Arashi to Hold Final Tour in 2026 Before Disbanding
このページを 日本語 で読む
The popular Japanese idol group Arashi announced on X that they will hold a concert tour in the spring of 2026. Following the tour, the group will officially conclude all activities.
Here is the full statement.
We have something we would like to share with you.
It has been about four and a half years since we went on hiatus. During our final year before the hiatus, we were unable to perform in front of all of you due to the impact of COVID-19.
To express our heartfelt gratitude directly to the fans who have supported us all this time, the five of us have come together once again to begin preparing for a concert tour planned for next spring as Arashi .
At one point, especially after the establishment of our company, Arashi Inc, we considered moving forward with a new structure and new staff. However, after more than 20 years of being supported by the same dedicated team, we realized we wanted to create this final chapter together with them.
This tour will mark the official conclusion of our activities as Arashi. About a year and a half ago, the five of us began meeting and talking whenever we had the chance, discussing the possibility of reuniting as Arashi.
As the environment surrounding us, as well as our individual circumstances, have changed, it wasn't easy to find a clear answer on how to do this.
After much time and many conversations, we arrived at one shared decision: to reunite one more time and perform as Arashi. By doing the things we couldn't during the pandemic, such as directly thanking our fans and performing live, we hope to bring our journey as a five-member group to a close.
Once this tour begins, there are no plans for another hiatus. Members of the boy band Arashi.
To give priority to current fan club members for concert ticket applications, we are temporarily suspending new fan club registrations. Preparations for the tour are underway with the help of many people, but we are not yet ready to share all the details.
As plans are finalized, we will share updates directly with our fans, in our own words.
Additionally, with the conclusion of Arashi's activities, the fan club will officially close at the end of May 2026. Until then, we intend to provide as much content as possible for fan club members, and we hope you'll enjoy what we have planned.
For those not currently in the fan club, we're preparing to reopen membership registration so you can enjoy upcoming content as well. The next content release for fan club members is scheduled for mid-next month [June].
Once again, the five of us will come together to thank our fans for their continued support by bringing you something very special.
Please look forward to it.
Arashi — Aiba Masaki, Jun Matsumoto, Kazunari Ninomiya, Satoshi Ohno, Sho Sakurai
Arashi is a Japanese boy band formed in 1999 by the former Johnny & Associates (now SMILE-UP.). The group debuted on September 15, 1999, in Honolulu, Hawaii. Over the next two decades, Arashi became one of Japan's most successful and influential pop groups, achieving numerous albums that topped the Oricon charts.
The above is an unofficial translation. Subheadings were added by the editorial team.
Author: The Sankei Shimbun
このページを 日本語 で読む
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Japan Forward
13 hours ago
- Japan Forward
Exclusive: Retired Star Satoko Miyahara Still Seeking Future Path
Satoko Miyahara took time from her busy tour schedule to discuss her illustrious career, current work, and thoughts about the future in an exclusive interview. Satoko Miyahara dazzles during her performance in one of the 2025 Rock Stars on Ice tour stops. (©TRI NGUYEN) SAN JOSE, California ― Three years removed from her competitive career, Satoko Miyahara is just entering the prime of her life and the possibilities going forward are limitless. The 27-year-old Miyahara recently completed a grueling month-long tour of Canada and the United States with "Rock Stars on Ice." This marked the fourth year that the four-time Japan champion has skated with the group, which included the likes of two-time world champion Ilia Malinin and fellow world titlist Alysa Liu. Miyahara took time out from the busy tour schedule for an exclusive interview with Ice Time, where she discussed her illustrious career, current work, and thoughts about the future. Ice Time asked the two-time world medalist how she came to be the only Japanese skater with the Stars on Ice troupe. "When I retired from competition, I really wanted to do shows overseas," Miyahara stated in a quiet room inside the SAP Center before a Sunday afternoon show. "I was skating as a guest skater in Stars on Ice Japan. That was the very first connection. My agent contacted the producer of SOI and asked if I could join the Canadian tour, and the answer was positive." Satoko Miyahara in a recent file photo. (SATOKO MIYAHARA/via INSTAGRAM) Renowned for her beautiful line and edge on the ice, I wondered whether she enjoyed competitions or show skating more. "I think I like shows better, but I really like the training process toward competitions," Miyahara commented. "So it's hard to decide which. Just talking about the actual performance, I like to perform in shows. "I think at competitions I pressure myself too much and I never thought that I did my best programs at competitions. But when it comes to shows, it is more about how you perform, and you can do the programs you really want to do." Satoko Miyahara (JACK GALLAGHER) Her successful career has brought her a legion of fans in various parts of the globe, and along the way she has earned several nicknames. Ice Time wanted to know which one was her favorite. "I adore them all," Miyahara remarked. " 'Satopi' is from (former training partner) Ayaka Hosoda and it's my oldest nickname. 