Joyous Liverpool FC Victory Parade Ends With Tragedy After 27 Injured In Vehicular Incident
The party along the parade route went on for hours as supporters braved the soggy weather, lining up as early as 6am to get a choice spot. The celebration quickly turned to a tragedy as a vehicle sped into a crowd of pedestrians on Water Street shortly after the team bus went past.
First responders were on site quickly, and an unidentified 53 year old British white male was arrested. Emergency services cordoned off Water Street to and air ambulances were called in as the roads were still clogged with people.
A joint press conference was held with leaders of the different emergency service branches and local authorities. Assistant Chief Constable Jenny Simms of the Merseyside Police, David Kitchen of the North West Ambulance Service, and Chief Fire Offices Nick Searle addressed the press.
Jenny Simms said that they believe the man arrested was the driver of the car, and that this was an isolated incident. No additional detail was provided about the individual or motive.
David Kitchen stated that 27 people were taken to hospital for their injuries, including four children. Two of those transported to the hospital are listed in serious condition. Many others were treated on site for minor injuries, and several other people have gone to the hospital themselves to be treated. Nick Sear added that fire crews were able to quickly free four people who were trapped under the car.
While very much a tragedy, the fact that there were no fatalities is an absolute blessing. Due to the close proximity of emergency services on hand for the parade, those injured were able to be seen to quickly.
Our hearts go out to all affected by this incident.
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New York Post
an hour ago
- New York Post
UK free speech crackdown sees up to 30 people a day arrested for petty offences such as retweets and cartoons
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Three girls had just been murdered in Southport, England, at a Taylor Swift-themed dance party. But Spofforth was not under suspicion for the crime. Instead, horrified, and in the fog of a developing tragedy, she'd reposted on X another user's content blaming newly arrived migrants for the ghastly crime — clarifying in her retweet, 'If this is true.' Hours later she realized she may have received bad information and deleted the post — but it had already been seen thousands of times. The murders resulted in widespread civil unrest in the UK, where mass migration is a central issue for citizens. Four police vehicles arrived at her home days later. Spofforth, 56, a successful businesswoman from Chester, was placed under arrest. 'We're a year on now and I can honestly tell you that I don't think I will ever recover,' she told The Post. 'I don't mean that as a victim. Those poor children were victims. But I will never trust anything the authorities say to me ever again.' Her story is one repeated almost hourly in the UK, where data suggests over 30 people a day are arrested for speech crimes, about 12,000 a year, under laws written well before the age of social media that make crimes of sending 'grossly offensive' messages or sharing content of an 'indecent, obscene or menacing character.' Social media continues to be flooded with videos of British cops banging on doors in the middle of the night and hauling parents off to jail—all over mean Facebook posts and agitated words on X. 14 A man in the UK receives a police advisory notice in August 2025 after authorities learn the man is planning to attend a protest. @TwinsArch/ X 14 Users have flooded social media with videos of UK police barging into their homes in the middle of the night to arrest them over 'offensive' online posts. @EYakoby/ X Maxie Allen, a radio producer in Hertfordshire, was on a Zoom call at home when he saw police standing over his shoulder from the camera view on his screen. 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Getty Images 14 Data shows that actual criminals rarely face charges in the UK's biggest cities, while the nation arrests 12,000 people a year for mean words and sharing 'misinformation.' Getty Images Meanwhile in Derby, a 35-year-old man named Dimitrie Stoica was arrested for 'sending a false communication with intent to cause harm' after he posted a video on TikTok to his 700 followers, which he called a spoof, where he pretended he was being chased by right-wing rioters. Despite police admitting the video caused no problems, Stoica was jailed for three months and forced to pay a $200 fine. Last October, Adam Smith-Connor, a 51-year-old Army veteran, was convicted and forced to pay a $12,000 fine for silently praying outside an abortion clinic in Dorset. In April, anti-mass migration French philosopher Renaud Camus was banned from the UK, where he was set to give a speech. And on, and on. The face of Old Blighty's free speech struggle has become 42-year-old Lucy Connolly, currently sitting in prison on a 31-month sentence for 'publishing written material with the intent to stir up racial hatred,' an offense under a law from 1986. Following the slaughter in Southport, Connolly posted on X her support for mass deportations. Authorities say she 'falsely claimed' the Al Qaeda-supporting killer was a migrant. (When, in fact, it was his parents who were migrants, from Rwanda). Connolly, like Spofforth, realized her mistake and deleted the tweet three hours after posting but police still showed up a week later to arrest her. 14 Lucy Connolly was