Atticus Ross, Kris Bowers & Diane Warren Win at 2025 SCL Awards: Full List
Atticus Ross took home two awards at the sixth annual SCL Awards, which were held on Wednesday (Feb. 12) at Skirball Cultural Center in Los Angeles.
The awards are voted on by members of the Society of Composers & Lyricists, an organization of professional film, television, video game, and musical theater composers and lyricists. The event was hosted by singer-songwriter Colin Hay, best known as leader of the 1980s pop group Men at Work.
More from Billboard
What to Know About 2025's Best Original Song & Score Oscar Noms
Cynthia Erivo to Receive GLAAD Media Award for Promoting LGBTQ+ Visibility
Tate McRae & Josh Ross Lead 2025 Juno Nominations: Full List
Ross won outstanding original song for a comedy or musical visual media production for 'Compress/Repress,' which he co-wrote for Challengers with frequent collaborator Trent Reznor, along with the film's director, Luca Guadagnino. Ross and collaborators Leopold Ross (his younger brother) and Nick Chuba also won outstanding original score for a television production for Shōgun.
The win for 'Compress/Repress' came after the song failed to land an Oscar nod for best original song. At the SCL Awards, 'Compress/Repress' beat two songs from Emilia Pérez that were Oscar-nominated – 'El Mal' and 'Mi Camino.'
Top honors for film scoring went to Kris Bowers, who won original score for a studio film for The Wild Robot, and Daniel Blumberg, who won outstanding original score for an independent film for The Brutalist. Both composers are nominated for the Oscar for best original score, where they face Volker Bertelmann (Conclave), Clément Ducol and Camille (Emilia Pérez) and John Powell and Stephen Schwartz (Wicked).
Diane Warren won outstanding original song for a dramatic or documentary visual media production for her song 'The Journey'from The Six Triple Eight. Warren won in this category two years ago for 'Applause' from Tell It Like a Woman. 'The Journey' is nominated for an Oscar for best original song, where it faces the two aforementioned songs from Emilia Pérez, plus 'Never Too Late' from Elton John: Never Too Late (also nominated here) and 'Like a Bird' from Sing Sing.
Warren has been nominated for an SCL Award every year. In 2023, 'Applause' won in this same category, but went on to lose the Oscar to 'Naatu Naatu' from RRR.
Emilia Pérez composers Clément Ducol and Camille, who tied with Atticus Ross for most SCL nominations this year (three), were shut out.
Composer Andrea Datzman received the David Raksin award for emerging talent for her score for Inside Out 2. Datzman's mentor, Michael Giacchino, composed the score for the first Inside Out.
Composer Jeff Beal, who has won five Primetime Emmys, received the SCL Jury Award for his new score for the 1920 Weimar Cinema silent film classic, The Cabinet of Dr. Caligari.
Composer Harry Gregson-Williams and director Ridley Scott received the Spirit of Collaboration Award, which recognizes a composer/director relationship that has created a prodigious body of work. This year's Gladiator II marks their seventh collaboration. In his previous collaborations with Scott, Gregson-Williams has written the original scores for The Martian, Kingdom of Heaven, The Last Duel, and House of Gucci, as well as themes for Prometheus and Exodus: Gods and Kings.
Last year, Martin Scorsese received the Spirit of Collaboration Award for his work with the late composer Robbie Robertson. Other past award recipients of this award include Thomas Newman & Sam Mendes, Terence Blanchard & Spike Lee, Carter Burwell & the Coen Brothers, and Justin Hurwitz & Damien Chazelle.
Here's the complete list of nominees for the 2025 SCL Awards, with winners marked.
