You Probably Hate This Masterpiece Sci-Fi Show. Here's Why You Need to Rewatch It in 2025
You may be thinking, "Really, Macy? You're going to the mat over a show that came out over 20 years ago?" Well, yes. Because it simply isn't given the respect it deserves.
Like many Americans, my family and I loved our nights huddled around the TV to watch our favorite TV shows live. For us, that meant American Idol, Dexter and, of course, ABC's network hit Lost.
There's a good chance you watched Lost in the early 2000s, too. And there's an even better chance you think it got bad. Or you have some sort of perspective that it started strong but went off the rails after the first three seasons. Somewhere along the way -- maybe when the flash-sideways began, or when a smoke monster turned into a man, or when you realized there wasn't going to be a clear-cut answer to every mystery -- you bailed.
Maybe you saw the finale and thought it ruined the whole show. (More on that later.)
I watched Lost when I was a kid, but hadn't revisited it for close to a decade. Until it came to streaming services, first Hulu and now Netflix and Disney Plus. One day, I decided to replay the pilot episode and, well, it transformed me into the person writing this 1,500-word defense. I binged the show and then immediately turned around and binged it again.
I'm truly mad at myself for wasting so much time thinking this show was a disappointment. In truth, it's a glorious, ambitious near-masterpiece. It's my favorite show.
That's why I'm writing this. I'm here to ask you to do something radical: Rewatch Lost in 2025. Yes, all of it. And this time, go in with fresh eyes -- see it not as a weekly network drama, but as a serialized, character-driven odyssey that, along with The Sopranos and Mad Men, paved the way for the prestige genre TV we obsess over now.
Because the truth is, Lost wasn't a failure. It was just ahead of its time. Here's why.
Looking for more streaming recommendations? You should also watch my favorite movie, a historical drama packed with modern themes, for free now.
The last thing I want to do is spoil the ending of a show I'm trying to get you to rewatch. But I feel like I need to address this early since one of the main reasons audiences ultimately turned on the show was a misconception about the ending.
I'll tell you right now, spoilers be damned. They. Were. Not. All. Dead. The. Whole. Time.
The idea that the characters were really all dead the whole series and that the island was just a purgatory-like state is completely untrue. It's been debunked by the creators of the show, the actors who starred in the show and the dialogue in the series finale itself.
A twist ending like that -- revealing they had all died in the plane crash right at the start -- would be a horrible one. It would retroactively reduce the entire plot of the show to meaningless, empty nothingness. So, thankfully, that's not how it actually ended.
Now, you can just enjoy the show knowing that it all matters.
When Lost premiered in 2004, there was nothing like it on network television. A lush, cinematic sci-fi mystery shot on 35mm film, with a massive ensemble cast of mostly unknown actors and an evolving mythology? On ABC, of all places? In the era of CSI, Desperate Housewives, and the dozens of other cop shows and formulaic TV, Lost was a risk.
Lost is a sci-fi show (I think a lot of people forget that) with horror and supernatural elements. It's serialized, meaning you must see each episode to understand the next one, unlike so many shows that were airing on network TV at the time.
The show follows a group of drastically different people who have just survived a plane crash on a remote, tropical island that seems to harbor deep, dark mysteries. But each survivor has secrets of their own. And they must live together in order to survive. (I can vividly remember hearing protagonist Jack Shepard say, "If we don't learn to live together… we're gonna die alone.")
These characters come together with their differences, their pasts (beautifully depicted in flashback scenes), their traumas, their hopes and their desires, to collectively navigate this horrible situation. What unfolds is six seasons of intense, heart-wrenching plot points that subvert expectations and are rich with themes of faith, spirituality, dualism, philosophy and the mystical.
It's pretty normal for TV shows now to be cinematic. Shows like The Last of Us, Succession, Stranger Things and Severance all make use of big budgets, high-quality production, engrossing performances and teams of insanely talented writers. But Lost was doing that in 2004 on ABC, which means the showrunners were dealing with the many obstacles and restrictions of network television.
