
What to expect from Universal's new year-round horror experience in Vegas
AI-assisted summary
Unlike Halloween Horror Nights, Horror Unleashed offers a permanent, immersive horror experience with four haunted houses and interactive scare zones.
Haunted houses include Universal Monsters, The Exorcist: Believer, The Texas Chainsaw Massacre, and Scarecrow: The Reaping.
The experience is designed for all types of horror fans, with varying levels of engagement and is not recommended for children under 13.
Nate Stevenson remembers it being a big deal to rent movies as a kid and his dad bringing home a stack of VHS tapes on weekends.
'Three or four were obviously for my mom,' Stevenson recalled. 'But then he would always go, 'And then I got one creepy old movie' ... and then me and my dad would just sit and watch the horror films.'
TJ Mannarino shared similar memories with his dad.
'That was a bonding thing,' Mannarino said. 'We used to sit around and watch the black-and-white Universal monster movies, and it got me excited about those strange characters.'
Mannarino and Stevenson still get giddy about horror. Now, they're creating a new way for fellow fans to connect with it, as two of the masterminds behind Universal's first year-round horror experience in Las Vegas.
Need a break? Play the USA TODAY Daily Crossword Puzzle.
In an exclusive interview with USA TODAY, they shared more about what guests can expect when Universal Horror Unleashed opens in August.
How is Horror Unleashed different from Halloween Horror Nights?
Universal Horror Unleashed won't just be a longer version of Universal Studios Halloween Horror Nights.
'You're a little bit locked in at the parks,' said Stevenson, show director for Universal's Creative Development Group. Both he and Mannarino have worked on Horror Nights for years. 'You know what works and you go for it, and the turnaround is so fast for the next year that you're just on to the next year ... But this really gave us a chance to kind of innovate and think outside the box and say, 'How can we take this amazing thing that we've got and take it to the next level?'"
With Universal Horror Unleashed, they had a chance to build a permanent home for horror, from the ground up, in a newly expanded area of the Area15 entertainment district off the Las Vegas Strip.
'To be on the side of creating it and envisioning it is a dream come true, or a nightmare,' said Mannarino, vice president of Entertainment Art and Design for Universal Orlando Resort.
The story begins even before guests enter the building, which is set as a production warehouse where horror film props were stored, a nod to Universal's century-long legacy of horror films.
"The overarching story, just for Horror Unleashed in general, is that there's kind of a parallel world that lives beside ours, and in that world – we call it the shadow world – all your nightmares are actually realities,' Stevenson said.
He explained that in some areas, like Sin City and this production warehouse in particular, the veil between the worlds is thinner.
'They stuck so many spiritually charged things in this warehouse that it erupted and it broke that veil between the shadow world and our world, so when you're in the warehouse, some of those creatures and those monsters and those things have spilled out from the shadow world,' he said.
How many haunted houses are there?
There are four haunted houses at Universal Horror Unleashed, with a mix of intellectual property and original content, like Horror Nights.
Universal Monsters: 'Guests will pass through the crumbling mausoleum of famed monster hunter Van Helsing and into the cursed domains of creatures that defined the genre,' Universal shared in a press release. 'From the shadowy halls of Castle Dracula, to the sandy tombs guarded by The Mummy, to the crackling lab where Frankenstein and The Bride still draw breath – this haunted house resurrects the most legendary monsters of all time in one continuous nightmare.'
The Exorcist: Believer: Based on the latest film in the Exorcist franchise, guests will follow the journey of two girls who've been possessed, all the way to their exorcism, which includes disappearing wall special effect that reveals a hidden hellscape, according to a promo video for the house.
The Texas Chainsaw Massacre: Guests will enter the farmhouse from the franchise's first film and, following that film closely, come face to face with Leatherface as well as parts of his world that weren't on screen.
Scarecrow: The Reaping: Based on a fan-favorite, original Universal Halloween Horror Nights house, 'It's set in the Dust Bowl era, when the farmers ravaged the land, but in our story, the land has come back to life to wreak its revenge on you,' Stevenson said in a promo video.
Beyond the haunted houses, there will be four immersive areas with their own themes.
'One is kind of more classic, which is where the monsters come in – the classic Universal monsters – and then one is more kind of like a slasher 80s sort of feel, and another is more of kind of like a poltergeist sort of feel, and then another is more traditional and circusy, where Jack shows up,' Stevenson said, referring to Jack the Clown, a Halloween Horror Nights icon.
Getting into character
Each space will also feature various characters with fully fleshed, interconnected stories that guests can engage with.
