logo
Actor Venkitesh VP on playing the villain in Vijay Devarakonda-starrer ‘Kingdom'

Actor Venkitesh VP on playing the villain in Vijay Devarakonda-starrer ‘Kingdom'

The Hindu2 days ago
After participating in Nayika Nayakan, a talent hunt show that aimed to find lead actors for veteran Malayalam director Lal Jose's film, Venkitesh VP, affectionately known as Venky, had limited acting gigs. While he was offered multiple roles, he decided to wait for projects that excited him. In the meantime, Venky delivered pothichoru (Kerala-style wrapped lunch) with his friend and worked as a light boy for a wedding photographer, earning ₹200 to 300 a day, without his parents knowing.
Things took a turn for the actor when he was called to meet Gowtam Tinnanuri after one of his associates showed him pictures of Venky as a villain in a Tamil movie. Immediately after their first meeting, Gowtam signed him on as Murugan, the psychopathic antagonist in his Kingdom.
The film, starring Vijay Devarakonda, is running successfully in theatres. And Venky? He is on cloud nine after delivering a stellar performance as a bigoted smuggler, forced to live in the shadow of his father.
'On the first day, when we went to watch the movie in a theatre in Hyderabad, the crowd applauded my intro; that was the biggest highlight for me in all this. It felt great to get that response as a newcomer,' says Venky, who made his Telugu debut with Kingdom.
The actor has worked in multiple Malayalam films and one movie in Tamil. His notable works include his roles in The Priest, starring Mammootty, and Kho-Kho, a sports drama starring Rajisha Vijayan.
'A few years ago, I acted in a Telugu movie which was never released, that's how I learned to speak the language a bit. I don't know grammar or rules. I memorised the dialogues, which helps with my fluency,' says Venky, who also dubbed for Murugan in Tamil. 'When it gets an OTT release and if there is a Malayalam version to it, I want to dub that too.'
Venky showers praise on his crew. 'Gowtam sir is a brilliant technician, and very clear on what he wants. He will lead you to what he's expecting from you as an actor, and keep refining your performance.'
He considers his costars, Vijay and Satyadev, great performers. 'Vijay is someone who supports his co-actors. When my character poster was released, he reshared it, praising my performance. He even reshared a reel posted by me with my mother in it. That was a surprise too.'
Actor Satyadev shared his experience of working on Uma Maheswara Ugra Roopasya, the Telugu remake of Maheshinte Prathikaram, with Venky.
One of Venky's biggest highlights of working on Kingdom was getting to be part of an Anirudh musical. 'Some time ago, my friends invited me to attend a concert by Anirudh. I was unable to go then. I told my friends 'It's alright. I will work on a movie with him.' I didn't think it would happen so soon,' he says, lauding the musician's impact in elevating several moments in the movie. 'I had a background music specifically for me.'
Origin story
Venky, who hails from West Fort in Thiruvananthapuram, is the only child of the late V Pichumani and Tharakumari S. During his early days, he was not active in extracurricular activities. He fell in love with cinema in college.
'Despite being an only child from a lower-middle-class family, my parents did not stop me when I expressed my desire to act. They said, 'Finish your post-graduation and do whatever you want.' For eight years, till I was 28, I earned ₹20,000 a year, acting in small roles or working on a daily wage,' says the 31-year-old actor.
Venky said his parents were always supportive. 'They kept telling me, you will find something, even if we have some financial difficulties, we will figure it out. Even when my movies were dropped, they would still tell me not to lose hope.'
'Even when I wasn't earning, I was treated like a Mammootty or a Rajinikanth at home,' jokes Venky, who was firm on only acting in movies he wanted to.
'I have wished for this moment for a long time. I am receiving a lot of appreciation for my performance, my phone is always ringing, and my mother is delighted,' says Venky, who is looking for his next project.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Case registered against actress Shwetha Menon over alleged transmission of ‘obscene material' ahead of AMMA polls
Case registered against actress Shwetha Menon over alleged transmission of ‘obscene material' ahead of AMMA polls

Time of India

time34 minutes ago

  • Time of India

Case registered against actress Shwetha Menon over alleged transmission of ‘obscene material' ahead of AMMA polls

