
Amid Dhanush-Mrunal Thakur Dating Rumours, Old Interview Praising Ex-Wife Aishwaryaa Goes Viral
The speculation gained momentum after the two were seen together during Mrunal Thakur's birthday celebrations. A video from the party, which has since gone viral on social media, shows the duo engaged in an intimate conversation, with Dhanush holding Mrunal's hand.
Dhanush and Mrunal Thakur are dating? pic.twitter.com/ItWYJdsm8a — Aryan (@Pokeamole_) August 3, 2025
Back-to-Back Public Sightings
Earlier the same day, Dhanush was captured arriving in Mumbai, reportedly to attend the special screening of Son of Sardaar 2, a film starring Mrunal Thakur alongside Ajay Devgn. A video from the event, widely shared on X (formerly Twitter), showed the two actors conversing, with Mrunal leaning in to whisper something to Dhanush. The moment fuelled further fan theories.
One user captioned the clip: "#Dhanush was welcomed by #MrunalThakur at #SonOfSardaar2 Premiere.." A question that quickly gained traction online and triggered a flurry of reactions from curious fans.
Old Interview
Amid the growing buzz, an old interview clip of Dhanush with ETimes has also resurfaced on social media. In the interview, Dhanush spoke about his former wife Aishwaryaa Rajinikanth, describing her as '100 times simpler' than her father, actor Rajinikanth.
"I don't see her like that. I like her simplicity. If you think her father is simple, meet Aishwaryaa. She is 100 times simpler than her father,' he said during the interview.
Dhanush's Previous Marriage
Dhanush and Aishwaryaa Rajinikanth were married for 18 years before announcing their separation in 2022. The former couple share two sons, Yatra (born in 2006) and Linga (born in 2010).
pic.twitter.com/hAPu2aPp4n — Dhanush (@dhanushkraja) January 17, 2022
On January 17, 2022, the duo released a joint statement announcing their decision to part ways. The note read, '18 years of togetherness as friends, couple, as parents and well-wishers to each other. The journey has been of growth, understanding, adjusting and adapting. Today we stand at a place where our paths separate... Aishwaryaa and I have decided to part ways as a couple and take time to understand us as individuals for the better. Please do Respect our decision and give us the needed privacy to deal with this. Om Namashivaaya! Spread love, D.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
8 minutes ago
- Indian Express
Kajol snaps at reporter for asking her to speak in Hindi; fans say, ‘Then stop doing Hindi films'
Bollywood actor Kajol has once again made headlines for snapping at the paparazzi. The actor recently lost her cool at a reporter during the Maharashtra State Film Awards 2025 held in Mumbai on Tuesday. At the event, Kajol was honoured with the prestigious Raj Kapoor Award for her contribution to Indian cinema. However, during her interaction with the media, when a reporter asked her to speak in Hindi, she snapped back. In a viral video, Kajol is seen speaking in Marathi to the reporters, calling the award a 'big deal'. However, when one reporter asked her to repeat her words in Hindi, Kajol got irritated and said, 'Abhi main Hindi mein bolu (Now should I speak in Hindi too)?' She added, 'Jisko samjhna hai woh samjh lenge (Those who want to understand what I said, will figure it out).' A post shared by First Saw It Here (@firstsawithere) Many on social media didn't agree with Kajol's behaviour and her refusal to speak in Hindi. A comment read, 'Then why do you make films in Hindi?' Another comment said, 'Ask her to stop doing Hindi films. She should only do Marathi films.' A user on X, formerly Twitter, wrote, 'After earning so much money and fame through the Hindi audience, Kajol says 'Ab Hindi mein bolun? Jisko samajhna hai samajh le'.' At the award show, Kajol wore her mother's black and white saree. She received the award from Maharashtra Chief Minister Devendra Fadnavis and delivered her acceptance speech in fluent Marathi. 'It is my birthday today,' the actor told the crowd after accepting the award. Kajol attended the ceremony with her mother, Tanuja, and told the audience that her mother had received the same award years ago, and now her receiving it made the moment even more special. On the work front, Kajol will return as her character Noyonika in The Trial Season 2. She was last seen in film Sarzameen, which also starred Ibrahim Ali Khan and Prithviraj Sukumaran. The film was panned by critics. Kajol has Maharagni: Queen of Queens in the pipeline, which will also star Prabhu Deva and Naseeruddin Shah.
&w=3840&q=100)

First Post
8 minutes ago
- First Post
Raanjhanaa AI ending controversy: Who really owns a story once it's told—the creator, the studio, or the audience?
