
Pigeon Fest to celebrate New York's most controversial birds
The High Line elevated park in New York City announced it will host Pigeon Fest, a celebration of the city's most common birds, on June 14. File Photo by John Angelillo/UPI | License Photo
May 22 (UPI) -- A New York park is celebrating one of the city's most iconic animals next month with Pigeon Fest, a day-long event featuring art exhibitions, science demonstrations and the city's first Pigeon Impersonation Pageant.
The High Line, an elevated park on the West Side of Manhattan, announced Pigeon Fest will be held from noon to 8 p.m. June 14, coinciding with National Pigeon Appreciation Day.
The park's website said the event is partially inspired by Dinosaur, artist Iván Argote's 17-foot-tall aluminum pigeon sculpture that resides at the park.
Alan van Capelle, the park's executive director, told The New York Times that the festival will include "a pigeon impersonation pageant and a panel on urban ecology and bird conservation."
The events also include a Zumba-style Pigeon Dance Party and a puppet show put on by Tina Piña Trachtenberg, aka Mother Pigeon, who is famous in New York for feeding the birds while dressed in a giant pigeon costume.
"Love them or hate them, people are fascinated by our feathered friends," van Capelle told TimeOut New York. "This festival felt like a fitting way to celebrate New Yorkers' dynamic relationship with art, nature and, most specifically, pigeons."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


UPI
32 minutes ago
- UPI
Stephen King-produced 'Institute' to premiere on MGM+ July 13
1 of 4 | Luke Ellis stars in "The Institute," premiering July 13. Photo courtesy of MGM+ June 6 (UPI) -- The Stephen King-produced series The Institute is slated to premiere on MGM+ July 13. Directed and produced by Jack Bender, the adaptation of King's 2019 novel of the same name will star Mary-Louise Parker, Ben Barnes, Joe Freeman and Simone Miller. The story follows "teen genius Luke Ellis (Freeman), who is kidnapped and awakens at The Institute, a facility full of children who all got there the same way he did and who are all possessed of unusual abilities," a synopsis said. "In a nearby town, haunted former police officer Tim Jamieson (Barnes) has come looking to start a new life, but the peace and quiet won't last, as his story and Luke's are destined to collide." The Life of Chuck, based on a novella by King, is now in theaters and a series based on King's best-selling book, Carrie, is in the works at Prime Video.


UPI
3 hours ago
- UPI
Culture Club doc director: Boy George 'story more relevant now'
1 of 5 | From left, Roy Hay, Boy George, Jon Moss and Mikey Craig are the subjects of the documentary "Boy George & Culture Club," playing at the Tribeca Film Festival. Photo courtesy of Duncan Raban LOS ANGELES, June 6 (UPI) -- Director Allison Ellwood interviewed Boy George and his three Culture Club bandmates for the documentary Boy George & Culture Club, which premiered Thursday at the Tribeca Film Festival. In a recent Zoom interview with UPI, Ellwood said the struggles George, born George Alan O'Dowd, faced in the '80s are sadly still experienced by LGBTQ people today. Though he has since come out as gay, George dodged questions about his sexuality at the time and was frequently asked about his flamboyant attire. "I think, as such, their story is more relevant now than it perhaps was even at the time," Ellwood, 63, said. When George referred to himself as a drag queen at the 1984 Grammy Awards, it fueled fan and media speculation about his sexuality. In the film, he says, "If you're not gay, what has it got to do with you?" He then repeats the question to include trans people. "I feel like we're going backwards in that regard but that is still the question to ask," Ellwood said. "Why do you care?" Ellwood said she researched the Culture Club story before interviewing George, Jon Moss, Roy Hay and Mikey Craig individually so she knew what to ask them about. Still, Ellwood said, she was heartened to learn George had supportive parents even before he was a celebrity. "I had just assumed that his parents, particularly a father of that age in London, would have frowned upon his [sexuality]," she said. "They were very supportive of him which is really nice to hear." The filmmaker said all four Culture Club members were forthcoming about every aspect of their story, including George's relationship with drummer Moss. George and the band also discuss George's drug addictions and their frustrations with their third album, Waking Up with the House on Fire. "[George] was touchy about his friend who had died of an overdose at his house," Ellwood said. "He said, 'I could tell you about him but I don't want to talk about that.' That's understandable because that's going for the salacious thing vs. the relationship." All four Culture Club members agree Waking Up was rushed into production and release. Ellwood believes the album and the subsequent From Luxury to Heartache are underappreciated as a result. She cited the song "Mistake No. 3" as one of her favorites. "I'm hoping one of the things the film will do is have people go, 'Hey, I should check that out,'" Ellwood said. "You just remember the big hits. You don't necessarily remember the later material, some of which is really good." Those hits include "Do You Really Want to Hurt Me" and "Karma Chameleon." Archival footage in the documentary shows how Culture Club caused more fervor in public than even today's biggest artists like Taylor Swift. "People missed planes in Toronto because the streets were so packed the airport basically was shut down," Ellwood said. "It was Beatlemania." Moss, Hay and Craig express their frustrations that George became the focal point of all Culture Club press during that time. The record label even relegated their three photos to the back for the album cover for their debut, Kissing to Be Clever. Ellwood's documentary was an opportunity to give George's bandmates equal attention. "They all say he's a great frontman and he should have been the frontman, but they get their chance to tell their side of the story too," she said. Ellwood was also impressed by some of the footage her archival producers found of Moss before Culture Club. "We even found footage of Jon drumming with The Clash briefly," she said. Culture Club still performs occasionally and sometimes releases new music. If fans only know the '80s hits, Ellwood hopes her documentary showcases the depth of their music. "George's voice is stunningly beautiful," she said. "It's just so moving to hear him sing. I hope that people take away from the film the real musicianship that went into this too. Everyone thinks of George and his voice and his outfits and stuff but really they are quite extraordinary musicians." Boy George & Culture Club screens again Friday, Sunday and June 12 at Tribeca.


UPI
5 hours ago
- UPI
Famous birthdays for June 6: Drew McIntyre, Aubrey Anderson-Emmons
TV // 11 hours ago Apple TV+ drops trailer for documentary series 'The Wild Ones' June 5 (UPI) -- Apple TV+ released a trailer for upcoming documentary series "The Wild Ones," which features a team of wildlife experts traveling to some of the most remote locations in the world to find endangered animals.