logo
'Mirugasirisham' elevates Malaysian Tamil cinema with Dolby Atmos sound

'Mirugasirisham' elevates Malaysian Tamil cinema with Dolby Atmos sound

Sinar Daily25-07-2025
The film follows a family entangled in a web of paranormal mysteries. Seeking answers, they turn to a spiritual guru, portrayed by Vijay himself.
25 Jul 2025 04:00pm
The film was released nationwide on June 19 in both 2D and 2D ATMOS formats. - Photo via Bernama
KUALA LUMPUR - 'Mirugasirisham: The Orion', a Malaysian Tamil horror-comedy, has carved its name in local film history as the first Tamil-language production to feature Dolby Atmos sound technology.
Directed by Vijay Ganesh and produced by Dr Sai Suthan Krishnan under Fivestar AV, the film follows a family entangled in a web of paranormal mysteries. Seeking answers, they turn to a spiritual guru, portrayed by Vijay himself. The movie cast includes Joshua Shashi Kumar, Jegan Shanmugam, Nirmala Tharmarajan, Kumari and Komalaa Naaidu, with music composed by Shane Xtreme. - Photo via Bernama
The film was released nationwide on June 19 in both 2D and 2D ATMOS formats.
"'Mirugasirisham' represents our commitment to elevating local storytelling through technological innovation and heartfelt performances,' Vijay told Bernama after attending a pre-recording session of Bernama Tamil News talk show 'Paarvai' at Wisma Bernama here, recently.
The movie cast includes Joshua Shashi Kumar, Jegan Shanmugam, Nirmala Tharmarajan, Kumari and Komalaa Naaidu, with music composed by Shane Xtreme.
Subtitled in Malay and English to broaden its reach, 'Mirugasirisham' has generated positive buzz across social media, reflecting growing interest in Malaysian Tamil cinema.
Despite the momentum, Vijay admitted that local films still face challenges in cinema attendance, partly due to the average ticket price of RM20.
"Cinema outings can be expensive for many families, especially those from the B40 community. We believe lowering ticket prices could help attract more viewers to support homegrown films,' he said.
Vijay also urged the National Film Development Corporation Malaysia (FINAS) and relevant government bodies to extend greater support, including funding and production collaboration, to help filmmakers focus on creativity and quality.
"With the right partnerships and resources, we are confident Malaysian Tamil cinema can grow stronger and we can continue sharing our unique stories with pride,' he added. - BERNAMA
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

#SHOWBIZ: Lee Sinje marks debut in a Chinese-language Netflix series with 'The Resurrected'
#SHOWBIZ: Lee Sinje marks debut in a Chinese-language Netflix series with 'The Resurrected'

New Straits Times

time13 hours ago

  • New Straits Times

#SHOWBIZ: Lee Sinje marks debut in a Chinese-language Netflix series with 'The Resurrected'

KUALA LUMPUR: Malaysian-born actress Lee Sinje, also known as Angelica Lee, is set to star in the upcoming Netflix thriller series The Resurrected. This will be her debut in a Chinese-language Netflix series and a new venture for the actress, who is from Kedah. The series is co-directed by acclaimed Taiwanese filmmakers Leste Chen and Hsu Chao-jen. Lee is best known for her leading roles in the acclaimed films The Eye (2002)—which earned her the Golden Horse Award for Best Actress—and The Garden of Evening Mists (2019). She also served as a producer on the critically acclaimed Malaysian film Abang Adik (2023). In a statement yesterday, Lee shared her excitement: "I've never encountered a female-driven story that's so intense, a little wild, and deeply emotional. It was such a thrill to be a part of it, and of course, I'm even more excited for the day we get to share it with audiences around the world." Lee will star alongside acclaimed Hong Kong–Taiwanese actress Shu Qi, who is also making her first appearance in a Chinese-language Netflix production. Lee admitted that she was immediately drawn to the script, which she described as bold and groundbreaking. Set in the fictional city of Benkha, The Resurrected centres on two mothers, Wang Hui-chun (Shu Qi) and Chao Ching (Lee), who are united by hatred and seeking revenge for their daughters, who are caught in a fraud and kidnapping case. The cast also features a strong ensemble, including Alyssa Chia, Fu Meng-Po, Sukollawat Kanarot, Chung Hsin-ling, Caitlin Fang, Lin Ting-yi, Liu Chu-ping, Vivi Chen, Rexen Cheng, and Patrick Nattawat Finkler. The Resurrected premieres exclusively on Netflix on 9 October.