'Satton' comes next because one of my friends who trained with me gave me that name. "It's so funny, to say our nicknames in Western Japan, it's a very Kansai nickname. The pronunciation is Sat-ton, but the people in Kanto cannot really pronounce it right. Even between skaters we always have fun talking about that." The final moniker is believed to have been originally bestowed upon her by foreign fans. " 'Tiny Queen' I love because my fans gave me that name and it always brings me the feeling that I should be honored about myself and be like a tiny queen. I tend to shrink and feel like I am not good enough. 'Tiny Queen' brings the feeling that I should be proud of myself and show my best." Satoko Miyahara Added Miyahara, "I don't know if it was foreign fans or Japanese fans who came up with the nickname, but everybody knows it means me." Satoko Miyahara competes in the women's short program at the 2018 Pyeongchang Olympics. (©SANKEI) When one has had as decorated a career as Miyahara has, I was interested in hearing her memories of the Pyeongchang Olympics, where she came in fourth in 2018. "I was very, very, very happy with both the team event (Japan finished fifth) and my individual event," Miyahara proclaimed. "Both were a great result. For me, the Olympics were the biggest goal, so I was so happy that I was able to get that opportunity to participate in the competition. The whole event felt like I was in a wonderland. That is my biggest memory." Ice Time was in Pyeongchang and vividly remembers Miyahara's outstanding performance, where she finished behind Russians Alina Zagitova and Evgenia Medvedeva, and Canada's Kaetlyn Osmond. From left, runner-up Satoko Miyahara, gold medalist Elizaveta Tuktamysheva and third-place finisher Elena Radionova in the women's singles competition at the 2015 World Figure Skating Championships in Shanghai. (DAVID W CARMICHAEL/CC BY-SA 3.0/via WIKIMEDIA COMMONS) Miyahara, a two-time Grand Prix Final medalist, considers the 2018 Games to have been the pinnacle of her career, but also cited a couple of other competitions as being high on her list of favorites. "The Pyeongchang Olympics was my highlight," Miyahara recalled. "Also, the very first worlds (2015), where I got the silver medal, those were my two highlights, thinking of the results. "But program-wise, the Grand Prix Final in Barcelona (where she placed second in 2016)," she continued. "I really felt like I was doing my programs without any doubts, [and] I felt really free. Program-wise, performance-wise, that was my best." Rock Stars on Ice performer Satoko Miyahara has participated in its shows in North America since 2022. (JAMES BENNETT) After addressing the glorious moments of a career that earned her seven medals at the Japan Championships, Ice Time wanted to know if she had any competitive regrets. "I don't have any competitions that I regret, but if I can say one, the very last season of my career," Miyahara remembered, referring to her fifth-place finish at the 2021 Japan Championships. "It was the selection competition for the Olympics. I fell on my [triple] lutz and, I don't know, but if I landed it, I might have been selected for the Beijing Olympics." Miyahara continued: "I still question if I had landed it, but it is what it is and I don't regret it at all. I'm so happy right now, so I have no regrets." Satoko Miyahara in 2018. (ⒸSANKEI) To call Miyahara's family successful is a bit of an understatement, as both of her parents are doctors. Ice Time asked for specifics on their fields of practice. "My mom is a hematologist and my father is a lung surgeon," Miyahara noted. Growing up around that high level of professional achievement, I wondered if she felt any anxiety about life after skating. "I don't feel any pressure, because my parents really respect my opinions," Miyahara commented. "They say, 'You should do whatever you want to do.' " She then said, "They support me a lot. Maybe a tiny bit they would like me to attend medical school. I don't know. This is my guess. They really respect me and I respect them." Miyahara, who won the Four Continents Championships in 2016, confessed that she does not have a firm plan about her future path at this time. "I actually do not know what I want to do," Miyahara remarked, adding, "I just want to experience whatever I can. Whatever comes along my path, I would like to try everything and see what I want to do and what I don't want to do. I am searching for what I want to do." Added Miyahara, "I just have to see what I want to do in the future. I think because I don't know what I want to do after skating, that is making me feel worried a little bit." Satoko Miyahara (front row, center) and other members of the 2025 Rock Stars on Ice tour. (SATOKO MIYAHARA/via INSTAGRAM) As she continues her career as a professional skater, Miyahara has begun to dabble in choreography, including creating a new exhibition program for three-time world champion Kaori Sakamoto. Ice Time wanted to learn the origin of that arrangement. "I recently started to work with some kids and I did one show program with a senior girl, Miyabi Oba," Miyahara stated. "She's my great, great friend. Because I did that a lot of skaters thought, 'Oh, you do choreography?' Kaori was one of the skaters, and she just texted me, 'Is it OK if I ask you to make my exhibition program?' "I was like, 'It is such an honor, but are you sure that you want me to make your exhibition program?' Miyahara recalled. "And she was like, 'I would love you to.' " Miyahara admitted she had some trepidation about the task. "I was a bit nervous, but I wanted to take on that challenge," Miyahara said, adding, "I really love Kaori, so I accepted it." While she enjoys doing choreography, Miyahara isn't considering it as a primary vocation looking