
After DJs and raves, Saudi pushes home-grown culture
In "Terhal", a lavish stage show in Riyadh, an actor in a red-and-white headdress gallops on a white horse, exploring the kingdom's heritage and top tourist sites.
The move towards more wholesome, Saudi-inspired entertainment comes after raucous scenes at past music festivals in the capital.
This year's Riyadh Season entertainment programme, which still features MDL Beast, will be "almost entirely comprised of Saudi and Gulf musicians", said Turki Alalshikh, chairman of the General Entertainment Authority.
"The characteristic of Vision 2030 (Saudi Arabia's economic and social reform project) is always to test the borders," said Sebastian Sons of German think tank CARPO.
"And if maybe two steps are too much, you take one step back."
Terhal -- Arabic for journey -- blends traditional Saudi songs, chants and national dress with cutting-edge light shows and hi-tech equipment.
It tells the story of Saad, a young Saudi exploring his home country, with 55 Saudis among its troupe of 100 acrobats, trapeze artists and dancers.
'Reframing and re-branding' -
Until recently, Saudi culture was not widely championed, as authorities focused on the kingdom's status as the birthplace of Islam and home of its holiest sites.
After DJs and raves, Saudi pushes home-grown culture
But it is now embracing its traditions to help shape a national identity that is less austere and no longer tied to ultra-religious conservatism.
"This reframing and re-branding of Saudi identity aligns modern arts and culture with traditional heritage and the legacy of Saudi Arabia," said Sons.
Terhal "captures both the beauty of Saudi landscapes and the depth of its traditions, making them accessible to a broad audience", culture ministry spokesman Abdulrahman Almotawa told AFP.
Artistic director Filippo Ferraresi said he conducted "extensive research" into Saudi culture, collaborating "with Saudi consultants, professors, and writers".
"I discovered the different regions, their traditions, their dances, their music," he said.
Until 2018, concerts and dancing were banned and women were forced to wear a head-covering or risk being flogged by the roving religious police.
The opening-up under Crown Prince Mohammed bin Salman, the de facto ruler, has since brought Formula One races, concerts by stars such as Jennifer Lopez, and an end to the notorious ban on women driving.
The aim is to make Saudi Arabia more attractive to tourists and international business, helping the world's biggest oil exporter reduce its reliance on crude.
After DJs and raves, Saudi pushes home-grown culture
-'Untapped potential'-
Entertainment was "at the nexus of the social and economic components" of Vision 2030, said Kristian Coates Ulrichsen of the Baker Institute at Rice University in the United States.
It is "seen as not only a sector of large untapped potential that can contribute to economic diversification but also as a way to showcase the changes underway in Saudi Arabia", he said.
Human rights groups accuse the kingdom of "art-washing" to obscure its poor human rights record, including a high rate of executions.
"From a Western perspective, we often tend to dismiss such policies as mere art-washing. And of course, there is an element of instrumentalisation," said Sons.
"But there are many creative minds in the country who deserve respect for the work they do."
For Saudi dancer Talha Mas, 23, performing in Terhal was a "dream come true" -- twirling with her hair flowing freely, just a few years since head coverings were mandatory for women.
Spectator Asser Saleh, 37, said he felt "proud" to see performances of this calibre in the Saudi capital.
