
Dua Lipa celebrates Aviva Stadium gig by ‘splitting the G' with fellow stars at Dublin pub
The Houdini singer, who performed her biggest ever Irish show at the Aviva Stadium on Friday night, said there was 'only one way to celebrate' after selling out five stadiums in a row on her latest tour.
Lipa (29) let her hair down in a local pub with her well-known fiancé Callum Turner (35) and her team, including former Disney Channel star Dove Cameron (29), who supported her on stage.

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Irish Examiner
36 minutes ago
- Irish Examiner
Labour of Love: Glucksman exhibition gathers art themed around the care economy
Housework, farm work and compulsory work in institutions are just some of the subjects explored in the exhibition Labour of Love: Economies of Care in Contemporary Art at the Glucksman Gallery at University College Cork. 'The care economy is something we wanted to look at in the context of the university and contemporary art trends,' says Fiona Kearney, the director of the Glucksman, who curated the show with her colleague Katie O'Grady. 'It's the kind of work that is often unpaid, or pays badly, and relates primarily to female labour in the home. This is something that the UN is looking at, and something that our colleagues here in the university, as economists and social scientists, are looking at because it has a huge relevance to all of us in society.' As Kearney points out, it is often the case that artists who are mothers struggle to find the time and space to make work. 'This has emerged as quite a significant discussion within contemporary art practice. They have to balance their participation in residencies, for instance, with their responsibilities as parents. 'When we were preparing the show, however, we knew we didn't want to really focus on the subject through a feminist lens, we wanted to do a show that would be as inclusive as possible, while keeping the focus on unpaid or low paid work, and specifically on that idea of the carer. After all, both genders are bound by different stereotypes of work practices. A man might be doing low paid labour on a building site, for instance, when he might love to be at home caring for his children. There's certain things that society expects you to be.' Fiona Kearney, director of the Glucksman, with minister Patrick O'Donovan at Laura Fitzgerald's artwork at the gallery. Labour of Love is inclusive not just in terms of gender, but also in its international breadth. Of the twelve artists participating, four are Irish, four are European, two are British, one is Australian, and one is South American. 'We're an island nation,' says Kearney, 'and it's important to make international connections. Otherwise the wider world mightn't pay attention. Two of the artists, Jamie Martinez and Caroline Walker, are represented by galleries in New York, for instance, and those gallerists are now looking at our artists' work and sharing details of our exhibition and our website within their networks. You'd hope that might lead to more opportunities for the other artists in the show.' Labour of Love opens with the Danish artist Liesel Burisch's series of 15 one-minute videos, Minutes of Silence. 'Liesel is a relatively early career artist who wouldn't have shown in Ireland before,' says Kearney. 'It's not just in Ireland, but all over the world, that people are aware of taking a moment of silence, to pause and reflect. Liesel has filmed these fairly random groups, including animals. It's a gentle work, and quite comic, but also, I hope, it invites the visitor to take a moment to ask, can we enter into this exhibition with that sense of dignity that we feel should be afforded to the people that are represented in it?' Work in the home is explored by the Scottish artist Caroline Walker in a series of paintings and lithographs. 'This is Caroline's first time showing in Ireland. It's a real privilege for us; she's got a big show that's just opened at the Hepworth in Wakefield, and I suspect she's going to be a global superstar. A lot of her work that we specifically requested for this show was of her mother, who helps care for her child. One painting shows her mother checking a bottle of milk, while another shows her cleaning the toilet. It's a beautiful acknowledgement of the importance and value of that kind of labour.' The subject of forced labour is touched on in Amelia Stein's photograph, Laundry, which depicts a stack of freshly folded white linen. 'Amelia's work honours the women in the Magdalene Laundries,' says Kearney. 'We've shown the work along with a piece of 19th century Limerick lace on loan from Cork Public Museum. Lace making was women's work. It brought in an income and helped families survive when no other work might have been available. It's a history that isn't celebrated very much. We don't acknowledge the economic power that women were given in that moment because it was ripped away from them again by the time the Irish state was established.' Stock Check by Caroline Walker. The most prominent work in the exhibition, and certainly the one most popular with children, is Laura Fitzgerald's Rural Stress (Landini); a large tractor constructed of welded steel, accompanied by a selection of drawings of rural tasks and activities. 'I really must give kudos to my colleague Katie O'Grady here,' says Kearney. 'We had a long chat about how we could include the rural in the show. In Ireland, as you know, so much labour around the farm happens in a family context. Farm work is never ending. Everyone gets pulled into it, and it is often very thankless. 'Katie approached Laura and asked her to participate. Laura is fabulous. She's a super artist who's making really funny work. I mean, her drawings are so observational, and again, they're made with Sharpie pens on paper. And her tractor has turned out to be the sleeper hit of the show.' There will be another mix of Irish and international artists in Rinn, the next show at the Glucksman, which will be curated by the Japanese gallerist Wahei Aoyama and the West Cork designer Joseph Walsh. Rinn tours to the Glucksman at the end of July, having premiered in Tokyo in April as part of the Ireland Japan 2025 programme. 'We're the only Irish venue the exhibition will run in,' says Kearney. 'The project has grown organically out of the Making In symposium Joseph hosts every year in his studio in Riverstick. O'Donnell and Tuomey Architects, who designed the Glucksman, have partnered in those. They were out in Japan when Rinn opened there, and they'll be part of the exhibition here as well. We'll be celebrating 21 years since the Glucksman first opened in October, so it's a nice homecoming for them.' Labour of Love: Economies of Care in Contemporary Art runs at the Glucksman until July 6. Rinn opens on July 26. Women's Work, a documentary film on the artist Caroline Walker, screens at the Kane Building, UCC at 2pm July 5. Further information:


Irish Independent
3 hours ago
- Irish Independent
Wexford's Johnstown Castle to host first ever Garden Fair
The Walled Garden at Johnstown Castle in Wexford. Photo by Colin Shanahan. Well on Sunday, July 13, the beauty spot will host its very first Garden Fair, from 10 a.m. to 4 p.m. showcasing the beauty of the horticulture in one of Ireland's most scenic and historic locations. The Garden Fair promises to be a celebration of nature, plants, and the people who bring them to life. Set in the picturesque Walled Garden of Johnstown Castle, this inaugural event will feature some of Ireland's finest plant nurseries, expert guest speakers, and a delightful range of food offerings. Attendees will be able to explore curated plant stalls, enjoy garden-themed art, and listen to inspiring talks from leading horticultural experts. Among the highlights are top plant nurseries offering everything from rare perennials to native Irish plants. Participating nurseries include Coldblow Nursery, Camolin Potting Shed, Kildalton College Nursery, Kilmurry Nursery, Leaf and Petal, Railstown Plants, Rare Plants Ireland, Shady Plants Nursery, and Individual Plant Nursery, as well as Johnstown Castle's selection of home-grown plants. In addition to the plant stalls, visitors can discover unique items from talented garden-focused creators and artists, such as botanical artist Lynn Stringer and gardenalia specialist Dee Brophy. There will also be plenty of opportunities to sit back and relax, enjoying delicious food from Eoghan's Eats food truck, The Crazy Vegetable food truck and sweet treats from The Coffee Pot, the estate's new coffee dock. Visitors will also be treated to a series of talks and presentations from leading experts in horticulture such as Geoff Stebbings, Michael White and Mary Reynolds, who will provide tips on gardening, sustainable practices and more, followed by a Q&A panel. Entry is free for Irish Heritage Trust members with an event ticket, which will be available at reception on the day, and non-members can book online or purchase at reception for €10.50. Access to the walled garden on the day will require an event ticket.


The Irish Sun
4 hours ago
- The Irish Sun
Maya Jama looks incredible in lace-up skintight dress as she hosts Love Island Aftersun
MAYA Jama once again stole the show as she hosted Love Island Aftersun this evening. The 30-year-old showed off her incredible figure in a zebra print dress with lace-up sides. 3 Maya Jama looked incredible on Aftersun Credit: Shutterstock Editorial 3 The star wore another amazing dress to show off her figure Credit: Shutterstock Editorial The host vowed to only wear vintage-inspired designer looks for this series and has impressed time after time. As she returned to the studio again tonight to chat to the latest dumped stars, Maya left fans gobsmacked with her busty look. One person commented: 'Maya your looking unreal as always.' A second said: 'Gorgeous, on fire.' Read More on Love Island Ahead of the series, "They're all from hidden archives. "The designers have been hunting them down for the last few months for me. 'Everything should have a runway reference. Most read in Love Island "It's going to be very vintage.'But On tonight's show Maya grilled recently dumped Remell and Megan. 3 The star has wowed viewers week after week Credit: Shutterstock Editorial Love Island's Conor in tears as Megan leave the villa Love Island 2025 full lineup : A 30-year-old footballer with charm to spare. : A 22-year-old Manchester-based model, ready to turn heads. : A payroll specialist from Southampton, looking for someone tall and stylish. : International business graduate with brains and ambition. : A gym enthusiast with a big heart. : A Londoner with celebrity connections, aiming to find someone funny or Northern. : A personal trainer and semi-pro footballer, following in his footballer father's footsteps. : A towering 6'5' personal trainer. : A 25-year-old Irish rugby pro. : Love Island's first bombshell revealed as sexy Las Vegas pool party waitress. : The 24-year-old bombshell hails from London and works as a commercial banking executive. : Pro footballer and model entering Love Island 2025 as a bombshell. Giorgio Russo : The 30-year-old will be spending his summer in the sun, potentially his sister Alessia's successful tournament at the Euros in Switzerland. Departures : : Axed after an arrest over a machete attack emerged. He was released with no further action taken and denies any wrongdoing. : A model and motivational speaker who has overcome adversity after suffering life-changing burns in an accident. : A boxer with striking model looks, seeking love in the villa. : A teaching assistant from Broxbourne, Hertfordshire, who entered Love Island 2025 as a bombshell . : Works as a scaffolder day-to-day and plays semi-pro football on the side. Poppy Harrison: The bombshell broke up with her boyfriend after finding out she would be in the villa Will Means : The fourth fittest farmer in the UK according to Farmers' Weekly in 2023 entered the villa as a bombshell : An Irish actress part of the OG line-up.