ahead. "I don't see myself doing choreography as a main job in the future. But as a life experience and to bring it to my next career," Miyahara stated. "I think it is going to be a great opportunity and experience. For now, I really enjoy working on choreography and studying about it. It could be a side job in the future." The 152-cm Miyahara was coached by Mie Hamada for her entire career. Ice Time asked for her thoughts on the legendary mentor, who is still going strong. Mie Hamada (KYODO) "She started coaching me when I was seven and a half," and "basically brought me to the Olympics. Baby to the Olympics. She taught me all the basic skills and skating skills, and how to practice, how to train, how to train off ice." Satoko Miyahara on mentor Mie Hamada Added Miyahara, "She brought me to all the amazing choreographers overseas, jump coaches, spin coaches. [And] she took me everywhere that we could go. I think that made me a good skater. I really appreciate her." Having learned under a prominent coach for so many years, the question of whether Miyahara would someday like to coach herself was broached. "Not for now," Miyahara stated. "I have been thinking about if I really want to coach after finishing competing. But so far, I never felt that I wanted to be a coach. It is very difficult." One new assignment that Miyahara has taken on is that of a director for the Japan Skating Federation, which she assumed in September 2024. I asked how that opportunity came about and what it entails. "Ito-san (JSF chief Hidehito Ito) called me and he asked me if I would like to try or not," Miyahara recalled. "He asked if it was OK if he selected me as a director. I had no idea at that time what I could do. [And] I thought it might be a good chance to contribute to the skating world. So I thought I would like to try it." Miyahara then gave a brief description of what her role with the JSF is. "There are a few faculties in the JSF," she noted. "I am in the headquarters. There are meetings and I attend those meetings. We talk about events and how the event went. We discuss how we can make things better. That is what I am doing now. I am still learning about how it all works. We meet once a month, in Tokyo or online." Miyahara's popularity among the skating public and her fellow skaters is well known. Her sublime skating skills, dedication to her craft, and ability to interact with her fellow competitors through the years have made her a highly respected figure in the sport. Kaori Sakamoto (left) and Satoko Miyahara are seen at the Fantasy on Ice show at Makuhari Messe in Chiba on May 31. (KYODO) Ice Time queried Miyahara on who she considered her best friends in skating after all these years. "That is such a hard question," Miyahara replied. "In Japan, probably Kaori, Wakaba [Higuchi] and Rika Hongo. Those three are the closest. Of the boys, Kazuki [Tomono] and Koshiro [Shimada]. I am pretty close to them." Miyahara then said, "I grew up competing with Shoma [Uno], so I know a lot about him. I am very close with [coach and choreographer] Stephane Lambiel, [and] I am also close with the Stars on Ice family members." From left, Japanese skaters Yuzuru Hanyu, Satoko Miyahara, Akiko Suzuki and Takahito Mura are seen in this commemorative photo at a Noto Peninsula reconstruction charity performance in September 2024 in Kanazawa. (©Toru Yaguchi/via SANKEI) Miyahara said she has enjoyed the annual multi-city tours of Canada and the United States with the SOI team. "It's really fun because I like to travel and see the city," Miyahara commented before adding, "it's very interesting to see all the places. I don't really know exactly on the map which city is where, but it's so amazing that I can see all the places and skate there. It's hard to say which city is the best." Miyahara mentioned that the evening performances give her a chance to explore the different stops on the tours. "It's amazing because I get to see all the different venues and rinks," she noted. "We have the shows. Usually Sundays are matinees. Weekdays it is from 7 PM, so I have time during the mornings to walk around." Having spent so much time outside Japan for training, competitions, and shows in her career, Ice Time wanted to know if she was interested in living abroad at some point in the future. "I would like to have the chance to live overseas someday," Miyahara replied with a smile. Author: Jack Gallagher The author is a veteran sports journalist and one of the world's foremost figure skating experts. Find articles and podcasts by Jack on his author page , and find him on X (formerly Twitter) @sportsjapan .
Vancouver Sun
19 hours ago
- Vancouver Sun
London's V&A Storehouse museum opens its massive art warehouse to public
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Plan your next getaway with Travel Time, featuring travel deals, destinations and gear. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Travel Time will soon be in your inbox. Please try again Interested in more newsletters? Browse here. 'It's 5,000 years of creativity,' said Kate Parsons, the museum's director of collection care and access. It took more than a year, and 379 truckloads, to move the objects from the museum's former storage facility in west London to the new site. In the museum's biggest innovation, anyone can book a one-on-one appointment with any object, from a Vivienne Westwood mohair sweater to a tiny Japanese netsuke figurine. Most of the items can even be handled, with exceptions for hazardous materials, such as Victorian wallpaper that contains arsenic. 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'What we're doing here is saying, 'No, this whole collection belongs to all of us. This is a national collection and you should have access to it.' That is our fundamental principle.'
