Very Parivarik Season 2 Teaser OUT: TVF's Family Drama Returns, Trailer Drops On THIS Date
New Delhi: After winning hearts with its debut run, TVF's much-loved family dramedy Very Parivarik is back with a bang. The teaser for Season 2 was unveiled today, setting the stage for another round of emotional chaos, humor, and relatable family drama. The official trailer is scheduled to release on May 6.
A continuation of the quirky tale of a couple—an IT professional husband and a film industry wife—Very Parivarik Season 1 became a breakout hit in 2024 for its fresh, slice-of-life portrayal of everyday Indian family dynamics, especially after both sets of in-laws entered the scene.
Season 2 promises even more laughter and heart, with the teaser offering glimpses of sharp writing, unexpected twists, and the generational tug-of-war that made the show a hit. With TVF's strong track record—thanks to shows like Panchayat, Gullak, and Kota Factory—expectations are high for this next chapter in its growing legacy of heartfelt, homegrown content.
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Time of India
39 minutes ago
- Time of India
The depiction of Indian royalty in popular media continues to be off the mark: Radhikaraje Gaekwad
Radhikaraje Gaekwad I don't want to talk too much about The Royals. All I will say is that the show is not at all well-researched. The onscreen depiction of royalty in India has been off the mark all the time, and the depiction (of Indian royalty) in popular media continues to be off the mark. Too much importance is always given to decadent lifestyles and profligacy. It feels as if royal families are living only in the past-that's the kind of general overview that all of them (movies and shows) have. It's as if royals are just squandering away wealth and not doing anything at all. There is nothing covering royalty as it is today. These portrayals are not at all realistic. The west has always been fascinated about Indian royalty-the lifestyle and riches. Unfortunately, that has become the overarching story of royalty. If you look at a show like Downton Abbey, apart from talking about the privileges, it also highlights the challenges of being royalty in today's times. However, the onscreen portrayals of royalty in India only talk about the exploitation of legacy. In reality, a lot of royal family members are going back to their roots and working with communities. This has been a politically motivated narrative right from the time of independence. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Felixstowe: If You Were Born Between 1940-1975 You Could Be Eligible For This Life Cover Reassured Get Quote Undo The 'real' royals are making a difference, including several ladies of the house. There are so many examples. Princess Brijeshwari Kumari Gohil of Bhavnagar is working at the grassroots, doing exemplary work to restore and retain the heritage of Bhavnagar. Princess Vaishnavi Kumari of Kishangarh is playing a key role in reviving art, while Princess Gauravi Kumari of Jaipur is also doing exemplary work with the Princess Diya Kumari Foundation. Many of them have studied abroad and come back to work at the grassroots. Everyone has a great sense of responsibility and pride for their roots. They are taking care of it because nobody else can do it. We rarely talk about the contribution of royalty. My father, MK Dr Ranjitsinh Jhala (author, conservationist, and former IAS officer), was one of the earliest royal family members to give up a comfortable life and work as a government servant. We only hear about the jewels of Jam Saheb, but nobody talks about the exquisite cricketer that Ranjitsinhji was, or about his contribution in putting cricket on the map of India, organising cricket camps in Jamnagar etc. Even today, our most prestigious domestic cricket tournament (Ranji Trophy) is named after him. It did not suit the political class to talk about the contribution of royalty, what they did for the people. I am happy that my daughter Padmajaraje has started young and she is doing social work at Shri Maharani Chimnabai Stree Udyogalaya, donating over 8,000 footwear to the needy so far. The narrative of how Indian royalty aligned with the British and exploited the subjects-this has been a very systematic, thought-out narrative, to club colonialism and royalty in one bracket. There's no doubt there were alliances and associations with the British. However, how politics and diplomacy work is complex. If I talk about Baroda, it maintained decorum with the British to run the state without hindrance, even if the royals did not like it at a personal level. One has to understand that the royals were not there just for decorative purposes, they had to run the administration too. We only see what the media has shown us, but people don't understand the complexity of the situation. Also, royal