Actress Shwetha Menon , who is contesting for the post of Association of Malayalam Movie Artists (AMMA) president, has found herself in hot water. Ahead of the AMMA polls, the actress is facing charges for allegedly acting in obscene scenes, which are being widely circulated on the internet. According to a PTI report, police on Wednesday confirmed the news by stating that a case has been registered for publishing or transmitting obscene material in electronic form against the Malayalam actress. Reportedly, these are the scenes from her past movies, the police added. Further, the report stated that the cops said initially, no case was registered on the complaint by Martin Menachery. However, later, the petitioner knocked on the door of the court seeking registration of an FIR. Reportedly, the scenes in question are from Shwetha's previous movies - 'Rathinirvetham,' 'Paleri Manikyam: Oru Pathirakolapathakathinte Katha,' and 'Kalimannu' and an advertisement In accordance with the court's instructions, an FIR was filed on Tuesday under section 67 of the Information Technology (IT) Act, which pertains to the dissemination of obscene material in electronic form, along with provisions from the Immoral Traffic (Prevention) Act, as stated by an officer from the Ernakulam Central police station. This controversy had ignited right when Shwetha was ready to contest for the AMMA polls. Reportedly, she was being backed by ample support for the President's chair; however, this case might serve as a roadblock in the plan. Shwetha Menon Shwetha Menon is one of the most respected and loved actresses in the industry. She carved her niche in the field with her versatility and sheer talent. Her several awards stand as proof of her unmatched skills.

‘Mayasabha' web series review: Deva Katta delivers an intriguing high stakes drama
‘Mayasabha' web series review: Deva Katta delivers an intriguing high stakes drama

The Hindu

time36 minutes ago

  • The Hindu

‘Mayasabha' web series review: Deva Katta delivers an intriguing high stakes drama

