Pixalate's July 2025 United Kingdom (UK) Publisher Rankings for Websites, Mobile and CTV Apps: ‘HGTV GO - Stream Live TV', ‘Riss and Quan', and ‘independent.co.uk' Among Top-Ranked for Open Programmatic Ad Traffic Quality
London, Aug. 11, 2025 (GLOBE NEWSWIRE) -- Pixalate, the leading ad fraud protection, privacy, and compliance analytics platform, has released the July 2025 Publisher Trust Index (PTI) for the United Kingdom (UK). This index evaluates websites and mobile apps across the Apple App Store, Google Play Store, and Connected TV (CTV) apps on Amazon Fire TV, Roku, Samsung Smart TV, and Apple TV.
The Publisher Trust Indexes are a comprehensive approach to quality measurement and monthly rankings of the world's websites and apps, bringing unprecedented transparency to the open programmatic advertising ecosystem.
In addition to the report for the UK, Pixalate has also released Publisher Trust Indexes for Brazil, the United States (U.S.), Germany, Spain, the Netherlands, Canada and Japan.
UK Web PTI Rankings (July 2025)
independent.co.uk
sky.com
telegraph.co.uk
UK Mobile PTI Rankings (July 2025)
Apple App Store
Sudoku.com
Zen Word - Relax Puzzle Game
Zen Color - Color by Number
Google Play Store
Word Search Explorer
Wordscapes
Backgammon - Board Game
UK Connected TV PTI Rankings (July 2025)
Roku
Riss and Quan
FilmRise
Now You Know
Samsung Smart TV
Samsung TV PLUS
Wedotv
ESPN
Amazon Fire TV
Cineverse
Plex
FloSports
Apple TV
CBS Sports
HGTV GO - Stream Live TV
AMC+ | TV Shows & Movies
Download the full rankings here.
Pixalate's data science team analyzed over 34 billion global open programmatic ad impressions across 15+ million Google Play Store and Apple App Store mobile apps, and Connected TV (CTV) apps across Roku, Amazon Fire TV, Samsung Smart TV, and Apple TV app stores in July 2025 to compile the global Publisher Trust Indexes.
Pixalate uses its proprietary algorithms to measure quality metrics, including invalid traffic (IVT or ad fraud), Made For Advertising (MFA) risk, brand safety, ad density, viewability, reach, and more. The Publisher Trust Index spans rankings for 235+ countries across all four global regions: North America, EMEA, APAC, and LATAM, and provides breakdowns by 20+ different IAB taxonomy website categories. Pixalate's methodology can be found at Publisher Trust Index: Methodology.
Download the Publisher Trust Index Reports
Canada
Brazil
U.S.
UK
Germany
Spain
Netherlands
Japan
About Pixalate
Pixalate is a global platform specializing in privacy compliance, ad fraud prevention, and digital ad supply chain data intelligence. Founded in 2012, Pixalate is trusted by regulators, data researchers, advertisers, publishers, ad tech platforms, and financial analysts across the Connected TV (CTV), mobile app, and website ecosystems. Pixalate is accredited by the MRC for the detection and filtration of Sophisticated Invalid Traffic (SIVT). pixalate.com
Disclaimer
The July 2025 United Kingdom Publisher Trust Index (PTI) reflects Pixalate's opinions with respect to factors that Pixalate believes may be useful to the digital media industry. Our reports and indexes examine programmatic advertising activity on mobile apps, website domains and Connected TV (CTV) apps. Any insights shared are grounded in Pixalate's proprietary technology and analytics, which Pixalate is continuously evaluating and updating. Any references to outside sources in the Indexes and herein should not be construed as endorsements. Pixalate's opinions are just that, opinions, which means that they are neither facts nor guarantees. This report is not intended to impugn the standing or reputation of any person, entity or app but, instead, to report findings and trends pertaining to the time period studied.. Per the MRC, ''Fraud' is not intended to represent fraud as defined in various laws, statutes and ordinances or as conventionally used in U.S.Courts or other legal proceedings, but rather a custom definition strictly for advertising measurement purposes. Also per the MRC, ''Invalid Traffic' is defined generally as traffic that does not meet certain ad serving quality or completeness criteria, or otherwise does not represent legitimate ad traffic that should be included in measurement counts. Among the reasons why ad traffic may be deemed invalid is it is a result of non-human traffic (spiders, bots, etc.), or activity designed to produce fraudulent traffic.'