'In the parks, you have all these incredible characters out in the streets and they're running and they're scaring you, but it's kind of like a moment in time. They scare you and then they go,' Stevenson said. 'But with these characters, you can actually walk up to them and chat with them ... get a couple of fun anecdotes about their life and move on – if that's the level of immersion you want – or you can sit there and talk to them for 15 minutes and learn all about the warehouse and all about the story.'
There will also be uniquely themed areas for food and drinks.
'I could see people buying a ticket and just going out there and hanging out for the night because it's such a cool environment,' Stevenson said. 'I just want a drink at the Boiler Bar that turns into a monster and becomes this really cool show moment ... and watch people get scared and have drinks with my friends and then walk over to Jack's (Alley) Bar and watch his show.'
These are all opening attractions, but from the beginning, Universal has said the venue will feature continuously updated horror experiences.
'It has to evolve. It has to change. How does that change and what that cadence is, I think that's still for us to tell you, as we learn also,' Mannarino said.
Halloween Horror Nights 2025: Everything you need to know
Room for everyone
For now, guests can expect something different each visit, depending on how they engage.
'Spend as much time, come back as many times as they want, but feel like this place also has a life and it grows and it changes, and so every time you come back, you do see the world differently,' Mannarino said.
Experiences will also change depending on who guests go with.
'In your group, you might have the die hard who's always going to be the first person to line, but you always have the other person who's like, 'No, no. I'm going to be in the back, and I'm going to be hiding behind four other people,''' he said.
Universal Horror Unleashed is meant for all types of horror fans, from casual thrillseekers to lore-loving super fans.
'We see ourselves in you, because that's who we are,' Mannarino said.
Is there an age restriction for Universal Horror Unleashed?
The destination's website warns that like Horror Nights, the 'experience may be too intense for young children and is not recommended for children under the age of 13.'
How much are Universal Horror Unleashed tickets?
Universal Horror Unleashed opens August 14.
Tickets are already on sale and start at $69 for one-time entry to each house ($59 for Nevada residents) and $99 for unlimited access to houses.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


USA Today
an hour ago
- USA Today
How the sequel '28 Years Later' shows a 'compassionate' side of horror
How the sequel '28 Years Later' shows a 'compassionate' side of horror Show Caption Hide Caption '28 Years Later' trailer: The horror is infectious in movie sequel Survivors try to maintain a semblance of life among those infected by a rage virus in Danny Boyle's horror sequel "28 Years Later." In 2002, the British horror hit '28 Days Later' helped repopularize the zombie subgenre, leading to post-apocalyptic entertainment like 'The Walking Dead' and 'The Last of Us.' Ever since, director Danny Boyle has been saying to anyone who'll listen that the people infected with a rage virus aren't zombies. They're just like us but sick, not undead. And in the new sequel '28 Years Later' (in theaters June 20), the infected have changed a lot, even showing qualities that hint they're much more than mindless, flesh-eating machines. 'Obviously, 28 years is quite a compressed amount of time for evolution to really establish itself. But they are evolving just like humans evolve,' Boyle says. Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox With '28 Years Later,' Boyle and original writer Alex Garland have returned to this post-apocalyptic world with something akin to the recent 'Halloween' revamp. The new film is a direct follow-up to '28 Days,' pretty much ignoring the events of 2007's '28 Weeks Later,' and begins a planned trilogy that will continue with director Nia DaCosta's '28 Years Later: The Bone Temple' (in theaters Jan. 16). Garland sees 'Days' and 'Years' as coming-of-age stories of a sort with 'a young person in a state of innocence who's then having that innocence robbed,' the writer says. In the original film, it's bicycle courier Jim (Cillian Murphy), who wakes up in a hospital after an accident finding a London devoid of people. He learns the hard way how much the world has changed since the rage virus started, with the infected running and biting at him, and Jim in a sense 'becomes an infected' by giving in to his own rage to save people important to him. '28 Years Later' fast-forwards nearly 30 years, with the rage virus contained to the borders of the United Kingdom. Twelve-year-old Spike (Alfie Williams) lives with his parents, Jamie (Aaron Taylor-Johnson) and Isla (Jodie Comer), in a small, heavily defended community on Holy Island. In an old-fashioned society where everyone has a job to do, children are taught what life used to be like and 'the infected play a role in their mind. They're being told that they will one day meet them,' Boyle says. "So they mythologize them a little bit.' Jamie takes Spike on a rite of passage to the mainland for the first time to kill an infected. Father and son barely make it back alive, but when Spike learns of a mysterious doctor who could help his sick mom with her undiagnosed ailment, he returns to a dangerous landscape on a journey more about protecting life than taking it. 'He chooses not to follow in his father's footsteps,' Boyle says of Spike. "That's one of the things that always gives us hope with teenagers. Even though they might drive you mad, they want their own challenges." Spike ultimately meets the man he's searching for, Dr. Kelson (Ralph Fiennes). He's built a Bone Temple of skulls as a memorial to victims of the infected, and Kelson sees survivors and infected people as alike. 'A key thing about how we approached the zombie genre was we didn't make them supernatural. They're not reanimated dead people. If you were a doctor, that would be the correct way to look at it," Garland says. One of themes of the movie is "how much should a sick person be differentiated from a healthy person? And why is that differentiation fair?' Over three decades, the infected of '28 Days Later' – the fast-running "zombies" that freaked moviegoers out in 2002 – have evolved and organized. Most of them are still scary quick, skinny and now naked. Bigger, stronger Alphas have emerged like the leader Samson, while 'Slow-Lows' are fat, bloated and 'closer to the ground,' Boyle says. 'They expend a lot less energy but they're nevertheless very dangerous if they're provoked or disturbed or stimulated.' And like the original film, the '28 Years Later' trilogy explores humanity in inhuman times among its pockets of survivors. Whereas Christopher Eccleston's Major Henry West in the original film "28 Days" is a soldier "who has gone crazy and collapsed into a more violent, degenerative state than the infected have,' Garland explains, Kelson is the inverse to him and creates "a different kind of commentary on people, which has something to do with being reasonable and compassionate in the face of an incredibly difficult situation."


