
Xander Khoury On Creating Safe Spaces And Ballroom
And it's doing good too!
Street dance's impact and contribution to uplifting Australian youth and LGBTQIA+ communities is immense, with more and more young people dominating and taking the national scene to global recognition.
Competitions like Red Bull Dance Your Style are putting names on the big stage and allowing young Aussies to take their skills internationally. This year, the big show (AKA the grand final) is being held in Los Angeles.
Ahead of the Australian Finals, we sat down with host and Aussie icon Xander Khoury to dive deeper into one specific style — Ballroom — that he holds near and dear to his heart.
BFOZ: How do you think Ballroom and Vogueing allows for self-expression and storytelling in its movements?
Xander: I think self-expression is really at the core of what ballroom and voguing is. It's an innate part of what it's about. So through everything that you do, it's about that. Voguing is a form of protest within itself. It's something that started out of an oppression. So when you are tapping into that culture or you're tapping into that style of dance, you're also tapping into the history and the meaning behind it, which is about truly being your authentic self no matter what.
BFOZ: One beautiful thing that you do at House of Silky is always bringing it back to the people that started it. How do you continue to do that as you grow?
BFOZ: In a world where we still struggle to create spaces of safety for queer and trans people in groups to authentically be themselves without fear, what are some things that you do as parental figure to keep yourself grounded and motivated in a world that kind of sometimes, at times, feels hopeless?
BFOZ: When we talk about community in these spaces, how can people that show up for the first time or people that have been coming into the space for a long time show up, support and be proud and give people, whether beginner or expert, the love?
BFOZ: Taking a step back and looking at what you've created, how has this community uplifted and encouraged your own self expression and helped you transform into the person you are, from when you first started 'til now?
BFOZ: From the outside looking in, for all dance styles but especially Vogueing, it take a necessary level of confidence and essence. How does that take shape and how do you build that up?
BFOZ: What's the importance of having a presence here at Red Bull Dance Your Style?
BFOZ: And finally, what excites you most about Ballroom's future in Australia?
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Los Angeles Times
3 hours ago
- Los Angeles Times
Thinking about ‘Wednesday' as the weekend hits, plus what to stream
Welcome to Screen Gab, the newsletter for everyone who channels Wednesday Addams' contemptuous energy every day of the week. After a nearly three-year absence, everyone's favorite unamused teenager is back. 'Wednesday,' Netflix's spinoff of 'The Addams Family' franchise that stars Jenna Ortega, became a megahit when it debuted — spawning memes and a dance craze that took TikTok by storm. Revolving around Wednesday's adventures at Nevermore Academy, the boarding school for outcasts she's forced to attend, the supernatural comedy returned this week with the first half of its eight-episode second season. (The rest will drop in September. And a third season has already been ordered.) Alfred Gough and Miles Millar, who created the series, stopped by Guest Spot to talk about the new episodes, including the unforgettable way Steve Buscemi, who plays the new school principal, made early-morning shoots more bearable. Also in this week's Screen Gab, our streaming recommendations are a bit off the beaten path: TV critic Robert Lloyd encourages you to dive into the oeuvre of Australian-based internet humorist Natalie Tran, and film critic Amy Nicholson tells you about a different body-swapping film if the new 'Freaky Friday' sequel isn't your thing. Must-read stories you might have missed Aging up the characters in the 'King of the Hill' revival was not only easy, it was 'a relief': Pamela Adlon, Lauren Tom and Kathy Najimy spoke about returning to the animated series, how they aged up their characters' voices and why it's the best job ever. Spike Lee's new Denzel Washington movie is much more than a Kurosawa remake: The director's latest, a supercharged ransom thriller set in his beloved New York City, shows the filmmaker reinvigorated and uninterested in slowing down. Column: Ad-supported streaming is the future. So why is the experience so bad?: Poorly placed, low-quality, repetitive ads are more the scourge of streaming than