
I know why this is the beginning of the end for Meghan & Harry – it's the worst time for him since the dog bowl fiasco
THAT'S A WRAP I know why this is the beginning of the end for Meghan & Harry – it's the worst time for him since the dog bowl fiasco
Click to share on X/Twitter (Opens in new window)
Click to share on Facebook (Opens in new window)
AND that, folks, is a wrap.
Amid dwindling viewing figures, the plug has been pulled on Meghan Markle and Prince Harry's £100million Netflix deal - and as their clout and currency drip away, one alarming question remains.
6
A second series of With Love, Meghan has been filmed and will be released, but no further projects with the streamer have been planned
Credit: BackGrid
Where do they go from here?
You see for the Duke of Sussex, in particular, this might just be the biggest blow since he claims his brother Prince William knocked him to the floor onto a dog bowl during a 2019 confrontation over his marriage to Meghan, as recounted in his autobiography, Spare.
Desperate to prove himself and justify the couple's 2020 departure from 'the firm', the much-hyped Netflix partnership commercially anchored their new life providing profits as well as purpose.
BIGGEST BLOW
Of course, an 18-bed Montecito mansion luxe lifestyle doesn't come cheap.
But as well as the big bucks, the streaming giant was an opportunity for the Sussexes to establish themselves as major media players.
The deal through their media production company, Archewell, promised content which 'informs but also gives hope' through a 'truthful and relatable lens' - but in the end only delivered the big switch-off.
FAMILY MUD-SLINGING
Trouble is - family mud-slinging and royal revelations aside - it seems the pair ran out of interesting things to say…. even when sat in the executive producer's chair.
No, the viewing public wasn't gripped by the documentary, Polo, with its glimpse into the privileged and glamorous 'Sport of Kings' and a favourite pastime of the 40-year-old prince.
In fact, only 500,000 people have watched the series in six months – which also featured a cameo appearance from the Sussexes hob-knobbing with the fellow glossy posse, including Meghan's mega
mate Serena Williams.
And it seems the Duchess's jam-making no longer hits the sweet spot.
According to Netflix's latest data, the 43-year-old's lifestyle series, With Love, Meghan, failed to break into its top 300 programmes
for the first half of 2025.
Harry & Meghan peace talks motive EXPOSED - they'll beg for handouts now Netflix deal's scrapped
6
Harry and Meghan only made a cameo in their Netflix documentary Polo
Credit: Netflix
6
Meghan's Netflix show With Love, Meghan didn't make the top 300 programmes for the first six months of the year
Credit: PA
OK, so Meghan's reincarnation as the millennial Martha Stewart undoubtedly created a buzz initially.
Many were ready to lap up the former Suits star's aspirational and artful fruit platters and floral place arrangements and a slice of the luxe homemaker 'authentic' life – albeit one filmed at a rented Santa
Barbara property rather than her own estate.
But inevitably a show heavy on style over substance was always destined to fizzle out – with proceedings wilting faster than the Duchess's much-used edible flower sprinkles.
FIZZLED OUT
Perhaps it all explains the whiff of desperation around some of the couple's recent activity - including a greater sharing of family images, despite reportedly wanting to keep their children out of the spotlight.
We've seen more of son Archie and daughter Lilibet's faces on Instagram – including in a recent Father's Day tribute picture and on Lilibet's birthday last month.
And what about that most unroyal candid throwback video of Meghan twerking in a hospital room to induce labour before her daughter was born back in 2021?
6
Meghan and Harry kicked off their time as non-working royals with a bang, with their Netflix tell-all series
Credit: NETFLIX
6
Meghan shared a video of her and Harry dancing in hospital before giving birth to Lili
Credit: Instagram
The late Queen would not have been amused.
Not to mention Meghan's much maligned mood board posted on Instagram – that pictorial celebration of the couple's 'love story' including baby scans and romantic clinches all smacked of a
thirst for attention that was on the wane.
Meanwhile, signs of a more meaningful Plan B are emerging.