For instance, the show's creators -- J.J. Abrams, Jeffrey Lieber and Damon Lindelof -- wanted Lost to only be three seasons, but ABC said no, and pushed them to do 10 seasons when they saw what a hit the show had become. They eventually negotiated down to the six seasons we have today. But that's twice the amount of runtime the original creators intended.
Despite this, the writers crafted compelling story lines and introduced some of the most intriguing characters (Ben, Juliet, Jacob, Penny, Miles) into the later seasons. It's easy to forget that Lost was doing time jumps, shifting perspectives and emotional bottle episodes long before The Leftovers, Dark or Severance existed. It experimented with structure constantly: a flashback here, a flash-forward there, a time loop in season 5. Entire episodes would focus on side characters you hadn't seen in weeks. It was complicated, sure, but thrillingly so.
The show trusted its audience to keep up, even when it was confusing. And yes, that led to frustration at the time, but trust me, it works much better now that Lost is on streaming services. It's a show that really should be binged, so that you can truly appreciate the nuance and hidden details of the writing. The things that made Lost so good at the time are why it hasn't been fully appreciated. It was simply ahead of its time.
Lost indeed was a risk, but one that paid off in six seasons of wild, genre-bending storytelling and a gut-punch, emotional ending that will land as long as you give it another chance with an open mind.
Read also: The 21 Best Sci-Fi TV Shows to Stream on Netflix
Part of what makes Lost such a rewarding rewatch in 2025 is that it doesn't feel dated. The series still looks and sounds incredible.
Because it was filmed on 35mm, which can be upscaled and remastered. Plus, shot on-location in Hawaii, the series still looks gorgeous.
The performances of the 14 regularly recurring leads of the cast are absolutely brilliant, too. Even though this was a cast of mostly unknown actors at the time, they all, guest actors included, reached a caliber of performance that is still so rare to witness in a TV series.
And the music is absolutely remarkable. Michael Giacchino (The Incredibles, Up, Coco, Inside Out) created what I think is the best TV score of all time for Lost. I mean, he used debris from the crashed plane from the pilot episode to create the unique, bizarre sounds you hear each episode. The score is a perfect fit for a unique storyline.
More than anything else, Lost is a show that will make you feel.
Is every plotline perfect? No. Do the final seasons get a bit complex? Absolutely. But on balance, Lost is one of the most ambitious, strange, beautiful things ever put on television, and it is emotionally satisfying from start to finish.
Lost opened the door for serialized sci-fi and genre storytelling on TV, especially character-first narratives with weird, metaphysical themes. What I'm saying is that without Lost, it's hard to imagine Severance, Stranger Things or other TV sci-fi faves.
So if you haven't watched it since 2010 -- or if you've never watched it at all -- now's the time. The entire series is available to stream on Hulu, Netflix, Disney Plus and Prime Video for rent. Skip the Reddit threads. Forget the hot takes. Just hit play.
And maybe, just maybe, you'll find that Lost didn't lose its way. We just didn't know how to watch it yet.
