The remarkable and unforgettable images of painter Ithell Colquhoun, on display in London
After visiting Tate Britain, one leaves convinced that few of Colquhoun's contemporaries demonstrated as much consistency, determination and boldness in their artistic explorations. Colquhoun cared more about exploring her thoughts and questions to their limits than about being understood. As early as the late 1920s, she dared to paint and exhibit works that rejected conventional rules of decency and ordinary principles of rationality – even though, as a woman artist, she inevitably faced additional disapproval. One of her most transgressive paintings takes its title from ancient mythology: 1938's Scylla, from her Méditerranée series.
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