Ajith Kumar's 'AK64' likely to be announced in August 2025
Ajith Kumar
fans may soon have reason to celebrate. According to a recent report by industry tracker Ramesh Bala, the official announcement for Ajith's next film, tentatively titled 'AK64', is expected to arrive in August 2025.
After his last outing in 'Good Bad Ugly' earlier this year, anticipation around Ajith's next move has been steadily building.
'AK64' likely to begin post-racing season
If reports are accurate, 'AK64' will be bankrolled by Romeo Pictures, the same production house that backed Ajith's earlier films like Viswasam and Vivegam. Though nothing is officially confirmed yet, the buzz suggests that director
Adhik Ravichandran
, who previously worked with Ajith on 'Good Bad Ugly', might be reuniting with the actor once again.
Ajith's romantic pictures with his wife Shalini go viral
Ajith had earlier made it clear that he would take up film projects only during the off-season of his racing career.
Mohanlal-Ajith combo on the cards?
Meanwhile, there are reports that the Malayalam superstar
Mohanlal
might join AK64 in a pivotal role. Reportedly, discussions are ongoing to bring the two iconic actors together for the first time. A collaboration between Mohanlal and Ajith Kumar would be nothing short of a treat for fans across South India.
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On the other hand, Mohanlal was recently seen in the Pan-Indian film 'Kannappa' which also stars Prabhas, Akshay Kumar, Vishnu Manchu and many others in pivotal roles. The film is getting only mixed reviews from the audiences all over. While Ajith Kumar made his massive comeback with the recently released 'Good Bad Ugly', which received 3 3-star rating from ETimes with our official review that reads, "And in Adhik, he seems to have found the right director to pull it off.
Adhik's films so far have been largely polarising - you either like his style of filmmaking or hate it, with no in-between. But his is definitely a unique voice, especially in the realm of our mass masala films - overloud (but in a very different way compared to someone like Hari) and visually distinct (but poles apart from a Karthik Subbaraj). It is cinema of maximalism, often breaking the third wall, peppered with throwbacks, and with only one goal - to deliver a high every few minutes. More than mass masala, it's max masala!"
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