'My amma': Saba shares photos as Sharmila Tagore, Simi Garewal's Aranyer Din Ratri gets standing ovation at Cannes
Aranyer Din Ratri at Cannes
Veteran actors Sharmila Tagore and Simi Garewal attended the screening of Satyajit Ray's Aranyer Din Ratri at the Cannes Film Festival.
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New Indian Express
2 hours ago
- New Indian Express
Why I find Aishwarya Rai's and Deepika Padukone's Cannes outings troubling
Bollywood stars like Aishwarya Rai Bachchan, Deepika Padukone, and Sonam Kapoor have long explored the Cannes Film Festival as a stage to showcase not their work but themselves, possibly because they are more attractive and intelligent than their movies. Aishwarya Rai Bachchan, a Cannes veteran since 2002, is a prime example of Cannes commodity objectification. Her filmography, including commercial hits like Jodhaa Akbar or Ae Dil Hai Mushkil, prioritizes her as a spectacle over substance. Yet she is a red-carpet darling, frequently representing L'Oréal, and misrepresenting herself as an actor. In 2022, Aishwarya wore a custom Gaurav Gupta Couture gown, described as a 'sculptural piece with minimal accessories', whatever that means, and a Dolce & Gabbana floral black dress. Her 2025 appearance featured an ivory Kadwa Banarasi saree by Manish Malhotra, paired with ruby heirloom jewelry from his High Jewelry line, with the saree alone estimated at ₹15-20 lakh ( $18,000-$24,000) and the jewelry potentially exceeding ₹1 crore ($120,000) due to its 500-carat ruby embellishments. A couple of great movies could be produced within the budget of her accessories. Deepika Padukone, another L'Oréal ambassador, has also prioritized Cannes' glamour over cinematic heft. Her roles in films like Padmaavat or Bajirao Mastani dazzle visually but predictably lack narrative depth, with critics noting their reliance on lavish sets over storytelling. In 2022, as a Cannes jury member, she wore a black and gold sequined Sabyasachi saree, estimated at ₹5-7 lakh ($6,000-$8,400), paired with statement jewelry from Sabyasachi's Bengal Royale Collection, valued at ₹10-15 lakh ($12,000-$18,000). Her red Louis Vuitton gown that year, with a plunging neckline and short train, was priced around $20,000-$30,000, with a diamond necklace adding $15,000-$25,000. Her 2018 fuchsia Ashi Studio gown cost approximately $15,000 to $25,000. These queenly ensembles contrast sharply with her film choices, like Gehraiyaan, which was panned for its shallow emotional core. Sonam Kapoor, known for her fashion-forward image, has starred in instantly forgettable films like Players or Mausam, yet her Cannes appearances are meticulously curated. In 2018, she wore a custom Ralph & Russo lehenga, estimated at ₹20-25 lakh ($24,000-$30,000), with Chopard jewelry valued at $50,000-$80,000. Her 2017 baby pink Elie Saab gown, styled with chandelier earrings by Kalyan Jewels, cost around $15,000-$25,000, with accessories adding $10,000-$20,000. Her 2013 gold and white Anamika Khanna saree, paired with a statement nose ring, was priced at ₹8-10 lakh ($9,600-$12,000). These high-cost looks amplify her "fashionista" persona, but films like The Zoya Factor underscore her limited cinematic contribution. Each year, a parade of Indian celebrities descends upon the French Riviera, draped in trailing gowns as long as a mile and tailored tuxedos, posing for paparazzi and flooding social media with carefully curated glamour shots. If only the care that goes into gowns also went into their movies. The problem isn't their 'look at me' entries. Global film festivals thrive on international representation. But the stark disconnect between the mediocrity of our actors back home and the gravitas they attempt to project at Cannes is telling. Bollywood, for all its cultural dominance and massive output—churning out over hundreds of films annually—rarely produces work that stands up to scrutiny. The majority of its mainstream fare is dull and tediously formulaic: melodramatic family sagas, recycled romantic tropes, or action flicks where the hero or the heroine triumphs over loud evil characters in oiled wigs. All of it guarantees ennui. Since we are in a gender-neutral age, consider their Hollywood male cohorts like Brad Pitt or Leonardo De Caprio. Pitt produced 12 Years a Slave, and gave himself a small supporting role. He backed Moonlight and produced The Big Short—movies that tackle complex themes with nuance and ambition. Leonardo DiCaprio's Appian Way Productions delivered The Revenant, The Wolf of Wall Street, and Killers of the Flower Moon, projects that push boundaries in craft and narrative. These stars don't attend festivals just for clout; they're invested in cinema as an art form, using their influence to fund stories that challenge, provoke, or redefine the medium. When they appear at Cannes, it's often tied to a project with weight. Their red-carpet moments are a byproduct, not the purpose. This isn't to say Indian cinema lacks talent or potential. Directors like Anurag Kashyap or Kiran Rao, Payal Kapadia, or Anant Mahadevan have shown what is possible when creativity trumps formula. But the stars who dominate Cannes' red carpet are rarely attached to such projects. The Bollywood industry's occasional gems—like Gully Boy or Tumbbad—rarely match the storytelling depth or technical finesse of global cinema. Aishwarya Rai Bachchan, a Cannes regular for over two decades, again, is a case in point. Her filmography, while commercially successful, includes forgettable fare like Jodhaa Akbar or Ae Dil Hai Mushkil, which prioritize spectacle over substance. The counterargument might be that Cannes is a global stage, and Bollywood's presence helps put Indian cinema on the map. Fair enough—visibility matters. But visibility for whom? The films showcased in Cannes' competitive sections are rarely the masala entertainers these stars headline. Instead, it's the low-budget, independent Indian films—often ignored by Bollywood's elite—that occasionally make it to the festival's Un Certain Regard or parallel sections. All That We Imagine As Light is an example. The stars' presence, then, feels like a distraction, drawing attention away from the filmmakers who deserve the spotlight. Their red-carpet antics overshadow the real work of Indian cinema, perpetuating a rather sadly true narrative that Bollywood is all glitz and no substance. If Bollywood stars want to be taken seriously at Cannes, they should take a page from their Hollywood counterparts. Invest in stories that matter. For the price of a gown or two, make a good movie. Champion scripts that challenge conventions. Produce films that can stand shoulder-to-shoulder with the best at the festival. Until then, their presence at Cannes will remain what it often feels like: a fashion show masquerading as a cinematic pilgrimage with little to show for it beyond Instagram reels and fleeting headlines on Page 3. (CP Surendran is a poet, novelist and screenplay writer whose latest novel is One Love and the Many Lives of Osip B. He can be reached at cpsurendran@ Views are personal.)
