logo
New Kids on the Block Still Have the ‘Right Stuff' After All These Years: 5 Best Moments From Night 1 of Las Vegas Residency

New Kids on the Block Still Have the ‘Right Stuff' After All These Years: 5 Best Moments From Night 1 of Las Vegas Residency

Yahoo02-07-2025
LAS VEGAS — While New Kids on the Block might seem like a perfect fit for Las Vegas, the veteran boy band had somehow never found themselves with a Sin City residency — until Friday night (June 20).
More from Billboard
My Chemical Romance Announces 2026 South American Tour: Here Are the Dates
Brandy & Monica Announce 'The Boy Is Mine' Co-Headlining Tour With Kelly Rowland, Muni Long & Jamal Roberts: All the Dates
BTS ARMY Documentary Announces Global Theatrical Release
The Right Stuff residency kicked off night 1 at Dolby Live at Park MGM, with NKOTB gracing a stage previously headlined by Usher, Bruno Mars, Lady Gaga, Mariah Carey and more superstars. But when the Boston boys were getting started 40 years ago, they had a different perception of Vegas than the entertainment destination it's become.
'When you're young, you think you're really cool,' Jordan Knight told Billboard on Friday ahead of the residency kick-off. 'And if somebody said, 'You guys are going to be doing Vegas in your 50s,' my thought probably back then would be like, 'Oh no, no. That's so corny. … That's where acts just retire.' But us doing this right now, I feel like we're being true to ourselves, really. I don't think we're selling out to commercialism or Vegas or whatever it may be. I think we're just being really true to ourselves. Yes, we have some bells and whistles, but I think we're just using it really tastefully.'
There were definitely bells and whistles — like the high-flying moment that saw all five members hoisted up among the rafters in individual telephone booths to get as close as possible to every fan in the 5,000-capacity venue — but at its core, this was the New Kids show that their Blockhead superfans have come to expect. That is, the once-teenybopper pop stars (now ranging in age from 52 to 56) left every drop of energy, enthusiasm and love they had on the stage to put on a fun, escapist show in their new home of Vegas, with dates through February. That included the megahits, of course — 'Step by Step,' 'Hangin' Tough' and the residency's namesake 'You Got It (The Right Stuff)' — but it also included gems from every one of the band's seven non-Christmas studio albums, all the way back to their 1986 self-titled debut.
For his part, Jonathan Knight is finding that he's able to enjoy things at this stage of the band's career more than those chaotic early days. 'When we started, we were just kids,' Jonathan told Billboard just before the show. 'I think when we look back at that, nobody prepares you for this. I mean, I would never think at 56 years old, I would be in Vegas, when I was 20. Just being able to, for me personally, just being here, being in the moment, I mean back then, it was just such a blur.'
To keep Friday night's show from becoming a blur, Billboard has rounded up the five best moments from New Kids' nonstop fun opening night.
Between the massive main stage that opened with a life-size replica of a Boston train atop a grand staircase and a shortcut through the pit of fans to a catwalk lined with barstools of concertgoers, there was a lot of ground to cover for the New Kids — and they made sure to use every square inch. There was also a Jamiroquai-evoking conveyor belt at the middle of the staircase that made for some eye-popping choreography and even a functioning convertible that drove the quintet out for 'Kids.' Each member never stopped moving throughout the show to make sure they were reaching all angles of the venue, including when they all made their way into the crowd for Hangin' Tough's 'Tonight,' with Joey McIntyre even plopping down in one lucky fan's lap. All these touches made it clear this was a special concert.Oh yeah, they weren't always contained to the stage or the crowd either. The night's first aerial moment came when Jordan Knight performed his Billboard Hot 100 top 10 solo hit 'Give It to You' and, inspired by the song's carnival-themed music video, he buckled himself into a Ferris wheel gondola that floated high across the stage. All the guys got in on the action for 'The Whisper,' from 2013's 10 album, with each stepping into individual telephone-booth-like pods to be lifted above the crowd. At first, it looked like they were only going to make it above the 100 and 200 sections — but then they kept elevating until they were eye to eye with the ecstatic fans in the balcony.
The precarious nature of the flying pods was not lost on the guys, as they all embraced once they were back on the stage and sighed, 'We made it!'
When the instrumental of Bruno Mars' 'Marry You' started playing and the words 'NKOTB Chapel' flashed on the big screen, Donnie Wahlberg asked the crowd who among them thought they might marry a member of New Kids on the Block one day. After a string of screams, the screen shared social media posts from the countless fans who were under the impression they would be Mrs. McIntyre, Knight, Wood or Wahlberg someday. (Though Wahlberg pointed out that his wife Jenny McCarthy was not among the posts: 'She thought she would marry one of the Mötley Crüe,' he laughed.) So the boy band did the next best thing and married all their fans at once on Friday night.
'Do you, New Kids, take these Blockheads to be your forever fans, so long as we both shall live?' Wahlberg asked his bandmates, to which they all responded: 'I do.'
'Do you, Blockheads, take these New Kids to be your forever boy band, forsaking all other boy bands — that means *NSYNC, Backstreet Boys, O-Town, One Direction, all of them — so long as we both shall live?' Wahlberg cheekily asked the screaming crowd, who apparently had no trouble abandoning all those other groups to commit to New Kids on the Block once and for all.
In addition to the quickie wedding, some other Vegas-specific touches included the boys' Rat Pack-inspired second act, with coordinated suits and a classic New Kids on the Block casino sign, plus a mash-up of Britney Spears' 'Toxic' with Elvis Presley's 'Viva Las Vegas' during their infamous quick change backstage camera segment.
Speaking of those fans, they were front and center quite a few times throughout the concert. (As McIntyre told us ahead of the show: 'We're gonna take care of our high rollers, you know what I'm saying? We gotta take care of our die-hards first.') And nowhere was that love clearer than when Wahlberg got choked up reflecting on the four decades this fandom has stuck by their sides. 'It's been forty years [as a band], 37 since we all found each other on various radio stations and MTV,' Wahlberg said, wiping away tears. 'And you never cease to amaze us. Wow. Thank you. We love you. We appreciate you, we respect you, and we thank you.'
The fans showed that appreciation right back, especially when they screamed and applauded for two straight minutes after the boys finished 'You Got It (The Right Stuff)' as the unexpectedly early eighth song of an eventual 27-song set.
A lot was made throughout the night of the boy band's longevity, and it doesn't seem like they have any plans to slow down soon.
'We've been hanging tough for 40 years,' Wahlberg said before the final performance of (you guessed it) 'Hangin' Tough,' the Hot 100-topping title track from their 1988 breakthrough album. 'Can we hang tough for 40 more?'
Judging by the opening night crowd's enthusiasm, that shouldn't be a problem.
TwistedBlock PartySingleMy Favorite GirlSummertimeCover GirlMagicYou Got It (The Right Stuff)Remix (I Like The)Click Click ClickFull ServiceThe Boys in the Band (Boy Band Anthem)Never Let You GoDirty DancingDidn't I (Blow Your Mind)Valentine GirlIf You Go AwayPlease Don't Go GirlGamesPopGive It to You (Jordan Knight solo)TonightThe WhisperI'll Be Loving You (Forever)Step by StepKidsHangin' Tough
June 20, 21, 25, 27, 28July 2, 3, 5November 1, 2, 5, 7, 8, 12, 14, 15
February 14, 15, 18, 20, 21, 25, 27, & 28
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

