logo
Liverpool's spectacular free art biennial opens next month – everything you need to know

Liverpool's spectacular free art biennial opens next month – everything you need to know

Time Out02-05-2025

Every other year, the city of Liverpool becomes adorned in spectacular works of contemporary art. Besides its plethora of galleries – from Tate Liverpool + RIBA North to Bluecoat – sculptures, installations and exhibitions will pop up in the likes of Liverpool Cathedral and on the Albert Docks. Almost everywhere you turn in the city this summer, there'll be a masterpiece to see.
Known as the Liverpool Biennial, the art fest is one of the reasons we ranked the city as one of the places you just have to visit in 2025. So, here's everything you need to know about the three-month-long event.
What is the Liverpool Biennial?
Only the largest free festival of contemporary art in the country. This year's Liverpool art biennial will be its 13th edition. For 2025, its theme is 'BEDROCK', inspired by the sandstone that spans the region and features in its architecture. Organisers say that the title also 'acts as a metaphor for the unique social foundations of Liverpool, haunted by empire, and the people, places and values that ground us'.
The whole thing has been curated by Marie-Anne McQuay, the head of programme at Liverpool gallery Bluecoat. It'll showcase 30 artists and collectives with 22 brand new artworks commissioned especially for the event.
When is the Liverpool Biennial 2025?
It'll be taking place throughout the city from June 7 to September 14.
Where can I see the art at Liverpool Biennial?
The festival will be spread across 18 venues in the city. As part of the Liverpool Biennial 2025, you'll be able to see art, for free, at:
Albert Dock
Bluecoat
FACT Liverpool
Liverpool Cathedral
Liverpool Central Library
Open Eye Gallery
Tate Liverpool + RIBA North
Walker Art Gallery
Liverpool ONE
Mann Island
St John's Gardens
The grounds of The Oratory at Liverpool Cathedral
SEVENSTORE
Eurochemist
The Black-E
20 Jordan Street
Pine Court
All the exhibitions will be open Wednesday to Saturday but you'll have to check venue websites for their opening hours from Sunday to Tuesday. You should also keep an eye out for art popping up on Liverpool's streets, shop fronts, hoardings and 'other unexpected places'.
What art will be at the Liverpool Biennial 2025?
Artists from all over the world will be showing their work. There will be a spectacular steel structure by Isabel Nolan at St John's Gardens, mosaic sculptures by Petros Moris and 'glass collages' by Ana Navas at Liverpool Cathedral, as well as at Bluecoat and Walker Art Gallery and a multi-layered gallery installation at Bluecoat by Alice Rekavb. You can see the full line-up of artists here.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Insecure Tinder date walked out after seeing how tall I am – it was so awkward'
'Insecure Tinder date walked out after seeing how tall I am – it was so awkward'

Daily Mirror

time13 hours ago

  • Daily Mirror

'Insecure Tinder date walked out after seeing how tall I am – it was so awkward'

A long-legged woman who makes big money online for height admits that it can often be hard for her to date - and one man walked out of their date after seeing how tall she is A model has opened up about the awkward moment that her Tinder date "shook his head and left" after realising how tall she is - and why the awful experience made her avoid dating for two years. When it comes to dating, we all have our preferences, whether it's hair colour, personality traits, humour and more. And while many people love tall men, one woman, Marie Temara, admits that her long legs have not always worked in her favour. The influencer, who boasts 2.6million Instagram followers, is well known for her 6ft 3in height, with fans frequently worshipping her long legs. However, it seems when it comes to dating, Marie struggles. ‌ The influencer has shared how a particular moment with a man shorter than herself ended up affecting her confidence for a long time afterwards. Marie shared: "We'd been chatting online for a while. The conversation flowed and we seemed to have a genuine connection. But when we finally met up for our first date, he was not happy that I was so much taller than him." ‌ She explained that his height is around 5ft 9in. She added: "He looked at me, shook his head and told me he had a family emergency – then left." Marie was gutted as the pair had the whole night planned, including a dinner and a movie. "It ended the moment he saw me," Marie added. READ MORE: 'My boyfriend is 28 years my senior – people say I have daddy issues but it's true love' Despite being so confident for long about her height - and making millions every year because of it – the experience hit Marie hard. She admits the rejection brought back insecurities from her teenage years when she was bullied for being tall. Marie said: "It made me feel really insecure again. My height has always been my number one insecurity. After that, I stopped dating for two or three years. "I just couldn't be bothered wasting my time on someone who'd disappear the second they saw how tall I was." ‌ While breaking away from going on dates, Marie poured all her energy into building her brand instead and over time. She has had a lot of support from her online fans, plus after getting frequent messages from men who love how tall she is, she saw her confidence return. The model now proudly puts her height front and centre in her dating app bios. And she even admits that she has a soft spot for "short kings". She said: "I've dated guys who were 5ft 8in, 5ft 9in – I don't care about height. But it's still a problem for some of them. I've had to do all the reaching, all the lifting – sometimes I feel like the man in the relationship." ‌ Dating is not the only part of everyday life that can be tricky for a tall woman. Marie often takes the back seat on water slides because she is heavier than her date and always has to book aisle seats on planes just to fit her legs. Shopping is a struggle, too; she can't find jeans that fit and gets custom-made clothes for her lengthy frame. She said she gets stared at everywhere she goes, and people often ask to take pictures with her. She added: "Some guys want a photo, others look like they're sizing me up for a fight. But I've learned to own who I am. If someone can't handle my height, it's their loss."