Production house, Eros International, is behind this step, and this has disappointed Dhanush and Aanand L Rai, who are even planning to take a legal route to save the creative essence of Raanjhanaa. read more Raanjhanaa, the 2013 musical romantic drama, which marked the Bollywood debut of Kollywood star Dhanush, co-starring Sonam Kapoor, Swara Bhasker and Mohammad Zeeshan Ayyub among others, has been making headlines for its AI-altered ending during its re-release. Production house, Eros International, is behind this step, and this has disappointed Dhanush and Aanand L Rai, who are even planning to take a legal route to save the creative essence of the film. 'I am very worried about my other films. So is Dhanush. We are actively looking at judicial remedies to restore and preserve our creative content from such extraneous interventions,' Aanand L Rai stated. STORY CONTINUES BELOW THIS AD Dhanush also shared a strong statement showing his disapproval of the AI-altered ending as he wrote, 'The re-release of Raanjhanaa with an AI-altered climax has completely disturbed me. This alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection.' 'This is not the film I committed to 12 years ago. The use of AI to alter films or content is a deeply concerning precedent for both art and artists. It threatens the integrity of storytelling and the legacy of cinema. I sincerely hope that stricter regulations are put in place to prevent such practices in the future,' he added. What Eros said about the AI-generated climax In their official statement, Eros said, 'Eros strongly objects to the illegal and misleading attempt by Mr. Aanand L. Rai and Colour Yellow Productions to position the upcoming film Tere Ishq Mein as part of the 'world of Raanjhanaa', despite having no legal rights, approvals, or IP ownership to do so.' The statement added, 'Eros has formally issued a Cease & Desist notice dated July 25, 2025, demanding that all parties immediately cease unauthorised references, marketing, and creative use of any derivative elements of Raanjhanaa. The same has also been caveated to all leading OTT & Streaming Services to prevent any continued misrepresentation, as this act represents a clear violation of Eros's exclusive copyright and intellectual property.' STORY CONTINUES BELOW THIS AD They also state, 'It does not replace or alter the original Raanjhanaa, which remains untouched and widely available across all platforms. This version is part of a global and longstanding tradition in cinema of offering alternate edits, localised adaptations, and anniversary re-releases.' The biggest question remains: who owns Raanjhanaa? The production house, the director (who shaped the film) or the audience (who made the film iconic and a cult classic). Well, unfortunately, the entertainment industry laws are still outdated in the country as it gives almost all the rights to the studio or production house, which, the majority of the time, becomes unfair for the creators and artists, as in the scenario of Raanjhanaa. While Eros might have legal power or they are legally right to change the climax with AI, as they own all the rights, but do you think they are ethically right?


Time of India
2 hours ago
- Time of India
Are Aanand L Rai and Dhanush considering legal action against AI-altered 'Raanjhanaa'?
Amidst the frenzy and backlash surrounding the AI-altered version of the film 'Raanjhanaa', filmmaker Aanand L Rai has hinted at possibly taking the legal route to protect his creative interest. The director came down heavily against the 'unauthorised' altered re-release of his film and issued a strong statement condemning the new, 'happy' ending. The modified version was released on August 1 under its Tamil title 'Ambikapathy' by Eros International, allegedly, without the consent of the original creative team, including lead actor Dhanush . Taking The Legal Route According to Bollywood Bubble, Rai confirmed that both he and Dhanush are seriously considering legal action over what they describe as a blatant violation of creative integrity. "This sets a very dangerous precedent," Rai said in an official statement. "I am very worried about my other films. So is Dhanush. We are actively looking at judicial remedies to restore and preserve our creative content." Dhanush and Anand L Rai's Statements Rai had previously taken to Instagram to express his shock saying, "The past three weeks have been surreal and deeply upsetting… Raanjhanaa was altered, repackaged, and re-released without my knowledge or consent. It's devastating." Dhanush also slammed the AI-altered ending of the film. In a statement on his official handles, he wrote, "The alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection. This is not the film I committed to 12 years ago." Meanwhile, the company's group CEO Pradeep Dwivedi reacted to the backlash saying, "This is a creative reimagining, not a replacement, and is consistent with global industry practices, including anniversary editions, alternate cuts, and modernised remasters." The incident has reignited debate in the entertainment industry about the ethical and legal implications of AI in filmmaking. While generative tools are increasingly being used for restoration, dubbing, and VFX, the unauthorised modification of film plots and stories has raised concerns.