arrested in her pink hoodie for posting 'misinformation' online and is currently serving a 31-month prison sentence, where she's become the face of the free speech struggle in the UK. Northamptonshire Police 14 Activists called it a 'two-tier' justice system when Labor councillor Ricky Jones was found not guilty after calling for the murder of anti-migration protestors, telling a crowd 'we need to cut all their throats.' The stories are so shocking, it's caught the attention of the White House, which is taking an increasingly aggressive stance against censorship in the Eurozone. In a fiery address to the Munich Security Conference in February, Vice President JD Vance blasted 'a crisis of censorship' in Britain. On Tuesday, the US State Department's annual Human Rights Report slammed British authorities' 'serious restrictions on freedom of expression,' writing that the 'human rights situation worsened' in Britian over the last year, and criticized laws like 2023's Online Safety Act. 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This July, the Home Office announced it was assembling an elite force of special agents drawn from across the country to monitor speech on social media. Also this summer, the UK government updated its definition of terrorist ideologies to include 'cultural nationalism,' singling out Westerners who express concern over mass migration. Then last Thursday a court acquitted Labor councillor Ricky Jones after he was caught on video calling for the murder of anti-mass migration protestors, telling a crowd: 'We need to cut all their throats and get rid of them all.' Speech advocates immediately decried a 'two-tier' justice system, comparing Jones' case to Connolly's. 14 Anti-mass migration protests turned fiery in Sunderland, England in August 2024 following the murder of three British girls by an Al Qaeda-supporting terrorist who was the child of migrants. Drik/Getty Images 14 UK Prime Minister Keir Starmer bragged that the protests had resulted in a dragnet of arrests for 'online activity.' Drik/Getty Images All this police action devoted to mean words is occurring while actual criminals roam the streets of British cities. Of the 33,000 car thefts recorded in London alone last year, only 300 arrests were made; while just five percent of the over 40,000 shoplifting incidents reported in London in 2023 led to charges. 'In Britain there is increasingly a sense that whatever your problem is, someone else can sort it out for you,' Maxie Allen told the Post. 'It's like Amazon, you click a button, you get a product. And I think people are saying, right, I don't like the situation, I'll call the police, they can shut these people up.' As the boot of the government, or the soft tyranny of busybodies, continues to stomp on the throats of everyday Brits, many aren't backing down. When Bernadette Spofforth got home from jail, she was forbidden under her bail conditions from engaging on social media, not that she wanted to at the time. 'I guess [my arrest] took the attention off the real reasons for the riots and it gave them a scalp because in the UK what's happening, particularly with the silencing of speech, is that if the government can shut people up, they don't have to deal with the underlying issue,' she told the Post. She's since picked herself up and launched a podcast, hoping to give voice to others. 'My husband said to me, if you live the next 40 years in silence on our farm, when you die the news on Google will be no different than it is today. So, the only thing you can do is to speak out again.'
Yahoo
an hour ago
- Yahoo
Hollyoaks star calls on late mother's friends not to attend stepfather's funeral
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Los Angeles Times
3 hours ago
- Los Angeles Times
‘The Twisted Tale of Amanda Knox' dramatizes the events around a case that drew a media spectacle
Amanda Knox, who became an international headline in 2007, when, as an American student spending a year in Perugia, Italy, she was (wrongly) accused of the murder and sexual assault of her British roommate, Meredith Kercher, is now the subject, and executive producer, of 'The Twisted Tale of Amanda Knox,' an eight-part docudrama premiering Wednesday on Hulu. (Her boyfriend of one week, Raffaele Sollecito, also wrongly accused, does not seem to have garnered similar attention, which might tell you something about misogyny in the prurient press, and its audience.) The 'Twisted Tale' in the title — odd for a story of murder, rape and false imprisonment — suggests that we're about to see something sort of delightful, like 'The Marvelous Misadventures of Flapjack' or 'The Epic Tales of Captain Underpants,' an impression underscored by a prologue in the style of 'Amélie,' the whimsical French film the couple was elsewhere watching on the night of the murder; it ties the victim, the accused and her prosecutor/persecutor together in a sort of fairy tale. Like the very long end-title 'any similarity' disclaimer, concluding 'The series includes Amanda Knox's perspective on events related to the murder of Meredith Kercher,' it allows the series to be something less than true: a tale. People tell themselves stories to live, to haul out that Joan Didion quote once again, which unavoidably requires making up stories about other people. These events involved a lot of people, only one of whom is an executive producer of this series, based on her memoir, 'Waiting To Be Heard.' (Knox co-wrote the finale, as well.) One assumes that some of those other people might see this project as exploitation, or