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Rescheduled Falcon 9 launch and Crew-10 return mark key SpaceX events

Rescheduled Falcon 9 launch and Crew-10 return mark key SpaceX events

Yahoo4 days ago
The rescheduling of the Falcon 9 launch and the return of Crew-10 mark significant milestones for SpaceX and the wider space community, highlighting ongoing advancements in satellite launches and human space missions.
SpaceX has postponed the launch of its Falcon 9 rocket, which was scheduled to take off from Cape Canaveral Space Force Station this morning, to tomorrow at 9:18 a.m. ET.
The Falcon 9 rocket will carry a batch of Amazon's Project Kuiper satellites into low-Earth orbit. This mission, known as KF-02, will launch from Space Launch Complex 40 at Cape Canaveral.
After stage separation, Falcon 9's first stage will try to land on the droneship 'A Shortfall of Gravitas' in the Atlantic. SpaceX will provide a live webcast about 15 minutes before liftoff.
Additionally, Crew-10 is preparing to return from the International Space Station. They are scheduled to leave the station tonight at 6:05 p.m. ET and will safely splash down off the coast of California tomorrow morning, weather permitting.
Safe travels to the crew!
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Only one person has ever been hit directly by a meteorite. Here's the strange story of Ann Hodges.
Only one person has ever been hit directly by a meteorite. Here's the strange story of Ann Hodges.

Business Insider

time26 minutes ago

  • Business Insider

Only one person has ever been hit directly by a meteorite. Here's the strange story of Ann Hodges.