Winnipeg Free Press
a day ago
- Winnipeg Free Press
London's V&A Storehouse museum lets visitors get their hands on 5,000 years of creativity
LONDON (AP) — A museum is like an iceberg. Most of it is out of sight. Most big collections have only a fraction of their items on display, with the rest locked away in storage. But not at the new V&A East Storehouse, where London's Victoria and Albert Museum has opened up its storerooms for visitors to view — and in many cases touch — the items within. The 16,000-square-meter (170,000-square-foot) building, bigger than 30 basketball courts, holds more than 250,000 objects, 350,000 books and 1,000 archives. Wandering its huge, three-story collections hall feels like a trip to IKEA, but with treasures at every turn. The V&A is Britain's national museum of design, performance and applied arts, and the storehouse holds aisle after aisle of open shelves lined with everything from ancient Egyptian shoes to Roman pottery, ancient Indian sculptures, Japanese armor, Modernist furniture, a Piaggio scooter and a brightly painted garbage can from the Glastonbury Festival. 'It's 5,000 years of creativity,' said Kate Parsons, the museum's director of collection care and access. It took more than a year, and 379 truckloads, to move the objects from the museum's former storage facility in west London to the new site. Get up close to objects In the museum's biggest innovation, anyone can book a one-on-one appointment with any object, from a Vivienne Westwood mohair sweater to a tiny Japanese netsuke figurine. Most of the items can even be handled, with exceptions for hazardous materials, such as Victorian wallpaper that contains arsenic. The Order an Object service offers 'a behind-the-scenes, very personal, close interaction' with the collection, Parsons said as she showed off one of the most requested items so far: a 1954 pink silk taffeta Balenciaga evening gown. Nearby in one of the study rooms were a Bob Mackie-designed military tunic worn by Elton John on his 1981 world tour and two silk kimonos laid out ready for a visit. Parsons said there has been 'a phenomenal response' from the public since the building opened at the end of May. Visitors have ranged from people seeking inspiration for their weddings to art students and 'someone last week who was using equipment to measure the thread count of an 1850 dress.' She says strangers who have come to view different objects often strike up conversations. 'It's just wonderful,' Parsons said. 'You never quite know. … We have this entirely new concept and of course we hope and we believe and we do audience research and we think that people are going to come. But until they actually did, and came through the doors, we didn't know.' A new cultural district The V&A's flagship museum in London's affluent South Kensington district, founded in the 1850s, is one of Britain's biggest tourist attractions. The Storehouse is across town in the Olympic Park, a post-industrial swath of east London that hosted the 2012 summer games. As part of post-Olympic regeneration, the area is now home to a new cultural quarter that includes arts and fashion colleges, a dance theater and another V&A branch, due to open next year. The Storehouse has hired dozens of young people recruited from the surrounding area, which includes some of London's most deprived districts. Designed by Diller, Scofidio and Renfro, the firm behind New York's High Line park, the building has space to show off objects too big to have been displayed very often before, including a 17th-century Mughal colonnade from India, a 1930s modernist office designed by Frank Lloyd Wright and a Pablo Picasso-designed stage curtain for a 1924 ballet, some 10 meters (more than 30 feet) high. Also on a monumental scale are large chunks of vanished buildings, including a gilded 15th-century ceiling from the Torrijos Palace in Spain and a slab of the concrete façade of Robin Hood Gardens, a demolished London housing estate. Not a hushed temple of art, this is a working facility. Conversation is encouraged and forklifts beep in the background. Workers are finishing the David Bowie Center, a home for the late London-born musician's archive of costumes, musical instruments, letters, lyrics and photos that is due to open at the Storehouse in September. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Museums seek transparency One aim of the Storehouse is to expose the museum's inner workings, through displays delving into all aspects of the conservators' job – from the eternal battle against insects to the numbering system for museum contents — and a viewing gallery to watch staff at work. The increased openness comes as museums in the U.K. are under increasing scrutiny over the origins of their collections. They face pressure to return objects acquired in sometimes contested circumstances during the days of the British Empire Senior curator Georgia Haseldine said the V&A is adopting a policy of transparency, 'so that we can talk very openly about where things have come from, how they ended up in the V&A's collection, and also make sure that researchers, as well as local people and people visiting from all around the world, have free and equitable access to these objects. 'On average, museums have one to five percent of their collections on show,' she said. 'What we're doing here is saying, 'No, this whole collection belongs to all of us. This is a national collection and you should have access to it.' That is our fundamental principle.'
