
Saroja Devi death: PM Modi pays tribute - 'An exemplary icon of Indian cinema and culture'
Veteran South Indian actress
B. Saroja Devi
passed away at the age of 87 at her residence in Malleswaram, Bengaluru on July 14. Reportedly, the actress had been battling age-related ailments in recent months.
The late actress was fondly remembered as Abhinaya Saraswathi in Kannada and Kannadathu Paingili in Tamil cinema. Her legacy spanned over 200 films across Kannada, Tamil, Telugu, and Hindi industries.
PM Narendra Modi pays tribute - "Exemplary icon of Indian cinema and culture"
Prime Minister Narendra Modi took to X (formerly Twitter) to mourn her passing, calling her an "exemplary icon of Indian cinema and culture."
The Tweet read, "Saddened by the passing of the noted film personality, B. Saroja Devi Ji. She will be remembered as an exemplary icon of Indian cinema and culture. Her diverse performances left an indelible mark across generations. Her works, spanning different languages and covering diverse themes highlighted her versatile nature.
My condolences to her family and admirers. Om Shanti."
Tributes pour In from across India
Superstar Rajinikanth also expressed deep sorrow.
He wrote, 'The great actress Saroja Devi, who won the hearts of millions of fans, is no longer with us. May her soul rest in peace. #SarojaDevi' 'பல கோடி ரசிகர்களின் மனம் கவர்ந்த மாபெரும் நடிகை சரோஜாதேவி இப்போது நம்முடன் இல்லை. அவருடைய ஆத்மா சாந்தியடையட்டும்.'
Actor Shiva Rajkumar, visibly emotional, described her as 'another mother' and recounted a lifelong bond. Taking to the media he said, 'She has seen me since the time I was born.
I think we can't forget her in a lifetime. More than being a superstar, she was a good human being, full of love and affection.'
A legendary actor
Saroja Devi made her film debut at just 17 with 'Mahakavi Kalidasa' (1955), going on to become Kannada cinema's first female superstar. Her Tamil breakthrough came with 'Nadodi Mannan' (1958). She starred opposite M.G. Ramachandran in 'Nadodi Mannan'.
She continued to dominate the film industry through the 1960s and 70s, earning the Padma Shri (1969), Padma Bhushan (1992), and Kalaimamani awards, and served on the jury of the 53rd National Film Awards.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Economic Times
26 minutes ago
- Economic Times
KBC's Amitabh Bachchan or Bigg Boss's Salman Khan, who is India's highest paid TV host? Their paychecks per episode compared
Synopsis Amitabh Bachchan has officially become the highest-paid television host in India with his return to Kaun Banega Crorepati Season 17. Reports reveal he is earning ₹5 crore per episode, totaling Rs 25 crore weekly as the show airs five days a week. This surpasses Salman Khan's Bigg Boss OTT 2 earnings, where he was reportedly paid ₹12 crore per weekend episode, amounting to Rs 24 crore weekly. Despite earlier rumours of his exit, Bachchan remains the face of KBC, solidifying his legacy as both the heart of the show and the top-paid host in the country. Amitabh Bachchan's KBC Pay Overtakes Salman Khan's Bigg Boss Earnings Amitabh Bachchan is all set to return to the television screen as the host of Kaun Banega Crorepati (KBC) Season 17, which premieres on August 11, 2025. With this season, the legendary actor is not just reviving one of India's most-loved quiz shows but also reportedly becoming the highest-paid host on Indian television.A report from indicates that Bachchan will be earning approximately Rs 5 crore per episode for KBC 17. Given that the show is scheduled to air five days a week, his weekly earnings would add up to around Rs 25 crore. This marks a significant increase and officially places him ahead of Salman Khan in the race for the top-paid TV host title. As per Salman Khan, who commands a massive fan base and hosts Bigg Boss, had reportedly been paid Rs 12 crore per episode during Bigg Boss OTT 2. Since he appears twice a week, this would total around Rs 24 crore weekly. While still an enormous sum, Bachchan's more frequent appearances and slightly higher per-week earnings have put him in the lead this also worth noting that while Salman's hosting is limited to weekends, Bachchan's role in KBC demands five consecutive days of filming each week, contributing to the higher overall this year, speculation circulated that Amitabh Bachchan might step down from KBC due to personal reasons. Some reports even suggested that Salman Khan was in advanced discussions to take over as the host of the show. However, these rumours were dismissed when Sony TV confirmed Bachchan's return with an official promo. The actor himself also put the speculation to rest by sharing photos from his rehearsals and stating that work had begun on the new its launch in 2000, KBC has become more than just a quiz show—it has evolved into a cultural staple. Hosted almost entirely by Amitabh Bachchan, except for the third season which was led by Shah Rukh Khan, the show has retained its charm for over two decades. Bachchan's iconic greeting—'Namaste Deviyon aur Sajjanon'—along with his empathetic hosting style, has contributed significantly to the show's emotional and intellectual celebrate 25 years of the franchise, Bachchan reflected on the milestone in a short note, acknowledging the journey that began on July 3, 2000. His involvement continues to be the backbone of the show's popularity, with viewers across generations tuning in not just for the questions, but for his both Amitabh Bachchan and Salman Khan are among the most bankable names in Indian television, current figures suggest that Bachchan's KBC paycheck has placed him ahead of Khan's Bigg Boss remuneration—at least for now. With KBC 17 set to begin airing from Monday to Friday at 9 PM on Sony TV and SonyLIV, fans can look forward to another season with India's highest-paid host at the helm.