they ever were of broadcast prime time. If anyone can make a movie now, what does Hollywood still stand for?: From AI-native studios to interactive platforms, a new generation of storytellers is challenging Hollywood's role as the center of the entertainment universe. Recommendations from the film and TV experts at The Times Natalie Tran's communitychannel (YouTube, Instagram) A thousand thanks to whatever algorithm brought Natalie Tran, a brilliant Australian internet humorist, back into my feed. In a typical video essay, Tran will notice an odd or annoying thing about modern life or take a random idea that's crept into her head and create a speculative playlet in which she takes on all the parts. The great library of this work, which posted pretty regularly from 2006 to 2016, and irregularly since, resides on Tran's YouTube-based communitychannel (1.77 million subscribers), but it is timeless, smart and funny across years, generations, continents and hemispheres. She might take on matters as mundane as a lost phone on silent, the types of friends you shouldn't see movies with, or her inability to keep house plants alive; or as left-field as imagining monsters dressing up as humans on Halloween, a school for flies, or the person whose job it is to measure the height of celebrities. Nowadays she posts at communitychannel on Facebook and on Instagram, and co-hosts 'The Great Australian Bake Off,' the down-under franchise of the British original, whose current season you can also find online, officially or not. — Robert Lloyd 'Dating the Enemy' (Tubi, Prime Video) Wanna get freakier than this week's 'Freaky Friday' sequel? This edgy 1996 body swap rom-com stars Claudia Karvan and a pre-fame Guy Pearce as estranged exes Tash and Brett — she's a nerdy science journalist, he's an egomaniac veejay — who are horrified to wake up in each other's skin. Both are workaholics, yet neither respects the other's career goals. ('What's Pearl Jam?' Tash asks.) Australian writer-director Megan Simpson Huberman's inspired idea is that the girl is the geek, and the man is the sex symbol. 'I have got a great ass!' Pearce's Brett gloats. The future Oscar nominee has a gas peering down his undershorts to understand his new mechanics. While the former lovers' mutual hostility leads to several funny bits of vengeance, Huberman smartly notes the tiny differences in how each one is treated as they stumble through the world — and their moments of reconnection, while incredulous, are incredibly sweet. — Amy Nicholson A weekly chat with actors, writers, directors and more about what they're working on — and what they're watching 'Wednesday' makes its big return this week with its morose titular character (Jenna Ortega) now navigating life as a local celebrity. But even after saving Nevermore Academy, the school for supernatural misfits that she attends, from destruction, things are hardly sunshine and rainbows — a relief, really, because she'd hate that. There's a new mystery and looming threat to keep her psychic powers occupied. And this time, her family — namely, her mother Morticia (Catherine Zeta-Jones) and father Gomez (Luis Guzmán) — figure more prominently in the spooky and morbid tension. The season is broken up into two parts — the first four episodes were released this week; the rest will be released Sept. 3. Creators and showrunners Alfred Gough and Miles Millar stopped by Guest Spot to discuss why they wanted to make the new season a more familial experience and the standout guest star moments. — Yvonne Villarreal Wednesday Addams has often been described as 'emotionless,' 'antisocial' and 'morbid.' How would you describe her? And how did you want to push against that perception of her in Season 2? Millar: While Wednesday would certainly self-identify with all three, I would argue she is, in fact, deeply emotional. She is a character who struggles to express herself, often engaging in a silent internal war when she breaks her own personal code. She's boxed herself into an identity and considers any emotional response as a kind of failure. Gough: Our goal is to consistently place her in situations that challenge this rigid self-perception. We think of her emotional development in terms of micro-progressions. For most protagonists, a 'hug' might be a throwaway gesture — for Wednesday it's seismic. Her internalized struggle with vulnerability is something she'll carry into adulthood. She may never feel fully at peace with the world, but hopefully she will discover a way to co-exist with it — on her own terms. The season brings Wednesday's family more into focus. What is most appealing about delving into