Sony LIV's new Telugu web series, Mayasabha, opens with a familiar disclaimer: any resemblance to real people is purely coincidental. Yet it does not take long to draw parallels between its characters and the political giants who shaped undivided Andhra Pradesh. Echoes of NT Rama Rao, the actor-turned-leader; YS Rajasekhara Reddy, the doctor-turned-politician; and the current chief minister, N Chandrababu Naidu, and several others ripple throughout the storyline. Titled Rise of the Titans, the show's first season is a sharp and dramatic commentary on the socio-political fabric of the State. Ambitious in scope and often gripping in execution, the series draws viewers into a world of power struggles, shifting loyalties and behind-the-scenes drama. Co-created by Deva Katta and Kiran Jay Kumar, Mayasabha benefits from Deva Katta's deep interest in politics and bureaucracy — recurring themes in his earlier work. The long-form format allows for a more layered and immersive exploration of character and conflict. The series kicks off in mid-1995, during a political coup. There is panic among party members as MLAs receive phone calls warning them of impending suspension. They begin to gather in a hotel — an episode that recalls, with unmistakable clarity, a real-life coup that is part of Andhra Pradesh's political lore. For many in the Telugu States, this incident has been passed down not just through news archives but also as oral history. Adding to the drama is a fictionalised phone call between Kakarla Krishnam Naidu (played by Aadhi Pinisetty) and his friend, Dr MS Rami Reddy (Chaitanya Rao). While it is unlikely we will ever know if such a call happened between Chandrababu Naidu and YSR, this narrative device serves to deepen the tension and blur the lines between fact and fiction. Mayasabha (Telugu) Director: Deva Katta Cast: Aadhi Pinisetty, Chaitanya Rao, Sai Kumar, Nasser Episodes: 9 Story: Two young men, hailing from Kadapa and Chittoor, rise to become political powers. Will their friendship hold as their political careers take on different paths? Streaming on: Sony LIV A brief but loaded exchange between two former friends-turned-political-rivals sets the tone early in Mayasabha. Comparing a political coup to Kurukshetra, the characters plant the seeds for a high-stakes drama, filled with layered characters and thinly veiled nods to political icons of undivided Andhra Pradesh. 'Yuddham nee dharmam (War is your dharma)' — echoes meaningfully across episodes. What seems like an instigating remark early on reappears later with renewed significance, underlining a pivotal shift in the plot and its characters' motivations. The series rewinds to the 1970s, tracing the journeys of the two leads — Rami Reddy (Chaitanya Rao) from Pulicherla in Kadapa and Kakarla Krishnam Naidu (Aadhi Pinisetty) from Narsipalli in Chittoor. This is not just a heroic rise-to-power tale. With an episode pointedly titled 'The Story of India is the Story of Caste', Mayasabha acknowledges the weight of caste in shaping personal ambition and public life. Reddy and Naidu begin as idealists hoping to transcend social divisions, but the reality of factional violence, Naxal movements and systemic inequalities forces their hands. One seeks to uplift his community through political strength; the other craves dignity and redemption for his family name. Their differing responses to societal pressure offer a nuanced look at leadership and legacy. The nine-episode series brings in a vast ensemble — from marginalised voices caught in crossfire to power-hungry ministers clinging to influence. Ravindra Vijay delivers a standout performance as a man desperate to shield his family from violence, embodying a quiet but powerful resistance. Look out for characters that are on the lines of Paritala Ravi and Vangaveeti Mohana Ranga. Chaitanya Rao's portrayal of Rami Reddy, clearly modelled after YSR, is charismatic and grounded. The headgear, the gait, the educational pride, all subtly evoke the late politician without veering into imitation. Chaitanya handles the transformation with maturity and grace. Aadhi Pinisetty, meanwhile, delivers a restrained and calculated performance as Naidu, a man underestimated for his appearance but unwavering in his resolve. His arc is built patiently, and his eventual emergence is satisfying to watch. The early bond between the two leaders is written with emotional intelligence, reflecting camaraderie, mutual respect, and ideological friction. Their disagreements are rarely venomous, offering a refreshing take on political rivalries. Where Mayasabha falters slightly is in its college flashbacks — song-and-dance segments and one-sided romances overstay their welcome in an otherwise taut narrative. Later episodes shift focus to national politics. Divya Dutta plays a PM who goes through upheavals with a repeated slogan — 'India is Ira, Ira is India.' She commands the screen, though the writing ultimately limits the character. Her son is a far less nuanced figure, and some members of her political circle veer into caricature. Still, real-life references, such as the Emergency and forced sterilisation campaigns, add heft with more real life parallels. Some characters feel designed to highlight Reddy and Naidu as the rightful heirs to the political mantle. Srikanth Iyengar, playing an insecure, power-hungry politician, brings conviction, though his character lacks depth. A memorable assembly scene, in which most MLAs appear to be dozing off, reinforces the idea that strong leadership is in short supply. There are moments of sharp writing, too. A standout line — 'You will give birth to a line of dictators who will use your methods, impose Emergency and not even call it one' — offers a biting critique of unchecked political legacy. In several sequences, parallels are drawn between Naidu and Reddy react to social conditions. As Mayasabha progresses, it also explores how caste, once resisted by both leads, slowly becomes a necessary political tool. The large cast includes Shatru, Tanya Ravichandran, Bhavana Vazhapandal and Charitha Varma, all making their mark. Nasser plays a media baron reminiscent of Ramoji Rao, who fuels RCR's (Sai Kumar) meteoric rise. Scenes showing mass rallies, open-jeep campaigns and calls to Telugu pride mirror the dramatic rise of NTR. Shakthi Kanth Karthick's music and Praveen KL's editing are assets to the narrative. Amid these grand moves are subtle Easter eggs: Naidu's wardrobe shifting to off-white and yellow, or his symbolic embrace of the cycle as a party symbol. Ultimately, Mayasabha offers a compelling fictional take on real political history, packed with drama, ambition, and reflection. With Clash of the Titans promised in Season Two, the series sets the stage for even higher stakes ahead. (Mayasabha: Rise of the Titans streams on Sony LIV)

Prithviraj Sukumaran: It's my dream to direct Amitabh Bachchan sir
Prithviraj Sukumaran: It's my dream to direct Amitabh Bachchan sir

Time of India

timean hour ago

  • Time of India

Prithviraj Sukumaran: It's my dream to direct Amitabh Bachchan sir

Prithviraj Sukumaran and Amitabh Bachchan In 2019, Telugu star Prithviraj Sukumaran , who has acted in films like Classmates and Mumbai Police made his directorial debut with Lucifer. Recently, in a chat, we asked the actor if there was a Bollywood star he wished to direct someday, and he replied, 'It's my dream to direct Bachchan Sir ( Amitabh Bachchan ).' Has he ever told the legendary actor that? 'No, I haven't. I have mentioned it once to Abhishek Bachchan, I believe,' he adds with a smile. Speaking about how he separates his roles as a director and an actor, he said, 'It's actually quite easy for me to switch off the technician in me when I'm on set. As an actor, I enjoy simply showing up, not worrying about the behind-the-scenes process, and just asking the director what they want from me — then delivering that. I'm not sure if it's a conscious switch, though. In fact, I was just discussing this with R. Madhavan a few days ago. He's directed a film too, and I told him how easy it's become for me to disconnect from the director's mindset.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store