The town where ANY older woman can find a hunky lover young enough to be her grandchild... making it an expat magnet. SABRINA MILLER reveals the very uncomfortable truth
While she squeals in delight, another attractive bartender is bending over her 62-year-old friend Sarah in a mock-sex position.
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Daily Mail
28 minutes ago
- Daily Mail
Sophie Turner hits back at critic that claimed she's 'forgotten' about her two daughters
Sophie Turner isn't letting anyone question her parenting, especially not in her own Instagram comments. On August 4, the Game of Thrones alum, 29, shared a carousel of photos from an Oasis concert. While most fans cheered her on for enjoying a night out, one user decided to mom-shame her. 'Lmfao, I think she has forgotten that she has two kids,' the troll wrote beneath the star's latest post. Turner, who shares daughters Willa, 4, and Delphine, 2, with ex-husband Joe Jonas, clapped back almost instantly. 'Ah I'm so sorry sometimes I forget some people can't think for themselves,' she replied. 'So…Get this…There's this crazy thing called shared custody. Maybe, just maybe, they were with their dad that day.' She was met with praise for speaking out as many of her fans chimed in to ask: 'Why can't a mom of two kids do this??' 'No one ever asks a Dad where their kids are [eye roll emoji],' a second remarked. 'Mom's can have fun for the love of God,' a third insisted. Dozens more pointed out that her ex-husband is currently on the JONAS20: Living the Dream tour and will be doing 52 concerts. Her sharp reply comes less than a year after she and the Jonas Brothers musician resolved their high-profile custody dispute in October 2023, agreeing to co-parent their daughters. After Jonas filed for divorce, the former couple were locked in a contentious legal battle that ultimately concluded with their divorce being finalized in September 2024. Despite not seeing eye-to-eye in the past, Jonas recently recently called Sophie an 'incredible mom.' 'I have a beautiful coparenting relationship that I'm really grateful for,' Jonas told motivational speaker Jay Shetty in a TikTok video. 'Having an incredible mom, Sophie, for those girls is like a dream come true.' Jonas added that it's important for his daughters to have strong female role models in their lives. 'I think what values I want for them are to be open-minded and have a big heart, be able to walk into any room and feel confidence and know that they can do literally anything they want.' 'As young girls, looking up to great women is what I want for them,' he said. And while discussing if the girls will follow in their famous parents' footsteps into show-business, Joe said, 'We might want them to wait a little while.' During an interview with British Vogue last year, Sophie opened up about the effect of having a public divorce. 'I mean, those were the worst few days of my life,' the Joan actress stated. 'I remember I was on set, I was contracted to be on set for another two weeks, so I couldn't leave. 'My kids were in the States, and I couldn't get to them because I had to finish [ITV drama] Joan. And all these articles started coming out...' After the news hit the web, rumors erupted that they had split because Sophie was partying too much - especially after snaps of her enjoying a wild night out with her costars just days before Joe filed began to circulate. 'It hurt because I really do completely torture myself over every move I make as a mother – mom guilt is so real,' continued Sophie. 'I just kept having to say to myself, "None of this is true. You are a good mom and you've never been a partier." 'It's unfathomable the amount of people that will just make s**t up and put it up based on a picture. 'A picture might tell a thousand words, but it's not my story. It felt like I was watching a movie of my life that I hadn't written, hadn't produced, or starred in. It was shocking. I'm still in shock.' During her interview with Vogue, Sophie also admitted that she previously suffered from 'depression, anxiety, and bulimia.' 'I'm not very good at processing my emotions. I lock them away and then they'll bubble up in years to come in some form of depression or anxiety,' she shared. 'Being a young girl, especially one growing up in the spotlight, you really judge yourself.' She revealed that while she had taken medication for her mental health issues in the past, she currently isn't using any. 'Not since I moved back to the U.K.,' she dished. 'Which is great and also surprising, because I anticipated that I'd need to – now perhaps more than ever. 'There's something about a community and a support system that I've never realized is so important up until now. 'And I think the reason I was on medication for so long is because I didn't have those people with me. 'Now that I'm back home, I'm actually the happiest I've been in a really long time. I'm starting over again, rediscovering what I like to do, who I like to be with.' Joe and Sophie started dating in 2016, and he proposed one year later; they then eloped in Las Vegas in 2019, which was followed by a lavish wedding celebration in France that summer. Sophie recalled struggling with being branded as a Jonas Brothers' wife following their marriage. 'There was a lot of attention on the three brothers, and the wives. We were always called the wives, and I hated that,' she admitted. 'It was kind of this plus-one feeling. And that's nothing to do with him – in no way did he make me feel that – it was just that the perception of us was as the groupies in the band.' Things only got worse after they moved from Los Angeles to Miami in 2021, as Sophie said it felt like she was a 'bird trapped in a gilded cage' - especially since she was completely separated from her friends. 'We were in this community full of 50-year-old men, so imagine trying to make friends on the dog walk,' she dished. In the end, Sophie credited her close pals - including pop sensation Taylor Swift - with helping her to get through the rough time after her highly publicized split from Joe. 'The support I had from the women in my life during that time was the most amazing thing to see. I felt so held and so protected,' she gushed. 'Taylor was an absolute hero to me this year. I've never been more grateful to anyone than I am for her because she took my children and me, and provided us with a home and a safe space. She really has a heart of gold.'
