
Indian film industry jittery over Trump's tariff move
New Delhi : India's $30-billion media and entertainment industry was in for an unpleasant surprise on Monday morning as US President Donald Trump announced a 100% tariff on movies produced outside of his country before their release in the US, asking authorities to begin the process of imposing tariffs immediately.
The US film industry was 'dying a very fast death' due to the incentives that other countries offer American filmmakers, Trump posted on his account on Truth Social.
Some Indian filmmakers took to social media to express their concern over the implementation of 100% tariff, saying it will impact box office revenues of Indian films released in the US if the ticket prices double and footfalls decline. Industry experts peg Indian films revenue from the US at between ₹800 crore and ₹1,000 crore in a year.
'Trump's 100% tariff on movies is a disastrous move. If this absurdity prevails, India's struggling film industry will collapse…,' filmmaker Vivek Agnihotri posted on X.
In a Linkedin post, Vivek Lath, managing director at GoQuest Media Ventures, an independent distributor of entertainment content, said: 'This is not good. Came right after the single largest Media & Entertainment event in India.' He was referring to the recently concluded World Audio Visual & Entertainment Summit (WAVES) held in Mumbai which aimed at promoting India as a global content hub.
'US accounts for roughly 5-7% of box office revenues for Indian movies. Already stressed US theatre owners will not be happy with this and if the rest of the world reciprocates, Hollywood will also lose a large share of its international revenues. Let's see how this plays out,' Lath added.
Independent media and entertainment (M&E) industry consultant Shrirang Nargund said it was too early to comment on the impact of Trump's move on India's M&E. Besides, Indian films' exposure in the US market is very limited. 'Of the total 1,600-1,800 films we make in India in a year, a minuscule percentage is released in the US. And of those very few like Baahubali, Chhaava or RRR do well. So, I do not see any major impact on our film business,' Nargund said.
Producer and film business expert Girish Johar said there was no clarity whether Trump's statement referred to film production or the exhibition business. 'My understanding is he was referring to 'production' of films outside as other countries offer incentives to shoot films. It may or may not affect ticket prices or the exhibition part of the business as that's an income for the cinema business. However, we should wait for the details,' Johar added.
To be sure, the Indian government offers several incentives to foreign filmmakers, facilitating a streamlined, one-stop application process. Feature films, animation, web shows and commercial TV shows shot in India are eligible for incentives amounting to 30% of the Qualifying Production Expenditure (QPE) incurred in India, provided the IP is owned by an entity outside India. The total incentives, however, are capped at roughly US$3.5 million per project.
During his address at WAVES in Mumbai on May 1, Prime Minister Narendra Modi invited international investors and creators to embrace India as their content playground and explore the country's vast creative ecosystem.
According to the Ficci-EY report of March 2025 on the M&E sector, India's animation, VFX and post-production segment contracted 9% in 2024, impacted by domestic uncertainty and global demand challenges. The segment is projected to recover and grow at 13% up until 2027, the report said. However, now a lot will depend on Trump's fine print on the M&E sector policy.
