
Royal fans left disappointed as cheeky Prince Louis, seven, doesn't join his family to watch the men's Wimbledon final
While Prince George, 11, and Princess Charlotte, 10, accompanied their mother and father in SW19, their younger sibling Prince Louis, seven, did not join them.
Louis, who is known for his cheeky antics during spectator events, last delighted royal fans with his funny facial expressions and adorable beaming smile, showing off his new adult front teeth, at Trooping the Colour in June.
While riding in a carriage to Buckingham Palace, the seven-year-old put on his most animated display yet as he waved excitedly at fans while showing off his gap-toothed grin - much to the amusement of his siblings.
Ever the composed older brother, Prince George gently tried to calm Louis down by placing one hand on his arm as their father William, 40, looked affectionately down at his sons - while Princess Kate and Charlotte, 10, took in their surroundings.
During the flypast, while on the Buckingham Palace balcony, Louis turned to his grandfather King Charles at one point, and appeared to make an observation about the fighter jets flying overhead.
Despite the magnitude of the moment, if Louis once found the proceedings overwhelming, onlookers wouldn't know it from the way he snuck in one final wave before Kate gently ushered her brood back into Buckingham Palace after the spectacular flypast was concluded.
MailOnline has contacted Kensington Palace for comment on Louis's absence. However, it is expected that he is simply too young to attend.
Ahead of the Wales' arrival at Wimbledon, some royal watchers posted on X (formerly Twitter) revealing that they were hoping to see the youngster.
One said: 'We'll see Prince Louis. I like them all, but Prince Louis is my favourite.'
Another added: 'Actually, I was hoping for Prince Louis debut.'
However, while royal fans may have been disappointed to miss out on seeing Louis, they were no doubt delighted to see George and Charlotte, who were dressed in their Sunday best as they greeted officials in SW19 ahead of the men's final between Carlos Alcaraz and Janick Sinner.
And of course, many will be excited to spot mother-of-three Kate Middleton for the second day in a row.
Kate, who has been patron of the All England Lawn and Tennis Club, also known as the AELTC (which organises the day-to-day running of the prestigious tournament), since 2016, was also in attendance on Saturday, presenting the trophy at the women's final.
Kate also wore her ' Wimbledon bow' - a brooch featuring the tournament's iconic colours - which it's believed she has worn every time she has visited Wimbledon.
She debuted her green-and-purple bow back in 2017 - when she paired it with a white short-sleeved dress.
More than just a mere accessory, the Princess' go-to Wimbledon brooch is actually a symbol of royal patronage, gifted to her from the Queen Elizabeth II.
The women's 2025 final saw Iga Swiatek beat Amanda Asiminova 6-0, 6-0 in a match that lasted just under an hour.
Kate appeared overwhelmed upon arrival at the Royal Box on Centre Court and was welcomed by a huge chorus of cheers and a standing ovation.
It was reminiscent of the reception she received last year, when she chose the tennis tournament as her first solo outing after taking time away from public duty while being treated for cancer.
Today's final sees Jannik Sinner take on Spaniard Carlos Alcaraz - of whom Princess Charlotte is known to be a fan.
Charlotte delighted fans last year with her animated reactions as she watched her favourite player win the coveted trophy.
Throughout the nail-biting match, the young royal winced, cheered, and beamed, as she watched the players compete for the prestigious title.
Kate took over the role of patron in 2016 from the late Queen who had held the position for 64 years.
The accessory is worn by members of the Committee of Management during the Fortnight – the Main Board of the AELTC and representatives of the LTA. It signifies their responsibilities as the Committee governing the tournament.
The Patron has always traditionally been given a Committee bow in recognition of her role, which is why the Duchess has chosen to wear it when visiting The Championships.
Other individuals also given an honorary Committee bow are the Chief Executive.
The present colours of dark green and purple were introduced in 1909 as the club's previous colours, blue, yellow, red and green, were too similar to those of the Royal Marines.
The royal was praised for her Wimbledon outing yesterday, after she consoled the tearful runner-up Amanda Asiminova who was thrashed by Iga Swiatek in the most one-sided Wimbledon final since 1911.
Kate placed her hand on the American's arm and told her to 'keep your head high' following the 23-year-old's 6-0, 6-0 loss on Centre Court in just 57 minutes.
Anisimova had to briefly leave the court following her humbling at the hands of an inspired Swiatek, 24, as she recorded a double bagel scoreline in the women's final - the first in 114 years and for only the second time in the tournament's history.
Anisimova said meeting Kate 'was the positive of today' and told how she had been 'really kind'.
Speaking after the match, she said: 'It was such an honour to meet her.
'I wasn't sure if she was going to come out today, if she was going to be there, so it's just really nice to see her.
'She definitely had a few things to say that were making me emotional again.'
A tearful Anisimova wiped away tears during her post-match interview on court as she praised Swiatek and said she had 'run out of gas a bit today'.
She was playing in her first Wimbledon final and said 'she would never forget this experience'.
Anisimova broke down again as she mentioned how her mother had flew in from America that morning to watch her.
