Victoria Beckham suffers another blow as fresh feud emerges amid Brooklyn drama
Fashion designer Victoria Beckham's world has been rocked by her ongoing family drama with eldest son Brooklyn Beckham as the Spice Girls try to put a reunion plan together
Victoria Beckham is said to have been wrapped up in even more drama as she comes to terms with her eldest son Brooklyn Beckham distancing himself from their famous family. The fashion designer, 51, has seen her beloved family hit the headlines for all the wrong reasons.
She has been left hurt by the ongoing feud with her son and his wife Nicola Peltz, that all came to blows when the young couple skipped David Beckham's 50th birthday celebrations. Since then, there has been a stark divide in the Beckham clan amid fears there's "no way back" for them.
Amidst the drama, it seems Victoria has another issue at hand as her Spice Girls bandmates plan to reunite. The iconic girl group will mark their 30th anniversary next year, with bosses keen to get the band back together.
It seems Mel C, Mel B and Emma Bunton are all on board, while Geri and Victoria have taken a little longer to persuade. Reports now claim that Geri is keen for an ABBA-style avatar of the band that will create a virtual show for fans.
Victoria is said to have been left out of discussions and would not be part of the virtual band. A source told the Daily Mail:"There will be a Spice Girls reunion and all the details are now being debated by everyone apart from Victoria."
They claimed Geri "isn't interested in coming back and doing a tour" but the virtual idea has "tempted her".
Their former manager, Simon Fuller, is reportedly the brains behind the new plan. Although Victoria opted out of their 2019 tour, other insiders have said she's open to the new approach as long as all the other members are on board.
Another insider shared to The Sun.: 'Simon is eager to pull off one final spectacle with the Spice Girls, and this is his latest brainchild. He was the mastermind behind ABBA's groundbreaking digital shows and believes this strategy would suit the Spice Girls perfectly.
"Touring again seems doubtful - Victoria, for instance, isn't likely to return as a full-time member - so this could be their best chance to reunite.'
Victoria herself previously voiced support for a virtual Spice Girls residency. When asked on American television in 2022 about the idea, she responded: 'That is a great idea.'
However, Victoria received a huge boost this week as husband David is finally getting a knighthood in the King's Birthday Honours list next week after year after years of waiting.
In her home life, the feud continues to rumble on despite son Romeo Beckham splitting from his girlfriend Kim Turnbull. Insiders have said it would take a 'small miracle at present' for peace to break out between Brooklyn and his parents David and Victoria.
It comes as his wife Nicola 's friends previously blamed Kim for them not going to David's 50th. Pals alleged it was because Brooklyn had a brief romantic liaison with her, which was denied by Beckham's friends.
'There are no signs of reconciliation, sadly. There is still a lot of hurt to process,' a source told us. Sources close to Nicola have previously insisted that as 'an outsider coming into the Beckham family, she has helped Brooklyn see the emotional abuse and toxic behaviour within'.
The claims cut deep as a source said: 'It was a low, low blow...how can you say such things about your own family. It will be interesting to see if Brooklyn and Nicola make any attempt to heal things now Kim is out of the picture.'
The Mirror has contacted the Spice Girls and Victoria's representatives for comment.
