logo
Father of woman shot outside pub ‘spreads message of hope' with documentary

Father of woman shot outside pub ‘spreads message of hope' with documentary

Glasgow Times16-06-2025
Just days after Elle Edwards, 26, was killed in the shooting outside the Lighthouse pub in Wallasey Village, Wirral, on December 24 2022, her grieving father Tim got in touch with Liverpool actor John May, who was preparing to walk from Lands End to John O'Groats as part of a campaign to end gun and knife crime.
Mr Edwards, 53, joined him for the walk at Worcester, initially just to 'get out of town', but ended up accompanying him all the way to the top of Scotland, later travelling down south to complete the first leg of the walk.
Two years on from their challenge, documentary The Two Of Us is to be screened at the Raindance Film Festival, which starts in London on Wednesday, and the friends say it will tell a story of 'brotherhood', grief and strength.
Mr Edwards said: 'You'll see that when times get really tough, as long you keep going and you keep having that little bit of hope and a bit of strength behind you, and the willingness to carry on and never give up, then you will come out alright the other side.'
He took on the walk before the trial of gunman Connor Chapman, who was targeting rivals in a gang feud when he opened fire outside the pub, and was sentenced to a minimum of 48 years after being found guilty of Ms Edwards' murder.
Mr Edwards said walking with Mr May helped him to build a foundation for his future.
'I've been through the worst hell you can imagine, there's not a lot else that could really turn me,' he said.
'I can cope with the day-to-day now through those experiences of walking with John and walking through the country and being alone and having therapy and talking about your feelings.'
Mr May, 43, who produced the feature-length documentary, said he hoped people would be inspired.
The actor, soon to star as Wayne Rooney in a production at Liverpool's Royal Court, said: 'The documentary is not really about the walk, it's more about friendship and about men's mental health and grief and how we leaned on each other and perked each other up throughout the walk.
Elle Edwards was shot on Christmas Eve 2022 (Family handout/PA)
'It's about brotherhood more than anything I'd say.'
The film, put together from vlogs filmed by the pair at the time and interviews once they had returned, shows the highs and lows of the journey – which at one point saw them separating for 10 days after a falling out.
Mr Edwards said: 'I thought it would be wrong for us to not finish this together so we sorted it out and overcame that, our own personal battles against each other.
'I think you need to have that clash, that explosion has to happen so you can then work it out and come back together again. That's the testimony of a true friendship I think. '
Throughout the walk, Mr Edwards said he felt there were signs from his daughter – including a white dove which followed him as he walked around Ripon Cathedral one morning.
Mr Edwards said: 'You grab on to different signs that you hope is Elle watching over you.
'It was things like, there were always doves would randomly turn up or I'd be feeling a bit low and I'd be like 'give us a sign Elle will you, give me something to pick me up' and there'd always something random would appear. '
Mr May added: 'Elle's presence is definitely felt. There's things that happened along the way when he was at a low point and you can see it spurred him on.'
Tim Edwards, the father of murdered Elle Edwards, (centre left) with grandson Ronan on his shoulders with comedian John May (centre right) in Liverpool on a walk from Land's End to John O'Groats (Peter Byrne/PA)
Mr Edwards said his daughter, a beautician, would be 'laughing her head off' to see what he had been doing.
He said: 'She'd be thinking 'my dad is absolutely mental, what are you doing?'
'She'd be proud I think, she'd love the friendship me and John have got and I think she'll be looking down on us going 'well done Dad I'm proud of you'.'
The film, nominated for best documentary feature and best UK cinematography awards at the Raindance festival, is accompanied by music from composer Patrick Bennett, 20, who has created Elle's Theme, which plays throughout.
Director Owen Ward said: 'If you're coming in for a true crime documentary, go see something else because that's not what it is. It's about how victims of these horrible crimes carry on in the aftermath.
'It's giving that sense of hope, of inspiration. If Tim can get through this horrible circumstance, you can get through anything. That's ultimately what it is, it's a film about hope.'
For Mr Edwards, the documentary is part of his aim to create a positive legacy for his daughter.
He said: 'It was always about keeping Elle's name alive. So whenever Elle's name was mentioned, it would be mentioned in a positive way and not about what happened to her. That was the goal and still is, it will always be the goal.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Man smashed shop windows in Rhyl he believed were linked to child sex case
Man smashed shop windows in Rhyl he believed were linked to child sex case