letters@hindustantimes.com
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hindustan Times
19 minutes ago
- Hindustan Times
USA Cricket declares bold new era, sets sight on full ICC membership, game-changing expansion plans around LA Olympics
From being the CEO of Cricket West Indies for seven years to now leading Major League Cricket (MLC), Johnny Grave's new mission could redefine the global cricketing order. And in less than half a year into his new role, the Englishman has hit the ground running. Grave has already overseen MLC's expansion to three active venues for 2025, pulling off a coup by securing the Oakland Coliseum as a host ground. 'We've got to be ready with cricket in America to capitalize on that, both in terms of the greater enthusiasm it will generate at the grassroots level, in the schools and the colleges, and also in terms of the fan base, and not making it just a one-off,' he told Cricbuzz. As MLC gears up for a pivotal few years with the LA28 Olympics on the horizon, Grave believes America is sitting on an untapped goldmine. But transforming that promise into permanence will take more than showpiece events. 'How do we take those fans from the Olympics and move them through into becoming really sticky and engaged cricket fans, and actually getting them to actively support our MLC teams and the US national teams, because we need those teams to build their own fan bases,' said Grave. Grave is also looking to reshape the grassroots structure and revenue model for Minor League Cricket (MiLC), which currently runs on personal investment from private owners. 'We have had really positive talks with the owners about redefining the business model for Minor League to help ensure it becomes more sustainable, both from a league perspective and the individual teams,' he said. 'There is definitely value within Minor League and we've seen that in the last few months, with ownership changing, different investors coming into the individual teams.' Player development is also at the heart of Grave's blueprint. With full-time earnings for the majority of American cricketers still meagre, his aim is to establish a structure where pursuing cricket professionally is financially viable. 'We've had really good discussions with the US players' union. We're probably going to be the first league in the US to sign an agreement with the players' union… what USA-based cricketers are earning now compared to their Associate Member counterparts would be significantly ahead of any other team,' he said. Grave believes USA Cricket could soon make a strong case for full ICC membership, if it fixes its governance flaws. 'I think USA Cricket already has a very compelling case to become an ICC full member… The one concern I think the game of cricket might have would be the ongoing governance challenges that the board has faced over pretty much all of its recent history,' he noted. His understanding of ICC systems, gained through his years at the helm of a full-member board, could be key in lobbying for a unique pathway. 'Certainly everything that we're planning to do with Minor League Cricket and expanding the academy network, and with MLC already a premier domestic T20 tournament on the global stage… it is only going to assist the case.' Grave isn't just building a league. He's helping awaken a sleeping giant. And if the plans take shape, American cricket may soon do more than just catch up—it might well start leading the conversation.


Time of India
20 minutes ago
- Time of India
JD Vance's Hillbilly Elegy: 10 quotes from US Vice President's memoir
Image: Hillbilly Elegy by J.D. Vance is part memoir, part social commentary, and entirely compelling. It tells the story of Vance's turbulent childhood growing up in a working-class Appalachian family in Ohio, shaped by poverty, addiction, and instability. But more than just a personal journey, the book digs deep into the cultural and emotional struggles of white working-class Americans. Recently, Indian MP for Thiruvananthapuram, Shashi Tharoor, posted about Vance's book. "On a personal note, let me add, as a reader & writer, what a pleasure it was to exchange thoughts with Vice-President @JDVance . His 'Hillbilly Elegy' is a remarkable account of an individual rising above the cultural limitations of his socio-economic situation and achieving transcendent success. It's an authentically American story, with deep resonance for those struggling to overcome similar challenges in their own countries," Tharoor wrote. With raw honesty, Vance explores how cycles of dysfunction persist, even amid opportunity. Whether you agree with his politics or not, Hillbilly Elegy sparks tough conversations about class, identity, and what it really takes to break free from your roots. Here are 10 quotes from Hillbilly Elegy 'What separates the successful from the unsuccessful are the expectations that they had for their own lives. Yet the message of the right is increasingly: It's not your fault that you're a loser; it's the government's fault.' Vance criticizes a victim mindset: blaming external circumstances rather than taking responsibility. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like เทรด CFDs ด้วยเทคโนโลยีเทรดสุดล้ำ และ รวดเร็วกว่า IC Markets สมัคร Undo He argues that believing in your own potential matters more than politics. While free-market rhetoric looms large, Vance reminds readers that empowerment starts within: in setting high expectations, not expecting handouts. 'Psychologists call it 'learned helplessness' when a person believes, as I did during my youth, that the choices I made had no effect on the outcomes in my life.' That quote captures the emotional weight of poverty: the subconscious belief that nothing you do can change your destiny. Vance battled this mindset until the Marine Corps offered structure and purpose. It's a dramatic illustration of how discipline and stability can transform perceived fates. 