains. Starting out as a dancing girl 'I learnt to read and write because of the 'koothu',' says Siriran, a septuagenarian artist and 'koothu' teacher in the Javadhu Hills. He dropped out of school in Class 1 to graze cattle. 'When I was 13, I joined a 'koothu' troupe as a dancing girl. That was my first role.' Soon, he learnt to read and write by reading dialogues during the act. Today, he runs the Adiparasakthi Nadaga Kuzhu in the Pungampathunadu panchayat in the Javadhu Hills. Mr. Siriran never dons the role of 'asuran '. 'I did it twice, but I don't feel good opposing the gods. I have donned the roles of Krishna, Siva, Arjunan, and Dharmar.' The epical roles are seen as self-fulfilling and expression of the righteousness of the performing artists. 'You want to learn the art, when you see someone don the paint and mouth a dialogue to win over the audience. The young boys always want to perform a 'woman's act',' says Mr. Siriran. Value in attire 'Malai koothu' artists do not see themselves as commercial artists, unless they are called to perform. Unlike the 'therukoothu' artists, 'malai koothu' artists see value in the perfect attire that wins over the audience. 'We spend about ₹15,000 for stitching our costumes. If we keep it safe, it can last 3-4 years. In the hills, we cannot rent clothes as the artists do in the towns. We do our own make-up, and we pay a value for our costumes since our art is in our costumes,' he says. In the Yelagiri Hills dotted by high-end resorts, the employment for the artists often come from the ever-growing hospitality construction projects, when 'koothu' falls silent during the lean season that begins with the monsoon. But, in the remote villages of the Javadhu Hills with its marginal landholdings, the adult population is largely away in cities for construction work. 'When there is a festival, we send word and the artists return,' says Mr. Siriran. A troupe of 15 may get paid ₹25,000-₹30,000. Good artists are called by 'troupe companies' in the plains. If 'koothu' and 'koothadi' are invoked as pejorative terms for those outside its experience, the art form is sacred for its practitioners. 'Malai koothu' has come a long way, but not the 'koothadi'. 'Back then, a burning log propped up in between a splintered bamboo held up on two sides would light up the 'koothu' all through the night. Then came the kerosene torch and the Petromax lamps,' says Mr. Govindasamy. For the artist, the precarity remains. There is the constant struggle to keep the audience engaged and strike a balance between the pleasure of pursuit of an art form that caters to an already struggling people and making a living by other gainful jobs.