News18
2 hours ago
- News18
Janhvi Kapoor Gets Champi From Khushi Kapoor At Cannes: ‘This Is How I Prep'
Last Updated: Janhvi Kapoor and Khushi Kapoor are shelling out major sister goals in this unseen video from Cannes! Janhvi Kapoor made a stunning debut at the 2025 Cannes Film Festival, which took place last month. She returned to India with her sister Khushi Kapoor after attending the prestigious film festival, a few days ago. Now, several photos and video clips featuring Janhvi and Khushi have been shared on social media by their friend Orry. One particular video has caught the attention of fans! Amidst the glitz and glamour of Cannes, the video shows Khushi giving her sister a head massage or 'champi' as she prepped for her red-carpet appearance! On Tuesday, Orry shared a series of pictures and videos on Instagram, documenting his Cannes trip. Several photos feature Khushi Kapoor, Janhvi Kapoor's boyfriend Shikhar Pahariya, and others. The fifth video clip in the carousel is a delightful behind-the-scenes moment in which Janhvi is seen getting a classic champi (head massage) from her sister Khushi Kapoor. 'This is how I prep. You need a good champi," Janhvi said, smiling into the camera. 'No matter where you are," she added. Khushi, who was gently massaging her scalp asked her, 'Am I doing it right?" Janhvi replied, 'I feel like you're being conscious about your nails." Khushi sweetly replied that she doesn't want Janhvi's hair getting pulled. The text on the video read, 'You can take the girl out of you can't take India out of the girl." Janhvi shared the video on her Instagram stories, and wrote, 'Lol." Check out the post below! View this post on Instagram A post shared by Orhan Awatramani (@orry) Meanwhile, Janhvi Kapoor is currently basking in the success of her film, Homebound, which received a 9-minute standing ovation at Cannes. Directed by Neeraj Ghaywan and backed by Karan Johar, this poignant drama is set in rural North India and delves into themes of ambition, friendship, and the quest for respect. Ishaan Khatter stars alongside Vishal Jethwa, playing two childhood friends aspiring to join the police force, a journey that challenges their bond and character. Janhvi Kapoor also plays a key role in the film.
Time of India
3 hours ago
- Time of India
Khushi Kapoor gives sister Janhvi Kapoor a head massage ahead of her big Cannes 2025 debut
made a memorable red carpet debut at the renowned Cannes Film Festival during the premiere of her movie 'Homebound'. Her breathtaking looks caught everyone's attention. Recently, Orry released a behind-the-scenes clip showing Janhvi getting ready for the event, featuring a soothing head massage from her sister, Khushi Kapoor. Tired of too many ads? go ad free now Fun Moments at Cannes with Friends On Tuesday, Orry posted several photos and videos on Instagram showcasing fun moments with friends at Cannes. The snapshots captured him and Khushi strolling through French streets, taking a boat trip with Shikhar Pahariya, and indulging in ice cream by the ocean. A Relaxing Champi Before the Big Event He also posted a video capturing a relaxing moment where Khushi gave Janhvi a champi. Janhvi remarked, 'This is how I prep, you need a good champi, no matter where you are.' When Khushi wondered if she was doing it properly, Janhvi encouraged her, saying, 'You should go harder. I think you're being conscious about your nails.' Khushi then admitted she was careful to avoid pulling Janhvi's hair. Celebrating Indian Roots at Cannes The video featured the caption, 'You can take the girl out of India but can't take India out of the girl.' Additional photos and clips captured Orry enjoying moments with Mouni Roy and Urvashi Rautela. When sharing the post, he added, 'If you lament, that's a shame you Cannes hang with us.' Janhvi's Show-Stopping Red Carpet Looks Janhvi's debut stole the spotlight, with her and cousin impressing everyone with their stunning red carpet ensembles. In a heartfelt homage to her mother, Sridevi, Janhvi wore a beautifully crafted handwoven real tissue skirt and corset from Banaras, elegantly finishing the look with a dupatta draped over her head. Tired of too many ads? go ad free now Upcoming Projects for Janhvi Kapoor On the work front, Janhvi is gearing up for her upcoming film 'Sunny Sanskari Ki Tulsi Kumari', where she stars opposite . The movie, directed by Shashank Khaitan, also features and Sanya Malhotra in prominent roles and is slated to hit theaters on September 12. Additionally, Janhvi will be seen sharing screen space with Sidharth Malhotra in 'Param Sundari', which is scheduled for release on July 25.