For more, you can explore the 13 best sci-fi shows on Apple TV Plus and the 18 best sci-fi shows on Prime Video.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
11 minutes ago
- Yahoo
‘NCIS: Hawai'i' Alum Jason Antoon Shares Clip Of Canceled Show's Vacant Studio Lot
A year after NCIS: Hawai'i ended its three-season run on CBS, the state's film and TV industry continues to suffer a decline in business. Jason Antoon, who played cyber intelligence specialist Ernie Malik on the police procedural spin-off, recently shared a video of the series' vacant and overgrown Hollywood Film Studio, where shows like Lost (2004-'10), Hawaii Five-0 (2010-'20) and Magnum P.I. (2018-'24) also filmed. More from Deadline 'NCIS Hawai'i' Cast Joins Together On The Beach To Celebrate Series 'Rescue HI-Surf' Canceled By Fox After One Season '9-1-1' Eyes Hawaii As Setting For Potential New Spinoff On ABC 'Hawaii Film Studios – Empty and full of weeds,' wrote Antoon, sharing the clip Friday on X. Hawaii is an expensive location that is harder to fit into continuously trimmed TV budgets, especially in linear TV. Cost was among the factors for CBS' decision to cancel NCIS: Hawai'i after three seasons, despite being the #12 most watched non-sports program on broadcast, averaging 7.8 million linear viewers and 10M multi-platform viewers (Live+35). After the cancelation last April, Antoon wrote on Instagram, 'This business is brutal and makes no sense. But we had soooo much fun. Love you all and mahalo.' Hawaii Film Studios – Empty and full of weeds. #NCISHawaii #MagnumPI #Hawaii50 #Lost 😢 — Jason Antoon (@jasonantoon) June 7, 2025 The actor's latest post comes after Fox's Rescue HI-Surf, which also filmed in the Aloha State, was canceled after one season last month. Although CEO Rob Wade said the reason for the decision 'certainly wasn't the locale or the budget,' filming in Hawaii made it one of the network's more expensive dramas, coming in at close to $4 million per episode. Meanwhile, Hawaii was passed over as the locale for the next 9-1-1 spin-off, which is instead filming in Nashville, starring Chris O'Donnell and premiering this fall on ABC. On Friday, Gov. Josh Green, M.D. released an intent-to-veto list, which includes HB796, a bill that would sunset tax credits after five years. 'This bill would have a significant long-term impact on income tax credits across a variety of industries, including film and television, research, and renewable energy,' said Gov. Green of the veto. 'These tax credits are critical to supporting economic development and diversification, particularly within growing and emerging sectors. Categorically sunsetting income tax credits will not only disincentivize future investors from doing business in Hawai'i, but will destabilize existing businesses that currently rely upon these tax credits. Best of Deadline 2025 TV Series Renewals: Photo Gallery 2025 TV Cancellations: Photo Gallery 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series


Forbes
18 minutes ago
- Forbes
‘Ginny & Georgia' Puts A Spotlight On Depression And Addiction In Season 3
Felix Mallard and Sara Waisglass on 'Ginny & Georgia' on Netflix. When Ginny & Georgia premiered on Netflix in 2021, it looked like a fun popcorn binge-watch, but viewers quickly realized this series is much more than a soapy teen drama. Series creator and executive producer Sarah Lampert gave fans a sexy, fun show while also putting the characters through real-life issues, including eating disorders, personality disorders, and self-harm, to name a few. This season, depression and addiction take center stage with Felix Mallard's character, Marcus Baker. Mallard, alongside Sara Waisglass, who portrays his twin sister, Maxine, sat down and spoke with me about tackling such serious subject matter for a television show. Their performances are pure perfection and both took their portrayals very seriously. Jennifer Robertson and Felix Mallard in 'Ginny & Georgia' on Netflix. 'When you want to tackle something as serious as this, you want to treat it with a level of reverence and a level of love that people watching don't feel spoken down to or people don't feel like they're being made fun of, but they can really see their own emotional journey through it, you know? And with something like substance abuse, depression, and mental health, I think it requires a level of care and a level of understanding, and it's a delicate topic, so to be able to approach that is important," explained Mallard. "Hopefully, we did that in a way that people can resonate and feel understood instead of made fun of.' Felix Mallard and Sara Waisglass talk about their characters' struggles in season three of 'Ginny & ... More Georgia' on Netflix. While Marcus is unable to hide his depression and addiction, Maxine is the opposite. Counter to her brother, she's the outspoken, happy-go-lucky, popular girl who masks her loneliness and sorrow. Waisglass explained why it was so important to show this duality. 