families have never spoken up about themselves. Creating this stereotype about royalty always suited the political class. In reality, states had to engage with the British to run their kingdom. For centuries of royalty, there will be some incompetent, decadent people ('bad royal apples'). But states were run by royals for 400-500 years. To say how a large part of the country was run for hundreds of years and the entire royalty of India was rubbish-that is really overstating it. The perception will change only if history is documented more evenly. It's also up to us (royals) to document our own history because nobody has collated what different states did in their tenure. More awareness needs to be created and it's important for people to put their authentic stories out there. One has to be prepared for backlash too. After my recent post, there was a backlash in the comments section. It's because a particular mindset has been created for so many years about royalty. I am optimistic about the Museum of Royal Kingdoms (near the Statue of Unity, which will depict the history of India's erstwhile kingdoms). We need such spaces that may be able to tell stories of Indian royalty more sensitively and authentically. I must say that the government is making an effort. For this museum, the team has got in touch with royal families for their documented history. I hope it comes out the way one expects it to. ( Radhikaraje Gaekwad is a member of the Baroda royal family, and trustee and vice president, Shri Maharani Chimnabai Stree Udyogalaya (MCSU), which has been empowering women and marginalised communities) -As told to Soumitra Das One step to a healthier you—join Times Health+ Yoga and feel the change
Time of India
39 minutes ago
- Time of India
Mission: Impossible - The Final Reckoning Box Office Collection Day 19: Tom Cruise starrer sees midweek boost with Rs 1.43 crore haul
's high-octane action saga Mission: Impossible – The Final Reckoning is continuing to hold steady at the Indian box office, registering a welcome midweek jump. On Day 19 — Wednesday — the film collected Rs 1.43 crore, indicating positive word-of-mouth and sustained audience interest even in its third week. Tired of too many ads? go ad free now After a relatively stable start in the first two weeks, the film saw a marginal slowdown, but this latest midweek growth suggests that fans are still turning up to watch the eighth instalment of the franchise on the big screen. Its total domestic net collection now stands at an estimated Rs 93.76 crore. According to the latest buzz, the film is now steadily inching towards a commendable Rs 100 crore net benchmark for a Hollywood action title in India. The film, directed by , has already grossed Rs 100 crore in India, making it the second Cruise starrer to hit the milestone. His 2023 film Mission: Impossible - Dead Reckoning also crossed the milestone, earning an estimated Rs 131 crore during its lifetime collections at the Indian box office. Cruise's return as IMF agent Ethan Hunt has struck a chord with Indian audiences, largely due to its relentless pace, larger-than-life stunts, and the star's enduring fanbase. With limited competition at the box office and steady footfalls in multiplex chains, The Final Reckoning is expected to maintain its momentum through the weekend. The action flick continues to draw praise for its immersive action sequences and Cruise's physical commitment to the role. As it enters its fourth weekend, trade analysts expect the film to close out its theatrical run with strong lifetime numbers in the Indian market.
Hindustan Times
an hour ago
- Hindustan Times
Husain's 21 unseen canvases on auction depict his vision of the last century
MUMBAI: Dadiba Pundole recollects the day towards the end of 2003 when Maqbool Fida Husain walked into the Pundole's art gallery, located in Fort, Mumbai, and asked Dadiba to postpone the next exhibition, as he wanted to use the space as a studio. 'He told us, 'I've lived through the 20th century, and I want to document it in paint',' Dadiba said. That very evening, buckets of paint and rolls of canvas arrived. Husain, then 90, pinned one stretch of canvas up on the long side of the gallery and approached it with a charcoal. Over the course of the next few weeks, during which time Dadiba grew increasingly anxious, Husain sketched and painted almost incessantly, bringing icons and political events to life with bold colours. 