USA Today
2 hours ago
- USA Today
What to watch this weekend: New TV shows on streaming
What to watch this weekend: New TV shows on streaming Show Caption Hide Caption Need a show to binge? These are the must watch shows this summer USA TODAY's TV critic Kelly Lawler breaks down the best TV shows you don't to want to miss this summer If you're looking for something new to watch this weekend, you can grab your swim trunks and head to the North Carolina beaches or your opera glasses for old-timey New York. Netflix's family drama "The Waterfront" and Max's period piece "The Gilded Age" are the two biggest new TV shows available to stream this weekend, June 19-22. For the younger crowd, the annual pint-sized awards show the Nickelodeon Kids' Choice Awards also streams in it's slimy glory. In addition to these three programs we think are worth your notice, we've listed every new TV series and special that will stream this weekend across the major platforms to help you as you browse through endless Netflix options. Maybe you'll find your new obsession. Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox New on streaming Thursday, June 19 "The Waterfront" (Netflix) Starring Maria Bello, Melissa Benoist and Holt McCallany, the North Carolina-set series follows a wealthy family contending with its troubled fishing business and personal straits. The series, based on real events, comes from creator Kevin Williamson ("Scream," "Dawson's Creek," "The Vampire Diaries"). New on streaming Friday, June 20 "The Bravest Knight" (kids/family, Hulu) "Now or Never: FC Montfermeil" (France, Max) "Olympo" (Spain, Netflix) New on streaming Saturday, June 21 "The Great Indian Kapil Show" (talk, India, Netflix) New on streaming Sunday, June 22

USA Today
4 hours ago
- USA Today
'Jaws' took a big bite out of the box office and changed Hollywood
'Jaws' took a big bite out of the box office and changed Hollywood Fifty years ago, Steven Spielberg's movie 'Jaws' made box office history, becoming a pop culture phenomenon and spawning five decades of blockbusters seeking to match the film's thrills and success. Show Caption Hide Caption Top 3 scary moments in 'Jaws' 'Jaws' turns 50 this summer and USA TODAY film critic Brian Truitt celebrates with his favorite bloody moments. After "Jaws" hit the big screen 50 years ago – and smashed the then-current box office record – moviemakers and studios knew from then on they were going to need bigger budgets. The Steven Spielberg-directed film cost $12 million to make, more than three times its original budget and about four times the cost of an average film at the time. Of course, much of that involved the building of three mechanical great white sharks. "Jaws" opened June 20, 1975 on 400-plus screens across the U.S. and Universal spent $700,000 on an unprecedented TV advertising campaign, according to the 2010 book "George Lucas' Blockbusting," to drive movie lovers to theaters and create lines as a show of bloodthirsty demand. Overall, Universal spent "a whopping $1.8 million on promo," notes Empire magazine, which in its special June issue deemed the movie "unequivocally the most influential, important and game-changing summer blockbuster … ushering in new levels of pre-release publicity." Hollywood was never the same after "Jaws" and its effects "are still resonating today," said Paul Dergarabedian, senior media analyst for Comscore. "The sensation 'Jaws' created made the movie theater experience the epicenter of culture and spawned what would become known as the summer popcorn movie blockbuster," Dergarabedian told USA TODAY. Shark screen attack: From 'Jaws' to 'The Meg,' we rank the 10 best shark movies of all time 'Jaws' landed a Guinness world record The Guinness Book of World Records agrees. "Not only did people queue up around the block to see the movie, during its run in theatres it became the first film to reach more than $100 million in U.S. box office receipts," according to the Guinness description of its first summer blockbuster film award. In just over two months, "Jaws" surpassed previous box office leaders "The Godfather" and "The Exorcist." Despite being blockbusters in their own way, "those obviously were not aimed at younger moviegoers and not released in the summer," Dergarabedian said. While "Jaws" is a movie classic, Spielberg recently said he deemed "The Godfather," the film "Jaws" overtook as the box office godfather at the time, stands as the "greatest American film ever made." By the time "Jaws" finished its domestic run in theaters it had made more than a quarter of a billion dollars ($260 million), which is over a billion dollars today," said Ross Williams, founder and editor of The Daily Jaws website in a new documentary "Jaws @ 50: The Definitive Inside Story." The documentary premieres July 10 on National Geographic and streams the next day on Disney+ and Hulu. George Lucas had feeling 'Jaws' would be a 'big hit' Also in the "Jaws @ 50" documentary, filmmaker George Lucas recalled how Spielberg invited him and some others to see the in-development shark. 'He (Steven) wanted to show us the construction of the shark, which was impressive. So I thought, 'Great this is going to be a good movie.' It was obvious it was going to be a big hit.' Spielberg, who discusses the struggles making the film in the documentary, was skeptical. "George looked at the shark and said, 'Wow this is going to be the most successful movie ever made.' and I, of course, looked at George like, 'Well you know from your lips to you know' ... but I didn't believe that." Lucas would go on to write and direct "Star Wars," which was released in May 1977 and would break the box office record set by "Jaws." Then, Spielberg would leapfrog him with "E.T. the Extra-Terrestrial" in 1982. 'Jaws' made it safe for summer blockbusters Before "Jaws," summer had been theatrical territory owned primarily by B movies and exploitation films such as 1974's "The Texas Chainsaw Massacre." After "Jaws," the major Hollywood studios, which had avoided summer, now identified it as the prime releasing season, and 'Jaws' inspired hundreds of summer thrillers and F/X pictures," wrote the late Roger Ebert in his book "The Great Movies II." Spielberg himself would go on to spawn many more summer blockbusters including "Raiders of the Lost Ark," "Jurassic Park," "A.I. Artificial Intelligence," "War of the Worlds" and "Minority Report" – all hitting theaters in the month of June. Two Indy adventures – "Indiana Jones and the Last Crusade" and "Indiana Jones and the Kingdom of the Crystal Skull" – released in May, the years 1989 and 2008, respectively, and "Saving Private Ryan" in July 1998. Outliers: "Close Encounters of the Third Kind" landed in theaters in December 1977; other December releases were "The Color Purple" (1985) and "Schindler's List" (1993). Spielberg had "hit after hit after hit for so long, and most of the time they were summer blockbusters," Shawn Robbins, founder and owner of Box Office Theory, told USA TODAY. His hit list included thrillers, fantasy and science fiction. "Genres, in a lot of ways, evolved because of what 'Jaws' did for summer blockbusters," he said. "Jaws" also raised the stakes, by moving "the bar in terms of audiences and what kind of thrill they might get," said J.J. Abrams, in the "Jaws @ 50" documentary. For instance, Lucas in "Star Wars," sought to match the thrill audiences got when Chief Brody (Roy Scheider) kills the shark in "Jaws," said Abrams. "When you think about it, it is a bit like the Death Star moment.' Studios' desire to have a release crowned as a summer blockbuster continues today. This summer's success, so far, of "Lilo & Stitch" and "Mission Impossible – The Final Reckoning" suggests the goal of a summer hit remains. "'Lilo & Stitch' has been a huge start to the summer season and one of Disney's most successful remakes that they've done," Robbins said. 'Jaws': A 'perfect movie at the right time' The financial success of "Jaws" migrated beyond the movie theater. Spielberg, along with Lucas, transformed movies into intellectual properties, which could be parlayed into merchandise, theme parks, video games, books, and TV shows, Robbins said. "They became a significant part of the pop culture fabric." ''Jaws' was the perfect movie at the right time to become an absolute sensation and in turn changed the whole model on which Hollywood based its revenue generating capabilities," Dergarabedian said. "Nothing was ever the same after 'Jaws.'" Mike Snider is a reporter on USA TODAY's Trending team. You can follow him on Threads, Bluesky, X and email him at mikegsnider & @ & @mikesnider & msnider@ What's everyone talking about? Sign up for our trending newsletter to get the latest news of the day