Clement Ducol, Camille – Emilia Perez (Netflix)
Hans Zimmer – Dune: Part Two (Warner Bros. Pictures / Legendary Pictures)
Harry Gregson-Williams – Gladiator II (Paramount Pictures)
John Powell, Stephen Schwartz – Wicked: Part 1 (Universal Pictures)
WINNER: Kris Bowers – (DreamWorks Animation)
Volker Bertelmann – Conclave (Focus Features)
Chris Bacon – Heretic (A24)
WINNER: Daniel Blumberg – (A24)
Dara Taylor – Meet Me Next Christmas (Roberts Media)
Fabrizio Mancinelli – Here After (Artina Films, ClaRo Productions, Fenix Entertainment, Hopscotch Pictures)
Heather McIntosh – Winner (Big Beach, One Community, Scythia Films, ShivHans Pictures)
Stephanie Economou – The Book of Jobs (Bull's Eye Entertainment, Rebellium Films)
Andrew Wyatt, Lykke Li, Miley Cyrus – 'Beautiful That Way' (from The Last Showgirl) (Utopia Media, High Frequency Entertainment, Pinky Promise, Detour, Digital Ignition Entertainment)
Bear McCreary – 'Old Tom Bombadil' (from The Lord of the Rings: The Rings of Power) (Amazon MGM Studios in association with New Line Cinema / Prime Video)
Christopher Lennertz – 'Let's Put the Christ Back in Christmas' (from The Boys) (Prime Video)
WINNER: Diane Warren – 'The Journey' (from ) (Netflix)
Elton John, Brandi Carlile, Bernie Taupin, Andrew Watt – 'Never Too Late' (from Elton John: Never Too Late) (Disney Branded Television, This Machine Filmworks, Rocket Entertainment)
Nicholas Britell, Steve McQueen, Taura Stinson – 'Winter Coat' (from Blitz) (Apple Original Films)
Abigail Barlow, Emily Bear – 'Beyond' (from Moana 2) (Disney)
Clement Ducol, Camille – 'Mi Camino' (from Emilia Perez) (Why Not Productions, Page 114, Pathé, France 2 Cinéma, Saint Laurent Productions)
Clement Ducol, Camille, Jacques Audiard – 'El Mal' (from Emilia Perez) (Why Not Productions, Page 114, Pathé, France 2 Cinéma, Saint Laurent Productions)
Lainey Wilson, Luke Dick, Shane McAnally – 'Out of Oklahoma' (from Twisters) (Universal Pictures)
Robbie Williams, Freddy Wexler, Sacha Skarbek – 'Forbidden Road' (from Better Man) (Paramount Pictures)
WINNER: Trent Reznor, Atticus Ross & Luca Guadagnino – 'Compress/Repress' (from ) (Amazon MGM Studios)
Atticus Ross, Leopold Ross, Nick Chuba – Shōgun (FX Network)
Blake Neely – Masters of the Air (Apple TV+)
Carlos Rafael Rivera – Griselda (Netflix)
Danielle Ponder – Manhunt (Apple TV+)
WINNER: Jeff Toyne – (Apple TV+)
Nami Melumad – Dream Productions (Pixar Animation Studios / Disney+)
WINNER: Atticus Ross, Leopold Ross, Nick Chuba – (FX Network)
Bear McCreary – The Lord of the Rings: The Rings of Power (Amazon MGM Studios in association with New Line Cinema / Prime Video)
Blake Neely – Masters of the Air (Apple TV+)
David Fleming – Mr. and Mrs. Smith (Amazon MGM Studios)
Finneas O'Connell – Disclaimer (Apple TV+)
Jeff Toyne – Palm Royale (Apple TV+)
Gordy Haab – Indiana Jones and the Great Circle (Machine Games, Bethesda Studios, Lucasfilm Games)
Nainita Desai – Tales of Kenzera: Zau (Surgent Studios, EA)
Wilbert Roget, II – Star Wars: Outlaws (Massive Entertainment, Ubisoft)
WINNER: Winifred Phillips – (Digital Eclipse)
WINNER: Andrea Datzman – (Disney/Pixar Animation Studios)
Emily Rice – Broken Bird (Catalyst Studios, Mitchell-Brunt Films)
Katya Richardson – Motorcycle Mary (Breakwater Studios)
Nikhil Koparkar – Dead Whisper (Howlin' Hounds Pictures, Brothers Gran Productions)
Robin Carolan – Nosferatu (Focus Features)
Wei-San Hsu – Invisible Nation (100 Chapters Productions, Double Hope Films, Seine Pictures)
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
‘Ran' turns 40: How a clerical error and bad blood cost Akira Kurosawa an Oscar
Forty years ago, a clerical error and bad blood cost Akira Kurosawa an Oscar. The legendary Japanese filmmaker's Ran proved the final samurai masterpiece of his distinguished career. His third Shakespeare adaptation, the film is epic in every sense of the word — massive in scale, shot in glorious color, with vicious betrayal and intense action and emotion. At the time of its release in 1985, Kurosawa was certainly well-regarded by the Motion Picture Academy, receiving an Honorary Award for Outstanding Foreign-Language Film for Rashomon, followed by Best Foreign-Language Film in 1976 for Dersu Uzala. The 58th Academy Awards found Ran competing for four awards, including Kurosawa's only Best Director nod — despite not being submitted for Best Foreign-Language Film, a snub that was the product of a messy history. More from GoldDerby 2025 Tony Awards: Complete list of winners (updating live) 'What's next?': Allison Janney on playing a 'badass' on 'The Diplomat,' 'West Wing' 25 years later 'Sinners' bonus feature, 'Good Night' live, Sabrina's song of the summer, 'Fantastic Four' theme, and what to stream this weekend Kurosawa was remarkably influential in the West. Sergio Leone's A Fistful of Dollars was essentially a remake of Yojimbo, and films as diverse as George Lucas' Star Wars (Hidden Fortress), Ingmar Bergman's The Virgin Spring (Rashomon), and John Sturges' The