
TV Review: NAUTILUS Episode 8, ‘The Tipping Point'
While the previous episode was ridiculous amounts of fun, one of the best parts of it was the emotional story beats. 'The Tipping Point' capitalizes on that aspect of the storytelling. Nautilus, Episode 8, 'The Tipping Point'
Like many of the Nautilus episodes before it, 'The Tipping Point' takes its title literally and figuratively. The sub is at a precipice, as is the state of the crew. The tension ratcheted up at the end of the previous episode when Captain Nemo (Shazad Latif) decided to prioritize his mission for revenge over the concerns of his crew.
RELATED: Read our review of the previous Nautilus episode, 'Cold War'
Well, that comes back to bite Nemo pretty hard in Nautilus, Episode 8, 'The Tipping Point.' Honestly, it's been a long time coming. Having a mission is fine, but when one starts lying to their crew, that's when the cracks in the dynamics begin to show.
I'm not a fan of bugs, so the first part of the episode wasn't my favorite thing. Now, they try to make sure the camera doesn't focus too much on the bugs, but they're certainly freaky to look at. I thought the creepy critters in Episode 6 were horrid to look at.
RELATED: SDCC 2025: Watch Outlander Season 8 Teaser and Blood of My Blood Sneak Peek Clips
The bugs are a catalyst for what comes next. So, avert your eyes and wait for the best part of the episode. Altogether Now
The highlight of Nautilus has been the supporting characters. Despite their curtailed screen time and minimal characterization, the actors have imbued their characters with so much personality. This episode explains why we've been out of the loop with who these people are.
Nemo has been pigheaded throughout the show. He literally has main character syndrome. At some point, the rest of the crew was going to retaliate. That's what happens in this episode. And it turns out to be a heady mix of tension and emotion.
Shazad Latif yet again wows with his emotive performance. Georgia Flood as Humility Lucas is very warm, and her earnestness is a good foil to Nemo's intensity.
RELATED: Geek Girl Authority Crush of the Week: Claudia
But the scene stealers are the supporting cast. Céline Menville as Loti, Kayden Price as Blaster, Arlo Green as Turan, Tyrone Ngatai as Kai, Ling Cooper Tang as Suyin, Pacharo Mzembe as Boniface Adamu, and Ashan Kumar as Ranbir Lodhari get spotlight moments in this episode, and they give it their all.
My one criticism is that the showrunners shouldn't have waited till Episode 8 to attempt the bonding moment among the crew. This should have come way earlier.
RELATED: Read our Nautilus reviews
With only two episodes left, this is as good a time as any to put differences aside and work together to defeat the Company. But how will the Nautilus crew fight a giant institution like that?
Nautilus airs every Sunday on AMC and AMC+.
SDCC 2025: Anne Rice Immortal Universe Panel Unveils Dark Delights for THE VAMPIRE LESTAT and TALAMASCA Monita has been championing diversity, inclusivity, and representation in entertainment media through her work for over a decade. She is a Tomatometer-Approved Critic. She writes for Bam Smack Pow and Geek Girl Authority. Her bylines have appeared on 3-time Eisner Award-winning publication Women Write About Comics, HuffPost, Reactormag.com (formerly tor.com), Soundsphere/Screensphere, FanSided's Show Snob, and Vocal. She was also a TV/Movies features writer at Collider.com. Alongside her twin, Monita co-hosts the pop culture podcast Stereo Geeks.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Onion
an hour ago
- The Onion
What To Know About ‘Weapons'
Weapons , a new horror film from the director of Barbarian , topped the box office on its opening weekend. The Onion shares everything you need to know about the movie. Q. Why is the film called Weapons ? A. The title Where Did The Kids Go? Find Out, Josh Brolin! didn't test well. Q: Is it scary? A: It's less 'ghost scary' and more 'going to the bad CVS at two in the morning scary.' Q: What is it about? A: Two hours. Q. Who is the villain of the film? A. The AMC employee that keeps telling you vaping isn't allowed in the theater Q: Is there a cliffhanger? A: It's still unclear whether the students have to complete any make-up work. Q: What is the film's message? A: If 17 kids can disappear overnight, then losing a couple in the Poconos Mountains doesn't make you a bad mom.


Cosmopolitan
a day ago
- Cosmopolitan
What Is Taylor Swift's Total Net Worth?