The Sylacauga meteorite, which is also called the Hodges meteorite, probably broke off the asteroid 1685 Toro. 1685 Toro, a mid-sized asteroid, has been classified by NASA JPL as a "Near Earth Asteroid" because of its orbit's proximity to Earth. Its size is similar to the island of Manhattan. An asteroid is a rocky object in space that orbits the sun. When an asteroid or a piece of one enters the Earth's atmosphere, it becomes a meteor. What remains after impact is a meteorite. On the afternoon of November 30, 1954, locals in Sylacauga, Alabama, reported a bright streak in the sky. At a time when both the threat of an atomic bomb and little green men in flying saucers invaded public fear, it was perhaps unsurprising that residents in the small Alabama town started calling 911. The Decatur Daily reported that many people thought they were witnessing a plane crash. Ann Hodges, with her husband, rented a house in the Oak Grove community. Incredibly, across the street was the Comet Drive-In Theater, which had a neon sign depicting a comet falling through the sky, the Decatur Daily reported. A part of the meteor crashed through the roof of Ann Hodges' home. Hodges, who was 34 at the time, had been home with her mother on the afternoon of November 30. The meteorite crashed through the roof of Hodges' home at 2:46 p.m., Slate Magazine reported. "Ann Hodges was taking a nap on her living room couch and she was under a blanket, which probably saved her life somewhat," Prondzinski said. "The meteorite came down through the roof in the living room and it ricocheted off a stand-up console radio that was in the room and landed on her hip." Her mother, who was in another room, ran to her daughter's assistance when she heard her scream. In the aftermath, neither Hodges nor her mother knew what had happened. "All she knew is that something had hit her," Prondzinski said. "They found the meteorite, this big rock, and they couldn't figure out how it had got there." It weighed around 8.5 pounds. Prondzinski said the meteorite is a chondrite or stony meteorite and composed of iron and nickel. According to Smithsonian Magazine, the meteorite is an estimated 4.5 billion years old. When the meteor entered the Earth's atmosphere, it broke apart. One fragment hit Hodges while another was located a few miles away. A farmer, Julius Kempis McKinney, discovered the second fragment while driving a mule-drawn wagon and later sold it for enough money to buy both a house and car, the Decatur Daily reported. Neighbors and law enforcement rushed to Ann Hodges' home. "Before you knew it, everyone in town was surrounding the house wanting to see what had happened," Prondzinski said. "In those days they didn't have Facebook, but word still traveled quickly," she added. A doctor and the police were called to the home. Prondzinski said it was Mayor Ed Howard and the police chief who discovered the hole in the ceiling where the meteorite had crashed through. The Decatur Daily reported the impact of the meteorite left a large "grapefruit"-sized bruise on Hodges' hip. "She had this incredible bruise on her hip," Prondzinski told Business Insider. "She was taken to the hospital, not because she was so severely injured that she needed to be hospitalized, but because she was very distraught by the whole incident. She was a very nervous person, and she didn't like all the notoriety or all the people around." Hodges' husband, Eugene, arrived home from work to find his house surrounded by a crowd of people. Hodges' radio may have saved her from being seriously injured. "The fact that it came through the roof, that slowed its trajectory, and the fact that it did bounce off the radio — if she had been lying under the radio, it would have broken her leg or her back. It probably wouldn't have killed her, but it would have done a lot more damage to her," Prondzinski said. The Air Force confiscated the meteorite so they could determine its origin. "The Air Force looked at it because they thought it was a flying saucer and all this other wild and crazy stuff," Prondzinski said. After it was confirmed a meteorite, the Hodgeses faced a lengthy litigation process to acquire ownership of it. Their landlord, Birdie Guy, believe the meteorite belonged to her because she owned the house. "Suing is the only way she'll ever get it," Hodges told reporters at the time. "I think God intended it for me. After all, it hit me!" The Decatur Daily News reported Guy wanted money to fix the house's roof. Litigation went on for a year, and Prondzinski said Guy settled the case for $500. The house eventually caught fire and was demolished to make way for a mobile home park. Hodges became an overnight celebrity and was even featured on a game show. "She became famous for 15 minutes. She had all these photo shoots. She was invited to go to New York City to be on Garry Moore's show '["I've Got a Secret"] where the panel had to guess what's her profession or what happened to her, why she is a notable figure," Prondzinski said. Hodges would receive fan mail from churches, children, and educators asking about the meteorite, but she never answered any of them, leaving it to her lawyer. "She was a very quiet person. She was a very private person," Prondzinski said. "She did not like having all the notoriety." Hodges decided to donate the meteorite to the Alabama Museum of Natural History. "By the time she had got the meteorite in her possession, she was so sick of the whole thing. She said, 'You can have it,'" Prondzinski said. All Hodges asked in return was for the museum to reimburse her for her attorney fees. Prondzinski said the meteorite created problems between Hodges and her husband, Eugene. Her husband wanted to make money off the meteorite but failed to secure a buyer. The two eventually divorced in 1964. In 1972, aged 52, Hodges died of kidney failure in a nursing home. Hodges is the first documented person to have been hit by a meteorite. Recently, a man in Georgia narrowly missed being hit by another. "She's the only one who's ever been hit by a meteorite and lived to tell about it. Because of that, the meteorite has been appraised at over a million dollars," Prondzinski said. In an interview with National Geographic, Florida State College astronomer Michael Reynolds said, "You have a better chance of getting hit by a tornado and a bolt of lightning and a hurricane all at the same time." There have been some near misses in the years since Hodges was hit. Most recently, on June 26, people in Southern states reported seeing a fireball fly across the sky, and pieces of a meteorite hit a house in McDonough, Georgia, with some piercing its roof, denting its flooring, and missing a resident inside. He likely heard what sounded like a gunshot. "I suspect that he heard three simultaneous things," said Scott Harris, a researcher at the University of Georgia's Franklin College of Arts and Sciences' department of geology, the university reported. "One was the collision with his roof, one was a tiny cone of a sonic boom and a third was it impacting the floor all in the same moment. "There was enough energy when it hit the floor that it pulverized part of the material down to literal dust fragments." Harris studied the rocks and concluded the meteorite could have formed 4.56 billion years ago, making it older than the Earth. It is still being studied at the university. Every day, Earth is hit with more than 100 tons of space dust and debris. According to NASA, about once a year a car-sized asteroid enters Earth's atmosphere but burns up before it can touch down. One expert told Live Science that while it's impossible to know for sure how many asteroids hit Earth each year, he estimated "about 6,100 meteorite falls per year over the entire Earth, and about 1,800 over the land." Most of these go undetected, but occasionally they'll capture the public's attention, like Hodges' meteorite. For instance, in 1992 a 26-pound meteorite landed on a red Chevy Malibu in New York, and in 2013, one exploded over Russia. There has also been evidence of a meteorite killing a man and injuring another in 1888. Meteor Crater, which is almost a mile wide, in Arizona shows the impact a large meteorite can have. Prondzinski told Business Insider that in the years since Hodges was struck, her story remains popular, and people have contacted the museum about using the story in movies, plays, and even a graphic novel.