EastEnders 'confirms' Walford's newest romance - and fans are obsessed
EastEnders 'confirms' Walford's newest romance - and fans are obsessed

Daily Mirror

time2 days ago

  • Daily Mirror

EastEnders 'confirms' Walford's newest romance - and fans are obsessed

EastEnders seemingly confirmed a new romance for two of Walford's residents in tonight's episode, and fans are overjoyed that the pair may be getting more screentime Love was in the air in EastEnders tonight, as Kat and Alfie celebrated their joint hen and stag party in The Albert - under Cindy Beale 's ownership. However, Kat and Alfie weren't the only pair fans had their eyes on. Competing with Cindy's opening night, Elaine Peacock hosted a karaoke night in the pub. Despite the night going down like a lead balloon, two unlikely residents were seen enjoying themselves - together. ‌ Taking to the mic, a slightly tipsy Shrimpy (Ben Champniss) was seen serenading Marie Evans (Liz Sweet) as he pointed at her while singing the 1989 ballad Have I Told You Lately. "Have I told you lately that I love you? Have I told you there's no one else above you?" he could be heard singing as café worker Marie was seen looking smitten. ‌ Elaine on the other hand was less than impressed. "This is our karaoke night - we should be heaving!" she told Linda Carter, but Linda was more concerned about what was going on between the love birds. "What Marie does in her own time is her business. But I'm concerned about the lack of OUR business!" exclaimed Elaine. Fans haven't seen much of Shrimpy and Marie, who act as side characters in the soap, but new scenes have fans hopeful we'll see more of their relationship unfold. Taking to X, formerly known as Twitter, one fan said: "I'm obsessed with Marie from the caff and Shrimpy from the markets new relationship #eastenders, while another exclaimed: "SHRIMPY GOT A GIRLFRIEND AND HER NAME IS MARIE!" ‌ "Shrimpy and Marie from the cafe? What's going there? #eastenders," questioned one, as another penned: "MARIE AND SHRIMPY CONFIRMED???" Shrimpy joined the soap in 2014 as a stall-holder who sells hats and men's clothing on the market. Marie has been a key worker at the café since 2000. Although the pair are staple residents of the Square, their personal lives aren't shown to viewers. But could the budding romance change this? ‌ Elsewhere, Kat and Alfie started the celebrations for their big day. However, things came crashing down for Kat when she opened the family laptop to an adult site - believing it was Alfie's doing. However, unbeknownst to her, teen Joel Marshall had told her son Tommy to use Alfie's credit card to access content. Will this affect the wedding?