object to how they've been represented, though any dissenting voices will be drowned by a publicity machine that will market this as a true story, disclaimer aside. In light of the series, Knox has been recently profiled in the New York Times, alongside star Grace Van Patten, and in the Hollywood Reporter, alongside fellow executive producer and scandal survivor Monica Lewinsky, who encouraged her to make the series. These are qualities — faults? — 'Twisted Tale' shares with every docudrama ever, a problematic genre much beloved by filmmakers and actors; still, as frequently as such projects arise, especially in the age of true crime, we wouldn't still be talking about 'Citizen Kane' today if it simply had been 'Citizen Hearst.' We should at least keep in mind as responsible viewers and citizens that what we're seeing here, however factual in its crucial points, scrupulous in its details, and engaging in its philosophy, and however faithfully the actors embody their real-life models, it's unavoidably an impression of the truth, built out with imagined scenes and conversations and made to play upon your feelings. It isn't journalism. And to be clear, when I speak of these characters below, I'm referring only to how they're portrayed in the series, not to the people whose names they share. Created by K.J. Steinberg ('This Is Us'), the series is well-acted, well-written, impressively mounted, tonally contradictory, chronologically disjointed, overlong, stressful, exhausting, interesting both for its subject and stagecraft, and briefly inspirational, as Amanda (Van Patten) — arrested, jailed, convicted, acquitted, re-convicted and definitely re-acquitted — becomes a voice in the innocence movement ('My freedom mattered and I was going to make the most of it as long as I had it') and returns to Italy, a wife and mother, for something like closure. Echoing the 2016 Netflix documentary 'Amanda Knox,' which tells the story (up to that point) in a streamlined but thought-provoking 90 minutes, there has been some care to represent different points of view, with episodes dedicated to Raffaele and prosecutor cum investigator Giuliano Mignini (Francesco Acquaroli), also introduced 'Amélie'-style. (As to Kercher, we hear only that 'she likes to sunbathe and dance and read mystery novels' — though anything more would be presumptuous.) Raffaele, the superhero-loving son of a troubled mother, made himself into a 'protector.' Mignini, who lost a brother to 'lawlessness,' sees his work as heaven-sent — though he was also inspired by Gino Cervi as Georges Simenon's detective hero in the 1960s TV series 'Le inchieste del commissario Maigret.' (He adopts that character's pipe and hat.) 'I made a vow to God,' he says, narrating, 'no matter the disapproval or dissent, deviant, ritual murders would not go unpublished on my watch.' On the basis of Amanda being a loud American, and a self-described weirdo, whose response to news of the murder struck some as insufficiently emotional; from bits and pieces of supposed physical evidence, later discounted; and from Mignini's own notions — including his feeling regarding the body, that 'only a woman would cover a woman with a blanket' — the police quickly assemble an elaborate, completely imagined theory based on a sex game gone wrong. (That Knox was in possession of a vibrator and some condoms and brought men to the apartment she shared with Kercher and two Italian girls seemingly branded her, in 2007, as a pervert.) Subjected to an extremely long interrogation without adequate representation in a language she imperfectly understands, and in which she has trouble making herself understood — detective superintendent Monica Napoleoni (Roberta Mattei) is the angry Javert — Knox signs a false confession that also implicates her sometimes boss, Patrick Lumumba (Souleymane Seye Ndiaye). She quickly recants, to little avail. (Knox has not been acquitted of slandering Lumumba.) That the actual killer is arrested, and convicted, merely causes the police to rewrite their story a little, while still focusing on Amanda and Raffaele. The press runs leaks and accusations from the authorities; and a fascinated public eats it up, spitting out opinions onto social media. Director Michael Uppendahl employs a variety of styles to get the story told. Some scenes are so natural as to seem improvised; others employ heavy tactics — an assaultive sound design, flash cuts — to evoke the pressure Amanda is under, from both the self-satisfied authorities and a hectoring press. (Paparazzi is an Italian word, after all.) Stirring music underlies her final statement to the court; a letter sent by Amanda to Mignini is lit from within, like the deadly glass of milk in Hitchcock's 'Notorious.' While not inappropriate to a story in which fictions swamp facts, these zigs and zags can pull you out of the story rather than drawing you deeper in. As Amanda, Van Patten (of the Van Patten acting/directing dynasty — Dick, Joyce, Tim, Vincent, with Grace's sister Anna playing Amanda's younger sister) is quite remarkable, switching between English and an ever-improving Italian. Acquaroli, quietly astonishing, brings humanity and the merest touch of weary humor to his stubborn policeman. Sharon Horgan plays Amanda's intense, demanding mother, with John Hoogenakker as her more subdued father. In a scene pulled straight from the 'Amanda Knox' documentary, a reporter asks him when there'll be a film: 'The longer you wait the less her story is going to be worth.' 'We do not think of our daughter as a hot property,' he replies. Meta.