NASA's SpaceX Crew-10 Returns Safely After Completing Dozens of ISS National Lab-Sponsored Investigations
NASA's SpaceX Crew-10 Returns Safely After Completing Dozens of ISS National Lab-Sponsored Investigations

Yahoo

time43 minutes ago

  • Yahoo

NASA's SpaceX Crew-10 Returns Safely After Completing Dozens of ISS National Lab-Sponsored Investigations

Astronauts wrap up mission after supporting research that could lead to new cancer treatments, more lifelike robotics, space debris removal, and more KENNEDY SPACE CENTER, Fla., Aug. 11, 2025 /PRNewswire/ -- After nearly six months onboard the International Space Station (ISS), the four astronauts of NASA's SpaceX Crew-10 mission have safely returned to Earth. This weekend's splashdown off the coast of California concludes a long-duration science expedition that supported dozens of investigations sponsored by the ISS National Laboratory®. NASA astronauts Anne McClain and Nichole Ayers, Japan Aerospace Exploration Agency (JAXA) astronaut Takuya Onishi, and Roscosmos cosmonaut Kirill Peskov played a vital role in advancing science in space, contributing to biomedical research, physical and materials sciences, technology demonstrations, and student-led experiments. Their work helped push the boundaries of discovery in low Earth orbit to benefit life on Earth and support a sustainable and robust space economy. ISS National Lab-sponsored projects the crew worked on during their mission include the following: A project from the University of Connecticut and Eascra Biotech, in partnership with Axiom Space, is using microgravity to improve the production of Janus base nanomaterials, which could be used to treat diseases like osteoarthritis and cancer. This project builds on previous ISS investigations and is funded through NASA's In-Space Production Applications program. Multiple projects were funded by the U.S. National Science Foundation, which has a long-standing partnership with the ISS National Lab to advance fundamental research on the orbiting laboratory. ELVIS may enhance the search for life beyond Earth. Portland State University, in collaboration with NASA's Jet Propulsion Laboratory in Southern California and Teledyne Brown Engineering, Inc., tested a new holographic microscope—the Extant Life Volumetric Imaging System (ELVIS)—that could allow scientists to study the adaptability of life under extreme conditions. Kall Morris Inc, in partnership with Voyager Technologies, leveraged the Astrobee free-flying robots on the space station to validate its REACCH system, which uses tentacle-looking arms with gecko-like adhesive pads to capture floating space debris. REACCH could help protect critical in-orbit infrastructure for Internet communications, weather prediction, GPS, and more. The ISS National Lab is proud to have partnered with NASA and international collaborators to enable this impactful space-based research for the benefit of humanity. The return of NASA's SpaceX Crew-10 mission marks the successful completion of another science expedition in the ongoing effort to leverage space as an innovation platform. To learn more about the science supported by the astronauts during this mission, visit our launch page. Download a high-resolution image for this release: Crew-10 Return About the International Space Station (ISS) National Laboratory:The International Space Station (ISS) is a one-of-a-kind laboratory that enables research and technology development not possible on Earth. As a public service enterprise, the ISS National Laboratory® allows researchers to leverage this multiuser facility to improve quality of life on Earth, mature space-based business models, advance science literacy in the future workforce, and expand a sustainable and scalable market in low Earth orbit. Through this orbiting national laboratory, research resources on the ISS are available to support non-NASA science, technology, and education initiatives from U.S. government agencies, academic institutions, and the private sector. The Center for the Advancement of Science in Space® (CASIS®) manages the ISS National Lab, under Cooperative Agreement with NASA, facilitating access to its permanent microgravity research environment, a powerful vantage point in low Earth orbit, and the extreme and varied conditions of space. To learn more about the ISS National Lab, visit our website. As a 501(c)(3) nonprofit organization, CASIS accepts corporate and individual donations to help advance science in space for the benefit of humanity. For more information, visit our donations page. Media Contact: Patrick O'Neill 904-806-0035PONeill@ International Space Station (ISS) National LaboratoryManaged by the Center for the Advancement of Science in Space® (CASIS®)1005 Viera Blvd., Suite 101, Rockledge, FL 32955 • 321.253.5101 • View original content to download multimedia: SOURCE International Space Station National Lab