Look, we all know Taylor Swift is Scrooge McDuck–levels of wealthy. The precise amount of $$$ she's raking in is seriously staggering—especially over the past few years. Since 2020 (when her net worth was a mere $365 million), Taylor has released approximately one million new albums (with The Life of a Showgirl on its way!!), embarked on her Eras Tour, and come out with a concert film—so it's no shock that her net worth has grown hundreds of millions in the span of just a few years. So, yeah, while the rest of us were stalking her squad on socials and trying to decipher the meaning of all those Easter eggs (!!!), Taylor was busy making money. Let's dig in. Not so surprisingly, Taylor's studio albums—including Taylor Swift, Fearless, Speak Now, Red, 1989, Reputation, Lover, Folklore, Evermore, Midnights, The Tortured Poets Department, and now The Life of a Showgirl—have earned *tens of millions of dollars* worldwide. Per the Recording Industry Association of America, an organization that sounds like it knows what it's talking about, she has earned $137.5 million in digital singles and $51 million in album sales. Oh, and now seems like a good time to mention that Midnights sold more than 1 million copies in its FIRST. WEEK. Some other fun facts for you? And even though it cost her more than a pretty penny to buy her masters back (like, we're talking $360 million a lot), her net worth has only increased from the purchase, as she now has the power to license the original masters for film and TV. By the end of 2023—and less than halfway through its scheduled 152-show run—the Eras Tour had nabbed the distinction of earning over $1 billion to become the highest-grossing concert all time. And by the end of its run, Forbes reported that the tour generated an estimated $4.1 billion in revenue, with Tay personally earning an estimated $10 to $13 million per show. Excuse me while I go cry in broke. Meanwhile, Taylor's Eras Tour concert film broke AMC records on its first day, bringing in a reported $26 million. It's since earned $100 million in advance global ticket sales, and Variety reports that Tay and her team have pocketed $60 million of that. In total, the movie earned $262 million at the box office. HER POWER! Taylor wasn't able to tour for a few years due to the pandemic, but it's cool because she made enough on her Reputation Tour to last a lifetime. The tour grossed $266.1 million in domestic revenue, making it the highest-grossing tour in United States history at the time. Truly, what is life? No, seriously: In case you want some details, when Taylor kicked off her tour in Phoenix in 2018, she set a new venue record for gross and attendance. THEN she hit up San Francisco and made a cool $14 million, before pocketing another $16.2 million in SoCal. Also, the entire thing was filmed by Netflix for an undisclosed sum rumored to be worth millions. What did you make in 2015? Because Taylor Swift took home $250 million (mostly in ticket sales) thanks to her 1989 Tour—and she was the top-grossing tour artist of that year. Taylor Swift doesn't really ~do~ social media sponcon, but she does have a history of working with brands, namely Keds, Diet Coke, Capital One, and Apple. These are private working relationships, so who knows exactly how much money she took home, but it was presumably a lot. Not only does Taylor own an apartment in NYC, but she also owns the homes next door because why not? This epic real estate haul set her back a reported $50 million, but who wouldn't want to avoid annoying neighbors by throwing lots of money at the problem? Also in Tay's real estate portfolio: a $4 million check for a property she recently sold in Beverly Hills, a $2 million place in Nashville, plus that sweet vacation pad in Rhode Island where Tom Hiddleston once frolicked gleefully. (It's worth $17 million.) Business Insider estimates that in total, her property is worth $81 million, while Bloomberg says it's closer to $110 million. Back in August 2017, Forbes reported that Taylor was worth $280 million. Then in June 2023, the publication revealed that her net worth had increased to $740 million—up from $365 million in 2020. And now, as of August 2025, however, Tay cemented her status as the richest female musician with an estimated net worth of $1.6 billion. The celeb is no doubt very much used to breaking records (and glass ceilings, for that matter), and told TIME during her December 2023 cover story that she hopes her success will inspire others to invest in women. "What has existed since the dawn of time? A patriarchal society. What fuels a patriarchal society? Money, flow of revenue, the economy," she mused. "So actually, if we're going to look at this in the most cynical way possible, feminine ideas becoming lucrative means that more female art will get made. It's extremely heartening." So TAYLOR IS A BILLIONAIRE AND AN ICON! Please excuse me while I go weep with happiness for her and sadness for myself.