Meredith Maines, the Duke's chief communications officer, and Liam Maguire, who runs Harry and Meghan's UK public relations team
were pictured meeting with King Charles' communication secretary at the Royal Over-Seas League near Clarence House in recent weeks.
Could this signal the start of renewed dialogue between father and son and some sort of return – however occasional or part time - for the exiled Prince?
It's long overdue. Meghan will be staying put, firmly ensconced in California with an eye on the next project.
But make no mistake, the LA sun is setting on Harry's American dream.
No one can put a spin or gloss on waning public interest and a high-profile flop project.
How Meghan and Harry are investing their Netflix millions
HARRY and Meghan have begun investing their Netflix millions in a property portfolio.
They have bought a new home in Portugal, around the corner from Harry's cousin Princess Eugenie and her husband.
But the Sussexes, who have been spending an increasing amount of time apart, do not plan to live in their new pad, The Sun understands.
It is not known if the property will be rented out, used for Airbnb-style holiday lets or used purely to park money.
But it is seen as the first step of putting earnings from their TV and book deals into a global property empire.
'They're being smart with their money,' a source said.
They pocketed £75million from streaming giant Netflix where they laid into fellow royals in a six-part series.
Meanwhile Harry, who got a £15million advance for his autobiography Spare, also inherited £8million from the late Queen Mother after turning 40 in September.
Palace insiders have been concerned about what will happen when the Sussexes run out of cash.
They have huge overheads, forking out a fortune on security in the US and for when Harry visits the UK.
And they are still paying a mortgage on the £11million Montecito mansion they bought after quitting as working royals in 2020.
Insiders say the Portugal home will be part of a financial portfolio which will include more real estate.
The Duke has lost face and will feel the effects acutely.
This is the time for getting back to basics and being true to himself, which means a shift away from celebrity and tacky commercial work to charity work and projects with more substance.
The couple's increasingly separate appearances of late indicate their working future lies in individual roles that play to their different strengths and interests.
It's the end of a joint brand that assumed an adoring public would only simper and sympathise with their 'plight' against the a British monarchy.
6
Prince Harry walking through a minefield in Dirico, Angola
Credit: AP
Prince Harry's official visit to Angola last week – retracing his mother Princess Diana's 1997 landmine walk may have attracted some criticism for copying, but it is in fact a reminder of where his focus should be and true value lies.
It's easy to forget amid the recent petulance, faults and feud that this is a man who connects well with the public, who can induce good will and - when channelled the right way - deploys soft royal power perhaps better than anyone without the stuffiness, very much like his late mother.
It's why his Californian exile remains a waste of his time and talents.
The Netflix flop may be a fresh low point in the Sussex story but perhaps it can signal a turning point for change and a more constructive new chapter.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Spectator
an hour ago
- Spectator
What I learned from running my own Squid Game
You know how this story goes. The cameras are rolling. The audience is cruel. You're trapped in the game and the game is death and the game is going out live from the heart of the state of nature where empathy is weakness and you kill each other off until there's only one left. What will you do to survive? Who will you become if you do? This is the plot of Squid Game, Netflix's Korean mega-hit that just drew to its gory conclusion. It is also the plot of The Hunger Games, Battle Royale, The Running Man, Chain-Gang All-Stars and The Long Walk. We have spent several decades watching desperate people slaughter each other for survival to entertain the rich and stupid. Future generations will probably have thoughts about why we kept returning to this particular trope with the bloodthirsty voyeurism we associate with Ancient Rome. Obviously, these stories are meant to say something about human nature, and the depraved things desperate people can be made to do to each other; they're meant to say something about exploitation, and how easy it is to derive pleasure from someone else's pain. Squid Game says these things while shovelling its doomed characters through a lurid nightmare playground where they die in cruel and creative ways. After each deadly game, blood-spattered contestants are offered a chance to vote on whether to carry on playing. It's a simple referendum: if a majority votes to stay, they're all trapped in the death-match murder circus with only themselves to blame. If they object, a masked guard will accuse them of interrupting the free and fair elections and shoot them in the face. This is everything Squid Game has to say about representative democracy. 