Magnificent Seven and A Bug's Life (Seven Samurai) borrowed liberally from his works. If Kurosawa was accessible to Western audiences, it was perhaps in part because he was inspired by Western literature and film. William Shakespeare provided continued inspiration for Kurosawa, adapting Macbeth (Throne of Blood), Hamlet (The Bad Sleep Well), and King Lear (Ran), who as did great early Western filmmakers, including John Ford. International fame aside, Kurosawa's relationship with the Japanese film industry was significantly strained in the late-'60s through early '70s. He was hired to direct the Japanese section of the 1970's Toei-Fox. coproduction Tora! Tora! Tora!, but had difficulty dealing with Fox's communication, editors, and oversight, and spent considerable time in the thick of a mental crisis. He was prescribed two months of rest, so producer Darryl F. Zanuck's son, Richard, flew to Japan to personally fire Kurosawa. Japanese funding for his projects became scarce, and he relied on external financing support from friends for financing Dodes'ka-den. Between health problems and career turmoil, at a particularly low point, Kurosawa attempted to take his own life late in 1971, though he survived and recovered. The career that followed cemented his trajectory of international acclaim with minimal support from the Japanese film industry. In 1972, the Soviet studio Mosfilm approached the director for what became 1975's Academy Award-winning Dersu Uzala, but despite bringing numerous awards home to Japan, he again had difficulties funding his next epic, Kagemusha. Kurosawa met George Lucas and Frances Ford Coppola in 1978 while preparing for the project, and the pair were wowed by Kurosawa's vision. Coming off the success of Star Wars, Lucas convinced 20th Century Fox head Alan Ladd Jr. to provide a reported $6 million in 1979 to complete the film's funding. The film was a success, and Kurosawa ultimately referred to Kagemusha as a 'dress rehearsal' for his biggest project yet: Ran. Used to funding sources outside Japan, for Ran, Kurosawa secured the involvement of French producer Serge Silberman (The Discreet Charm of the Bourgeoisie), alongside Japan's Nippon Herald Ace, to make the film, which opened in U.S. theaters on June 1, 1985. The Academy's rules for Best Foreign Film allowed one submission film per country to be considered for nomination, with each country having a unique nomination process. Speaking with The New York Times, Silberman admitted he had attempted to submit Ran as an 'independent' collaboration between France and Japan, an unintentional violation of Academy rules. Silberman next considered entering Ran as a French entry, but French rules stipulated submissions to be in the French language. That would require extensive dubbing, because the film starred Japanese actors and was shot and filmed in Japan. Silberman thought a French dub simply wouldn't have worked, so French submission was off the table. The final option would be submission to Japan's Motion Picture Producers Association (now MPPAJ), and this is where it gets even messier. According to the Times, a representative of the Japanese producers association said Ran wasn't submitted for consideration, and that the nominating committee was told the film would be submitted through France. Silberman claimed that the group refused to give more time to the decision after plans for an independent entry were nixed by the Academy. Then again, it's entirely plausible that major players in Japan's film industry weren't displeased with an opportunity to disrupt the film's Oscar chances. According to a report in the Los Angeles Times, Kurosawa refused to attend Ran's opening-night presentation at the Tokyo International Film Festival. Kurosawa had a rocky history of disagreements with Japan's film industry and had long relied on external funding for production, a recipe for strategic blunder. That snubbed festival was headed by Shigeru Okada, also the head of Toei and a member of Japan's Oscar-selection committee. It may not be a coincidence that Japan submitted Hana Ichi Monme (conveniently a Toei production) in Ran's stead. With its path to the foreign-language film category stymied, Silberman submitted Ran to the Academy for consideration in other feature-length categories, and the rest is Academy Award history. It all makes for a long, twisty story about how Kurosawa's final samurai masterpiece landed him a Best Director nomination in a year where, for a number of odd reasons, it wasn't even up for Best Foreign Film. He received one final honor from the Academy at the 62nd Academy Awards, an Honorary Award celebrating his life in film, appropriately presented by Lucas and Steven Spielberg. Best of GoldDerby Stephen King movies: 14 greatest films ranked worst to best 'The Life of Chuck' cast reveal their favorite Stephen King works, including Mark Hamill's love of the 'terrifying' 'Pet Sematary' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.