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New Statesman
2 hours ago
- New Statesman
Bruce Springsteen faces the end of America
Photo montage by Gaetan Mariage / Alamy When I met Patti Smith soon after Donald Trump's first victory, she said she'd ended up next to him at various New York dinners over the years, back in the Seventies, when he was pitching Trump Towers. 'We were born in the same year, and I have to look at this person and think: all our hopes and dreams from childhood, going through the Sixties, everything we went through – and that's what came out of our generation. Him.' Smith's sing-song voice was in my head at Anfield Stadium in Liverpool on one of the final nights of Bruce Springsteen's Land of Hope and Dreams tour. Springsteen was born three years after Trump and will also have sat at many New York dinners with him. Those with half an eye on the news would be forgiven for thinking that Bruce has been lobbing disses at the president from the stage between his hits, but his latest show is heavier than that: a conscious recasting of two decades of his more politicised music, with a four-minute incitement to revolution in the middle. Here is a bit of what he says: 'The America I love and have sung to you about for so long, a beacon of hope for 250 years, is currently in the hands of a corrupt, incompetent and treasonous administration. Tonight we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring. In America right now we have to organise at home, at work, peacefully in the street. We thank the British people for their support…' Clearly few in the US are speaking out like this on stage, and Trump has responded by calling Springsteen a 'dried-out prune of a rocker (his skin is all atrophied!)' and threatening some kind of mysterious action upon his return. Springsteen, the heartland rocker, was never exactly part of the counter-culture, though he did avoid Vietnam by doing the 'basic Sixties rag', as he put it, and acting crazy in his army induction. Yet he has become a true protest singer in his final act. He wears tweed and a tie these days, partly because he's 75 and partly, you suspect, to convey a moral seriousness. When I last saw him, two years ago, I thought I saw some of Joe Biden's easy energy. Well, Bruce still has his faculties. The feeling is: listen to the old man, he has something to say. Springsteen's late years have been something to behold. At some point in the last decade he stopped dyeing his hair and started to talk in a stylised, reedy, story-book voice. The image of the America he seemed to represent shifted back from Seventies Pittsburgh to Thirties California: the bare-armed steelworker became the Marlboro Man, and in 2019 there was a Cowboy album, Western Skies, with an accompanying film in which he was seen on horseback. His autobiography Born to Run revealed recent battles with depression. And it is depression you see tonight in Liverpool – in the wince, the twisted mouth, the accusing index finger; in his entreaty to Liverpool's fans to 'indulge' his sermon against the American administration, delivered night after night, to scatterings of applause. It is a depression I recognise in older American friends who fear they're going to the grave with everything they knew and loved about their country disappearing. But depression is also the stuff of life, of energy. Springsteen has been particularly angry since the early Noughties, since the second Bush administration, but this is his moment somehow, and his song of greedy bankers – 'Death to My Hometown' – is spat out with new meaning in 2025, an ominous abstraction. The father-to-son speech in 'Long Walk Home' feels different in this politically charged world: 'Your flag flying over the courthouse means certain things are set in stone/Who we are, what we'll do and what we won't'). A furious version of 'Rainmaker' ('Sometimes folks need to believe in something so bad, so bad, they'll hire a rainmaker') is dedicated to 'our dear leader'. As much as I admire Springsteen and seem to have followed him around and written about him for years, the Land of Hope and Dreams tour made me realise I hadn't fully known what he was for. When I saw him in Hyde Park in 2023, the first 200 yards of the crowd were given over to media wankers like me, with the paying fans at the back: every single person I had ever met in London was there, mildly pissed up and whirling about with looks of mutual congratulation. Springsteen had become, to the middle classes and above, a global symbol of right-thinking, summed up by his long stint on Broadway at $800 a ticket. His dull podcast with Barack Obama was the American version of The Rest Is Politics with Rory Stewart and Alastair Campbell: men saying stuff you want them to say, to confirm what you already think about stuff (Obama was in awe of Bruce). Subscribe to The New Statesman today from only £8.99 per month Subscribe Politics was easy for Springsteen when politics consisted of external events happening to innocent people, rather than something taking place on the level of psychology, in a movement of masses towards a demagogue. The job he adopted, back in the Seventies, was to set a particular kind of American life in its political and historical context: to tell people who they were, and why they mattered. His appeal as a rock star always lay less in his words than in how sincerely he embodied them: his extraordinary outward energy, his mirroring of his audience, his apparent concern with others over himself. After 9/11, someone apparently rolled down a window and told him, 'We need you now,' so he wrote his song 'The Rising' from the viewpoint of a doomed New York fireman ascending the tower. A recent BBC documentary revealed he'd donated £20,000 to the Northumberland and Durham Miners Support Group during the strikes of 1984 – rather as he donated ten grand to unemployed steelworkers in Pittsburgh the previous year. His self-made success and songs about freedom were the Republican dream, but when Reagan tapped him up for endorsements it was a right of passage for Springsteen as a Democrat rocker to rebuff them (I'm pretty sure they tried to play 'Born in the USA' at Trump rallies too). He is quoted as saying that the working-class American was facing a spiritual crisis, years ago: 'It's like he has nothing left to tie him into society any more. He's isolated from the government. Isolated from his job. Isolated from his family… to the point where nothing makes sense.' Now, Trump has taken Springsteen's people (the Republicans were doing so long before Trump), and the interior life of the working man that Springsteen made it his job to portray has been exploited by someone else. 