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The Jim Irsay Collection in all its glory

The Jim Irsay Collection in all its glory

Jim Irsay holds the Fender Stratocaster guitar that Bob Dylan played at the Newport Folk Festival in 1965. Photo taken on June 10, 2014.
Michelle Pemberton, IndyStar/USA TODAY NETWORK
Ringo Star's 1963 Ludwig Oyster Black Pearl Downbeat Drum Kit is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Colts owner Jim Irsay displayed four of his historic guitars at Fountain Square Theatre. Seen in the case are instruments once owned by Bob Dylan, George Harrison, John Lennon and Elvis Presley.
Melodie Yvonne Ramey/For IndyStar
Guitars from the who's who of music are on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis. Here, a guest photographs Bob Dylan's 1964 Fender Stratocaster known as the "Dylan Goes Electric" guitar, from the 1965 Newport Folk Festival where he controversially "went electric" for the first time
Michelle Pemberton/IndyStar
Jerry Garcia's 1979 Doug Irwin "Tiger" commissioned in 1963 and used on their hit "Touch of Gray" is on display during The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis. The guitar took 6yrs to build.
Michelle Pemberton/IndyStar
Guitars from the who's who of music are on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Jim Irsay plays the Jerry Garcia "Tiger" guitar at the Indiana State Museum in December 2011. The Colts CEO owns 175 historic guitars.
Frank Espich /The Star
Christopher McKinney, caretaker of Jim Irsay's guitars, plays a 1939 Martin D-45 guitar at Colts headquarters in November 2013.
Frank Espich/The Star
The Vox "Kensington" prototype boasts buttons labeled "treble," "bass," "top boost," 'mid boost," "fuzz" and "repeat." Jim Irsay owns the guitar built for the Beatles in 1966.
Frank Espich / The Star
John Lennon gave the Vox "Kensington" guitar to electronics engineer Alex Mardas in 1967. An engraved plate on the back of the guitar reads "To Magic Alex. Alexi thank you for been a friend." Jim Irsay owns the guitar built for the Beatles in 1966.
Frank Espich / The Star
A "J. Garcia" nameplate is seen on the "Tiger" guitar owned by Jim Irsay.
Frank Espich / The Star
Jim Irsay owns this elaborately decorated Martin D-100 guitar, displayed during summer 2013 at the Eiteljorg Museum of American Indians and Western Art.
Frank Espich / The Star
Frank Espich / The Star
Elton John's Steinway Model D Grand Piano is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Michelle Pemberton/IndyStar
An autographed car which once belonged to Edgerrin James is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
The Jim Irsay Collection has one of the greatest guitar collections on the planet, according to Guitar Magazine.
Courtesy Of The Jim Irsay Collection
Kurt Cobain's 1969 Fender Mustang used on "Smells Like Teen Sprit" in 1991, is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
John Lennon's 1964 Rickenbacker, AKA "the Beatle Backer" after it appeared in a Rose Morris advertising campaign, is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Michelle Pemberton/IndyStar
James Brown's 1970's custom made boots are on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Pictured here, Jim Irsay playing the Martin guitar that was a gift from freind, Singer songwrighter Stephen Stills. For a Cathy Kightlinger story on The Irsay Collection exhibit at the Indiana State Museum (Winter 2011-2012). Frank Espich/The Star
Frank Espich Indianapolis Star
David Gilmour's 1969 C.F. Martin & Co. D-35, best known from the opening of "Wish You Were Here" is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Michelle Pemberton/IndyStar
The Super Bowl XLI Trophy is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Muhammad Ali's WBC Heavyweight Championship Belt from the 1970s on display with the Jim Irsay Collection.
Courtesy Of The Jim Irsay Collection
The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
George Harrison's 1963 Maton Mastersound MS-500 guitar guitar used during Aug. 3, 1963 Cavern Club appearance is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Jim Morrison's 1968 gold microphone on display during The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
The original first draft 1951 typescript scroll of "On the Road" by Jack Kerouac, on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Bob Dylan's 1964 Fender Stratocaster, known as the "Dylan Goes Electric" guitar from the 1965 Newport Folk Festival where he controversially "went electric" for the first time, on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Muhammad Ali's robe and 1975 boxing shoes are on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis. The robe was worn the for the fighters first appearance under the name Muhammad Ali'.
Michelle Pemberton/IndyStar
Guitars from the who's who of music are on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
Jerry Garcia's 1979 Doug Irwin "Tiger" commissioned in 1963 and used on their hit "Touch of Gray" is on display during The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis. The guitar took 6yrs to build.
Michelle Pemberton/IndyStar
Gonzo Journalist Hunter S. Thompson's "Red Shark" 1973 Chevrolet Caprice Convertible is on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
John Lennon's Sunglasses by Oliver Goldsmith, 1966, are on display during the The Jim Irsay Collection exhibition, featuring a performance by The Jim Irsay Band, on Friday, Sept. 9, 2022, at Lucas Oil Stadium in Indianapolis.
Michelle Pemberton/IndyStar
When he's not busy with his 'day job' as the owner and CEO of the NFL's Indianapolis Colts, Jim Irsay is pursuing his passion for rock music history, American history, and pop culture by adding to the Jim Irsay Collection.
Courtesy Of The Jim Irsay Collection
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See photos from the second week of the Indiana State Fair
See photos from the second week of the Indiana State Fair