Hypebeast
3 hours ago
- Hypebeast
Jared Leto Accused of Sexual Misconduct by Multiple Women, Including Minors
Summary Oscar-winning actor and musician Jared Leto is facing serious accusations of sexual misconduct from at least nine women, according to a detailed report published byAir Mailon Saturday, June 7, 2025. The allegations describe a pattern of inappropriate behavior spanning over a decade, with some women claiming the incidents occurred when they were underage. The report includes interviews with nine women who describe troubling interactions with the 53-year-old actor. 'It's been an open secret for a long time,' an anonymous woman told the outlet. Among the disturbing allegations are claims that Leto asked sexual questions to a 16-year-old girl, walked out of a room nude in front of a 17-year-old, and exposed himself and masturbated before putting an 18-year-old's hand 'on him.' One woman, a model who was 16 in 2008, recounted meeting Leto at an animal rights event before visiting his studio, where she claims he flirted with her and appeared nude. Another woman stated she was also 16 when Leto approached her at a Los Angeles cafe, and later called her at night with sexually suggestive conversations. These allegations gained renewed attention last month when DJ Allie Teilz reposted a Facebook status from 2012 on her Instagram Stories, accusing Leto of inappropriate behavior when she was 17. She described his actions as 'predatory, terrifying, and unacceptable.' Following her post, Teilz shared over 50 responses from individuals who reported similar experiences, some of whom were reportedly as young as 14 to 16 years old at the time. A representative for Jared Leto has vehemently denied all allegations, asserting that the claims are 'demonstrably false' and that there was 'never any recruiting, complaints, or impropriety.' They have stated that Leto has abstained from drugs and alcohol for over 35 years. As of now, no criminal charges have been filed against Leto, and he has not publicly addressed the allegations himself.


USA Today
7 hours ago
- USA Today
Helen Hunt on why she's rejecting Hollywood beauty standards
Helen Hunt on why she's rejecting Hollywood beauty standards Helen Hunt may be Hollywood royalty, but she's no beauty queen. The Oscar-winning actress, 61, opened up about the inner turmoil she's experienced in the entertainment industry due to Hollywood's intense beauty standards in a June cover story for Flow Space. Hunt, best known for her roles in the sitcom "Mad About You" and acclaimed dramas "As Good as It Gets" and "Twister," rose to fame in the 1990s when celebrity tabloids routinely scrutinized stars' physical appearance. "It felt impossible not to internalize the way you're supposed to look," Hunt reflected. "And (there was) a certain amount of misery and shame around not looking exactly that way." While Hunt rarely discusses the image pressures of being in Hollywood, she said she eventually reached a turning point. "I realized, 'This could quietly ruin your whole life.' I made a decision: I'm not playing. Not going to (let it) take up a lot of space in my mind," she said. Hunt added that the self-help book "The Only Diet There Is" by Sondra Ray was helpful in shifting her perspective on food and body image. "What I took from it is eat what you want and love every bite, period," she said. Justine Bateman embraces getting older: How to feel beautiful and accept aging The Emmy and Golden Globe-winning actress isn't the only female veteran to get candid on rejecting beauty standards. "Baywatch" alum Pamela Anderson and actress Justine Bateman have spoken out about embracing aging and stepping out in makeup-free looks. In a 2023 interview with "60 Minutes Australia," Bateman, who'd become the subject of online commentary over her "old" looks, defended her aged appearance and said cosmetic procedures "would erase" the authority she's gained over the years. "I like feeling that I am a different person now than I was when I was 20," Bateman said at the time. "I like looking in the mirror and seeing that evidence. ... I think my face represents who I am. I like it.'