"Before, you had to go to Europe or the United States to see this type of show," the Egyptian said. —AFP
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4 days ago
- Observer
After DJs and raves, Saudi pushes home-grown culture
First, deeply religious Saudi Arabia opened its doors to Western raves and music festivals. Now it's turning to long-neglected Saudi traditions as it seeks to draw tourists and reshape its national identity. In "Terhal", a lavish stage show in Riyadh, an actor in a red-and-white headdress gallops on a white horse, exploring the kingdom's heritage and top tourist sites. The move towards more wholesome, Saudi-inspired entertainment comes after raucous scenes at past music festivals in the capital. This year's Riyadh Season entertainment programme, which still features MDL Beast, will be "almost entirely comprised of Saudi and Gulf musicians", said Turki Alalshikh, chairman of the General Entertainment Authority. "The characteristic of Vision 2030 (Saudi Arabia's economic and social reform project) is always to test the borders," said Sebastian Sons of German think tank CARPO. "And if maybe two steps are too much, you take one step back." Terhal -- Arabic for journey -- blends traditional Saudi songs, chants and national dress with cutting-edge light shows and hi-tech equipment. It tells the story of Saad, a young Saudi exploring his home country, with 55 Saudis among its troupe of 100 acrobats, trapeze artists and dancers. 'Reframing and re-branding' - Until recently, Saudi culture was not widely championed, as authorities focused on the kingdom's status as the birthplace of Islam and home of its holiest sites. After DJs and raves, Saudi pushes home-grown culture But it is now embracing its traditions to help shape a national identity that is less austere and no longer tied to ultra-religious conservatism. "This reframing and re-branding of Saudi identity aligns modern arts and culture with traditional heritage and the legacy of Saudi Arabia," said Sons. Terhal "captures both the beauty of Saudi landscapes and the depth of its traditions, making them accessible to a broad audience", culture ministry spokesman Abdulrahman Almotawa told AFP. Artistic director Filippo Ferraresi said he conducted "extensive research" into Saudi culture, collaborating "with Saudi consultants, professors, and writers". "I discovered the different regions, their traditions, their dances, their music," he said. Until 2018, concerts and dancing were banned and women were forced to wear a head-covering or risk being flogged by the roving religious police. The opening-up under Crown Prince Mohammed bin Salman, the de facto ruler, has since brought Formula One races, concerts by stars such as Jennifer Lopez, and an end to the notorious ban on women driving. The aim is to make Saudi Arabia more attractive to tourists and international business, helping the world's biggest oil exporter reduce its reliance on crude. After DJs and raves, Saudi pushes home-grown culture -'Untapped potential'- Entertainment was "at the nexus of the social and economic components" of Vision 2030, said Kristian Coates Ulrichsen of the Baker Institute at Rice University in the United States. It is "seen as not only a sector of large untapped potential that can contribute to economic diversification but also as a way to showcase the changes underway in Saudi Arabia", he said. Human rights groups accuse the kingdom of "art-washing" to obscure its poor human rights record, including a high rate of executions. "From a Western perspective, we often tend to dismiss such policies as mere art-washing. And of course, there is an element of instrumentalisation," said Sons. "But there are many creative minds in the country who deserve respect for the work they do." For Saudi dancer Talha Mas, 23, performing in Terhal was a "dream come true" -- twirling with her hair flowing freely, just a few years since head coverings were mandatory for women. Spectator Asser Saleh, 37, said he felt "proud" to see performances of this calibre in the Saudi capital. "Before, you had to go to Europe or the United States to see this type of show," the Egyptian said. —AFP


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What makes someone cool? A new study offers clues
Is there a secret sauce that helps explain why people as different as David Bowie, Samuel L. Jackson, and Charli XCX all seem so self-assured and, well, cool? A new study suggests that there are six specific traits that these people tend to have in common: Cool people are largely perceived to be extroverted, hedonistic, powerful, adventurous, open and autonomous. The study, which was published last month in the Journal of Experimental Psychology: General, surveyed nearly 6,000 participants from 12 countries around the world. Their beliefs about what's 'cool' were similar regardless of where the study participants lived and despite differences in age, income level, education, or gender. 'What blew my mind was the fact that it was pretty much the same result everywhere,' said Caleb Warren, one of the authors of the study and a professor at the Eller College of Management at the University of Arizona who has researched consumer psychology for two decades. 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So the researchers asked the participants to think of specific people: one who is cool, one who is not cool, one who is good, and one who is not good. Then they asked the participants to evaluate each person by answering questionnaires that collectively measured 15 different attributes. While the cool and good people had overlapping traits, compared with their cool counterparts, good people were perceived as more conforming, traditional, secure, warm, agreeable, universalistic (the extent to which a person sees everyone and everything as being equal or equally worthy of care and respect), conscientious and calm. Those who were perceived as capable were equally considered cool and good. One limitation of the study was that anyone who did not know the word 'cool' was automatically filtered out. As a result, the data cannot determine how frequently the word is used in different countries or whether in certain cultures coolness will lead to a higher social status relative to others. 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