SummerSlam 2025: WWE reveals stage at MetLife Stadium
SummerSlam 2025: WWE reveals stage at MetLife Stadium

Yahoo

time19 minutes ago

  • Yahoo

SummerSlam 2025: WWE reveals stage at MetLife Stadium

WWE will bring its SummerSlam event to MetLife Stadium in New Jersey this weekend. SummerSlam has served as one of the sports entertainment company's biggest events of the year, dating back to 1988. This year's SummerSlam card will unfold over two days for the first time in the event's history. WWE has run a two-night event in recent years for its biggest event of the year: WrestleMania. SummerSlam is treated similarly to WrestleMania with special celebrity guests, such as Cardi B and Jelly Roll, and a custom stage built within the stadium. What will the SummerSlam stage look like? Fans got a look of the SummerSlam 2025 stage when the preshow for night one kicked off. It's a massive screen where the wrestlers will emerge of inside MetLife Stadium. The USA TODAY app gets you to the heart of the news — fast. Download for award-winning coverage, crosswords, audio storytelling, the eNewspaper and more. This article originally appeared on USA TODAY: WWE SummerSlam 2025: Stage revealed at MetLife Stadium

Bob Dylan, Willie Nelson, Wilco, Lucinda Williams Storm Jones Beach at Outlaw Festival
Bob Dylan, Willie Nelson, Wilco, Lucinda Williams Storm Jones Beach at Outlaw Festival