Daily Mail
28 minutes ago
- Daily Mail
Baby-faced Melanie Griffith celebrates 68th birthday with daughter Dakota Johnson... and she looks half her age
We'll have what she's having. On her 68th birthday, Melanie Griffith looked particularly youthful while hosting a star-studded party at her $3.7 million Hollywood Hills home.
The Guardian
2 hours ago
- The Guardian
‘I wanted to be Nina Simone': Jeff Buckley documentary shows female influences
In the years since Jeff Buckley's shocking death at age 30 in 1997, his estate has sanctioned the release of 10 studio compilations, eight live collections, one box set, eight singles and five video recordings. In addition, there have been a rash of documentaries, produced in various countries around the world, as well as a dramatic depiction of him played by actor Penn Badgley in a movie whose title alludes to his musical father, Greetings from Tim Buckley. Collectively, that places him in the realm of other departed stars, including Jimi Hendrix, Miles Davis and Eva Cassidy, whose catalogues have been mined for every ounce of gold they can possibly produce. In that context, the title of the new Jeff Buckley documentary, It's Never Over, could easily read like a threat. Luckily, nothing could be further from the truth. The film winds up giving a largely familiar story a holistic reach like no project before it. However picked over the bones of Buckley's story may be, director Amy Berg has found fresh flesh by emphasizing the crucial role women played in his life starting with his mother, Mary Guibert, and fanning out to various girlfriends, most of whom are fellow artists who sometimes doubled as spiritual collaborators. Together, they show how a female spirit not only shaped Buckley's early life, it also provided a foundational part of his art. The earliest songs he sang as a kid were voiced by women, from Diana Ross's yearning reading of Ain't No Mountain High Enough to Judy Garland's self-immolating take on The Man Who Got Away. 'I wanted to be a chanteuse,' Buckley says in a vintage audio interview used in the film. 'Secretly, I think I wanted to be Nina Simone.' You can hear the connection in the intensity, range and sustain of his quaver, which also drew from the qawwali chants of the Pakistani devotional singer Nusrat Fateh Ali Khan. In the film, Buckley refers to Khan as 'my Elvis'. At the same time, he drew profound inspiration from classically macho sources, initially through the scorched earth whomp of Led Zeppelin and, later, via the chest-beating yowls of Soundgarden's Chris Cornell. The breadth of those gender identifications allowed Buckley to idealize the Jungian concept of anima, which asserts that men have to recognize their feminine side in order to fully embrace their humanity, as well as to truly understand the role of women in their lives. In one vintage quote in the film, Buckley says, 'I decided to make a woman of music and give myself to her. At another point, I decided to make a man of music and give myself to him,' adding for good measure: 'Music was my mother. It was my father. It was the best thing in my life.' That last line can't be easy to hear for his actual mother, who co-produced the film and who guards his estate like a sentry, deciding who from his life can speak for him and who cannot. To her credit, Guibert allowed director Berg to cast Jeff's early years with her in a far from soft light. She was just a teenager when he was born, the product of a fleeting relationship with the visionary cult singer Tim Buckley. At the time, he was on the rise (or at least seemed to be), and, in his ambition, he ignored both her and the coming child. Five months into her pregnancy, Guibert recalls in the film, 'I knew I was never going to see Tim again.' While Tim Buckley ran off to pursue his dreams, her ambitions of being an actor and musician withered under the responsibility of raising the child. She's honest in the film about her own immaturity at the time, which meant that Jeff had to mother her in ways that came to haunt and anger him. The only time he saw his father was during several days they spent together when Jeff was a boy. His later attempts to reach his dad were ignored, then made impossible when Tim died of a heroin overdose at age 28 in 1975. Jeff harbored dark feelings afterwards, complicated further by the fact that music – his savior and muse – bound him inescapably to the man who abandoned him. Jeff's path to a career in music has been chronicled endlessly elsewhere and it's dutifully recalled in the film. Yet seldom, if ever, has the story had as caring a context as the one provided by the friends and lovers who spoke to Berg. They paint a portrait of someone whose insecurities and neurosis ran in tandem with his talent and daring. When Grace appeared and artists of the order of David Bowie and Robert Plant fell over themselves to praise him in interviews, Buckley buckled under the expectations of their awe. He was just as itchy about his anointment by People magazine as one of the 'most beautiful' men alive. A girlfriend in the film recalls him buying every copy of the magazine he could get his hands on so he could throw them in the trash. Stark as the contrast may have been between his often ugly view of himself and the beauty of his outward appearance, there's no denying the part it played in his myth. Like Jackson Browne, Buckley's soulful brand of handsomeness ideally mirrored the sensitivity and refinement of his art. The man behind that face is presented here as someone simultaneously confused and playful, sweet and lost. For a fresh insight, friends tell Berg they think he may have been manic depressive, a term given little airing back in the 90s, when Buckley died by accidentally drowning in the Mississippi River. Another coup for the film is the inclusion of voicemails he left for his mother, including one in which he excoriates her for her deficiencies and another in which he honors her perseverance and unwavering love for him. Despite that support, friends say Buckley had no idea how to grow into a mature man. As deeply as that vexed him, his melding of genders in his art allowed him to live his short life with the androgynous freedom of a child. Today Buckley would be 58, an unimaginable age for someone whom fate has forced us to see as forever young. Now he exists solely on a plane he might well appreciate, where he's less a person than a sound, a soul captured wholly in song. It's Never Over: Jeff Buckley is out now in US cinemas
