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India.com
a few seconds ago
- India.com
Did Rebel Kid aka Apoorva Mukhija's ex-boyfriend, just drop a ‘cute little red flag' song for her? Song accuses of lies and cheating
Known online as Rebel Kid, Apoorva Mukhija has been trending for reasons beyond her viral videos. After Sufi Motiwala hinted at their friendship ending, her ex-boyfriend, Utsav Dahiya, has now fired back with a cryptic but sharp message. What did Utsav Dahiya post online? On Sunday, Utsav uploaded a song titled Cute Little Red Flag on Instagram, a phrase Apoorva often uses in her content. Alongside, he penned a long note accusing her of spreading lies, twisting narratives, and portraying him as toxic. He claimed, 'I dodged a bullet,' alleging that he even caught her cheating. One of the biting lyrics went: 'Pucha maine ghatiya kyun bola mujhe duniya ke liye, kehti baby yeh toh sab dhandha hai mere liye.' Watch video View this post on Instagram A post shared by Utsav Dahiya (@utsavdahiya) Did he threaten to share receipts? Yes. In his caption, Utsav wrote, 'Ab agar koi aur bakwaas kari toh main seedha receipts nikalunga.' He accused Apoorva of using her large following to rage-bait audiences and bully others. He further said he once contacted Apoorva's agency to clarify his name, but was dismissed with, 'You're a nobody, be glad you dated her.' His reply: 'Numbers only matter on an app. Truth stands without followers.' He ended with another jab, 'Toh tum chalao apna ghar kalesh se, but stop spreading lies about others. Let people do some real work in their lives. Grow up, kid.' How did the internet react? On Reddit, many praised Utsav's 'revenge through art'. One user joked, 'Utsav toh Taylor Swift nikla.' Another wrote, 'Turning trauma into music is classy revenge.' Several netizens felt he had been wronged and finally took a stand. What was Apoorva's past stand? Back in January last year, Apoorva publicly confirmed her breakup with Utsav, hinting that he was abusive and 'ghatiya'. She told fans she would reveal her next partner 'only at the wedding'. Since then, her breakup tales have become part of her storytime content. At the heart of it, what looks like just another social media spat has now turned into music, memes, and a very public blame game — one that the internet is eagerly watching.
Indian Express
a few seconds ago
- Indian Express
Actors, politicians and fans welcome Mammootty back to the movies: ‘Your strength and resilience are truly inspiring'
Malayalam megastar Mammootty is set to return to the big screen after a brief hiatus. He had reportedly stepped away from the limelight due to health concerns, with some reports suggesting a break for cancer treatment. On Tuesday, much to the relief of fans, several celebrities across Kerala warmly welcomed Mammootty back to films. Mammootty's long-time associate George shared a photo of the actor with folded hands and wrote, 'With eyes brimming with joy, I stand before you with folded hands. To those who prayed for me, stood by me, and reassured me that nothing would go wrong—my dearest ones, thank you with endless love.' A post shared by George Sebastian (@ Sharing a photo with the superstar, CPM leader John Brittas wrote on X: 'Dear Mammukka, your strength and resilience are truly inspiring! We're overjoyed to see you back, and we need your vibrant presence, charm, and leadership for many years to come. With love ❤️ JB.' Also Read | Bigg Boss Malayalam contestant Adhila opens up about falling in love with her lesbian partner Noora in school: 'We got into a relationship in Plus Two' Producer Anto Joseph posted on Instagram, 'Prayers from countless people around the world have been answered. Thank you, thank you, thank you, God.' Actor Mohanlal, who will share screen space with Mammootty in Mahesh Narayanan's upcoming film Patriot, shared a candid photo of the two together with a heart emoji. Director Ratheena PT, who helmed Mammootty's Puzhu, posted a picture with him, captioning it: 'Double Ok.' Veteran actor Maala Parvathi took to Facebook and wrote: 'There is no greater news than this. Mammookka has completely recovered.' Also Read | 'Women should always be beneath us…': Kollam Thulasi faces heat for 'misogynistic' remarks on AMMA elections; Bhavana refuses to react to leadership change With Patriot gearing up to go on floors this September and Kalamkaval nearing release, all eyes are now on Mammootty as he prepares to make a powerful comeback to the big screen.
