Spain captain Alvaro Morata demands a return to his former club - despite spell in Turkey saving his marriage to Italian model Alice Campello following post-Euros split
Spain captain Alvaro Morata has demanded a return to his former club - despite his stay in Turkey saving his marriage.
Morata, 32, split with his Italian influencer wife Alice Campello, 30, after his country's European Championship win last summer, but they rekindled their relationship in January this year.
The glamorous couple met in 2016 and have four young children — Alessandro, Leonardo (twins), Edoardo, and Bella — but announced last August that they were going their separate ways seven years after tying the knot.
Referencing the break-up, the model said: 'It was the biggest mistake we've ever made in our lives.'
In a separate interview with Hola magazine, Campello admitted that the couple's move to Turkey has strengthened their marriage, with Morata joining Galatasaray on loan from AC Milan at the start of February.
Now, however, as quoted by Spanish publication Diario AS, Morata is trying to force through a move to Spain, in the form of his ex-side Getafe.
Morata joined Turkish giants Galatasaray in January after revealing he was back with his wife
Reports have suggested the star split with Italian model Alice Campello after an argument on the pitch after Euro 2024
Reports of a potential move back to Spain for Morata are thought to have surfaced from Turkey. He then appeared to confirm that that could happen sooner rather than later, saying this week: 'I'm going to do everything I can to play for Getafe... I would like to return to Spain. I'll choose what makes my family happiest.'
What makes his family happiest, though, may be staying in Turkey. Campello said: 'I think it's been very good for us to be in a place where we're alone again.
'We're relaxed there, with our family. People don't stop us so much on the street, and we can live a much more normal life, and at this stage of our lives, it's been good for us.'
She also said of her relationship: 'We repeat it every day — I don't know how we could have made that decision. This experience has taught us both a lot because we understood what it's like to be without each other.'
Morata also opened up on his battle against depression, admitting he almost did not make it to Germany to captain Spain to Euro 2024 glory.
The forward, who received heavy criticism from both fans and journalists in the build-up to the tournament, said: 'When you have really tough times, depression, panic attacks, it doesn't matter what job you do, what situation you have in life, you have another person inside that you have to fight against every day and every night.'
Getafe president Angel Torres, meanwhile, said: 'It's very nice. Since he left, he's said many times that he wanted to come back.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Sun
23 minutes ago
- The Sun
Michelle Keegan rakes in a huge SIX figure sum while on maternity leave as she makes £8k a week from string of TV jobs
NEW mum Michelle Keegan's bumper bank balance has given her another reason to celebrate. The actress, 38, raked in a staggering £441,082 while pregnant with daughter Palma, bringing her net worth to more than £4million. New accounts for her artistic creation performing arts firm Rosia Promotions show Michelle's income was thriving while she was off on maternity leave. Accounts filed at Companies House today show that she made the equivalent of £8,482 per week for the year up to September 30, 2024. The fresh profit increases the net worth of Keegan's company to £4,032,277 after bills are accounted for. The firm boasts £3,473,623 in cash and £610,370 in property - a flat in Altrincham bought in 2022 - as well as £120,219 in monies due in. Michelle, who has been a hit in Netflix's Fool Me Once, Sky's Brassic and the BBC's Ten Pound Poms, set her company up in 2013 and signed off the latest accounts on June 13. Earlier accounts reveal Michelle made £280,000 in her firm's first year of trading and made her first corporate million by 2016. She exceeded £2 million in 2021 before topping £3 million in 2023 – with £3.6 million in accumulated profits held as at September 30 2023. In addition to her acting firm, Michelle co-directs clothing business Mysa Active with husband Mark Wright. Not such a money spinner as yet, it held £37,838 as at 31 May 2024. Hubby Mark also runs fitness firm Train Wright, property business Chigwell Properties and media firm – The Wright Look Models. Brassic's sexiest moments from portaloo romps to orgasm scene that shocked fans as Michelle Keegan's hit show comes to an end His firms add £3 million to the family riches. And the money is set to keep rolling in as we exclusively revealed this week that Michelle has signed a six-figure advertising deal to become the new face of Sky. She is set to film a series of promo clips — which will be shown around the globe — with fellow British actor, Luther star Idris Elba. She landed the deal after becoming a major player for Sky, with her comedy-drama Brassic one of the most popular series to air on the platform. 4 4
Telegraph
40 minutes ago
- Telegraph
I'm sick of old people clichés on TV – last time I checked we're living rich, fulfilled lives
Are you an older person? Do you feel 'bombarded' by adverts for funeral services, care homes and mobility aids? Ah, bless. I have every sympathy, why when I become… wait, these commercials are aimed at the over-55s? That's me! Seriously. Me! I'm not dependent and defenceless, I'm not about to cark it. And even if I were, it wouldn't give me any peace of mind knowing my casket is all paid for. I need that money for flamenco lessons and overpriced restaurants that only sell small plates. I've still got a teenager at home for pity's sake – and no, she's not my grandchild. But in the eyes of today's proverbial Mad Men, I'm fair game for both funeral plans and weaponised skincare products that promise to 'fight' sign of ageing and banish the appearance of fine lines and wrinkles – because why on earth would anyone want to look like a (whisper it) midlife woman. According to a poll by the Advertising Standards Authority (ASA), older people are fed up with being 'reduced to outdated stereotypes' depicting them as lonely and vulnerable. And it's not all in their (our?) minds. More than a third of the UK population believes that older people are 'negatively stereotyped' in ads which depict them as 'lonely, purposeless or powerless'. What an indictment. Maybe our contemporary Don Drapers and Peggy Olsens could remind themselves how times and generations have changed by catching up with current television shows, which have evolved – and are all the better for it. It's chastening to know that in the rebooted Sex and the City, Carrie Bradshaw was 55, and her friends Miranda Hobbes and Charlotte York were 54, making them around the same age as Rose, Dorothy and Blanche in the early seasons of The Golden Girls. I know, right? In this new research, people of all ages said they wanted to see more 'authentic and realistic' portrayals of older people, avoiding binary depictions of pensioners as 'always being wealthy or grumpy'. Bring back the classic Renault Clio adverts, I say, where Nicole kept finding her Papa getting up to French mischief in Aix en Provence. That's how ageing ought to look – and not a Werther's Original in sight. Given that Ofcom figures show 82 per cent of Baby Boomers watch television compared with 48 per cent of 16 to 24-year-olds, the whole industry needs to pivot. We need more series like the fabulous Last Tango in Halifax – would anyone dare tell the magnificent Anne Reid she was in need of a stairlift? Or what about Vera? DCI Stanhope (played by Brenda Blethyn) outwitting criminals and whippersnapper colleagues alike for 14 years. Losing her marbles? Aged 79, she had more bloomin' marbles than the British Museum. Admittedly she was a bit grumpy – but crucially, she wasn't just grumpy. And it's the retrograde one-dimensional tropes that advertising needs to axe. It seems crazy in this day and age but in mainstream commercials, an old person is still regarded as visual shorthand for 'out of touch' and 'in need of care'. That's why I hollered with joy when a friend recently sent me a video from Instagram featuring a catwalk show of stunning elderly models sashaying down the runway in jaw-dropping pleated dresses. It was, quite simply, joyful. View this post on Instagram A post shared by WAM | AI Cats, Ads & Art (@wearemidjourney) Only afterwards did we both realise it had been dreamed up by AI. It was both impressive and alarming. After all, what does it say about the creatives dominating the advertising sector when artificial intelligence has a clearer – and saliently, more creative – vision of the future than they do? Older people are quite rightly cavilling at being lazily written off as hopeless and socially isolated. And that needs to be reflected in commercials as well as in programming schedules. Think of Rip Off Britain, fronted by the redoubtable Gloria Hunniford, now 85, with a roster of other high-profile women of a certain age. And who could resist the humour and charm of Mortimer and Whitehouse: Gone Fishing? Bob Mortimer is 66 and Paul Whitehouse 67. I wonder how they would react if a bloke in a cardigan turned up on the banks of the River Frome trying to flog them a couple of shower chairs? The BBC's new crime caper Death Valley, which debuted last month, has proved to be a ratings winner. Its star? Timothy Spall aged – pass the commode! – 68. I really do hope this new survey will give advertisers pause and mark a real sea change. And not just advertisers; woe betide the next politician who next describes older voters as a 'demographic time bomb' as though their very existence were a threat to the young. The 'othering' of a huge proportion of the electorate won't wash these days. It's insulting and reductive to start offering us funeral plans at 55 – and not just now and then but in every ad break on daytime telly – when many of us are immersed in the most rewarding peak of our careers and the rest are planning the next footloose-and-fancy-free chapter of our lives.
The Sun
40 minutes ago
- The Sun
Shock exit for ANOTHER EastEnders character as he risks marriage to flee abroad
EASTENDERS has waved goodbye to another character in a shock exit in today's episode. The BBC soap has only just seen returnee Zoe Slater leave three days after her comeback - and now another member of the family is off to find her. 2 2 With Stacey telling Alfie that Zoe has done a moonlight flit to Barcelona on her credit cards, he came up with a plan. Telling her not to cancel them, he said they could track where she was with it and find her to bring her home for a reunion with her mum Kat. But with Alfie unable to tell Kat where he was really going, instead he lied and claimed he was going to Australia to see his brother Spencer who was struggling. And it's EastEnders, it's likely that Kat will discover his lies and jump to the wrong conclusion, putting their marriage at risk. It comes just a day after Zoe fled to Barcelona, after her brief return scenes. The BBC soap has confirmed that Michelle will return later this summer for a permanent comeback. EastEnders new boss, Executive Producer Ben Wadey added: 'Before I even stepped into the role, Zoe Slater was on my wish-list of returnees as, although we haven't seen her on screen for twenty years, her character has transcended time due to her popular storylines.' Speaking on her return to the BBC soap, Michelle said: 'It feels like coming home. 'After doing my first few scenes, it was like I'd never been away. 'It all happened at the right time. ' I'd already been thinking about a return because I'd met up with Kacey Ainsworth (Little Mo) and Kim Medcalf (Sam Mitchell) and we were reminiscing our fond memories of the show, and I'd also joined social media and saw that there was still a lot of love for the character. 'It just so happened that at the same time, EastEnders had announced a new Exec who was keen to explore the potential of a return as he was such a massive fan of Zoe and the Slaters, so both of our worlds aligned at the right time, and I'm so excited to be back. 'When I was pitched the storylines, and when I read the scripts, I knew it was the right decision.'