The Hindu
26 minutes ago
- The Hindu
‘Junior' movie review: Genelia, Kireeti-starrer is a partly-entertaining, albeit dated drama
A protagonist who is almost always cheerful reiterates his desire to make memories — stories he can one day narrate to his children, and look back on fondly when he is 60. But what if this idea of memory, initially lighthearted, later becomes a haunting echo? What if a memory is so deeply hurtful that it renders another character emotionally withdrawn? Director Radhakrishna Reddy's Telugu-Kannada bilingual film Junior explores these possibilities through a drama that nods to the mainstream Telugu cinema of a decade or two ago. Some plot points evoke the emotional world and writing style of Trivikram Srinivas, the veteran of family dramas. While several scenes entertain and build intrigue, the film's contrived moments might also leave seasoned viewers with a nagging sense of déjà vu. Junior (Telugu) Director: Radhakrishna Reddy Cast: Kireeti Reddy, Sreeleela, Genelia Deshmukh, V Ravichandran Run time: 154 minutes Story: A son struggles to deal with the possessiveness of his father, and he has to heal a few emotional scars. Junior ambitiously attempts to tackle ageism, complex family dynamics, girl child empowerment, digital literacy in rural India, and corporate social responsibility, all while doubling as a launchpad for Kireeti Reddy, son of politician Gali Janardhana Reddy. The opening campus scenes are loud and glossy, with composer Devi Sri Prasad setting a high-energy tone. Abhi (Kireeti) quite literally leaps into the frame, sprinting through college corridors in what feels like an action hero entry, minus the actual conflict. He is portrayed as the all-rounder who can ace academics, sports, and even parkour stunts, all while his perfectly gelled hair does not move an inch. A prologue introduces parents who embrace late parenthood and face ageist remarks, setting the stage for a father-son dynamic between Abhi and his doting father (V Ravichandran). Their relationship — marked by the father's overbearing affection and Abhi's growing claustrophobia — is played out with humour and warmth. The light-hearted tone continues into Abhi's courtship of Spoorthi (Sreeleela), which unfolds in formulaic fashion. The comic relief is largely powered by Abhi's gang of friends, especially Harsha, who steals the show in a moment that even sparks Spoorthi's envy. The plot shifts gears with the arrival of Vijaya (Genelia Deshmukh), making a return to Telugu cinema after 13 years. Her character initially teeters on cliché — the stern, unapproachable boss — until her backstory adds emotional depth. These segments echo the tone of a Trivikram Srinivas family drama, and while the writing attempts nuance, the narrative feels too contrived to truly land. Kireeti's breezy presence contrasts sharply with the emotional heft Genelia is tasked with. Known for her bubbly roles in films like Bommarillu, she brings maturity and restraint here. It is a pleasure to watch her on screen, once again. Some of her scenes with Kireeti are thoughtfully written, but both actors are constrained by a plot that becomes increasingly predictable. There are glimmers of smart storytelling, like a moment involving a photograph, but overall, the film misses the opportunity to explore relationships with a fresher lens. Cinematographer KK Senthil Kumar and Devi Sri Prasad deliver within the constraints of the material. Meanwhile, Sreeleela's character vanishes after the early portions, only to resurface for the 'Viral Vayyari' dance number, featuring a blink-and-miss cameo by Brahmanandam. In the end, Junior plays out like an extended showreel for Kireeti Reddy, highlighting his screen presence, dancing chops, aptitude for action, and ability to well up on cue. All while that gelled hair never falters.