'I wanted to write a story that was an allegory or fable about modern capitalist society,' said director Hwang Dong-hyuk, just in case you didn't get the message. The whole thing is as subtle as a shopping-mall shooter. I'm reliably informed that the English-language translations strip away a degree of nuance, which probably helps audiences in parts of the Anglosphere where irony is an unaffordable foreign luxury and the experience of everyday economic humiliation feels a lot like being hit over the head with a huge blunt analogy. Squid Game does not want you confused about who the baddies are. There's a bored cabal of cartoon billionaires drinking scotch and throwing tantrums while they watch our heroes shove each other off cliffs. They smoke cigars and say things like 'I am a very hard man to please'. We never get to find out who they are or what their plan is, because it doesn't matter. How could it possibly matter? How could anything matter in a fake hotel lobby where all the furniture is naked ladies? This is how people who want to be rich think people who are rich ought to talk: like insurance salesmen cosplaying sexual villainy in a kink club for tourists. Nobody is supposed to be able to relate to the Squid Game villains. As it turns out, though, I can. There's an innocent explanation for how I came to run my own Reality Show of Death Game. Well, mostly innocent. I happen to have a secret other life as an immersive game designer. It's what I did instead of drugs during my divorce, after discovering that here, finally, was a hobby that would let me be a pretentious art wanker and a huge nerd at the same time. The games are intense – like escape rooms you have to solve with emotions. Many of them revolve around some species of social experiment – the kind that actual researchers can't do any more because it's inhumane. Famously, the 1971 Stanford prison experiment had to be shut down early after students who were cast as guards got far too excited about abusing their prisoners. The sort of people who pay actual money to play this kind of game are expecting to be made to feel things. They're expecting high stakes and horrible choices and wildly dramatic twists. The Death Game trope is an easy way to deliver all of that. Mine forced players to pick one of their friends to 'murder on live television'. It's a five-hour nightmare about social scapegoating with a pounding techno soundtrack. I had a lot going on at the time. I swotted up on Hobbes and Hayek. I took notes on Squid Game and its infinite derivatives. I gave the players character archetypes to choose from – the Diva, the Flirt, the Party Animal – and got them to imagine themselves in Big Brother if it were produced by actual George Orwell. I wrote and rewrote the script to make sure players wouldn't be able to opt out of picking one person to bully to death. I thought that it would be easy. Instead, I learned two surprising things. The first was that it's harder than you'd think to design a scenario where ordinary people plausibly hunt each other to death. Every time, my players tried their very hardest not to hurt each other, even when given every alibi to be evil. I created a whole rule system to punish acts of altruism, spent ages greasing the hinges on the beautiful hellbox I'd built for them, and still the ungrateful bastards kept trying to sacrifice themselves for one another. Even the ones who were explicitly cast as villains. Even when it was against the rules. It takes a lot of fiddly world-building to make violent self-interest feel reasonable. It takes a baroque notional dystopia and a guaranteed protection from social punishment. What you get is a manicured, hothouse-grown garden masquerading as a human jungle – an astroturfed Hobbesian state of nature where the cruelty is cultivated to make viewers feel comfortable in complicity. The story of these games scrapes the same nerves as the ritual reporting about shopping-mall