their dynamic? Millar: In Season 1, we focused on Wednesday carving out a life away from her family for the first time — we didn't want the show to feel like a retread of a traditional Addams Family movie. Now that audiences are grounded into the world of Nevermore, it felt like the right moment to see more of the iconic members of the Addams family. Gough: We loved the idea of her family literally living next door — its a delicious complication for a character like Wednesday. She can't escape them, especially her mother. The Morticia-Wednesday dynamic is a central thread this season, and their mother-daughter tension felt very real — even when it culminates in something as heightened as a sword fight in the woods. You have a number of prominent names, including Steve Buscemi, Christopher Lloyd and Lady Gaga, joining the ranks this season. What's been the biggest 'pinch me' moment so far? Millar: There were so many 'pinch me' moments. One that stands out for me: Joanna Lumley, who plays Grandmama Frump, sipping a Bloody Mary in the middle of a vast Irish graveyard. Surreal doesn't begin to cover it. Gough: An unforgettable moment for me was watching Steve Buscemi dad-dance to Bruce Springsteen at 3 a.m. We were shooting the scene in the middle of July, but it was bone chillingly cold as only an Irish summer can be. Still, Steve would come out dancing with the same off-the-wall energy every single take. He was the only reason the extras made it through the night. It was weird and wonderful — and very, very 'Wednesday.' What have you watched recently that you are recommending to everyone you know? Millar: 'Dark Winds' on AMC. It's led by the phenomenal Zahn McClarnon, and it's a show I had heard buzz about but never had a chance to watch until recently. The premise isn't flashy — a '70s set police procedural on a Navajo reservation — but the acting and storytelling are exceptional. I binged all three seasons in a week. Despite its limited budget, the series manages to capture the haunting beauty of the Southwestern landscapes. It deserves a lot more critical and audience attention. Gough: A show I am genuinely going to miss is 'The Handmaid's Tale' [Hulu]. It's been remarkably consistent across its run. Miles tapped out midway through Season 2 as it veered into 'torture porn territory,' but I stuck with it and am glad I did. The storytelling is razor-sharp, and is written with deft craft and humanity. Cinematography is sumptuous and the performances are universally excellent. It's definitely not comfort TV — it challenges you — but it rewards your attention. It's a show I always recommend. What's your go-to 'comfort watch,' the movie or TV show you go back to again and again? Millar: Generally, I don't rewatch TV shows. There is simply too much out there to keep up with. But movies? That's a another story. I have a particular weakness for movies set in Los Angeles — 'Heat' [The Criterion Channel, Prime Video], 'Drive' [VOD], 'Blade Runner' [VOD]. And anything by Spielberg, honestly — from 'AI' [VOD] to 'Jaws' [Netflix] to 'Lincoln' [VOD] — his visual storytelling is so masterful, it feels like a free film school in every frame. Gough: Having collaborated with Tim for over 5 years now, I have a soft spot for his work, especially 'Edward Scissorhands' [Disney+] and 'Ed Wood' [VOD]. If 'Ed Wood' were released today, I am convinced it would win best picture. It remains one of the greatest love letters to filmmaking ever made.
Yahoo
4 hours ago
- Yahoo
Hilltop Hoods Set New Benchmark With Seventh ARIA No. 1 Album
Australian hip-hop veterans Hilltop Hoods land their seventh No. 1 on the ARIA Albums Chart as Fall From the Light debuts atop the list. The set marks the Adelaide trio's ninth studio album, first in six years, and their sixth consecutive debut at No. 1. With this latest feat, Hilltop Hoods extend their record for the most No. 1 albums by any Australian group. The winners of 10 ARIA Awards previously reached the summit with The Hard Road (2006), State of the Art (2009), Drinking From the Sun (2012), Walking Under Stars (2014), Drinking From the Sun, Walking Under Stars Restrung (2016) and The Great Expanse (2019). More from Billboard Carnie Wilson Pays Tribute to Dad Brian Wilson Following Family Funeral: 'God Knows What We'd Be Without Him' 60th Anniversary of Beatles Show at Shea Stadium to Be Celebrated by New York Mets Damon Albarn, PinkPantheress & More Join Brian Eno's Together for Palestinian Relief Concert ARIA CEO Annabelle Herd said: 'From suburban Adelaide to local and international success, Hilltop Hoods are an inspiration and a testament to the power and passion of Australian music. Seven No. 1 albums is a truly incredible achievement and something we should all be very proud of. A massive congratulations to Suffa, Pressure and DJ Debris from everyone at ARIA. 