logo
Selena Gomez Charts Her First No. 1 On A Billboard Ranking

Selena Gomez Charts Her First No. 1 On A Billboard Ranking

Forbes02-04-2025

Selena Gomez's I Said I Love You First debuts at No. 1 on several Billboard charts, giving her and ... More Benny Blanco their first vinyl albums chart-topper. LOS ANGELES, CALIFORNIA - AUGUST 22: Selena Gomez attends the Season 4 premiere of Hulu's "Only Murders In The Building" at Paramount Studios on August 22, 2024 in Los Angeles, California. (Photo by)
Selena Gomez's new album I Said I Love You First doesn't just debut on the Billboard charts this week, it arrives in spectacular fashion, quickly climbing to the top of multiple rankings. The set opens at No. 1 on a number of tallies, and as it does, it hands both Gomez and her fiancé Benny Blanco a major career win.
I Said I Love You First debuts at No. 1 on half of all the Billboard charts it reaches this week. On the Vinyl Albums chart, the ranking that highlights the bestselling vinyl LPs in the U.S., the set marks the first time she's ruled the list. Blanco, meanwhile, earns his very first placement and his first leader simultaneously.
The same project is also new to the throne on the Top Album Sales chart, which takes into account all formats, both physical and digital.
According to Billboard, I Said I Love You First sold 21,000 copies on vinyl in its debut frame. That's the best week either Gomez or Blanco has managed on the format throughout their careers.
In total, the album sold 71,000 copies in its first seven days, which made it the bestselling release in the U.S. this frame. A significant portion of those units came from vinyl, though it also sold well on platforms like iTunes and on CD.
Gomez has been to the Vinyl Albums chart before, but she's never risen this high. In 2020, her set Rare broke into the top 10, peaking at No. 7. Prior to that, her 2015 release Revival made it to the tally, but only for one week, when it stalled at No. 20. Now, she not only returns to the ranking, and dominates it completely — alongside Blanco, who had never appeared until now.
While I Said I Love You First shines on the sales-based charts, it falls just short of topping the Billboard 200. The collection opens at No. 2 on the all-genre, all-consumption list, coming in behind Playboi Carti's Music. That hugely popular hip-hop offering spends a second frame at No. 1.
This is Gomez's first solo studio album to miss the throne on the tally. Her last three solo efforts—Stars Dance, Revival, and Rare—all debuted at No. 1 on the Billboard 200.
I Said I Love You First also opens at No. 6 on the Top Streaming Albums chart. That's the lowest position for the set across the Billboard major rankings, but it still represents a big moment for both artists. It's the first time either Gomez or Blanco have broken into the top 10 on this particular list, and it underlines the fact that while sales were a major force behind this exciting launch, streaming contributed to the title's rise in a meaningful way as well.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

New TV Shows This Week (June 8 - 14)
New TV Shows This Week (June 8 - 14)

Geek Girl Authority

timean hour ago

  • Geek Girl Authority

New TV Shows This Week (June 8 - 14)