Yahoo

time19 minutes ago

  • Yahoo

Bob Dylan, Willie Nelson, Wilco, Lucinda Williams Storm Jones Beach at Outlaw Festival

The Outlaw Music Festival began nine years back as a single event in Scranton, Pennsylvania, featuring Willie Nelson, Neil Young, Sheryl Crow, Chris Robinson, and Lee Ann Womack. It's slowly morphed into a traveling fest that brings Nelson and a rotating cast of top-grade support acts to amphitheaters across America every summer, and they leveled up significantly last year by placing Bob Dylan in the penultimate slot every night of the run. They repeated the successful Bob/Willie formula this summer for an extensive, 36-show trek, and sprinkled on acts like Wilco, Sheryl Crow, Billy Strings, Waxahatchee, Lucinda Williams, Nathaniel Rateliff & The Night Sweats, and Bruce Hornsby & The Night Sweats at various stops along the way. Some nights have slightly stronger bills than others, but it's undoubtedly the most exciting/eclectic multi-artist show of the summer amphitheater season by a wide margin. More from Rolling Stone Is Bob Dylan's 'Subterranean Homesick Blues' Video the Most Copied of All Time? Lucinda Williams Is Opening a New York City Honky-Tonk Complete Unseen: New Doc on History of Newport Folk Festival Announced That was very clear August 1 when Lucinda Williams, and Wilco played truncated sets at Long Island's Jones Beach Amphitheater before handing the evening over to Dylan and Nelson. These are four totally unique acts with fairly different approaches to live performances, and their own massive followings, but they all have a deep love and respect for American roots music that permeated through the entire night. Due to tremendous good fortune, it was an unseasonably cool night at Jones Beach following two weeks of scorching, record-high temperatures, and a massive thunderstorm the prior evening that generated flood warnings all across the region. This placed everyone in a cheerful mood as Lucinda Williams took the stage in the very late afternoon. (Unfortunately, I arrived too late to see opening act Waylon Payne, but I caught him later when he played with Willie Nelson. Jones Beach is a beautiful amphitheater directly on the water, but the mass transit options from New York City are less than ideal.) Williams no longer plays guitar due to a stroke she suffered in 2020, but she made the excellent decision to bring former Black Crowes guitarist Marc Ford into her band to compensate, and her singing voice retains much of its power. The set began with back-to-back songs from her 2023 LP Stories from a Rock n Roll Heart, 'Let's Get the Band Back Together' and 'Stolen Moments,' before dipping back to Car Wheels on a Gravel Road for 'Drunken Angel.' Midway through her set, Williams broke out Memphis Minnie's 'You Can't Rule Me,' dedicating it to the 'so-called king of the United States.' She didn't speak Donald Trump's name once, but it wasn't necessary. Prior to that, she unveiled her excellent new ballad 'Lowlife' ('Play Slim Harpo on the jukebox/Let me go with no shoes or socks') that will hopefully appear on the next LP. She closed out the set with the Beatles' 'While My Guitar Gently Weeps,' giving Ford and guitarist Doug Pettibone the chance to show off their chops, 'Joy,' 'Righteously,' and a fierce take on Neil Young's 'Rockin' In The Free World' that brought the capacity crowd to their feet. A decent percent of the Outlaw crowd is on the elderly side, and it's unclear how many of them were familiar with Wilco when they took the stage, but it didn't take long for Jeff Tweedy and company to win them over with a set packed with staples like 'I Am Trying to Break Your Heart,' 'Jesus, Etc.,' 'Handshake Drugs' and 'Walken.' None of these songs are 'hits' in the traditional sense since Wilco never had anything resembling a Top 40 song, but they've been perfected across hundreds and hundreds of concerts by one of the greatest live bands of the past quarter century. Nels Cline delivered an epic, mind-bending guitar solo on 'Impossible Germany,' proving once again that he's one of the single greatest guitarists of his generation. And Willie Nelson's harmonica player Mickey Raphael came out to join them on 'California Stars,' wearing a Flaco Jimenez t-shirt to honor the legendary Tejano accordionist, who died this week. They closed out with a cover of the Grateful Dead's 'U.S. Blues' that caused the place to absolutely erupt with joy. (It's always a good time to cover the Dead, but this was also Jerry Garcia's birthday, and the first day of the Dead's 60th anniversary celebration at San Francisco's Golden Gate Park.) As the sun began to set, the crew removed Wilco's gear and set the stage for Bob Dylan and his band. On most Outlaw dates last year, Dylan compromised on his usual stance and allowed venues to display a single, distant shot of his set on the screens, giving people in the upper seats at least a vague sense of what was happening on stage. This year, the screens