riots on Black Friday – the ones that lasciviously describe working-class people walloping each other for a £100 discount on a dishwasher. The message is that people who have little are worse than people who have more. This is a wealthy person's nightmare of how poor people behave. The rich, of course, are rarely subject to this sort of moral voyeurism. But that story isn't true. In the real-life Lord of the Flies, the children actually worked together very successfully. In the real-life Stanford prison experiment, the guards had to be coached into cruelty. Real poverty, as sociologists like Rutger Bregman keep on telling us, is actually an inverse predictor of selfish behaviour. Not because poor people are more virtuous than anyone else, but because the rich and powerful can afford not to be. The rest of us, eventually, have to trust each other. The fantasy of these games is about freedom from social responsibility. In the Death Games, nobody has to make complex and demeaning ethical choices as an adult person in an inhumane economy. In the Death Games, it makes sense to light your integrity on fire to survive. But if we did, actually, live in a perfectly ruthless market economy where competition was the essence of survival, none of us would survive past puberty. The Death Games don't actually tell us anything about how life is. They show us how life feels. The second surprising thing I learned while running my own Squid Game is that nothing feels better than running Squid Game. If you need a rush, I highly recommend building a complicated social machine to make other people hurt each other, picking out a fun hyperpop soundtrack and then standing behind a production desk for five hours jerking their strings and cackling until they cry. People apparently like my game. It has run in multiple countries. And every time, it took me days to come down from the filthy dopamine high. It turns out that I love power. This was an ugly thing to discover, and there's an ugly feeling about watching a show like Squid Game – which is, to be clear, wildly entertaining. Voyeurism is participation, and the compulsive thrill of watching human beings hurt each other for money creates its own complicity. The audience is not innocent. Sit too close to the barrier at the beast show and you risk getting splashed with moral hazard.


Daily Mail
4 hours ago
- Daily Mail
Beloved ITV detective show slapped with 'trigger warning' for crime scenes in 'woke' move
ITV 's Inspector Morse has been slapped with a 'trigger warning' in a move that has been branded ' woke '. The popular series now features a pre-warning for crime scenes throughout the show, which seems to have caused a stir with people online. The streaming giant also advises there are 'satanic images' in one episode of the drama. It then has a parental lock on the episode, titled Day of the Devil. Inspector Morse first aired from 1987 to 2000, with a total of eight series. Other episodes also feature a warning over crime and violence. The popular series now features a pre-warning for crime scenes throughout the show, which seems to have caused a stir with people online Speaking about the update, Senior MP Sir Alec Shelbrooke slammed: 'This is another example of soft-touch Britain seeping into everything. 'We're just going to be laughed at as a country if things like this continue, because nobody's prepared for the real world where there are no.' Daily Mail has contacted ITV for comment. In the past, it has said about general alerts: 'Programming that contains politically sensitive or distressing themes, content, or language has carried appropriate warnings since our launch.' Just a few weeks ago, Netflix bosses axed an iconic moment from Pride and Prejudice to avoid 'objectifying men'. The unforgettable scene of Mr Darcy - played by Colin Firth - emerging from a lake was all the rage in 1995. But show bosses have confirmed it will not resurface in the forthcoming version of the rom-com. According to reports, many fans will be disappointed as the famous BBC scene is said to have 'got millions of women hot under the collar'. A source told The Sun: 'It is also credited for sparking subsequent moments of male objectification on screen - likes Aidan Turner's famous topless scything scene in Poldark.' It's claimed that Netflix bosses 'don't want a repeat'. The saucy scene soon became one of the most favourite TV scenes, however it didn't actually feature in Jane Austen's original 1813 story. Arguably the most iconic wet shirt ever worn sold at auction for £25,000 - double its estimated sale price.