'Hilltop Hoods and the other Aussies who have topped the ARIA albums chart so far in 2025 – Ball Park Music, Bliss n Eno, Jimmy Barnes and Calum Hood – are fantastic examples of the creativity, diversity and success of the local music industry.' The top five on this week's ARIA Albums Chart is rounded out by the KPop Demon Hunters soundtrack (No. 2), Reneé Rapp's Bite Me (No. 3), Alex Warren's You'll Be Alright, Kid (No. 4) and Ed Sheeran's +=÷x (Tour Collection) (No. 5). Three more Australian acts debut in the top 40 this week. Perth singer-songwriter Darcie Haven starts at No. 11 with her second EP Angel of the Apocalypse, ahead of a national headline tour. The Vanns arrive at No. 27 with their third album All That's In My Head, and veteran rocker Swanee — older brother of Jimmy Barnes — bows at No. 37 with Believe. Over on the ARIA Singles Chart, 'Golden' from the KPop Demon Hunters soundtrack spends a second week at No. 1. Tracks from the album dominate half of the top 10, including 'Your Idol' (No. 5), 'Soda Pop' (No. 6), 'How It's Done' (No. 8) and 'What It Sounds Like' (No. 10). Chappell Roan claims the week's highest debut with 'The Subway' at No. 4, scoring her fifth top 20 single in Australia. Elsewhere, New York rapper Sombr jumps from No. 59 to No. 23 with '12 To 12,' his third top 30 hit of the year following 'Undressed' (No. 2 in May) and 'Back To Friends' (No. 3 in May). Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100 Solve the daily Crossword


Newsweek
11 hours ago
- Newsweek
Woman Hides From Dog Demanding To Play Fetch, It Goes As Expected
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. The endless energy of a playful dog is something that many pet owners know well. One woman's recent attempt to catch a break from a relentless game of fetch with her canine has become a viral TikTok moment, capturing the sweet and persistent nature of a Labrador retriever. Since it was posted, the video of the pup's determination to find her has received over 838,000 views. "Hiding behind my couch because I needed a break from throwing her ball," the owner captioned the video. The footage shows her perspective from behind the couch, only to be shocked by her dog leaping to peer over the edge with a ball. The canine, a mix of Labrador retriever, Australian shepherd and poodle, has captured hearts everywhere with her enthusiasm. You Can't Hide From the Game The video resonated with thousands of viewers, many of whom have experienced the same exhaustion from a game of fetch. One user perfectly summed up the dog's persistence: "In the wise words of [Taken actor] Liam Neeson 'I will look for you, I will find you,'" they wrote. "It makes me feel so seen to see posts from other people hiding from their dogs," another commented. A third owner shared a similar strategy for getting a break. "The only time my dog stops is if I lay on the bed, and she will come up with me. Sometimes, I play on my phone for a ridiculous amount of time to just get a break," they wrote. One commenter joked about the owner's elaborate hiding spot: "I yelled out scared because I didn't have time to finish reading and I thought a killer was out to get you." A more-practical user offered a tip for future games of hide-and-seek: "Since they smell where you were, just walk in a ton of different places and they won't know where you went," they wrote. Stock photo: A dog plays with a toy ball at home. Stock photo: A dog plays with a toy ball at Psychology Behind Fetch A blog post from Wag! said a dog's love for fetch is deeply rooted in its natural instincts. Playing the game isn't just a fun activity; it "satisfies their need to be useful." In a canine's mind, they aren't just retrieving a ball, but bringing back "food" for a pack. As natural hunters, dogs love to be kept occupied and see their owner as the pack leader. When they play fetch, they are bringing an "offering" and acknowledging their owner's role. The blog post also noted that fetch is an excellent way for dogs to expend energy and brain power, which can prevent them from getting bored or destructive. But it also warns that some pups can become so obsessed with the game that it can be frustrating for owners. When a canine "is constantly thrusting the ball at you in the hope you'll join in with the game," it may be time to put the toy away and out of sight until the next scheduled play session. Newsweek reached out to @christaniner for comment via TikTok.