Welcome to another edition of New TV Shows. This week, a father-daughter spy duo returns to Netflix. Mexican singer Lucero stars in Our Times , Nick Mohammed joins two Hollywood stars in a Prime Video movie and the continuation of To Barcelona, With Love comes to Hallmark Channel. Some exciting series, including one about journalists and exposure, are premiering this week. Get ready because things are about to get good. Here's what's new on TV for June 8-14. NEW ON TV, JUNE 8-14 June 10 – The Kollective After a plane crash, a group of young citizen journalists known as The Kollective get together to uncover what truly happened. The group believes the crash wasn't an accident, so they decide to investigate and discover a global conspiracy that includes government corruption. Hulu's newest series, The Kollective , stars Natascha McElhone, Celine Buckens, Felix Mayr, Grégory Montel, Karel Roden, Cassiopée Mayance, Martha Canga Antonio and Ralph Amoussou. The Kollective premieres Tuesday, June 10 at Midnight/11c on Hulu. RELATED: The Premise and How Star Trek Fans Created Fanfic as We Know It June 11 – Our Times Mexican singer Lucero stars in Netflix's newest Spanish-speaking movie, Our Times . The film tells the story of two physicists who, in 1966, discover time-travel and land in 2025. While Nora is happy because she can thrive in a world that celebrates women, Héctor can't find himself in this new reality. Now, Nora must decide if she goes back in time with the man she loves or stays in a time that empowers her. Our Times premieres Wednesday, June 11 at 3/2 am on Netflix. June 12 – Deep Cover Prime Video is releasing a new movie that includes Bryce Dallas Howard, Orlando Bloom and Nick Mohammed. The film, written by Derek Connolly, Colin Trevorrow and Ben Ashenden, follows three improv actors who are asked to go undercover in London's criminal underworld. Can they complete the task? Deep Cover premieres Thursday, June 12 at 3/2 am on Prime Video. RELATED: On Location: Es Saadi Marrakesh Resort on The Night Manager Season 1 June 12 – FUBAR Arnold Schwarzenegger and Monica Barbaro are back for FUBAR Season 2. After the ending of Season 1, Luke and his team will have to figure out who the rat is among them since their identities have been exposed. The cast still includes Travis Van Winkle, Fortune Feimster, Milan Carter, Scott Thompson, Fabiana Udenio, Andy Buckley, Jay Baruchel, Adam Pally, Tom Arnold, Aparna Brielle and Barbara Eve Harris. FUBAR Season 2 premieres Thursday, June 12 at 3/2 am on Netflix. June 13 – Echo Valley Julianne Moore and Sydney Sweeney star in Apple TV+'s newest film, Echo Valley . The movie tells the story of a mother and daughter with a complicated relationship. Things get more tense when Claire shows up at her mother's house covered in someone else's blood. As a mother, Kate pushes the limits to find out how far one can go to protect their child. Echo Valley premieres Friday, June 13 on Apple TV+. RELATED: Stranger Things : Netflix Announces Premiere Dates for Epic Final Season June 14 – To Barcelona, Forever If you enjoyed Hallmark's To Barcelona, With Love , you are bound to love its sequel, To Barcelona, Forever . This new film finds Anna traveling back to Barcelona to celebrate Erica and Nico's engagement. That is where she meets a farmer and ends up in a complicated engagement herself to save his family legacy. Alison Sweeney and Ashley Williams return for this movie. To Barcelona, Forever premieres Saturday, June 14 at 8/7c on Hallmark Channel. Check back next week for What's New on TV for June 15-21. Natasha Romanoff vs. Yelena Belova: The Value of Well-Written Women Characters By day, Lara Rosales (she/her) is a solo mom by choice and a bilingual writer with a BA in Latin-American Literature who works in PR. By night, she is a TV enjoyer who used to host a podcast (Cats, Milfs & Lesbian Things). You can find her work published on Tell-Tale TV, Eulalie Magazine, Collider, USA Wire, Mentors Collective, Instelite, Noodle, Dear Movies, Nicki Swift, and Flip Screened.

You Probably Hate This Masterpiece Sci-Fi Show. Here's Why You Need to Rewatch It in 2025
You Probably Hate This Masterpiece Sci-Fi Show. Here's Why You Need to Rewatch It in 2025

Yahoo

timean hour ago

  • Yahoo

You Probably Hate This Masterpiece Sci-Fi Show. Here's Why You Need to Rewatch It in 2025