James Cameron Wants to Remind You That Generative AI Is a Threat
James Cameron Wants to Remind You That Generative AI Is a Threat

Gizmodo

timean hour ago

  • Gizmodo

James Cameron Wants to Remind You That Generative AI Is a Threat

As the industry behind generative AI keeps touting its evolution, Hollywood stands on a precipice to see just who's going to be first to break ground leveraging the controversial technology in film production (although, reportedly, not for a lack of trying and failing behind the scenes). But for James Cameron, at least, the current will-they-won't-they approach is untenable—and the filmmaker believes that studios have to start getting a grip with the technology now, before it irrevocably damages the livelihoods of moviemaking creatives for good. 'I can't think of anything coming up that is bigger and more important to us right now than confronting this generative AI issue,' Cameron recently told Screendaily, as he continues work on the future of the Avatar franchise in New Zealand. 'It is critical that we master it and control it so that it remains an artistic tool and it doesn't replace artists. The idea that this technology could potentially replace actors and the unique lens that every artist brings is horrifying… The new tools have the possibility of doing great harm because they can replace an actor, or they can synthesize an actor who is dead.' Cameron has already been vocal over his concern with generative AI, leveraging his cultural history with the robo-apocalypse seen in the Terminator movies to jokingly, but not really jokingly, warn people that unchecked embrace of AI is a dangerous moment we find ourselves in—whether it's for creative or other technological purposes. 'I do think there's still a danger of a Terminator-style apocalypse where you put AI together with weapons systems, even up to the level of nuclear weapon systems, nuclear defense counterstrike, all that stuff,' Cameron recently told Rolling Stone. 'I feel like we're at this cusp in human development where you've got the three existential threats: climate and our overall degradation of the natural world, nuclear weapons, and superintelligence. They're all sort of manifesting and peaking at the same time. Maybe the superintelligence is the answer. I don't know. I'm not predicting that, but it might be.' Cameron hopes that one of those threats, climate change, might be combatted in part by the legacy of the sci-fi worlds he explores in Avatar. But as for generative AI, the filmmaker does not necessarily see the technology as a threat to be destroyed—instead, to be mastered and contained before it replaces human creativity. Last year, it was announced that Cameron had joined the executive board of StabilityAI, in part to see how the intersection of AI-generated images and visual FX work could be used in filmmaking. 'I want to learn it, I want to master it for myself, then use my own best judgment about how I apply it to my personal art,' Cameron continued to Screen Daily. 'It takes me four years to make an Avatar movie, so I think about how great it would be if I could do it in three years or two years.' 'Movies are very, very expensive now, and it seems to me that the cinema is becoming less important to the world at large, which is horrifying as well after spending 42 years making movies to be seen in movie theaters,' he concluded. 'We're not seeing as many movies getting greenlit and getting made of the type that I love—the fantasy, the phantasmagorical, science fiction, big, visually opulent films.' But while Cameron is open to seeing how the technology could aid filmmakers at some point, right now, it's seemingly clear to him the current state of generative AI has no place in his creative process—it was reported earlier this year that Cameron claimed Avatar: Fire and Ash, due out later this year, will open with a title card informing the audience that no generative AI was used in the process of its creation. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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