CONTACT: Nina Talcott ntalcott@pixalate.com
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Bloomberg
7 minutes ago
- Bloomberg
Stock Movers: Vestas, Spirax, Bellway
On this episode of Stock Movers: - Vestas Wind Systems shares rose as much as 5.1% after the company won new orders in the US, which analysts at Citi said is being taken well by the market following the drop in the shares on Monday. - Spirax stocks rallied as much as 18%, marking the biggest jump on record, after the thermal energy and fluid technology company delivered results ahead of expectations in the first half. Citi said the update implies there is some upside potential to consensus estimates for the current year. - Bellway rose as much as 2.6% after it reported homes completed for the full year of 8,749 vs. 7,654 year on year.
Forbes
7 minutes ago
- Forbes
Explore The ‘King' Of Jewellers With A Stay In An Unsung Gem
In the tiara room, the lights are dimmed because the diamonds on show are so brilliant that they need no extra illumination. In more ways than one, the Cartier show (until 16 November 2025) at the Victoria & Albert Museum (V&A) is simply dazzling. Known for its blockbuster summer exhibitions, spanning everything from Dior's exquisite fashion to the influence of supermodel Naomi Campbell, the latest must-see show at the V&A is one that shines a light on the history of the French jeweller, Cartier. The tiara room - part of the Cartier exhibition at the V&A South Kensington. (Credit: (c) Victoria and Albert Museum, London) Featuring more than 350 shimmering objects, Cartier reveals the fine jewellery house's legacy of art, design and craftsmanship since the turn of the 20th century. It was at that point that the three grandsons of founder Louis-François set out to create the first globally-recognised jewellery house, establishing branches in Paris, London and New York. With an enviable client list of royalty and aristocracy, Cartier became known as 'the Jeweller of Kings and the King of Jewellers' and later broadened its appeal thanks to the devotion of leading creatives the devotion of leading creatives from the worlds of cinema, music and fashion. Burmese jade necklace that belonged to American heiress Barbara Hutton. Cartier Paris, 1934. Jade, rubies, diamonds, platinum and gold. (Credit: Image courtesy of Cartier.) Many of the jewels on show are the result of collaborations with clients who commissioned them, such as the oversized jade bead necklace ordered by American heiress Barbara Hutton. Indeed, the design of the exhibition itself is also the result of a noted collaboration, this time with British architect and artist Asif Khan MBE, continuing a tradition of landmark partnerships, where artists have shaped Cartier's scenography. Patiala Necklace, Cartier Paris, 1928. Vincent Wulveryck, Collection Cartier. (Credit: ©Cartier) It doesn't stop there. Step outside the museum and a short walk through South Kensington will bring you to The Kensington, one of London's under-the-radar gems, which has long offered a perk to its guests via its unique relationship with the V&A. Book in for the V&A Experience and you can access tickets to the museum's latest shows found on the doorstep, even if they are sold out. The grand hotel is made up of a series of townhouses. (Credit: The Kensington) Part of the Doyle Collection of eight hotels (which also includes The Bloomsbury and The Marylebone in London plus The Westbury and The Croke Park in Dublin), a welcome here is one that oozes warm charm. It's no surprise that the founders are Irish. This may be central London, but you are made to feel like a well-known guest arriving in a family home, even if it is your first time checking in. One of The Kensington's elegant drawing rooms. (Credit: SimonBrown) Carved out of what looks like a stately, stucco-fronted mansion (in fact, the building was originally seven 19th-century townhouses), the hotel's décor is also one that oozes character. A Tiffany-blue painted Pashley bike, with flowers in its basket, outside the front door is the first nod to the hotel's irreverent playfulness. The public rooms downstairs are straight out of Downton Abbey , with their imposing fireplaces, duck-egg-blue and candy-pink paneled walls and overblown chandeliers. Antique rugs, tables laden with huge vases of flowers and opulent window dressings add to the sense that you've arrived somewhere special. Rooms have a cosy flair. (Credit: The Kensington) Each of the 116 bedrooms and 30 suites are decorated individually, so a stay here is a far step from a night in a cookie-cutter hotel chain. 