Daily Mail
5 hours ago
- Daily Mail
Love Island's Shakira and Harry set for VERY awkward meeting with her mum after she branded her daughter's love interest a 'd***head' in scathing rant
It was revealed at the end of Sunday night's Love Island episode the contestants are set to be reunited with their loved ones in the family and friends episode. However, it seems not everyone will be playing happy families with their offspring and their chosen love interest, judging by Shakira 's mother Sukina's TikToks. As Harry made another play for her daughter, Sukina launched into a furious tirade about the situation and warned him off Shakira. Labelling the Islander a 'd***head' in a scathing online rant, Sukina - who runs an online tarot card reading business - suggested Shakira will need a 'spiritual cleanse'. Sharing her unfiltered opinion, Sukina said: 'When I think of the villa I just think of a cesspit, it is just a cesspit and she is surrounded by snakes. 'She will be getting a deep spiritual cleanse when she comes home and I am just going to add this - Harry needs to the f*** up about Shakira. It was revealed at the end of Sunday night's Love Island episode the contestants are set to be reunited with their loved ones in the family and friends episode 'Seriously, the only person that's trying to give life to that little situation is that d***head. There, my love and light slipped for a minute.' 'That's about as negative as I got, d***head'. A teaser at the end of the latest episode revealed that Monday's show will see family and friends temporarily enter the villa to reunite with the Islanders. The clip showed Toni's mother Leslie making a bombshell arrival in the villa, shouting for her daughter who screamed from the terrace when she spotted her. The iconic episode, which airs days before the final, typically brings happy reunions but also some home truths from those who have been watching from home. It has not been confirmed that Sukina is one of the relatives entering the villa, however her arrival will certainly make for very awkward viewing. Shakira and Harry called it quits when he began showing an interest in Helena again, with Shakira ending their romance when she caught wind of Harry's behaviour. However, in a twist of events, Shakira ended her blossoming romance with Conor because of her lingering feelings for Harry. Helena was chosen by Blu after Harry picked to recouple with Shakira After hearing how Shakira felt, Harry began questioning his own connection with Helena, who he had just asked to be exclusive with. An explosive Grafies episode, private clips exposed Harry's true feelings for Shakiraw which he later admitted to Helena. Shakira and Harry are now exploring their romance again, much to her mother's dismay, and have recently recoupled. After calling time on their relationship, viewers have slammed producers for giving Helena and Harry a 'sad edit'. Following a row at the firepit where Helena said she was 'done', the pair later had an emotional chat where they confirmed their romance was over and hugged it out. Later in the day Harry was seen crying in the bedroom and Helena asked if he was okay before giving him another intense embrace. But viewers were sceptical of the scenes and criticised producers for laying sad music over their conversations. Viewers said they 'weren't buying it' when it came to the 'sad edit', as they felt it was an ill-judged attempt at a 'redemption arc' for Harry. Taking to X, formerly Twitter, they said: 'I wonder if the producers realise that we're not buying it? Why is Helena acting like this is Harry's last day on Earth?'; 'I actually don't care about the saga between Harry and Helena so please end it tonight!'; 'I hope to god Helena's friends and family have a long talk with her about her self worth and how she allows people to treat her when she gets home. It makes me sad to see how much she was willing to accept and even watching her hug Harry and say she'll miss him!'; 'WHAT WAS THAT SONG DURING THE HARRY AND HELENA MOMENT ("i know i don't deserve you blah blah"),'; 'Turn this emotional music off, the Helena sad girl edit is not going to work. She was soooo horrible to Shakira when she was with Harry I cba,'; 'This whole episode is the sad Harry show & I'm done with it tbh. They've given Harry more support than either Shakira or Helena, I don't understand,'; '"I'm going to miss you" Helena, Harry isn't dying, you'll see each other at events and be