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time2 hours ago

  • Indianapolis Star

See photos from the second week of the Indiana State Fair

Kosciusko County pets a steer Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar A pig takes a nap Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar Courtney Hockmeyer (left) from Allen County and Jacob and Bella Thompson from Boone County toss soap suds at each other while washing a sheep Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar A young girl helps unload horses Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar Madison Bleau, from New York, hugs Red Bull on Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar A sheep is washed Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar Charlotte Quinette pets a cow Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar Thea Cecil, 5, pets Red Bull on the nose Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar Adi Lacy, 7, smiles after petting a baby pig Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar Lambs wool is seen on shelves for sale in the Sheep Barn on Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. Grace Hollars/IndyStar A sheep is bathed Wednesday, Aug. 6, 2025, during the Indiana State Fair at Indiana State Fairgrounds in Indianapolis. 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Sydney Sweeney and the unsettling legacy of the blonde bombshell
Sydney Sweeney and the unsettling legacy of the blonde bombshell

Vox

timea day ago

  • Vox

Sydney Sweeney and the unsettling legacy of the blonde bombshell

is a senior correspondent on the Culture team for Vox, where since 2016 she has covered books, publishing, gender, celebrity analysis, and theater. Are you tired of hearing about the controversy over Sydney Sweeney's American Eagle jeans ad? A remarkable thing about this latest culture-war dust-up is just how much people seem to resent its sheer existence. The whole thing feels, on its face, ginned up and silly. A mall brand decided to advertise its jeans by showing them on a hot blonde starlet, and all of a sudden the outrage mill is generating takes about how the ads symbolize either the death of woke or eugenics dog whistles — really? That's what we're doing? Yet there's a surprising staying power to the story, in a way that suggests there's more to it than meets the eye. Maybe it's because of the ad's surreal interplay with Sweeney's blonde bombshell image, revealing how much weight that symbol still carries today and the ideas it puts forward about sexuality, race, and gender. In case you missed it: Last week, American Eagle released a series of jeans ads with the tag line, 'Sydney Sweeney has great jeans.' The campaign centers on a pun, a play on genes/jeans. As Kyndall Cunningham put it for Vox, the big question was: 'Are we supposed to want pants or Aryan features?' The outrage machine roared to life and has churned nonstop ever since then. Progressives denounced the ads as Nazi propaganda while anti-woke types mocked liberals for calling people Nazis if they think Sydney Sweeney is hot. By the end of the weekend, online sleuths had determined that Sweeney was a registered Republican as of 2024, and President Donald Trump reinvigorated the take cycle when he spoke out in support of the actress. It's all quite a lot to lay on a jeans ad built around a bad pun and a cute young actress. Yet it's not even the first time that Sydney Sweeney and her body have become the center of a culture war. Last year, conservative commenters declared that Sweeney had 'killed woke' when she hosted Saturday Night Live in a low-cut dress. In 2022, Sweeney was caught in a firestorm after she was photographed next to MAGA-hat-wearing family members at her mother's birthday party. Lots of celebrities have been dinged for their political opinions since Trump was first elected in 2016, but there's something about Sweeney and the way we talk about her that seems to attract political scrutiny. That something might very well be the potent symbols embedded in her 'great