You may be thinking, "Really, Macy? You're going to the mat over a show that came out over 20 years ago?" Well, yes. Because it simply isn't given the respect it deserves. Like many Americans, my family and I loved our nights huddled around the TV to watch our favorite TV shows live. For us, that meant American Idol, Dexter and, of course, ABC's network hit Lost. There's a good chance you watched Lost in the early 2000s, too. And there's an even better chance you think it got bad. Or you have some sort of perspective that it started strong but went off the rails after the first three seasons. Somewhere along the way -- maybe when the flash-sideways began, or when a smoke monster turned into a man, or when you realized there wasn't going to be a clear-cut answer to every mystery -- you bailed. Maybe you saw the finale and thought it ruined the whole show. (More on that later.) I watched Lost when I was a kid, but hadn't revisited it for close to a decade. Until it came to streaming services, first Hulu and now Netflix and Disney Plus. One day, I decided to replay the pilot episode and, well, it transformed me into the person writing this 1,500-word defense. I binged the show and then immediately turned around and binged it again. I'm truly mad at myself for wasting so much time thinking this show was a disappointment. In truth, it's a glorious, ambitious near-masterpiece. It's my favorite show. That's why I'm writing this. I'm here to ask you to do something radical: Rewatch Lost in 2025. Yes, all of it. And this time, go in with fresh eyes -- see it not as a weekly network drama, but as a serialized, character-driven odyssey that, along with The Sopranos and Mad Men, paved the way for the prestige genre TV we obsess over now. Because the truth is, Lost wasn't a failure. It was just ahead of its time. Here's why. Looking for more streaming recommendations? You should also watch my favorite movie, a historical drama packed with modern themes, for free now. The last thing I want to do is spoil the ending of a show I'm trying to get you to rewatch. But I feel like I need to address this early since one of the main reasons audiences ultimately turned on the show was a misconception about the ending. I'll tell you right now, spoilers be damned. They. Were. Not. All. Dead. The. Whole. Time. The idea that the characters were really all dead the whole series and that the island was just a purgatory-like state is completely untrue. It's been debunked by the creators of the show, the actors who starred in the show and the dialogue in the series finale itself. A twist ending like that -- revealing they had all died in the plane crash right at the start -- would be a horrible one. It would retroactively reduce the entire plot of the show to meaningless, empty nothingness. So, thankfully, that's not how it actually ended. Now, you can just enjoy the show knowing that it all matters. When Lost premiered in 2004, there was nothing like it on network television. A lush, cinematic sci-fi mystery shot on 35mm film, with a massive ensemble cast of mostly unknown actors and an evolving mythology? On ABC, of all places? In the era of CSI, Desperate Housewives, and the dozens of other cop shows and formulaic TV, Lost was a risk. Lost is a sci-fi show (I think a lot of people forget that) with horror and supernatural elements. It's serialized, meaning you must see each episode to understand the next one, unlike so many shows that were airing on network TV at the time. The show follows a group of drastically different people who have just survived a plane crash on a remote, tropical island that seems to harbor deep, dark mysteries. But each survivor has secrets of their own. And they must live together in order to survive. (I can vividly remember hearing protagonist Jack Shepard say, "If we don't learn to live together… we're gonna die alone.") These characters come together with their differences, their pasts (beautifully depicted in flashback scenes), their traumas, their hopes and their desires, to collectively navigate this horrible situation. What unfolds is six seasons of intense, heart-wrenching plot points that subvert expectations and are rich with themes of faith, spirituality, dualism, philosophy and the mystical. It's pretty normal for TV shows now to be cinematic. Shows like The Last of Us, Succession, Stranger Things and Severance all make use of big budgets, high-quality production, engrossing performances and teams of insanely talented writers. But Lost was doing that in 2004 on ABC, which means the showrunners were dealing with the many obstacles and restrictions of network television. For instance, the show's creators -- J.J. Abrams, Jeffrey Lieber and Damon Lindelof -- wanted Lost to only be three seasons, but ABC said no, and pushed them to do 10 seasons when they saw what a hit the show had become. They eventually negotiated down to the six seasons we have today. But that's twice the amount of runtime the original creators intended. Despite this, the writers crafted compelling story lines and introduced some of the most intriguing characters (Ben, Juliet, Jacob, Penny, Miles) into the later seasons. It's easy to forget that Lost was doing time jumps, shifting perspectives and emotional bottle episodes long before The Leftovers, Dark or Severance existed. It experimented with structure constantly: a flashback here, a flash-forward there, a time loop in season 5. Entire episodes would focus on side characters you hadn't seen in weeks. It was complicated, sure, but thrillingly so. The show trusted its audience to keep up, even when it was confusing. And yes, that led to frustration at the time, but trust me, it works much better now that Lost is on streaming services. It's a show that really should be binged, so that you can truly appreciate the nuance and hidden details of the writing. The things that made Lost so good at the time are why it hasn't been fully appreciated. It was simply ahead of its time. Lost indeed was a risk, but one that paid off in six seasons of wild, genre-bending storytelling and a gut-punch, emotional ending that will land as long as you give it another chance with an open mind. Read also: The 21 Best Sci-Fi TV Shows to Stream on Netflix Part of what makes Lost such a rewarding rewatch in 2025 is that it doesn't feel dated. The series still looks and sounds incredible. Because it was filmed on 35mm, which can be upscaled and remastered. Plus, shot on-location in Hawaii, the series still looks gorgeous. The performances of the 14 regularly recurring leads of the cast are absolutely brilliant, too. Even though this was a cast of mostly unknown actors at the time, they all, guest actors included, reached a caliber of performance that is still so rare to witness in a TV series. And the music is absolutely remarkable. Michael Giacchino (The Incredibles, Up, Coco, Inside Out) created what I think is the best TV score of all time for Lost. I mean, he used debris from the crashed plane from the pilot episode to create the unique, bizarre sounds you hear each episode. The score is a perfect fit for a unique storyline. More than anything else, Lost is a show that will make you feel. Is every plotline perfect? No. Do the final seasons get a bit complex? Absolutely. But on balance, Lost is one of the most ambitious, strange, beautiful things ever put on television, and it is emotionally satisfying from start to finish. Lost opened the door for serialized sci-fi and genre storytelling on TV, especially character-first narratives with weird, metaphysical themes. What I'm saying is that without Lost, it's hard to imagine Severance, Stranger Things or other TV sci-fi faves. So if you haven't watched it since 2010 -- or if you've never watched it at all -- now's the time. The entire series is available to stream on Hulu, Netflix, Disney Plus and Prime Video for rent. Skip the Reddit threads. Forget the hot takes. Just hit play. And maybe, just maybe, you'll find that Lost didn't lose its way. We just didn't know how to watch it yet. For more, you can explore the 13 best sci-fi shows on Apple TV Plus and the 18 best sci-fi shows on Prime Video.