'Cosy' rooms are ideal for single travelers wanting to explore the capital while staying in style, while, at the other end of the scale, the suites feel spacious and inviting. Touches of chinoiserie – such as printed wallpapers and intricate-carved furniture – add a point of interest to the Regency-period colours used as a backdrop throughout. Luxury comes in the details: emerald satin headboards, beds laid with crisp linen and soft velvet throws and Calcutta marble bathrooms with walk-in rainfall showers and plenty of Malin+Goetz toiletries. Have a cocktail in The K Bar, which is like the inside of a jewellery box. (Credit: Milo Brown) The K Bar is just the place to digest the Cartier exhibition—from seeing the Williamson Diamond brooch commissioned by Queen Elizabeth II in 1953 featuring the rare 23.6 carat pink Williamson diamond to the final room which is dedicated to tiaras dating from the 1900s to the present day. The jewel-box of a bar has a 1950s feel, with its oak-paneled walls, sapphire velvet sofas with ruby cushions and a ceiling punctuated with shimmering contemporary chandeliers. In fact, the cocktail menu 'Reflections' is even delivered in a black jewellery box, with an internal mirror that reflects the list of drinks. It's the next best thing to a Cartier shopping list. The Town House restaurant is a celebration of British classic cuisine. (Credit: Milo Brown) Next door, in the bijous dining room of The Town House, dinner is all about celebrating the classics. There's Dressed Dorset Crab or Beef Carpaccio to start; while mains include Dover Sole Meuniere, Black Cod with Miso Glaze and a mean Chicken Milanese. Not to be missed is the 'Art of the Irish Coffee' experience whereby your coffee is served tableside, sweetened and infused to your taste, flambéed, crowned with fresh cream and served in a special Waterford Lismore Irish Coffee glass. It's the perfect ending to the meal. The Art of Afternoon Tea is a highlight at the hotel and is often designed after the current V&A exhibition. (Credit: Milo Brown) The V&A Experience at The Kensington also includes an afternoon tea in the hotel's drawing room, featuring French patisserie, elegant sandwiches and traditional scones. Up next at the museum is Marie Antoinette Style (20 September 2025 – 22 March 2026), which the hotel guarantees its guests access to. It's the perfect excuse to let yourself eat cake and soak up the best of London.
Yahoo
25 minutes ago
- Yahoo
Taylor Swift Fans 'Can't Process' Rock Singer's Bold Claim About Her
Taylor Swift Fans 'Can't Process' Rock Singer's Bold Claim About Her originally appeared on Parade. Danny O'Donoghue has a bold claim to make about Taylor Swift: she's a Scripty. The Script's frontman shared a video on the band's official TikTok account this week, where he shared a sweet story from backstage during the Red Tour, when he surprised her London audience onstage to perform "Breakeven." He sat on a weathered park bench, with green brush climbing over the stone wall behind him, as he began the video, 'Did you know that Taylor Swift is a fan of the band?' '…we were doing a duet in the O2, and we were talking about lyrics,' he recalled, leading her to reportedly admit to him that one of her favorite lyrics, at least when she was 24, comes from one of the group's songs, 'If You Ever Come Back.' 'There's a lyric in it, which is, 'I wish I could still wish it was over and I wish I could still give you a hard time.' Which means that if you were longing to be back in that relationship, even though it was unhappy, right now, I'd give anything to be back in that unhappy relationship,' he explained. 'And, you know, I'm a Swiftie,' he concluded. 'But I guess Taylor's a Scripty.' Fans were delighted by the lore, with several exclaiming, "my two worlds colliding???" "this is how you get my attention, continue," another quipped, while others affirmed they "Love stories like this." ""😳😳 i still can t process this ❤️❤️❤️," someone else admitted. "Scriptys 🤝 Swifties," someone else joked, as another wrote, "TS 🤝 TS." As you might expect, many called for a reunion between the two artists, with one calling for a new collaboration and others suggesting that Swift's "Right Where You Left Me" would mash up perfectly with "The Man Who Can't Be Moved." Related: Weird Al Yankovic Shocks Kansas City Fans With 'Perfect' Nod to Taylor Swift and Travis Kelce During Tour Stop Taylor Swift Fans 'Can't Process' Rock Singer's Bold Claim About Her first appeared on Parade on Aug 8, 2025 This story was originally reported by Parade on Aug 8, 2025, where it first appeared. Solve the daily Crossword