'At that time, we had no clue what would come of it. We didn't know how much he wanted to paint, or what all he wanted to depict. Nothing was discussed,' Dadiba said. Husain eventually moved his canvases and paints to a friend's empty apartment in Deira, Dubai, and within a year produced 25 works — often cutting up his canvases into diptychs or triptychs — that he showed at a day-long event at the Al Burj in 2004. The works, which he initially titled, An Artist's Vision of the 20th Century, and eventually came to be called, Our Plant Called Earth or OPEC, were exhibited hanging as scrolls from a high ceiling. Actor Shabana Azmi was invited to conduct a conversation with the artist. After showing these works at the Pierre Cardin Centre in Paris, Husain sold all of them to Mumbai-based businessman Guru Swarup Srivastava for a spectacular sum of ₹25 crore — an amount that at the time 'could have bought all of Husain's oeuvre up to that point,' Dadiba pointed out. Later that year, Husain announced his plan to make 100 works around the same theme, and sell them to Srivastava for ₹100 crore in a press conference held in New Delhi's Vadehra Art gallery. 'While Srivastava is not a collector, both of us share similar concerns about Indian art being greatly undervalued and that it deserves to be treated on the same platform as Western art,' reported Husain telling the reporters. The same December, Srivastava's company, Swarup Group, started an online agricultural commodities exchange. Two years later in 2006, the Central Bureau of Investigation initiated a probe into the Swarup Group and against Srivastava for alleged misappropriation of ₹150 crore from a ₹236-crore loan from the National Agricultural Cooperative Marketing Federation of India Ltd (NAFED). In 2008, a tribunal permitted NAFED to secure assets of ₹100 crore, including the Husain paintings. Husain, too, abandoned his project, and only these 25 works remain of his prolificity. A little over two decades later, the works are back on Dadiba's walls, this time completed, and ready for auction on the orders of the Bombay high court. The sale is being conducted on the instance of NAFED, the claimant in the court case. Dadiba submitted a valuation report of the paintings, valuing them at ₹25 crore, last May and earlier this year, the gallerist-turned-auctioneer was approached to put the works under the hammer. In March, his team began serious work on the paintings that had stayed rolled up for several years. He rejoined some of the canvases that the artist had split, for the sake of visual continuity, and also treated all of the works to rigorous restoration. The works that now total to 21 lots will be auctioned on June 12, under strict rules laid down by the Mumbai Sheriff, which includes that interested bidders submit an Earnest Money Deposit of ₹5 lakh and that they pay the amount of the sale by June 27. The high court has asked for a Sheriff's report on the sale of the works by July 3. The works are variously priced – some between ₹60 lakh to ₹80 lakh, others between ₹2 crore to ₹3 crore. The final cost of the works may go up higher, as Husain has recently seen an upswing among collectors. Earlier in March, a 1954 piece titled Gram Yatra fetched ₹118 crore in a Christie's auction. The works are historically significant as they not only depict the famed artist's vision of the last century, but also point to his varied inspirations that shaped his global and cosmopolitan outlook. We see a Charlie Chaplinesque figure hold a young child's hand as a rocket takes off behind them. Winston Churchill, Franklin D. Roosevelt, and Joseph Stalin, the leaders of Great Britain, the United States of America and Soviet Union, respectively, sit around a chess board with human figures toppled over it as pawns, inspired by the Yalta Conference of 1945 that signalled the end of World War II. In a far more abstract triptych, we see different races of men sit on a bench that has been propped up by goblins and cherubs. They are bookended by one figure holding an Olympic torch, and another, dressed in coattails balancing a tray. Another canvas shows the backs of two women — one in a sari, another in a dress, a clear indication of the East and the West — sitting together in convivial joy as a dove spreads its wings beneath their bench. Explaining this series and Husain's approach, art critic Ranjit Hoskote, writes in the show's catalogue: '(...T)he 20th century was, far more than any previous epoch, distinguished by the self-conscious and global historical awareness that its artists, intellectuals and political visionaries demonstrated. Many of these figures — whether the Communists, the Free Market advocates, the Suprematists, the Surrealists, or the protagonists of the Non-Aligned Movement — saw themselves as actors on a world stage, with all of recorded history and geological time as their backdrop and the cosmos as their frontier. With his boundless curiosity, inventiveness, playfulness and commitment to inquiry, Husain embodied this world-view to perfection.' 'What's interesting to see is the range of influences Husain clearly had in his life. But what is even more curious for me is to wonder what else he would have shown had he completed his original idea and made 100 paintings,' Dadiba said.