8 Best Moments From Olivia Rodrigo's Headlining Gov Ball 2025 Set: ‘I Want Them to Hear Us in F—king Manhattan'
8 Best Moments From Olivia Rodrigo's Headlining Gov Ball 2025 Set: ‘I Want Them to Hear Us in F—king Manhattan'

Yahoo

time2 hours ago

  • Yahoo

8 Best Moments From Olivia Rodrigo's Headlining Gov Ball 2025 Set: ‘I Want Them to Hear Us in F—king Manhattan'

Olivia Rodrigo is a machine. More from Billboard Thousands Fill Nation's Capital for WorldPride Parade With Reneé Rapp, Laverne Cox, Gay Men's Chorus & More Miley Cyrus Says Disney Stopped Her from Singing 'Hannah Montana' Songs After Series Ended: 'Not Like I Wanted to' Rod Stewart Cancels Additional U.S. Tour Dates Due to Illness: 'I'm Devastated' While most artists would opt to take a break after touring an album around the world for over a year, Rodrigo wasn't quite done after wrapping her GUTS tour last fall. In March, she took the stage at Lollapalooza Chilé — her first of a whopping 18 headlining festival sets she booked for 2025. A handful of Latin America gigs later, Rodrigo made her way back to the States for the second day of Governors Ball on Saturday (June 7) night. Her first appearance at the New York City festival unfortunately didn't come without obstacles — particularly for fans. Due to inclement weather, (heavy rain and lightning were forecasted for a few hours during the day), festival organizers announced that doors would be pushed from 11:45 a.m. to 4:30 p.m., leaving dozens of fans who arrived bright and early for a prime barricade spot to wait outside the gates even longer. When doors finally did open, a handful of afternoon sets were cut, while others were shortened and pushed. Rodrigo's main stage set moved from 8:30 p.m. to 9:25 p.m., immediately following Feid, who performed during her original set time on the nearby Kiehl's stage. When she finally hit the stage dressed in a sparkly new red two-piece set, Rodrigo controlled the crowd with a rock 'n' roll prowess we haven't seen since artists like Avril Lavigne and Gwen Stefani toured in the early aughts. She effortlessly blended her pop-rock bangers with her somber ballads for nearly an hour and a half — keeping the crowd of all ages captivated whether she was strumming her guitar, playing the piano or dancing and jumping all over the stage. The weather delays may have been rough, but they didn't stop Rodrigo from delivering a set to remember. Here are the 8 best moments from her headlining set below. About an hour after The Go-Go's 'We Got the Beat' blasted through the mainstage speakers as part of Rodrigo's pre-show playlist, who would've guessed that another 1980s classic would make its way onto her setlist… and with an IRL surprise. Following a moving performance of 'favorite crime,' a starstruck Rodrigo introduced rock legend David Byrne for a duet rendition of Talking Heads' 'Burning Down the House.' Rodrigo and the now 73-year-old rocker, wearing a white tee and red overalls (which perfectly matched Rodrigo's two-piece set), flawlessly switched off lines of the 1983 smash and happily danced around the stage. Throughout the performance, Rodrigo even took part in some of Byrne's signature choreo. After kicking off the final set of the night with her GUTS deluxe single 'obsessed' followed by fan-favorite 'ballad of a homeschool girl,' Rodrigo slowed it down with what could only be described as a holy trinity of back-to-back ballads. Sitting at a grand piano, 'Vampire' was the perfect way for Rodrigo to tee up the trio of slower songs. By the time its climactic bridge hit, the crowd's vocal cords were warmed up for what was to come: the song that started it all and her first Billboard Hot 100 No. 1 'drivers license' (Rodrigo said that she thinks 'of my life in before and after this song'). For the final song in this little trio, she went with 'traitor' a clear fan-favorite from her debut album considering that the crowd was just as loud, if not louder, than they were just one song before. 