'Thank you for being here and breaking the superstition of not flying in - it isn't why I lost here,' she joked.
Anisimova: 'I know I didn't have enough today but I will keep putting in the work and I hope to be back here one day.'
A victorious Swiatek, the first Polish woman to win Wimbledon, also offered words of encouragement to Anisimova.
'First I want to congratulate Amanda for an amazing two weeks. You should be proud of the work you are doing and I hope we will play more finals her,'' she said.
'I didn't even dream, for me it was way too far. I feel like I am already an experienced player after winning the Slams before but I never expected this one.
'This year I really, really enjoyed it and feel I improved my form here.
'I am always going to remember the opening of champagne bottles between serves! It is a sound that will keep me away at night!'
The only ever time there has been a 6-0, 6-0 scoreline in a Grand Slam final was in 1988 when Steffi Graf beat Natasha Zvereva in the French Open.
For her appearance yesterday, Kate donned a custom Self-Portrait white ensemble. The two-piece outfit featured a high collared, military-style belted top and a flowing midi skirt.
Kate has worn designs from Self-Portrait on a number of occasions, including a 2023 Wimbledon appearance, where she wore a similar two-piece outfit, but that time, in green.
She finished the ensemble with a pair of Gianvito Rossi suede slingback heeled pumps in cream, and Anya Hindmarch's Neeson Small Square Tote bag in cream, which retails for £950.
Her jewellery included a gold Halcyon Days bracelet and Cartier earrings.
She also gave a sweet nod to her husband Prince William, wearing what appeared to be her Cartier Bleu watch, which Prince William gave her as an anniversary gift in 2014.
Last year also saw Carlos Alcaraz in the final, which he won, beating Novak Djokovic in straight sets.
After leaving the court following the trophy ceremony, the princess and Alcaraz had a conversation in a room inside the tournament's main stadium. 'You played so well,' Kate told him. 'Enjoy the win.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
a few seconds ago
- The Guardian
Prince Charles cinema looks to expand to second venue in east London
The Prince Charles cinema is planning to expand to a second site in the capital despite being locked in a battle over the future of its original location in central London. The independent cinema, which is known for showing a wide-ranging selection of cult films from across the history of cinema, has put in a bid to take over and reopen what was the Stratford Picturehouse in east London. The Prince Charles is in negotiations with Zedwell LSQ Ltd (which is owned by the developers Criterion Capital) over the future of the Leicester Square site, but wants to expand in what could be the first of several new outposts. 'Given what's happened this year, I understand how it could look like we're trying to shift operations but that's not what's happening,' said Paul Vickery, the cinema's head of programming. 'We were looking for a pre-existing venue that needed a bit of love which we could turn into a new site. Ideally, we'd want to go on to add a third or fourth space.' The Prince Charles had looked previously into taking over the Filmhouse in Edinburgh, which was forced to close in 2022 before it reopened in June this year after a refurbishment. Vickery thinks Stratford – an area that has undergone huge regeneration over the past decade, boosted by the Olympic legacy of London 2012 – could be an ideal place to open a new outpost. 'Stratford has always been a hub,' he said. 'There are plenty of students and loads of new-build properties that have sprung up recently. But it also feels like it's still trying to find its feet and figure out what it is.' The Prince Charles Cinema East would join other cultural institutions such as Soho Theatre Walthamstow, Sadler's Wells East and the V&A East Storehouse in that part of London, while the Theatre Royal Stratford East would be a nearby neighbour. The cinema has high-profile international fans, including the directors Paul Thomas Anderson, Quentin Tarantino and John Waters. It was opened as a live theatre in 1962 and taken over as a repertory cinema in 1991 with cut-price seats. When news broke that the cinema could be forced out of its original location in Leicester Square, a petition against the move generated 100,000 signatures in a single day. Vickery said: 'The response was so humbling, I knew we'd have a load of interest in helping us out but the volume of support and speed with which it spread was a surprise. 'You feel the responsibility but in the best possible way. You're not just some pokey cinema in central London, what we do means something to people.'