genes.' Her blonde hair, her blue eyes, her curves, the way she presents all of the above to the camera. Vox Culture Culture reflects society. Get our best explainers on everything from money to entertainment to what everyone is talking about online. Email (required) Sign Up By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Sydney Sweeney has spent most of her career trying to embody the American archetype of the blonde bombshell — and that's a role that comes with baggage. It's a highly charged encapsulation of American fantasies and fears about white femininity: what a nice white lady should be, and what we are afraid she might be. How Hollywood built a bombshell 'The biggest misconception about me is that I am a dumb blonde with big tits,' Sweeney told Glamour UK in 2023. Then the punchline: 'I'm naturally brunette.' Blonde bombshells have a long and storied history. Hollywood's first, Jean Harlow, was also a bottle blonde. Beloved for her big-eyed comic timing and her easy, expressive charm, Harlow first broke out in the 1930s after Hollywood makeup artist Max Factor developed a platinum blonde hair color for her. To the press, she was the blonde bombshell — so sexy and so blonde that she could blow up a man's life. In 1933, Jean Harlow starred in a satire loosely based on her life. LMPC via Getty Images In 1933, Harlow starred in Bombshell, a satire loosely based on her own life. ('Blonde,' the movie poster helpfully added right above the title, in case anyone needed reminding that 'blonde' and 'bombshell' went together.) Harlow would maintain her hair color with a weekly application of hydrogen peroxide and ammonia to the roots up until her tragic death in 1937 at the age of 26. If Harlow built the bombshell persona, Marilyn Monroe perfected it. Monroe too was a natural brunette, and she too went to Max Factor, who used an updated version of Harlow's platinum formula to create Monroe's signature look. Monroe's legacy would become her image as the blonde bombshell, the woman with sex appeal so potent it landed like a thrown bomb. The bombshell's blondeness classically means that the bombshell is white. In part because of the moment in which the archetype emerged, there is a kind of retro all-American pluck to her look: teased hair, big, blue eyes, tanned white skin that will pop in Technicolor. Her blondeness, powerful and artificial, seems to amplify her whiteness, almost to burlesque it. It's part of her exclusive and racialized desirability: The bombshell is the most attractive woman in the world, and she is firmly, WASPily white. The bombshell is hypersexual but innocent; powerful but naive. She is both an empowering image of feminine soft power and a regressive conservative ideal: unapologetically sexual in a way that plays against puritanical norms; at the same time girlish, compliant, unthreatening. The power of her sexuality becomes unthreatening because the blonde bombshell is too stupid and naive to ever use it against a watching man. That's part of the joke of Sweeney's 'biggest misconception about me' line: The blonde bombshell is supposed to be dumb. It's part of what makes her hot. It's also part of why the jeans/genes ad inspires such a strange mixture of glee and discomfort in its watching audience. When Sweeney lingers on her blondeness and her curves to evoke the bombshell, she's invoking a powerful archetype. The blonde bombshell comes with an association of retro '50s Americana that's comforting for an audience that imagines that America peaked in the postwar decades. For another audience, less powerful than the nostalgia is the implied threat that comes with it: This is what good genes look like, and if you deviate from the norm, you can be punished. To be clear, there's no reason to think Sweeney is clued into any of these malevolent implications when she shows off her curves in a jeans ad. She likes to nod to Marilyn Monroe in her styling, in the same way that lots of actresses celebrated for their sex appeal do.

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