Australian influencer Sammy Robinson debuts romance with New Zealand rugby star boyfriend Shaun Stevenson
'I've recently said until I know for a fact you're going to be the one, I don't think I'll post them again. You don't just post whoever anymore, and I'm careful now because there is just too much scrutiny.'
So it seems Stevenson might be 'the one', as the influencer decided to hard launch their relationship after a few subtle hints on her account in recent weeks.
It is unknown how long the two have been together, however, it seems things are getting serious as the pair celebrated her birthday together earlier in the month.
On June 26, she teased the relationship with a photo from behind of her and a man ordering a drink at a bar.
Sammy Robinson has been posting Easter eggs of their romance to social media in recent weeks. Photo / Instagram
Robinson initially rose to fame on YouTube as one of Australia's original beauty content creators, before moving over to TikTok with lifestyle and beauty videos.
She later launched her own fashion brand, One Mile, in 2020, which has had significant success in a short time.
The brand's debut at Australian Fashion Week in 2022 marked its transition into a respected industry player.
It now has two brick-and-mortar stores, one in Bondi Beach and one in Paddington.
Robinson first rose to fame on YouTube as a beauty creator. Photo / Instagram
In an interview with Vogue Australia, she mentioned that there's no secret behind her success, she simply tries to stay true to herself.
'Just do you. Everyone else is already taken,' she said.
'There is no point being someone that you're not, it sounds cliche, but truly people will be able to tell if you're in it for the wrong reasons or if you're being fake for the fame.
'Find your passion and just do whatever makes you happy … not just what is trending.'
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The Spinoff
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I don't think I have a very orderly brain. I do love seeing my book on a shelf though! Did you always know you would write a young adult (YA) novel? HM: I can hard relate to the love-hate aspect of writing. It's so frustrating, and most of my writing process is scribbling down problems on a whiteboard, staring out my window in dismay, and stress-watching YouTube shorts when the story feels too impossible to fix. And yet it's my favourite thing to do in the world. It makes no sense. I didn't necessarily intend to write for the YA market, but it naturally slot in there since I was a teenager myself when I wrote the book – the characters were teenagers going through the same teenage problems and joys and dilemmas that I was. It's a little bit disheartening seeing how much harder it is to get YA taken seriously. Do you feel like writing YA is a losing battle? YA is a harder sell, and I've definitely noticed just how much less coverage YA books and authors get over those who write for adults. There are also some pretty patronising views about those writing for younger audiences held by some big names in the NZ literary world (anyone who's read the Surrey Hotel writers residency pitch will know what I mean). What motivates you to keep writing YA when the environment can feel so discouraging? RC: (Cue manic cackling) Indeed. Literary snobbery is alive and well. People are well entitled to like what they like but the snide can get in the bin. Firstly, massive respect and admiration for you, writing a whole bloody novel as a teenager! I do think YA and children's books are given little credit by the fancy higher ups but I really can't be arsed giving that sort of nonsense attitude the time of day. I love writing for teens. It's joyous. Even writing hard, difficult things! But I don't know that I am always thinking about writing for teens – I just go with the voice that presents itself in the world of the story. My current WIP is an adult horror. For The Lost Saint, I knew I wanted to take a heartbroken character on an adventure and I just drew on my first devastating heartbreak (I was tragically dumped) to inspire the voice. Your Zelle goes through a dumping! Did you find it hard to write her experience with disappointing romance? HM: It was a little bit hard. I think the worst part of being dumped is that it almost feels like a loss of your dignity – you feel safe and secure and happy and then suddenly someone just takes that from you. It's brutal, especially when you're young and experiencing that pain for the first time. Heartbreak can really shatter your confidence. I felt really bad putting Zelle through that! I guess as Hemingway (supposedly) said, writing is just letting yourself bleed. I do find it a bit jarring, though, when people ask me about the aspects of my own life that have informed my writing, especially with the trickier issues in the novel like alcohol abuse. How do you maintain that boundary between the personal and the fictional? RC: I think it's a gift you give to others, sharing that pain because it gives people permission to be vulnerable. However, for yourself as a public author, you don't owe people anything you don't want to share. Keeping healthy boundaries is very important. It can be handy to pre-prepare some diplomatic responses to inevitable inquiries. I think writing can be a lot like method acting. You're trying to reach authentic emotion and truth in the words and actions of your characters. It can feel mighty raw sometimes. In It's a Bit More Complicated Than That, Zelle's friendship with Callum is the heartbeat of the story. I really appreciated the way you explored a complex platonic relationship. My dear sister-in-law invokes the saying: 'Friends for a reason, friends for a season, friends for life.' Which I always loved! It's like giving yourself permission to move on, or let certain relationships go because your worlds no longer intersect. But then there are people who you can always come back to because the bonds are deep and essential. Is that the nature of Zelle's friendship with Callum? Friends for life? HM: I hope so! I think their friendship is super layered because it's not just that they get along and have fun together, but they also have a lot of shared pain, and they have to help each other. I think going through such major challenges with a friend bonds you for life, even if you do eventually lose contact, because those experiences are extremely formative. I partly wrote the novel to resist that kind of toxic positivity mindset that had such a huge hold on popular culture while I was at uni: the idea that you shouldn't maintain connection with someone who 'doesn't serve your needs' or whatever. I feel like that mindset basically encourages giving up on a friendship when the going gets tough or you're forced to step up a bit. I think that's so harmful. I know some people will probably think Callum should cut Zelle loose because she's so messy – but their love for each other runs deeper than that. RC: Something I thought about a lot while reading your novel was the power of forgiveness. I noted often amongst my students how sad it was when they would bust up over an offence and then cut their 'bestie' out of their lives, and treat them like a stranger because forgiveness was seen as weakness. I would sometimes have conversations with students navigating friendship implosions and say – this person has been your closest confidante for this many years and that's it? One strike and they're out?! Okay, I'm missing complexities and I'm not talking about putting up with being repeatedly used/abused but being willing to forgive and move forward can actually deepen a friendship. For Callum and Zelle there's a whole lot of forgiveness needed all over! Zelle has to learn to forgive herself, right? In The Lost Saint, Ana's hurt, humiliation and resentment towards her ex is buried deep behind a brittle facade of indifference – but it's all just self protection. How would you describe Callum or Zelle's masks? HM: I wanted to show two people harbouring the same hurt but hiding behind it in very different ways – Callum is very internal and tends to shut down, whilst Zelle is very much the opposite, impulsive and destructive. They need to forgive not only each other but also themselves. 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