remained completely dark, meaning the vast majority of the audience saw nothing more than a distant, blurry figure in a white hat perched behind a piano. And if you were in the nosebleeds, it's unlikely the figure was anything more than a tiny dot. If nearly any other artist pulled this move at a large amphitheater, a rebellion would likely brew. (Back in 2012, Peter Gabriel kept the screens off for his first few songs at Jones Beach, and fans howled in frustration until they were illuminated.) But Bob Dylan fans are a different breed, and they simply leaned forward and focused on the music. Unlike his indoor theater shows of the past few years, which focus heavily on material from 2020's Rough and Rowdy Ways, this was Dylan's version of a crowd-pleasing set that drew from all eras of his career. That doesn't mean he played any actual hits besides a radically re-worked 'All Along The Watchtower' that stripped out every bit of Jimi Hendrix's influence, but it did mean we heard 'To Ramona,' 'Desolation Row,' 'Gotta Serve Somebody,' and 'Love Sick' from his back catalog. More importantly, he was once again in remarkably clear voice, even if he occasionally slurred lines in wordy tunes like 'Desolation Row.' Many people were forever turned off to Dylan shows after witnessing 'wolfman' era gigs about a decade back, but they need to give him another chance. Somehow or another, at age 84, his voice has been rejuvenated. It's a minor miracle. If you're only seen Dylan at a theater these past few years, the atmosphere of the Outlaw Festival will be quite jarring. At the theaters, phones are taken away, the houses are completely dark and silent, and ushers roam the aisles with flashlights to pounce on anyone violating the rules. At the Outlaw shows, people are eating chicken fingers, spilling ketchup on themselves, chugging beers, loudly talking with their friends, scrolling through their phones, and taking selfies with Bob in the background. It's the opposite vibe in nearly every imaginable way. As always, practically every song in Dylan's set was rearranged not just from its original version, but the live rendition we heard as recently as last summer. ''Til I Fell In Love With You' is now practically a spoken-word track with sparse instrumentation, 'Gotta Serve Somebody' has a rollicking groove, and 'Blind Willie McTell' has rarely sounded so loose and playful. There are some grumblings in the fan community that nearly 30% of the set is devoted to obscure covers like 'Charlie Rich's 'I'll Make It All Up To You,' Bobby 'Blue' Bland's 'Share Your Love With Me,' and George 'Wild Child' Butler's 'Axe and the Wind,' but Dylan delivers them with real passion and tenderness. And if they cause anyone to seek out the originals, he's done them a favor. The set wrapped with a revved-up 'Highway 61 Revisited,' Roy Acuff's World War II-era folk song 'Searching For a Soldier's Grave,' which Dylan regularly played live at the turn of the century and only recently resurrected, and 'Don't Think Twice, It's All Right.' Casual fans perked up at the latter one, and some surely recognized it from A Complete Unknown. He delivered it like a torch ballad, and it was easily the most moving moment of the evening. There's virtually no figure on the planet with the song catalog and the gravitas to follow that besides Willie Nelson. He missed several shows last summer due to health matters, and he looks every day of his 92 years, but every ounce of his essential Willie-ness remains. Smartly, he's stripped his band way down to the essential players, centering the focus on his voice and guitar. His lean band includes Waylon Payne, who doubles many of the vocals, and takes over on lead for a handful of songs, including 'Me and Bobby McGee,' 'Help Me Make It Through The Night,' ' and 'Workin Man Blues.' This gives Willie a chance to catch his breath, and prep for the next song. Willie standards like 'Angel Flying Too Close to the Ground' and 'You Were Always On My Mind' sounded absolutely majestic, and were reminders that this man wrote a decent chunk of the Great American Songbook. It's impossible to cram all into one set, so he combined 'Funny How Time Slips Away,' 'Crazy' and 'Night Life' into a medley. Wilco came back out near the end of the set for 'Will The Circle Be Unbroken?,' but there was no sign of Dylan. Oddly enough, despite their close friendship and long history of onstage collaborations, they haven't appeared together at a single Outlaw Festival. It's a tremendous missed opportunity because a duet on 'Poncho and Lefty,' 'You Win Again,' or 'Heartland' would set any venue ablaze. The tour continues Saturday night in Saratoga Springs, New York, and wraps up September 19 in East Troy, Wisconsin. Let's hope they're back next summer for another round. It's only been two years of Bob and Willie leading this tour as a combo act, but it already feels like a summer tradition. Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store