'That was something I was really proud of, that the writers did, because I don't think depression is one size fits all. I think everyone experiences it in a different way. I think one of the most shocking things is when you see someone who you think is brilliant and funny and amazing and has the best energy, and you understand that they struggle with mental health. It's always a shock, and I love that we're diving into that this year because I don't think anyone would look at Max and call her depressed. But I think she just deals with it in a different way, and her coping mechanism is to make everyone else happy, because if she can't make herself happy, she can at least do that for other people, which I think is a beautiful quality of hers.' She added that Ginny & Georgia also does a great job of showing what it's like to love a person who's struggling and how mental health affects everyone. 'It's not just in first person, but second person, third person. It's something that really does affect everyone. I like that we showed all sides of it.' When asked what it was like to portray a lonely, ostracized Maxine, Waisglass said it was painful. 'Whenever we do scenes in a classroom, it brings me back to high school. I did not have a single classroom scene this year, but I felt like I was in high school. Reading the scripts and seeing the hilarious scenes that I wasn't going to be part of reminded me a lot of when I was younger, and my friends hung out without me. It was very painful. I think it's something that everybody goes through. It's a rite of passage because it forces you to stand on your own two feet and recognize who you are and what you bring to the table, and that rejection is not about you. It was a very hard storyline to be part of; it hurt.' Lampert entertains the audience while tackling mental health in a unique way that doesn't feel heavy-handed or preachy and instead feels inclusive, respectful, and kind. 'The show's theme is that everyone is fighting a battle you can't see,' said Lampert in an interview before the new season's premiere. This has led to an audience connecting to the show on a deeper level. Lampert is dedicated to covering these topics accurately; she and her team have worked closely with Mental Health America since season one to craft these storylines. Season three premiered on June 5, and this show gets better with each season. The ten-episode third season is a rollercoaster ride, and the finale is phenomenal, with two cliffhangers in the last few seconds that will leave fans salivating at the bit for season four. The story centers around Brianne Howey's Georgia Miller, a mother who will do anything, moral or not, for her children. In a separate sit-down interview pegged to the third season, Howey and co-star Antonia Gentry spoke about how every character this season goes on a mental health journey. Felix Mallard, Brianne Howey, and other cast discussed the topic of mental health in season three of ... More Netflix's 'Ginny & Georgia.' When asked what she thinks Georgia's mental health issues might be, Howey replied carefully and admitted that her character suffers from a personality disorder. 'The show works very closely with Mental Health America to make sure that we aren't glorifying any of the wrong things and that we're handling all of these subjects with the utmost respect and care. I do think Georgia has narcissistic qualities. That being said, I think Georgia is the type of narcissist who is capable of change, and that's what has been really compelling this season to see for Georgia. Every character goes on a mental health journey. But yes, especially Ginny and Georgia.' To the fans anxiously waiting to see what happens next, the writers are back at work. 'The theme of season four is origins and cycles,' Lampert divulged, adding that though the original plan was to end Ginny & Georgia after four seasons, they realized there is more story to tell. 'We are not done yet.'


CBS News
18 minutes ago
- CBS News
Downtown Detroit buzzes with celebration and energy for Motor City Pride
June is Pride Month, a time to show support for the LGBTQ+ community. Michigan's largest Pride celebration took over the streets of downtown Detroit on Sunday afternoon. Tens of thousands of people lined up along Griswold Street for the Motor City Pride Parade. "This is my first one in probably a few years. But I used to come all the time," Erika Cruz, a Detroit native, said. "It's way bigger, way more inclusive. It seems like there's a lot more big companies that are, you know, helping and donating and everything. So that's really cool." Dozens of local companies, community organizations and marching bands made the walk from Campus Martius to Hart Plaza, throwing souvenirs and candy from vibrant, colorful vehicles and floats. Michigan Gov. Gretchen Whitmer surprised spectators by making a beeline for the crowd. "Everybody's so happy. Everybody's always so nice anyway, so I'm glad everybody turned out and [is] actually having a good time," Tiffani Taylor, visiting from Savannah, Georgia, said. The vibe and atmosphere at Motor City Pride are what make this event one of the most attended celebrations of the summer. "It's just the love that you feel. You know, it's a nice environment, Sheresse Jackson, a Detroit resident, said. "Everybody loves everybody, you know. You leave with a smile, feeling better about yourself." This is more than just a parade. It's a show of harmony. "I've been crying half of the time through the parade, so I looked at my wife and I was like, I keep getting super emotional just seeing everybody super hyped up and all the love flowing," Cruz said. And of course, unwavering pride.