Times
27 minutes ago
- Times
Pendulum review — blasting their music into outer space
There were moments during Pendulum's biggest show, headlining the 65,000-capacity Tribes Unite festival, when — with sonorous whomp and sine-wave lasers — they seemed intent on turning the Milton Keynes Bowl into a giant satellite dish to beam their new music to distant stars. Because these Australian rave-metallers are about to release Inertia, their first album in 15 years. And one thing they're clearly not going to do is keep it quiet. In a blitz of flames, lights and ear-bursting beats, they arrived with the appropriately titled Napalm, the sound of the Prodigy backing Rage Against the Machine and a fine summation of their wider impact so far. In the wake of the electronic and industrial metal innovations of Nine Inch Nails, Ministry, Enter Shikari and others, in the mid-Noughties Pendulum brought an authentic clubland sensibility to the party: electro-rock gigs that blended and flowed like DJ sets, monster riffs played on squelchy synths, soulful and melodic pop hooks lodged between pounding drum'n'bass onslaughts that felt like going ten rounds with Robocop. • Read more music reviews, interviews and guides on what to listen to next Even after a five-year hiatus after the 2010 album Immersion and a further decade making Inertia, it's a method they still revel in. Witness the frontman Rob Swire mashing the 2007 single Blood Sugar into their remix of the Prodigy's Voodoo People, or crooning and screaming through Save the Cat like a boy band singer with a succubus trying to climb out through his gullet. Weighting their 90 minutes towards the new material, Pendulum swung through the gabba metal gamut, from the hellfire mayhem of Halo to the slick superclub techno of The Island. Even cinematic soul-barers such as Encoder were eventually hit by a truck full of filthy synths, but plenty of variety poked through: Morricone brass on Propane Nightmares, dream pop textures on Colourfast, 8-bit bleeps and Tetris visuals introducing Self vs Self. Watercolour came with a kisscam worthy sway-along section which Swire called 'the closest we come to Coldplay' while, at the far end of the wholesome scale, Silent Spinner was accompanied by grainy antique film of demonic baptisms, torture implements and witches wielding pickled hands, and sounded like Depeche Mode descending a circle or two deeper. They closed with the reggae rave Tarantula, career inertia conquered. The Andromedans won't know what hit them.★★★★☆Pendulum play HERE at the Outernet, London, on Sep 5


Telegraph
33 minutes ago
- Telegraph
Nobody left at TNT can rattle cages or set agendas like Rio Ferdinand
After a few weeks in which other sports had some time in the sun, big-time football has returned to dominate the TV landscape for the next 10 months or so. Sky Sports has increased its offering to at least 215 live Premier League games this coming season. TNT Sports, and parent company Warner Brothers Discovery, is also broadening its portfolio and it was TNT that had the chance to land an early blow this weekend before the Premier League coverage begins on Sky on Friday. With the BBC's first post-Gary Lineker Match of the Day coming this Saturday, the game is afoot for the sport's major broadcasters, and this column will have a look at all of them over the coming weeks. TNT had picked up the rights to the Community Shield, which has been on ITV in recent years: no longer a charity shield, nor free-to-air either. Suck it, Commies. These are the times we watch live sport in. Laura Woods helmed from Wembley and in the modern style, there was no studio, with all the broadcasting done on the pitch, or by the side of it. You need an exceptional live operator to pull it off, and Woods is certainly that. She had Steve McManaman and Ally McCoist with her on Sunday, both of whom were in jolly form, verging on the unruly. Macca was sporting an untucked blue office shirt, giving him the look of a work experience lad who isn't sure if this is all for him. He's 53 now but there is something of the sixth-form rebel about him that I personally find endearing. Macca began the broadcast in a pair of rather rum sunglasses but they were removed, presumably on instructions from Sir, because special guest Joel Ward also had shades on at first but took them off. It was for the best. TNT had announced the signing of Gareth Bale for their coverage this season; he had impressed bosses with his work on the Europa League final. Rio Ferdinand's departure leaves them possibly a bit short of heft. McManaman, Peter Crouch, Joe Cole and Owen Hargreaves are all likeable and have their qualities but none is an agenda-setter or a cage-rattler and Ferdinand, for his limitations, had some gravitas and an appetite for debate both on screen and in the important secondary theatre of social media. We'll have to see how Bale gets on but he doesn't immediately strike me as a sure-fire star player. Happy to be proved wrong. TNT, carrying on where BT Sport had left off, has now carved out an identity that is distinct from Sky's intense-men-arguing vibe and it works well, especially for lighter fare like sunny days at Wembley. Darren Fletcher was in cheerful mood, offering up the palindrome of 'Ekitike' to amuse or bamboozle McCoist. 'I'm aware what a palindrome is, now don't get carried away,' said the Scot. John Motson would have had Eberechi Eze and Romain Esse as well but Darren isn't one to push his luck. He rightly lamented the unpleasantness during the minute's silence for Diogo Jota: 'Why on earth there are a certain few inside the stadium who would spoil that moment is absolutely beyond me' but, unless I missed it, there was no mention of anything about the anthem booing. Was TNT playing it too safe? Elsewhere, there was a tremendous piece of buffoonery where Woods attempted a walk-and-talk and had to navigate McCoist and McManaman tripping over each other and giggling, before they all settled on a three-abreast stomp towards the camera with Woods in the middle. 'I feel like I am being escorted out by two bouncers, a familiar memory…' she said. Whole lotta love ❤️ Joel Ward is mobbed by his former Palace teammates after their Community Shield win 🥰 📺 @tntsports & @discoveryplusUK — Football on TNT Sports (@footballontnt) August 10, 2025 Ward, making his TNT dayboo, was really good. Plenty of dressing-room insights and hugs with the players who were his comrades until just recently. He seems like a good egg and he looks the part. He has done one or two Palace matches on Sky and surely has a future in the punditry game should he wish to. Woods joked: 'He'll be taking my job.' That definitely isn't going to happen, but he seems like the sort of affable – perhaps slightly inoffensive? – type who would fit right in with the TNT ethos.