Los Angeles Times
2 days ago
- Los Angeles Times
Why a streamer beloved by fans of British TV is turning to big U.S. stars
Thirty years ago, the coming-of-age romantic comedy 'Clueless' opened in movie theaters and went on to become an enduring American pop culture touchstone. 'I'm thrilled that people love it and continue to love it,' the movie's star, Alicia Silverstone, said in a recent conversation in New York. 'Young people. Old people. It's really gone on and on, and obviously that's lovely.' AMC Networks is counting on Silverstone's multigenerational appeal to help boost the New York-based media company's streaming service Acorn TV, which specializes in British dramas and other programs from overseas. Silverstone is the lead in the new Acorn original series 'Irish Blood,' which premiered Monday. She plays hard-bitten Los Angeles divorce lawyer Fiona Sharpe, who heads to Ireland to resolve a mystery involving the father who abandoned her as a child. AMC has also signed the imperishable Brooke Shields to star in another Acorn project titled 'You're Killing Me.' She portrays a mystery novelist who teams with a young wannabe writer and influencer to investigate murders in a small New England town. The series starts shooting this summer and is set to premiere in 2026. Why put two iconic American actresses on a streaming platform with a well-defined niche of providing viewers with international locations and accents that at times require closed-captioning even when the language is English? Even the small players in streaming have to get bigger. AMC does not have the deep pockets to compete with the likes of Netflix, Prime Video and Disney+. The company has blazed its own digital path by serving dedicated audiences who will pay for an additional streaming service that caters to their passions, such as Shudder for horror fans and HIDIVE for anime lovers. The company's suite of streaming services has around 10.4 million customers. Even with that modest figure, AMC Networks' streaming revenue has steadily grown to the point where it will soon surpass what the company earns from its traditional TV channels such as AMC, BBC America, Sundance TV and WE, which continue to see subscriber declines because of cord-cutting. AMC has found that the strong fan bases for its niche services are willing to absorb price increases and are less likely to cancel. The company has managed to keep its streaming platforms priced at less than $10 a month. Now AMC Networks is looking to accelerate its subscriber growth and Acorn — the most popular and profitable of its standalone offerings — is seen as the platform best suited to the task. 'It's a service we really believe in,' Courtney Thomasma, executive vice president for streaming and content strategy at AMC Networks, told The Times in a recent interview. 'Over the last year, we've been really focused on looking for ways to continue to raise awareness of the brand and invite new viewers in who we know would also love it. We're doing that with a focus on investing in the brand and inviting bigger talent that's more familiar to North American audiences.' Many fans of Acorn — which started out as a direct marketer of British TV series on home video and was acquired by AMC in 2018 — are what Thomasma calls 'armchair travelers' who want to take in a French vineyard or the cobblestone streets of Chelsea. But AMC believes aligning Acorn more closely to the mystery genre will widen its appeal. A monthlong promotional campaign under the banner of Murder Mystery May — which featured a number of season premieres — drove Acorn TV subscription sign-ups to a four-year high. The 20 million hours watched during the month was the best ever for the service, according to AMC. The emphasis on mystery provides Acorn the latitude to cast Silverstone and Shields. One way AMC attracts star talent is the opportunity to put their own creative stamp on their programs. 'They become as invested in the success of the projects as we are,' Thomasma said. Silverstone came on to 'Irish Blood' as executive producer and became involved in the development of the series. She was involved in the hiring of key positions in the production and worked with the writers. She's happy with the result. 'I thought it was quirky and also an emotionally deep drama,' Silverstone said. 'There's a lot for me to do.' Shields and writer Robin Bernheim pitched the generation gap tandem at the center of 'You're Killing Me' to AMC, and the actor remains deeply involved in the process as shooting begins. 'This is the first time I've ever had this much creative control as an executive producer,' Shields said in an interview. 'I feel lucky that they entrusted me to do what we're doing.' Acorn teams with production partners around the world and generates revenue from selling some of its series for second runs on international broadcasters and PBS. AMC spends in the range of $1 million per episode for its cost-efficient series, which are heavy on dialogue and largely car-chase free. The audience is older — they are avid readers who are likely to subscribe to newspapers, watch cable news and PBS, and enjoy solving puzzles. And though Acorn is hoping to attract more younger subscribers, the service won't be losing its British accent. Acorn recently launched 'Art Detectives' with Stephen Moyer, who also is an executive producer. The series, about a Heritage Crime Unit that solves murders connected to art and antiques, had the strongest premiere in the streamer's history. Later this year, it will offer a new six-episode series starring Matthew Lewis, known for his Neville Longbottom role in the Harry Potter films. Based on the series of Canon Clements mystery novels by the Rev. Richard Coles, 'Murder Before Evensong' is a co-production with British broadcaster Channel 5. 'We pride ourselves on being a boutique neighborhood store, the kind that you walk in, you know the owner [and] the owner knows you,' Thomasma said. 'We have deep connection to our audience.'