'For 50 years, I've been an ambassador for this country and let me tell you that the America I was singing about is real,' he says, possessively, on stage. Springsteen, like Jon Bon Jovi, sees his fans as workers. The distances travelled, the money spent, the babysitters paid for: that's what the three-hour gigs are all about. It is part of the psyche of a certain generation of working-class American musician to consider themselves in a contract with the people who buy their records. It is not a particularly British thing – though time and again I am impressed by the commitment required to see these big shows, especially when so many punters are of an age where they would not longer, say, sleep in a tent: £250 a night for a hotel, no taxis to the stadium, a huge Ticketmaster crash that leaves hundreds of fans outside the venue fiddling with their QR codes while Bruce can be heard inside singing the opening lines of 'My Love Will Not Let You Down'. Yet the relationship between a rock star and his fan is not a co-dependency: the fan is having a night out, but the rock star needs the fan to survive. It is hard to underestimate the psychological shift Springsteen might be undergoing, in seeing the working men and women of America moving to a politics that is repellent to him. He has not played on American soil since Trump's re-election and it is likely that this kind of political commentary there will turn the 'Bruuuuuce' into the boo. A Springsteen tribute act in his native New Jersey was recently cancelled (the band offered to play other songs, and the venue said no). Last week, a young American band told me they won't speak out about the administration on stage because they're not all white and they're afraid of getting deported. It is the job of the powerful to do the protesting, and, like Pope Leo, Springsteen's previous good works will mean nothing if he doesn't call out the big nude emperor now. The Maga crowd will still come to see him, of course, and yell the 'woah' in 'Born to Run' just as loud as everyone else does – perhaps because music is bigger than politics, or perhaps because politics is now bigger than Bruce. Though his political speeches in Liverpool (it's UK 'heartland' only this tour: no London gigs) feel slightly out of step with a city that has its own problems, it seems fair enough for Springsteen to be telling the truth about America to a crowd who's enjoyed their romantic visions of the country via his music for 50 years. But their own personal communion is suspended tonight, and the song 'My City of Ruins' has nothing to do with 9/11 any more: 'Come on… rise up…' In the crowd, a very old man is sitting on someone's shoulders. Bruce Springsteen and the E Street Band play Anfield stadium, Liverpool, on 7 June 2025 [See also: Wes Anderson's sense of an ending] Related
Daily Mirror
2 hours ago
- Daily Mirror
50p with unusual error making it worth 80 times its face value
An expert explained how to spot the specific error that makes it so valuable Brits have been told to look out for a 50p coin that could be worth more than 80 times its face value. This coin, from 2017, has sold in the past for as much as £40. But why is it so valuable? It's all to do with a specific error that could be hard to spot. In a video uploaded to social media platform TikTok, an expert called the Coin Collecting Wizard told his followers about the Benjamin Bunny 50 pence piece. The coin was part of a set of four released in 2017 to honour Beatrix Potter's legacy, which also includes Peter Rabbit, Tom Kitten, and Jeremy Fisher. But the Benjamin Bunny coin stands out due to a minting mishap. This error results in Queen Elizabeth II appearing to face the wrong direction. The coin expert said: "Did you know if your Benjamin Bunny 50p has a rotation error, then it's worth a lot more than 50 pence? "So you know what to look for, this 50p error coin is rare all because a part of the design is facing the wrong way." He explained: "The error that's left the Queen's head in a different direction, on the obverse, to the design of Benjamin Bunny on the reverse will have happened in the minting process. "When you flip it round, the Queen should be facing up the same way as Benjamin Bunny. If the Queen is facing any other way, then you have found a very rare rotation error worth money." This coin is still in circulation so it could be hiding in your change. "Error coins are still legal tender, so long as the original coin is still in circulation too," he continued. "That means you could easily come across one in your change. Oftentimes, error coins will sell for a lot more than their face value. "So this is definitely something you need to be looking for as it can be easily missed. So next time you come across the Benjamin Bunny 50p, flip that rabbit over and check the Queen. Good luck." Last year, The Sun highlighted a case where one of these coins fetched £40 - a whopping 80 times its face value of 50p. And in 2021, another coin from the same batch was reportedly snapped up for an eye-watering £255 on eBay. At the time of reporting, a graded edition of this coin was listed on eBay for £312.72.