back mates in no time,'; 'Why are they acting like Helena/Harry was a love for the ages? I cannot deal!'; 'Can we move on from this Helena and Harry sob story now,'; But viewers were sceptical of the scenes and criticised producers for laying sad music over their conversations Viewers said they 'weren't buying it' when it came to the 'sad edit', as they felt it was an ill-judged attempt at a 'redemption arc' for Harry 'They really gave Harry the redemption arc sickening,'; 'Are we supposed to care about Harry and Helena splitting up'; 'Is this episode meant to be music and Harry and Helena crying the whole episode in some attempt of a redemption arc,'; 'Can they wrap up this Harry and Helena storyline?? We are halfway through this episode and nothing has happened by tears ???'; 'No one else left in the villa. Why is it a harry and Helena episode. They broke up let's move on.' The aftermath of the Grafties continued for many of the Islanders during Sunday's episode, including Harry who came back into the Villa after sleeping outside. Sitting together inside, Harry and Shakira debriefed about how they were feeling. Harry said: 'I have really tried with her [Helena], but we [Shakira and Harry] had like a week and it was, for me, the feelings were obviously way stronger and still are. I'm sorry I never like tried again. I really thought the door was just, like, slammed.' Shakira replied: 'Do you want some home truths… it's obviously the way you go about it and the steps you take in between to come to these conclusions obviously hurt people along the way. Taking to X, formerly Twitter, they said: 'I wonder if the producers realise that we're not buying it? Why is Helena acting like this is Harry's last day on Earth?' 'It's all well and good you saying "hold my hands up guys, sorry" but you still hurt people.' 'And it's a pattern,' she added, before Harry confessed: 'Look, I'm either leaving here alone or with you.' Still feeling confused by the situation, Helena pulled Shakira to try and make sense of it. Shakira told Helena: 'Nothing's changed. There's been no miracle… I was saying I've not let myself heal over the situation and then he was like, "Same". I was like, "What?" He said, "I've not processed how I felt towards you, I've hopped into something with Helena." I don't understand it.' 'No, I don't understand it,' Helena said, before pulling Harry and asking him: 'Have you felt this way about Shakira this whole time?' Harry replied: 'I didn't, I just buried it all. I just didn't address any of my feelings and we were flying…' Helena went on to admit: 'I thought I had something genuine in here.' Later, Shakira too tried to make sense of how she was feeling, telling Harry: 'Like, how you're feeling now is not making sense from what I've seen for the past however many weeks.' Dejon Noel Williams NAME: Dejon Noel Williams AGE: 26 FROM: London OCCUPATION: Semi-pro footballer and personal trainer WHAT ARE YOU LOOKING FOR? Someone who is beautiful on the inside and out, looks after themselves and is healthy CLAIM TO FAME? My dad being an ex-professional footballer. I've met all kinds of famous people through him. When I was younger it was weird because he was just my dad, but we'd go to a game and fans were asking for photos. I've met David Beckham, he was really nice. Megan Moore NAME: Megan Moore AGE: 25 FROM: Southampton OCCUPATION: Payroll specialist WHAT ARE YOU LOOKING FOR? I'd like to meet someone who is tall, with a nice tan, nice eyes and a nice smile. He needs to have a good fashion sense and a really good, funny personality that I can get on with HOW WOULD YOU DESCRIBE YOUR LOVE LIFE? Bankrupt, right now. But we're going to make sales and get on that corporate ladder and be booming. Profits, profits, profits! NAME: Helena Ford AGE: 29 FROM: London OCCUPATION: Cabin Crew WHAT ARE YOU LOOKING FOR? Somebody funny or Northern. I feel like Northern people have much more banter than Southerners. If you look through my previous dating history, you'll see I clearly go for personality. You can pretty much laugh me into bed. WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? I would say hire but then quickly fire soon after. It would only be a temporary contract. NAME: Shakira Khan AGE: 26 FROM: London OCCUPATION: Construction Project Manager WHAT ARE YOU LOOKING FOR? Someone who is tall, charming, witty, with big arms, a good smile and just really funny. HOW WOULD YOU DESCRIBE YOUR LOVE LIFE? Booming, but