'I wrote this song when I was falling in love with this boy,' Rodrigo cheekily shared with the crowd before going into 'so american,' a GUTS (spilled) track that fans believe was written as a love letter to her boyfriend, English actor Louis Partridge. 'Maybe you'll understand this feeling when you're first falling in love with someone, and everything you do, you just think of them,' she continued. 'When I wrote this song, I was driving in the car, thinking of this person, and I started humming this chorus, and it turned into this song.' We'll take the Louvia crumbs. Other than a shortened setlist, there were a few key differences between Rodrigo's festival set and last year's GUTS tour. For one, the on-screen visuals are slightly different, although they definitely still fit within the GUTS world. Her background dancers were also cut from this gig, giving the spotlight to just Rodrigo and her all-female band. She performed a stripped-back rendition of 'pretty isn't pretty' with just her strumming her acoustic guitar, and later equipped herself with just an electric guitar for a solo performance of her heart-wrenching SOUR ballad, 'enough for you.' Some encores don't give what they need to give, but Rodrigo's was not that. It was a couple minutes after 10:30 p.m. when she wrapped up her performance of 'deja vu' — which seemed to be the final song of the night after Rodrigo exited the stage. That was until a stunning visual of her gracefully sitting in a white slip dress popped up across the big screen, which was soon engulfed in digital flames. By 10:37 p.m., Rodrigo re-emerged, equipped with a red megaphone adorning her first and only outfit change of the night: a red and white cropped baseball tee that read 'New York City Never Looked So Blue.' The songs in the encore were just as satisfying: 'brutal,' 'all-american b—h,' 'good 4 u' and 'get him back!' With him taking the stage just an hour before her, Rodrigo took a minute out of her set to give a shoutout to her longtime friend and fellow artist, Conan Gray. 'I love him so much, he's my best friend,' she excitedly told the crowd ahead of singing 'enough for you' (a SOUR track she revealed is her 'favorite song she's ever written'). Gray delivered a mainstage set complete with props and a costume to match the sailor aesthetic of his upcoming album Wishbone, for which he just released its first single, 'This Song.' 'Have you listened to his new song yet?' Rodrigo asked the crowd, which immediately erupted in screams. 'That's the right answer. I love him so much and I love playing music.' It became a GUTS tour tradition for Rodrigo to lead fans in a primal scream fest during her performance of 'all-american b—h' — and that tradition continued for her Gov Ball set's penultimate song. 'There is so much s—t to be pissed off about in the world today,' she said before getting into the song's bridge. 'When I tell you 'go,' I want you to scream as loud as you can and let it all out. Okay? I want them to hear us in f—ing Manhattan.' (The festival takes place outside the city in Queens, N.Y.). Probably channeling their emotions that came with the delay, downpour, mud and muggy weather that came earlier in the day, the crowd certainly followed directions. When Rodrigo tee'd up the screams with the first line of the bridge and and said 'go,' the stage went completely black — and for a good 10 seconds, all that could be heard were the most guttural of screams. Not that the rest of the show wasn't, but this was a true moment of group catharsis. 'obsessed' 'ballad of a homeschooled girl' 'vampire' 'drivers license' 'traitor' 'bad idea right' 'love is embarrassing' 'pretty isn't pretty' 'happier' 'enough for you' 'so american' 'jealousy, jealousy' 'favorite crime' 'Burning Down the House' (with David Byrne) 'deja vu' Encore 'brutal' 'all american b—h' 'good 4 u' 'get him back!' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store