Liverpool Biennial review – AI seagulls, gladiatorial football and big trouble in Chinatown
Liverpool Biennial review – AI seagulls, gladiatorial football and big trouble in Chinatown

The Guardian

time3 days ago

  • The Guardian

Liverpool Biennial review – AI seagulls, gladiatorial football and big trouble in Chinatown

I narrowly avoided being 'relieved on' by a seagull in Liverpool. Another critic pulled me aside just in time. But then again, she pressed the button to release the airborne poo – fake, I think – in the first place. This is Kara Chin's funny installation in a cinema recreating the seediness of the seaside with squawking AI seagulls on video screens, chaotic electro-assemblages resembling mutant arcade machines and a floor covered with guano. Liverpool is not by the sea but close enough that seagulls provide a chorus as you walk between Liverpool Biennial art events in museums, galleries, warehouses and community centres. I can't see the Liver Birds on the skyline without remembering the first time I visited this city as small child, seeing my aunt off on a voyage across the Atlantic, from docks that then loomed with massive ships. Proustian memories of the biggest city I knew as a child return with a vengeance in a raw warehouse space where Turkish artist Cevdet Erek has created a homage to the noise and intensity of soccer crowds. He loves football and loud music. I meet him there and he enthuses about attending Anfield as research, and being inspired by a track on Pink Floyd's Meddle. Flashbacks of matches with my dad surge. But Erek's installion is not a literal portrayal of a football game. Instead it transfigures the noise and tension of a big match. The space is dominated by an arena made of brown, earthy bricks while a pounding soundtrack pumps from speakers in its seating areas. It's eerie and seems ancient, for the pebbly arena and stands make you think as much of gladiatorial games as modern soccer. Vicious drums increase the menace. But there are no people. It's a ruin excavated in the desert, to which a Floyd of the future have come to perform to the empty air. The 2025 Liverpool Biennial is entitled Bedrock and its best moments come when artists engage with the emotional bedrock of Liverpool itself – from football to religion. Is there a difference? At Bluecoat contemporary arts centre, Amy Claire Mills shows a bright, booming mural of Liverpool's coat of arms, reproducing its surreal mythology in which the sea god Neptune, a merman, dolphins and, of course, the Liver Birds all feature. Yet by and large the freshest experiences are to be had in site-specific works outside galleries and museums. The Walker Art Gallery's Biennial show of unmemorable art is eclipsed by the likes of Hogarth and Millais in its collection. Nour Bishouty has placed a wooden sculpture of a gazelle-like animal, inlaid with mother of pearl, on a plinth below a painting of an outsized ox by Liverpool-born 18th-century artist George Stubbs. Past beats present here. But enter Liverpool's Anglican cathedral, with its stupendous interior by Giles Gilbert Scott, and you see a veil of colour suspended against its brown craggy heights, a woven work by Cypriot artist Maria Loizidou that depicts people being raised up by angels into the heavens. Its imagery of redemption is positively medieval. Taking religion seriously turns out to be the freshest, most surprisingly successful aspect of this art festival in a multi-faith city. On the Liverpool skyline you can sometimes see both Scott's neo-medieval pile and the more graceful modernist Catholic cathedral. In the best artwork of the Biennial, Turner prize winner Elizabeth Price explores a question that might not occur to many people but she makes fascinating: how did Britain's Catholic communities come to build so many modernist churches? Her film, in a darkened hall in Liverpool's Chinatown, uses a suspenseful soundtrack, digital graphics and sinister negative images to ponder this. As Irish Catholic immigration to Britain increased in the 20th century, the growing community had to remedy a lack of Catholic churches. A new one was built around a century ago on Anglesey, the first stop for many Irish immigrants arriving by sea. Price tries to understand why it took a radical modernist form, an upturned ship's hull moulded in concrete by an Italian architect. She relates it to military architecture, including airship hangars, and the music becomes more threatening. Yet she doesn't seem satisfied with her own answers – and as a drum throbs, the colours and negative saturation get ever more lurid. For a moment I expected a horror ending, a murder in the cathedral. Instead she takes you inside some of the churches to see their mysticism enhanced by her effects, and it dawns on you. The supernatural force haunting these spaces is – can it be … God? I'd always thought of Price as a gothic artist. But just as William Peter Blatty, author of The Exorcist, was trying to promote the Catholic faith, so in this compelling artwork Price appears to reveal that she is, and always has been, a religious artist. Outside this city roars, profane and riotous, but under the skin it has a soul. The Liverpool Biennial has a lot of forgettable art in it. But at its best it cuts not just to the architectural but the spiritual heart of Liverpool. Huge as that heart is. The Liverpool Biennial opens 7 June

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store