Myanmar's century-old cinema legacy fickers amid dark times
Myanmar's century-old cinema legacy fickers amid dark times

The Star

time16 hours ago

  • The Star

Myanmar's century-old cinema legacy fickers amid dark times

PHNOM PENH: The vibrant spirit of Myanmar's cinemas in 1920 still echoes in Yangon today. In June, as rains flooded Yangon streets, theatres premiered Mingala Pwe (The Wedding) and Just a Bazaar Seller, But So Haughty. Two Nights and Three Days and The Boat are set for release in August. These comedies and romances offer more than just escapism - they are a testament to the resilience of Myanmar's film industry, which continues to adapt and thrive against all odds. "Myanmar audiences like going to cinemas to watch or spend their leisure time more than in other South-East Asian country, despite being in a digital age. "It may be due to the country having fewer activities or exhibitions for people to enjoy as well. The majority of the movie goers are also people from the rural areas, and the only form of content seems to be going to cinemas in those areas,' Yangon-based television series director Min Thant Maung Maung told Bernama. He is the son of popular director Zin Yaw Maung Maung and actress May Than Nu. The flickering silver screens continue to bring joy to a country that has endured multiple hardships through its history - natural disasters, military dictatorship and economic hardship. Cinemas have survived the most challenging periods in Myanmar's complex history, including the British colonial era, the socialism of the 1960s to 1980s, democratic governments, and military regimes. Filmmakers face strict censorship, technological limitations, and financial struggles to produce movies, ranging from love triangles to slapstick comedies and thrilling narratives that captivate loyal audiences. "After (General) Ne Win's coup in 1962, ticket sales increased by 40 per cent seven years later. The average Burmese person was attending the movies seven times a year,' Australian National University anthropologist Dr Jane M Ferguson told Bernama. She said that when censorship was strict during the socialist era, 2,600 feature-length films were produced. "Even though they would critique the socialist years as being the impoverished ones, they would still have fond memories of these films. "They would remember the handsome actor, the beautiful actress, the problems of the overplaying mother-in-law, and all sorts of love triangle repetitions you can imagine. "Those story lines probably fit into the environment then for the local audience,' said Dr M Ferguson, who authored Silver Screens and Golden Dreams: A Social History of Burmese Cinema, published last year. The film journey in Myanmar, then Burma, began in 1920, when the first silent black and white feature film, Metta Hnint Thura (Love and Liquor), was released. Myanmar's beauties - its diverse 135 ethnic groups, cuisine, festivals, beaches, music and film - are often eclipsed by political upheavals and natural calamities. They seldom made international headlines. Cinema remains the hallmark of the country's entertainment, with about 150 movies produced annually on average. Today, about 150 movie theatres have survived the gloom and doom. Power outages, censorship and security issues have not prevented local films from attracting audiences. Regardless of its milestones and resilience throughout the rough years, the industry - boasting a wealth of talented filmmakers and actors - failed to shine outside its borders. Chief editor of Yangon-based Popular Journal, Khing My, told this news agency that Burmese cinema cannot progress due to financial constraints and screening restrictions. "Myanmar's film market is not booming yet. The international community is not interested in Myanmar's film market. This is the reason why Myanmar films cannot penetrate the international market. "Successive governments have tried to push for subtitles to be shown internationally but have failed,' said Khing My. Meanwhile, Dr M Ferguson opined that contemporary Myanmar film-makers have tremendous creative talents in storytelling to define the country's social and political settings. "I still firmly believe that filmmakers are making films that are worth watching, and they should get more attention internationally. I mean, it's an ethical obligation of international audiences to take an interest in things beyond the places that are economically powerful,' said Dr M Ferguson. - Bernama

Seedlings are good, according to the grapevine
Seedlings are good, according to the grapevine

The Star

time2 days ago

  • The Star

Seedlings are good, according to the grapevine

Compiled by ZAKIAH KOYA and C. ARUNO HOMEOWNER Ismarina Ismail, 50, planted grapevines along the edge of her yard about two years ago, not realising that she would eventually get good offers for their seedlings, Utusan Malaysia reported. 'It all started when I bought grape cuttings from a successful grower in Machang, just to try it out,' said the woman from Kampung Dalam Rhu, Kelantan. 'After eight months, it began to bear fruit, which encouraged me to plant more. 'The grapes are mainly for my family to enjoy. I took the initiative to produce grape seedlings planted in polybags and discarded polystyrene containers. 'Now, the seedlings are in high demand and frequently ordered by the public,' she added. Ismarina said the grape vines bore fruit quickly because she used organic fertiliser made from goat manure from her livestock. > The kindness and warm nature of a security guard known as Pak Cik Saad moved an entire school to tears on the day of his retirement. Kosmo! reported that a TikTok user, @lembut_hati, shared several photos showing Pak Cik Saad cutting a cake during his retirement celebration. Students at the school were seen crying and hugging him tightly. 'Happy retirement, Pak Cik Saad. Such a good person, always kind and attentive to the children at school. 'It was the saddest day for them when he announced his retirement. May you be blessed with good health and ease in all matters,' read the caption. The post caught the attention of TikTok user norfadhilahmz, Pak Cik Saad's daughter-in-law, who stated that he had previously retired from the military. > Actor Fattah Amin has warned that he would not hesitate to sue anyone who defames him. He said certain individuals were deliberately trying to tarnish his reputation with allegations of infidelity and the presence of a 'third party' behind his divorce from actress Nur Fazura, Kosmo! reported. Fattah, whose full name is Abdul Fattah Mohd Amin, 35, said his management team is taking legal action against the parties involved. 'There are people trying to damage my name and reputation. But I'm not afraid, as our country has laws,' he said. Fattah and Fazura were married on Nov 27, 2017, but divorced on Oct 7 last year. The above articles are compiled from the vernacular newspapers (Bahasa Malaysia, Chinese and Tamil dailies). As such, stories are grouped according to the respective language/medium. Where a paragraph begins with a, it denotes a separate news item.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store