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Ivan Yates swaps ranting for raving, showing unexpected knowledge of nightclubs

Ivan Yates swaps ranting for raving, showing unexpected knowledge of nightclubs

Irish Times11-07-2025
Ivan Yates
has been many things, be it broadcaster, businessman or government minister. But as he acts as guest host of
The Pat Kenny Show
(
Newstalk
, weekdays), Yates reveals another, more surprising side of his personality: if he's to be believed, he was a bit of a clubber in his day.
At the very least, the presenter displays an unexpected awareness of the Irish nightclub scene, past and present, as he bemoans both the declining number of venues and, perhaps more predictably, the more abstemious social lives of young people today.
'Gen Z is ditching late-night drinks for an early-morning run, would you believe it,' he says. 'Partying has gone out of fashion.'
He points to the precipitous drop in nightclubs in Ireland since 2000, from 522 then to 'a meagre 83' now. 'I assume the hormonal interest in intimacy and romance hasn't changed, so where are people meeting?'
READ MORE
The pub, answers the Newstalk staffer Ciara Treacy, who enthuses about thriving bars full of crowds until after midnight. 'That's still early,' Yates scoffs with the dismissive air of a veteran raver. 'I'd only be getting going at two in the morning back in the day.'
It's not the only time he shows off a familiarity with nightlife. During an earlier discussion about the high price of insurance, he again refers to the falling number of clubs, recalling how an establishment in his native Enniscorthy, in Co Wexford, had to close because of rising premiums, despite being 'absolutely packed to the rafters with people on a Saturday night'.
In fairness, the 65-year-old host notes that much of his information comes from his grown-up children rather than from first-hand experience. Given he was a
Fine Gael
TD from the age of 21, it's probably too much to hope for that he might also be an aficionado of old-school acid house.
His theatrical decrying of young people's sober socialising is much more on-brand. Hearing about romances being formed at easygoing sports groups known as run clubs, he affects a perplexed tone. 'For the running, is there a dress code or does it all hang out?'
Slagging off contemporary trends has always been as crucial to Yates's would-be iconoclastic persona as ribbing liberal shibboleths, as when he plays the unreconstructed male chauvinist for the benefit of the psychotherapist Stephanie Regan: 'Women do nag a lot.'
Such waggery marks a change in gear from Kenny's micromanaging instincts, as is surely the intention, though the novelty soon wears thin.
But Yates also finds time for more in-depth analysis of current issues, from nationwide variations in cancer treatment to the rising number of vacant teaching posts.
And his irreverent and informed sides sometimes come together to good effect, such as during Monday's conversation with new TDs about their time in the Dáil so far. The host draws on his own years as a deputy as he quizzes Sinéad Gibney, of the Social Democrats, about the right balance between constituency work and parliamentary duties, or talks to Albert Dolan, of Fianna Fáil, about the importance of communicating with local voters.
On learning that Dolan has yet to open a constituency office, Yates adopts a faintly scolding tone – 'Okay, that's a bit tardy' – before mocking Barry Heneghan's roll call of relatives who help the Regional Independent TD. 'You needn't namecheck your whole family. You're starting to sound like Michael Healy-Rae,' the host says, chuckling.
But the discussion is marked by a genial collegiality, while Yates tempers his sweeping pronouncements with flashes of self-deprecation, as he recalls arriving in Leinster House as a newly elected TD. 'I was making it up as I went along,' he says, 'I'm still doing that.'
Who knows, he might be a clubber yet.
A less showily mischievous atmosphere permeates Yates's former berth on
The Hard Shoulder
(Newstalk, weekdays), where
Kieran Cuddihy
conducts affairs with an easy confidence. Not that Cuddihy eschews humour: on Monday he feigns indignation when describing the
scoreboard error
at the All-Ireland hurling semi-final between Kilkenny, his home county, and Tipperary as a 'stitch-up' that cost the Cats the match.
But this knowing style is more light-touch than heavy-handed. He examines the issue of
retail price hikes
with Jennifer Whitmore, Social Democrats TD for Wicklow, who talks of the need for her party's Dáil motion on transparency of supermarket profits at a time when rocketing grocery bills are squeezing ever more families.
Cuddihy hears out his guest but can't resist a gentle dig. 'It's well for you. In Wicklow you'd just be eating lamb,' he says. 'In Monaghan they'd be living on a diet of mushroom and stones.'
In a voice that can only be called sheepish, Whitmore replies that she hates lamb – to the host's undisguised delight. 'Oh my gosh, if Jennifer loses her seat in the next election, I'll play that clip.'
Of course, Cuddihy's manner changes depending on the topic. He is purposeful during his interview with the chairwoman of the
Road Safety Authority
, Anne Graham, on the flatlining number of road deaths, while he takes a sensitively inquiring approach during his discussion about the reported increase in self-generated child-abuse images.
The latter item is as disturbing as one might imagine, the determinedly factual tone of the host and his guests adding to the impact. Cuddihy admits to a naivety about the seriousness of the problem, sounding genuinely alarmed on learning that half of the children who took intimate photographs of themselves were aged between four and 12. 'Really young kids,' he gasps. Performative outrage can make for splashy radio, but sincere shock has more effect.
Moment of the week
Broadcasting live is stressful enough, so kudos is due to
Shane Coleman
and
Ciara Kelly
on
Newstalk Breakfast
, who sound as if they're talking over a loud old dial-up modem as they open Wednesday's show. 'You probably can hear that glitch in our output at the moment,' Coleman says contritely. 'It's not your radio. You do not need adjust your set.'
Despite their voices sometimes resembling a stuck CD, the pair gamely soldier on, though the fault seems to throw their delivery: Kelly talks about 'the warm smell – sorry, spell – of weather'. By the end, however, the problem has been resolved. 'The glitch is f-f-f-f-fixed,' Coleman jokes.
But they're not out of the woods yet, as Kelly again fluffs her lines. 'Shane and I will be back on the ... on the Breakfast ... on the Newstalk Breakfast,' she stumbles before finally finding her feet. 'I'm the one glitching now.' It's just one of those days.
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‘I love gowns, volume and a lot of drama': Meet the young Irish designer creating outfits for CMAT and Chappell Roan
‘I love gowns, volume and a lot of drama': Meet the young Irish designer creating outfits for CMAT and Chappell Roan