Daily Mail
9 hours ago
- Daily Mail
Ulrika Jonsson admits 'crippling anxiety, fears and self-loathing' led her to alcohol as she marks one year of sobriety
has opened up about her journey to sobriety in a powerful open letter, revealing that she has now been alcohol-free for over a year and it has transformed her life in ways she never imagined. The TV presenter, 57, made the shocking admission that 'I can't do this any more,' was the life-saving message she sent to a friend on June 5 last year - a moment she now credits with rescuing her from the depths of addiction. She wrote in The Sun: 'It was a hangover day, much like any other, really. I sat on the sofa with my liver and brain pickled in equal measure, wrapped up in the blanket of shame, and something made me reach out for help.' The star, described herself as a 'binge drinker who drank to black out,' and detailed how her addiction crept in slowly. Although she didn't drink daily, lose her job, children, or end up in prison or get arrested, the toll it took was significant. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. The TV presenter, 57, made the shocking admission that 'I can't do this any more,' was the life-saving message she sent to a friend on June 5 last year - a moment she now credits with rescuing her from the depths of addiction Ulrika admitted to drinking for the wrong reasons - to numb her 'crippling anxiety, to escape, to disappear and extinguish my self-loathing'. She also spoke openly about the shame and secrecy that surrounded her behaviour. From drinking neat rum in a cupboard at 11am to waking up with no memory of the night before, she revealed that her drinking quickly spiralled out of control, but remained hidden behind a polished exterior. Despite having a 'quite unremarkable' drinking history on paper, Ulrika revealed the emotional damage was profound. 'Alcoholics come in all shapes and sizes and many live among us in plain sight,' she wrote, adding that her family history made her vulnerable. 'I wasn't cut out for life,' she confessed, recalling how alcohol became her coping mechanism. 'I wanted the full anaesthetic effect… I just wanted the feelings to stop.' Since giving up alcohol, Ulrika says she has learned more about herself in the past year than in the previous five decades and added how she has had a 'spiritual awakening' and found an 'inner peace'. While family and friends have celebrated the milestone, with her daughter even offering to take her out for a meal, Ulrika admitted the lead-up to her one-year anniversary was filled with anxiety. She now lives one day at a time and accepts that recovery is a lifelong journey. It comes after Ulrika marked one year sober, sharing an emotional Instagram post about the milestone on Thursday. The TV star shared before and after photos, captioned 'sober' and 'drunk' as she told her 204k followers that 'the journey goes on.' 'Today I'm marking 1yr of sobriety,' Ulrika wrote. 'No fanfare, no medal, no trophy. The journey goes on. 'A huge thanks to all those beautiful people who have supported me; understood me; scooped me up and handled me tenderly and without judgement; who nudged me in the right direction; who made me laugh and helped me shed the crippling shame.' She paid tribute to her four children Cameron, 30, Bo, 25, Martha, 20, and Malcolm, 16, and apologised for the concern she has caused them over the years: 'Thank you to my kids for their support; for having faith in me after I must have worried them so.' 'For close friends for their patience and belief. My sobriety will continue to be my priority. Turns out it IS possible to teach old dogs new tricks. Alongside the before and after snaps, Ulrika shared a childhood photo of herself as well a poignant reminder of 'this day last year'. In December Ulrika marked her six months sober milestone, as she credited her loved ones for helping her get this far. In her post, the former Gladiators star shared a picture of herself presently as well as an older snap of herself 'under the influence of alcohol', which she admitted that she previously 'couldn't bear' to look at. 'A huge thanks to all those beautiful people who have supported me; understood me; scooped me up and handled me tenderly and without judgement, she captioned the post Alongside the before and after snaps, Ulrika shared a childhood photo of herself as well a poignant reminder of 'this day last year' Detailing her road to sobriety, Ulrika penned: 'Today I am 6 months sober. On the 5th June 2024, I had the gift of desperation and reached out for help. I no longer recognised myself and I surrendered. Referring to the image where she was 'drunk', Ulrika added: 'Pic. 2: is of me in the midst of the madness. Another drunk moment. At first I couldn't bear to look back at pictures of myself under the influence of alcohol. The cloak of shame was too heavy a burden. 'But now I look at those images and feel pity and sympathy for that girl - she desperately needed to be scooped up; held tightly and helped. Not shamed or judged. She was quite, quite broken and had no idea there was another way.' Concluding her post, she shared: 'There is so much more to say - and I will say it in time. I'm still very much at the beginning of my journey but my life has changed in a beautiful way. It's a spiritual thing. One day at a time….