'Whenever people ask me what I'd most like to change about the white working class , I say, 'The feeling that our choices don't matter.'' Here, Vance zeroes in on mindset again—the power of internal belief. His critique isn't just about economics or policy; it's cultural and psychological. Breaking out of a trapped mindset, he argues, requires internal work: valuing personal agency even when wider systems feel stacked against you. 'They want us to be shepherds to these kids. But no one wants to talk about the fact that many of them are raised by wolves.' This line reveals Vance's frustration with simplistic solutions. Teachers are asked to uplift children from chaotic homes, but society refuses to address family dysfunction. His metaphor emphasizes how deep-rooted social issues lie beneath surface-level fixes—requiring a holistic approach, not just educational funding. 'If you believe that hard work pays off, then you work hard; if you think it's hard to get ahead even when you try, then why try at all?' Vance differentiates between cultural beliefs and self-fulfilling outcomes. Hard work only works in a cultural environment that values and expects effort. His wider message: society must cultivate beliefs that propel individuals forward—otherwise, the effort dies before it starts. 'For kids like me, the part of the brain that deals with stress and conflict is always activated… We are constantly ready to fight or flee.' V ance describes the physiological effects of growing up in chaos. His body was always on high alert. This hyper-vigilance extended into adulthood until he learned coping mechanisms. It's a powerful illustration of how childhood environments physically shape our stress responses. 'Pajamas? Poor people don't wear pajamas. We fall asleep in our underwear or blue jeans.' This quirky line speaks volumes about cultural stigma. Clothing becomes a marker of class and self-worth. Vance shows how poverty isn't just a lack of money—it's also a lack of perceived self-esteem. Small habits like pajamas become symbols of aspiration or shame. 'We don't study as children, and we don't make our kids study when we're parents… We might get angry with them, but we never give them the tools—like peace and quiet at home—to succeed.' Here, Vance criticizes his own culture's approach to education. Discipline isn't enough; supportive environments matter. Poverty isn't just external—it's also internalized in home tensions. He argues that upward mobility requires learning structures, not just financial means. 'Social mobility isn't just about money and economics, it's about a lifestyle change… almost everything about your old life becomes unfashionable at best or unhealthy at worst.' Vance pushes back against the "American Dream" myth by emphasizing culture shock that accompanies upward mobility. It's not just money that changes—it's peers, behaviors, values. Integration into new socio-economic circles demands adaptability—something purely economic solutions often ignore. 'I don't believe in epiphanies… Transformation is harder than a moment… I've seen far too many people awash in a genuine desire to change only to lose their mettle when they realized just how difficult change actually is.' A powerful final note. Vance condemns the myth of overnight transformation. True change is slow, hard, and sustained. His own climb from chaos to Yale exemplifies less a lightning bolt and more a marathon. He's urging readers: forget quick fixes—commit to consistent action. One step to a healthier you—join Times Health+ Yoga and feel the change


News18
21 minutes ago
- News18
Suniel Shetty's Son Ahan Shetty Signs Fourth Film, To Star In Bengali Director Birsa Dasgupta's Next
Last Updated: Suniel Shetty's son Ahan Shetty gears up for his third film, an action drama directed by Birsa Dasgupta. Suniel Shetty's son Ahan Shetty, who made his Bollywood debut opposite Tara Sutaria in Tadap (2021), already has his third film locked in. After reportedly signing a romantic drama with director Shaad Ali, Ahan is now heading into action territory. According to a source quoted by Hindustan Times, the actor's next will be an action-drama directed by Bengali filmmaker Birsa Dasgupta. 'Ahan has signed an actioner which will be directed by renowned Bengali director Birsa Dasgupta, and is being produced by Shibasish Sarkar and Ribhu Dasgupta," the source revealed. The team is currently finalising the female lead, and an announcement is expected soon. 'The female lead of the film is being finalised currently and the name will be announced soon," the source added. The film, which is currently untitled, is scheduled to go on floors in October. Ahan also has Border 2 lined up for next year. Athiya Shetty quits Bollywood Meanwhile, Suniel Shetty recently shared that his daughter, Athiya Shetty, wife of Indian cricketer KL Rahul, has chosen to leave Bollywood and quit acting. In a recent interview, the veteran actor confirmed that his daughter is not interested in continuing her career in the film industry and feels comfortable stepping away from it. 'She said, 'Baba, I don't want to,' and she just left. And that's what I salute her for saying, 'I'm not interested. I don't want to do films.' After Motichoor Chaknachoor, a lot came her way. 'But I don't want to. I'm comfortable, you know?" Suniel Shetty told Pinkvilla, while promoting his upcoming movie, Kesari Veer. Suniel also shared that Athiya is busy with her mommy duties now and added, 'She's got the best role of her life. You know, she's working in the best film, and that is the life, the role of her mother and she's loving it." Previously, in an exclusive interview with News18 Showsha too, Suniel Shetty talked about Athiya not wanting to do films when he said, 'She does not want to do films. After she did Motichoor, she said 'I don't want to be a part of this'. She works really hard." First Published: June 08, 2025, 12:13 IST