Hindustan Times
a few seconds ago
- Hindustan Times
An anonymous chef serves up stories of food and flings
Tart. By Slutty Cheff. Marysue Rucci Books; 336 pages; $28.99. Bloomsbury; £16.99 SLUTTY CHEFF, an anonymous female cook, has a confession: she is greedy. She doesn't 'want to eat' food so much as 'devour' it. Her appetite is less that of an 'average Western woman' and more akin to that of 'a starved pig'. But, as her alias indicates, there is one thing she claims to desire even more than food: sex. 'Tart', her memoir, is a hedonistic tale of both. In the book Slutty (as her friends call her) recounts the first two years of her career as a chef, mostly in posh London restaurants. She peeks into the 'socialite chef' world, which is 'elitist, exclusive' and 'more about who you know, not what you cook'. She discovers a lot about herself, for instance when she realises 'I love cooking—I need cooking.' She also discovers a lot about—quelle surprise—sex. Intercourse with a chef, she proclaims, is 'more thrilling than being one'. Fans are eating up her tales. She serves salacious morsels to her tens of thousands of followers on Instagram and to readers of her column in British Vogue . The film and television rights to 'Tart' have already been gobbled up by Working Title, one of the production companies that made the 'Bridget Jones' films. There are rumours that Lena Dunham, the creator of the hit show 'Girls', will help adapt the book for the screen. 'Tart' is dining out on the popularity of sexy chefs on screen and online. 'The Bear', a TV show which stars Jeremy Allen White as a moody chef who wants to turn a sandwich shop into a Michelin-starred restaurant, has helped professional cooks seem more sultry than sweaty. In 'Emily in Paris', a hit series, there is a love triangle involving a hunky chef. On social media so-called 'hot chefs' sauté, sear and smoulder for the camera, often without their shirts on. The memoir has been lauded as a feminine take on Anthony Bourdain's 'Kitchen Confidential' (2000). The American chef and author also stunned and delighted readers by sharing tantalising stories. (One memorable tale involved a blushing bride getting 'an impromptu send-off' from a cook behind the kitchen bins.) Slutty Cheff has spoken of her lust for the rebellious culinarian. In 'Tart' she says she imagines Bourdain—who committed suicide in 2018, aged 61—joining her 'for four hours of carnal feasting, seven bottles of wine, a couple of lines of crushed aspirin and then a great big fuck.' In her acknowledgments, the author pays homage to Bourdain, as well as Jilly Cooper, the British queen of the bonkbuster novel. Ms Cooper's influence is evident. Just consider Slutty Cheff's contents page. Whereas Bourdain used the sleek, inscrutable subheadings of 'Appetiser', followed by 'First Course' and so on, she prefers smutty titles such as 'Michelin Star Pussy Juice' and 'Ready Steady Cock'. She spends a great deal of time describing the 'phallic form' of courgettes and the 'great erection' of rhubarb. 'Kitchen Confidential' aimed to lift the lid on the restaurant industry. Bourdain wrote of how butter is reused and uneaten bread is often sent out to the next table. Seafood served on Mondays, he averred, is probably four or five days old; hollandaise sauce swims with bacteria. Readers finished the book feeling satisfied that they knew more about what (and what not) to order next time they went out to eat. 'Tart', meanwhile, is mostly a romp. Slutty Cheff does not dish up such insights. The kitchens she works in seem clean and hygienic: the most nauseating it gets is the description of 'the flashing grey of a mouse running past my feet'. She takes drugs and has sex outside the kitchen rather than in it. Yet the most revealing passages are not about sex, but sexual harassment. Slutty Cheff is often the only woman in the kitchen. She describes the challenges of working with a 'pervy' man who touches her bottom and stands so close that she can 'feel his breath'. She has to appear 'strong and unaffected', she feels, to earn the respect of her male peers. 'Tart' offers a slice of life, but such experiences leave a bitter taste in the reader's mouth.
