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Hawaii keiki face mixed trends in well-being vs. mainland peers

Hawaii keiki face mixed trends in well-being vs. mainland peers

Yahoo2 days ago

Hawaii's children are increasingly affected by housing instability and parental job insecurity, ranking the state among the worst in the nation for economic well-being, according to the 2025 KIDS COUNT Data Book released Monday by the Annie E. Casey Foundation.
The annual report, now in its 36th year, evaluates child well-being across four categories—economic well-­being, education, health, and family and community—using 16 key indicators.
Hawaii ranked 24th overall in the nation, a slight improvement from 29th in 2024, but trends in housing and employment signal urgent challenges ahead.
More than one in three children in Hawaii lived in households burdened by high housing costs in 2023—the fifth-worst rate in the country. Though the state saw a slight improvement in housing cost burden from 38 % in 2019 to 35 % in 2023, the issue remains more severe than the national average of 30 %.
At the same time, the share of children whose parents lacked secure employment jumped from 24 % to 28 % over the same period, diverging from the national trend, which saw a modest improvement.
Hawaii's rank in this category dropped from 16th to 36th in the nation.
'It took the lowest-income families a decade to recover from the Great Recession, and now we are once again facing the threat of a greater share of our keiki growing up in economic hardship, which can have harmful lifelong effects on their well-being, ' said Ivette Rodriguez Stern, junior specialist at the University of Hawaii Center on the Family. 'Without bold action from our leaders, it will be difficult for our children and their families to climb out of the upcoming economic hole they're likely to experience.'
The warning comes as the University of Hawaii Economic Research Organization predicts a potential recession, and as proposed federal budget cuts threaten to push thousands of local families out of vital food and health care programs.
Deborah Zysman, executive director of Hawaii Children's Action Network, said the report's findings must serve as a call to action.
'Year after year, the KIDS COUNT Data Book reminds us that more can and must be done to support the economic well-being of Hawai 'i's children and their families. With the looming threat of a recession and harsh cuts to crucial programs, our state's leaders must act now to prevent our children's well-being from deteriorating further.'
Education indicators were another weak spot for Hawaii, with the state ranking 29th in this domain.
The share of fourth graders not proficient in reading rose to 68 %, slightly better than the national average of 70 % but still trending in the wrong direction. Eighth grade math proficiency worsened from 72 % not proficient in 2019 to 77 % in 2024—worse than the national rate of 73 %.
Preschool access remained stagnant, with 54 % of 3-and 4-year-olds not enrolled, matching the national average. However, on-time high school graduation improved slightly, with 86 % of students graduating on time in 2022 compared with 85 % in 2019.
Where Hawaii shines is in the health of its children. The state ranked 10th in the nation, with only 3 % of children lacking health insurance—the third lowest rate nationally—and one of the lowest child and teen death rates in the country, improving from 24 per 100, 000 in 2019 to 18 in 2023.
Despite those strengths, the share of low birth-weight babies increased slightly from 8.4 % to 8.7 %, and childhood obesity worsened, with 29 % of children ages 10 to 17 considered overweight or obese—just below the national rate of 31 %.
The state also ranked 14th in the family and community domain. The state's teen birth rate dropped significantly from 16 to 11 per 1, 000, and the percentage of children living in high-­poverty areas improved from 5 % to 4 %. The rate of children in single-parent households held steady at 34 %, matching the national figure.
Overall, experts say the report offers a critical snapshot of the challenges and opportunities facing Hawaii's youngest residents.
The full 2025 KIDS COUNT Data Book is available at and data for Hawaii can be found at.

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I think that Katy Perry's whole oeuvre represents that era better than any other. We're talking about songs like 'Teenage Dream,' a song which has this ongoing chord progression that never resolves, that makes you have the feeling of the teenage life that will just never end, you're never going to grow up, and it has this wonderful nostalgic quality to it. Or 'Last Friday Night': the party that is the rager that you're gonna go all-out in. Those songs had a light, effervescent, post-disco, very poppy programmed music kind of vibe. I want to go back in time to the time of bolero jackets and statement belts... You do? Well, okay, not literally. But we're going to go on this journey. What was the sound of that time? It has to sound a little over-polished, really well-made, programmed music. Meaning drum machines, synthesizers, guitars in the line of like Nile Rodgers from Chic — but not nearly as well done — sort of funk-style, disco-style guitars. You might have some really cheesy programmed strings in the background. Then the lyrics have to be either 'Party, party all night forever!' or larger platitudes about being a girlboss. What else was going on in music during that time? Other than these fun, poppy, 'we're going to party all night long' songs. Music had been going through a recession for half a decade at that point. Ever since the turn of the millennium and Napster, the illegal downloading market basically had eviscerated the music industry. It saw its revenues cut in half. Business was in freefall, to the degree that they thought that their future was in downloadable ringtones. Indie music was really big as the mainstream labels were struggling to figure out how to make sales. Hip-hop was going through a bling and party era. There was a lot of upbeat music during these uncertain times, that's certainly true, [but] I think it's important to note as well that during the Great Recession there was plenty of music which didn't reflect an upbeat attitude. One of the biggest songs of 2007 was 'What Goes Around Comes Around' by Justin Timberlake. [There's also] 'Umbrella' by Rihanna. I don't think of those as upbeat, happy songs. If you have to protect yourself from the rain under an umbrella, this is more acknowledging our deep upset at the national condition. I think that even in the recession pop era, there's music of all kinds: upbeat, downbeat, sad, happy. And so I actually think that the genre is a very slippery one that represents a lot of different kinds of music. Are we hearing that sound pop up now? Some people have said that Chappell Roan and Charli XCX are digging into the recession era in their new music. I'm a little more skeptical. If recession pop were doing really well right now, Katy Perry's 'Woman's World' would have been a huge hit, and it has been a real stinker for her. Why are we talking about recession pop right now? Everyone's looking for vibes of what's going on in the larger economy, but I think more largely, millennials are aging out of being cool. Oh, no. You stop listening to new music usually between 25 and 30 years old. And then when you get into a position of power where you become a curator of culture, now it's your time to assert: The thing that was good when I was young is still good. So this could be less about the economy and more about like those of us born in the '80s and early '90s kind of having a midlife crisis. Absolutely, I think there was a huge cultural midlife crisis and a claiming of power. I've seen tons of bars and clubs during these recession pop dance parties and I'm hearing like all these samples in music from current artists from that era. How do you explain all this? 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