Indian Express
26 minutes ago
- Indian Express
Bollywood icon got ‘married' at 13 to man three decades her senior, watched her infant daughter die, converted to Islam after seeing dreams
Song-and-dance sequences are a staple in Indian cinema, but there was a time when these sequences were choreographed very simply. One of the first people who made Bollywood-style choreography her profession, and succeeded at it, was the late Saroj Khan. She was born a year after India gained Independence, but she was cursed to live a life where she'd constantly seek the support of older men. The death of her father at a young age, she said, influenced her psychology. Saroj was born a Hindu, but would convert to Islam after being struck with a huge tragedy. She lost two of her children before passing away herself in 2020. Her work left a massive impact on dance, but her life was marked by several setbacks. Saroj wasn't born when her family was forced to flee Pakistan and move to India, but she had to grow up around tremendous hardship. She said that there were days when her family didn't have food to eat. 'My mother would put pots and pans on the stove, and pretend to cook, hoping that we would fall asleep first,' she said in an interview with the BBC, with a smile on her face. She would soon become the sole breadwinner of the family, before she'd even hit adulthood. She was always in a vulnerable position, which made her a target for men who'd exploit her. Also read – Patriarch of iconic Bollywood family abandoned his son, forced second family to live in secrecy for decades, went blind in his final days When she first showed signs of being interested in dance as an art form, her mother thought that she was mentally unwell. A young Saroj would dance along with her own shadow for company, and make expressions with her face, much to her parents' concern. 'My mother took me to the doctor. He said, 'Nothing is wrong with her. She wants to dance, let her dance',' she told the BBC in a 2000 interview. It was the same doctor who suggested that Saroj be put to work in the film industry, especially since the family needed funds. 'Don't worry, a lot of people come to us, looking for child artistes,' he told Saroj's mother. She was just three years old at the time, looking at a career as a child star in the films. 'I worked mostly with Balraj Sahni,' she recalled. Saroj had no choice but to work, because her father died when she was just a child. 'I had my brothers and sisters to look after, I had to earn, I had to send them to school, to get them married. I had to do everything,' she said on the Doordarshan show Koshish Se Kaamyaabi Tak in 2016. But, as things were for child artistes back in the day, she was discarded when she turned 10. 'I was neither here nor there, not wanted as a child, and not wanted as an adult,' she told BBC. It was then that she devoted herself to her first love, dance. Saroj became a background dancer, and the first project she worked on was the film Howrah Bridge, starring Madhubala. She appeared as a part of the group in the song 'Aaiye Meherban,' performed by Asha Bhosle. Read more – Bollywood director lost entire life's savings after one flop; daughter was forced to dance, son performed for money at beach to repay debts But just as she was taking her first steps into the world of choreography, she came across the man who would shape her life forever. The man was S Sohanlal, a renowned 'dance master' from the South. He was 30 years older than her, married with four children. And yet, he preyed on the young Saroj, and they 'got married' when she was just 13. She was just 12 when she first met Sohanlal, and was groomed by him. She was only 14 when she gave birth to their first child, a son. She also gave birth to a daughter, who died at eight months old. Her death would influence Saroj's decision to convert to Islam many years later. In the DD interview, Saroj tried to explain what might have led her to 'marry' Sohanlal. 'When you don't have a parent, your mind is often bothered about filling that void. It was like loving my father, although it turned out to be a romance. He was like a father figure. I felt very secure. Plus, when he used to dance, he was the most handsome man in the world. I became crazy about him because of his dance.' They parted amicably after he refused to legally marry her. Saroj said that she did it for her children, because Sohanlal refused to accept them as his. He also lied to her about being married. She told 'I did not know what marriage meant at that time. He just put a black thread around my neck one day and I thought I was married. He didn't tell me that he was already married with four kids. I learned about his first wife only when I gave birth to my first child.' Read more – Amitabh Bachchan's Don ruined producer financially; he ran out of money for food, died before movie's premiere, profits were used to pay off his debts Saroj had another daughter with Sohanlal, Kuku, who died in 2011. The circumstances of her birth were also unusual. After separating from Sohanlal, they were united for one night only when he suffered a heart attack. 'I went to see him and there was that one night when I was with him. I conceived my daughter, Kuku. After that he completely disappeared from my life and settled in Madras,' she said. But her life continued down an unconventional path. She married Sardar Roshan Khan in 1975, but he was already married, and had children. She told DD, 'He had four children, I had two. He asked me to marry him. I agreed, but on the condition that he adopts my children.' When she got married to Khan, she converted to Islam. 'I was a Hindu. My name name was Saroj Kishan Chand Sadhu Singh Nagpal. We are Sindhi Punjabis. I met my husband, fell in love, and converted. I love Islam. I myself went to a mosque and changed my religion and became a Muslim. People have asked me if I was forced. And I told them that I lost a baby girl, and she would come to me in my dreams, and call for me from inside a mosque…' she said in a separate interview with DD. Also read – Mughal-E-Azam actor worked in over 500 films, but lived in a house without electricity, could never afford a car Saroj said that she never hid any details about the identity of her children's father from them. She told them that she wouldn't marry Khan if they were opposed to the idea, but also stressed that they would live life feeling illegitimate if she didn't marry him. 'My second husband never let my children feel like outsiders, or like he wasn't their father. They both loved him very much, and would tell Kuku, who was four at the time, that he is her father,' she told DD. Saroj Khan died in 2o2o, in the early phase of the pandemic. The entire film industry paid tribute to her for her contributions to Hindi cinema. Her work has become an integral part of Hindi films, and will continue to live on and inspire future generations. She choreographed multiple generations of actors, including Sridevi, Madhuri Dixit, Shah Rukh Khan, Govinds, Salman Khan, Katrina Kaif, Raveena Tandon and many others.