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‘I love gowns, volume and a lot of drama': Meet the young Irish designer creating outfits for CMAT and Chappell Roan

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One Night in Dublin ... at the museum: A nocturnal walkabout at the Irish Museum of Modern Art
One Night in Dublin ... at the museum: A nocturnal walkabout at the Irish Museum of Modern Art

Irish Times

time7 hours ago

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One Night in Dublin ... at the museum: A nocturnal walkabout at the Irish Museum of Modern Art

At 10pm on a Thursday night, a fox slips out from the shadows at the gates of the Irish Museum of Modern Art (IMMA). Historian Barry Kehoe follows close behind, regarding the fox with professional suspicion. A guide for the night, Kehoe leads the way up a path by now well trodden; he has just shy of 25 years at IMMA under his belt. Kehoe adjusts his head lamp and offers a small torch as the sky quickly darkens. 'The Drummer' by Barry Flanagan, 1941–2009 in the grounds of the Irish Museum of Modern Art IMMA in Kilmainham. Photo: Bryan O'Brien Royal Hospital Kilmainham at night, home to the Irish Museum of Modern Art IMMA. Photo: Bryan O'Brien He heads towards the courtyard as the fox disappears into a hedge. Presumably he has rounds to do. By day, IMMA is full of chatter and curated light. But by night, it's quieter and more theatrical. The building looms in a way it doesn't during daylight hours, suddenly more mausoleum than gallery. READ MORE 'We're walking with Dublin's dead,' Kehoe says, referencing the graveyard a stone's throw away on the site of the Royal Hospital in Kilmainham on the west side of Dublin city. He speaks in hushed tones as if not to disturb them. Built between 1680 and 1684, the Royal Hospital was once home to hundreds of retired soldiers and was the capital's main burial grounds. In more recent history, a temporary mortuary was erected on the old hospital grounds in grim anticipation of a Covid-19 surge in 2020. Today it houses more than 4,500 contemporary artworks by Irish and international artists. Kehoe is not alone within these walls. Aside from the company of ghosts of Ireland past, somewhere in the east wing is artist-in-residence Eoghan Ryan. He lives onsite, in the old stables at the edge of the museum complex only a short walk from the main building. Ryan's immaculate studio shines like a beacon on the otherwise darkened campus. 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Jerry Fish: ‘I'm a London-born Dub but I discovered most of my DNA is from exactly where I now live'
Jerry Fish: ‘I'm a London-born Dub but I discovered most of my DNA is from exactly where I now live'