they're all frogs. It's a busy love life but I've not found 'the husband', I'm looking for 'the one'. I'm looking for the ring. NAME: Harry Cooksley AGE: 30 FROM: Guildford OCCUPATION: Gold trader, semi-professional footballer and model WHAT ARE YOU LOOKING FOR? The girl next door that makes me laugh and can hold eye contact with me. I don't think I'd go for the most obvious girl, I like a real sweet girl. CLAIM TO FAME? I'm the body double for Declan Rice. So when he does a shoot, any body close ups will actually be me. You'll never see my face, but you'll see my shoulder or chest, that kind of thing. NAME: Conor Phillips AGE: 23 FROM: Limerick OCCUPATION: Professional rugby player WHAT ARE YOU LOOKING FOR?Someone who is really sure of themselves, ambitious, a bit of a go-getter and good craic. I like dark eyes and I don't mind a dominant woman. WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? Definitely hire. I ask girls if they want to go halves on a baby. It doesn't work, but it gets them laughing. It's an ice-breaker, not a serious question of course! NAME: Toni Laites AGE: 24 FROM: Connecticut OCCUPATION: Las Vegas Pool Cabana Server WHAT ARE YOU LOOKING FOR? I'm looking for darker hair, definitely muscular but not too muscular. Super fit. Clean hair cut. Someone that can make me laugh - I'm super outgoing. And someone that's quite active. Maybe one day we could start our own family together. I WANT TO DATE A BRITISH GUY BECAUSE... I've lived in three different states and I'm still single. It's time to try something new! I have some British friends and they're pretty charming. I think all Americans love a good accent. British men are just more polite, with better manners. NAME: Yasmin Pettet AGE: 24 FROM: London OCCUPATION: Commercial Banking Executive WHAT ARE YOU LOOKING FOR? I'm looking for a guy who is fit, has a nice body and who is funny with a bit of banter. WHAT'S YOUR BIGGEST ICK? A guy that's stingy NAME: Megan Moore AGE: 24 FROM: Dublin OCCUPATION: Musical theatre performer and energy broker WHAT ARE YOU LOOKING FOR? Someone who doesn't take themselves too seriously and has a sense of humour. If they're not bad looking, that's always a plus. I love a boy that's a bit pasty, like Timothé e Chalamet. I don't mind scrawny, or a bit of a 'dad bod'. I'm 5ft1 so any height really. CLAIM TO FAME? Me and my friends made a Derry Girls TikTok for Halloween and it went a bit viral around Brighton. Sometimes I get stopped in the street about it. I've also done Panto. NAME: Blu Chegini AGE: 26 FROM: London OCCUPATION: Construction Project Manager WHAT ARE YOU LOOKING FOR? Someone who is family oriented, has a lot of love to give and a lot of love to receive. Personality goes a long way. WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? She'd fire me, but I've got the charm to smooth things over with a girl. The fact I speak fluent Spanish comes in handy when it comes to flirting! Jamie NAME: Jamie Rhodes AGE: 26 OCCUPATION: Electric Engineer WHAT ARE YOU LOOKING FOR? Bubbly, cheeky, outgoing, good face card and a nice bum. WHAT KIND OF ISLANDER DO YOU THINK YOU'LL BE? I'll be in amongst the drama! It's a once in a lifetime opportunity, I'm gonna take it by the horns and go for it. NAME: Ty Isherwood AGE: 23 OCCUPATION: Site Engineer WHAT ARE YOU LOOKING FOR? I go off energy, if we vibe. I've typically dated brunettes, tanned, nice teeth with a nice smile. WHAT KIND OF ISLANDER DO YOU THINK YOU'LL BE? A head turner! I get along with lads easily and like to make people laugh. NAME: Cacherel 'Cach' Mercer AGE: 24 OCCUPATION: Professional Dancer WHAT ARE YOU LOOKING FOR? Someone who's emotionally intelligent, beautiful, charismatic, caring, affectionate, and I'd say an intro extrovert. WHAT KIND OF ISLANDER DO YOU THINK YOU'LL BE? I think I'm gonna get into trouble, I feel like I'll be the joker of the group! I'll also be the person people come to for advice… and a bit of eye candy at the same time. ......................................................................................................................... Angel NAME: Angel Swift AGE: 26 OCCUPATION: Aesthetics Practitioner and Salon Owner WHAT ARE YOU LOOKING FOR? I'm ready to make memories with someone, go travelling with them and fall in love WHAT KIND OF ISLANDER DO YOU THINK YOU'LL BE? I feel like people have been getting their heads turned very easily. I do feel like I have quite a good chance of turning someone's head.