Irish Times

time7 hours ago

  • Irish Times

Jerry Fish: ‘I'm a London-born Dub but I discovered most of my DNA is from exactly where I now live'

How agreeable are you? It depends on what you want from me. I'm friendly, easy going, reasonable, but I've never been a pushover. What's your middle name and what do you think of it? My middle name is Joseph, and it was my grandmother's name, Josie, and my grandfather's as well as my father's and my brother's first name. It's a family name. I think it's strong and friendly. Where is your favourite place in Ireland? I just love Ireland as a country, especially when the sun is shining. I tell people that I live where the last wolf in Ireland was killed, on Mount Leinster, where we've been for 20 years. It's quite strange because I did the DNA thing, and I discovered that most of my DNA is from exactly where I live. I'm obviously here for a reason. That said, I'm a Dub, and my family and ancestors are all inhabitants of Raytown [better known as Ringsend], the mouth of the river Liffey in Dublin, so my heart is at Poolbeg lighthouse in Dublin Bay. Describe yourself in three words. An emotional fish. READ MORE When did you last get angry? I was very angry when I was the singer in An Emotional Fish in the 1990s. I was disappointed to find that as a working-class person I was isolated in the music industry, and that most of the industry comprised middle-class people whom I didn't really understand at the time. I wanted to be Iggy Pop. I still look to Iggy as a role model, but he is cool, not angry. Luckily, I've veered more towards the former than the latter. What have you lost that you would like to have back? I've never had an inkling to look back, but I've lost a lot of dear friends – I lost my best friend when he was 20. I've realised recently that not only have I spent a lot of my life dealing with grief, but also with the realisation that grief comes with a gift, which is the knowledge that we're all visitors to this world, that we're just passing through. What's your strongest childhood memory? I grew up in south London, an Irish immigrant. We were the melting-pot generation, so my parents were greeted by the infamous 'No blacks, no dogs, no Irish' signs. Yeah, welcome to London. It was a diverse, tough childhood; most of my peers were from the Caribbean or were cockneys. The older I get, however, the more I reflect on my childhood in London. I'm grateful for it because I think the 1960s and 70s, in particular, were when Britain changed. It became a new Britain, if you like, a new people, and I'm still quite proud to have been part of that London community. [ 'No Irish, No Blacks, No Dogs': Irish Times readers recall seeing notorious signs in Britain Opens in new window ] Where do you come in your family's birth order, and has this defined you ? I'm the eldest of six. I left home at 17, returned to the UK and started travelling. The eldest has responsibilities; I had to help out a lot, and that certainly taught me things, but I also had the fortune of being able to leave first, to escape chaos. What do you expect to happen when you die? No idea, but you are what you bring to the party, not what you take from it. If you spend your life being kind and generous, you leave that behind, and that rolls forward. If you're mean, you put that on the Earth. When were you happiest? I spent much of my misspent youth playing in garage rock bands and living as a beach bum in the Mediterranean, but I became happiest of all when I became a father. Even though I had a tremendously liberating youth that I can recall great moments, from being in An Emotional Fish, touring the world, even before that, sleeping on beaches and not having any worries or cares. Fatherhood filled a gap, something I realised I was missing. Which actor would play you in a biopic about your life? I recently watched the Robbie Williams biopic, Better Man, where he was portrayed by a chimpanzee. In my biopic, which would be directed by the late David Lynch or Wes Anderson, I could be played by a fish. Which fish? I think carp have great faces. [ Better Man review: Robbie Williams as a monkey is a surprising look at the ego-driven's star's life Opens in new window ] What's your biggest career/personal regret? I think everything happens for a reason, and we learn from our mistakes and failures. I've been through many ups and downs, but they all led to a better place in some way. I'm very happy in the here and now, and for me, that's where it works. Have you any psychological quirks? I'm an artist who ran away with the circus, so I am a psychological quirk. It's a whole mess, a circus, and I am its monkey. In conversation with Tony Clayton-Lea Jerry Fish brings his Electric Sideshow and Fish Town to Electric Picnic, August 29th-31st,

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