North Wales Live

time2 days ago

  • North Wales Live

Man smashed shop windows in Rhyl he believed were linked to child sex case

A man smashed windows at a takeaway and three other shops he believed were linked to a child sex exploitation case, a court heard. Owen Edwards, 22, of Millbank Road, Rhyl, North Wales, had admitted the wave of vandalism at the seaside town on August 12 and 10 after he had been influenced by Facebook posts. But he stressed to police that he wasn't motivated by race or religion, the prosecution said. The repair bill for more than nine windows was estimated to run into thousands of pounds. Prosecutor Rhian Jackson said a woman was now too scared to go out. Defence solicitor Andrew Hutchinson at Llandudno court said Edwards was influenced by Facebook posts. 'He seemed to think it might be a good thing to do this and send a message 'we don't want people like that in Rhyl'.' The solicitor said he understood disorder was being encouraged on social media. District judge Gwyn Jones imposed 16 weeks custody, suspended for 18 months, with rehabilitation, after Edwards admitted four criminal damage offences and resisting police. 'I would be very careful in considering anything you read on social media,' the judge told the defendant. He must pay £800 compensation although the judge added: "That doesn't touch the surface." Judge Jones said: "Irrespective of what you have read, no-one has the right to take the law into their own hands. Whenever people come before these courts they are treated fairly and the court doesn't impose any sanction or penalty until they have been found guilty or plead guilty. How dangerous social media can be in providing disinformation.' The judge added: 'We know the actions of those who have been misreporting matters on social media have had a significant impact upon public disorder elsewhere in a town not far away from here. "The powers of social media can have massive detrimental effects upon local communities and hurt many innocent people.'

'Fearless' retired Essex Police dog dies after short illness
'Fearless' retired Essex Police dog dies after short illness

BBC News

time06-08-2025

  • BBC News

'Fearless' retired Essex Police dog dies after short illness

A "fearless and inquisitive" retired police dog has died after a short had been part of the Essex Police force for five years before he retired in April his time in the force he helped detain suspects, search for missing people and find key evidence including 2021 Diesel and his handler, Sgt Jamie Edwards, were recognised at the National Service Dog Bravery and Achievement Awards for their courage. Even in his final weeks of service, the determined hound's work helped to ensure convictions for three men responsible for violent robberies in Edwards said: "I wanted to be a dog handler since I was a child and Diesel was exactly how I imagined a police dog would be."Fearless and inquisitive, he kept us both safe as we spent five years patrolling Essex together."After retiring, Diesel became Sgt Edwards' family dog and loved running around in the garden and playing with his children. "At the end, he fell asleep for the final time cuddled by us all, and he leaves huge paws to fill and many happy memories," Sgt Edwards added. Follow Essex news on BBC Sounds, Facebook, Instagram and X.

Edinburgh Fringe theatre Shitbag The Horniest Girls in New York City Dropped Timonopoly
Edinburgh Fringe theatre Shitbag The Horniest Girls in New York City Dropped Timonopoly

Scotsman

time04-08-2025

  • Scotsman

Edinburgh Fringe theatre Shitbag The Horniest Girls in New York City Dropped Timonopoly

A bright, compelling and very funny Fleabag-influenced solo performance, a gloriously unfiltered gonzo Gen Z sex comedy/social satire, and a bruisingly authentic football-themed monologue take centre stage in our latest batch of Fringe theatre reviews. Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Shitbag ★★★★ Summerhall (Venue 26) until 25 August Even a passing acquaintance with theatre over the last decade will make anyone well aware of the all-pervading influence of Fleabag. Hundreds of solo shows have joined the quest to chase Phoebe Waller-Bridge's success, with the realisation that one performer, a microphone and a couple of props make for a very cheap way to have a hit. Australian performer Hayley Edwards smartly plays both sides in her own solo performance Shitbag, because it's absolutely a contender for an "If you liked Fleabag, you'll love..." quote on the poster, while at the same time very subtly commenting upon the rampant ubiquity of such shows. Advertisement Hide Ad Advertisement Hide Ad Think you want to hear another monologue about a troubled twentysomething woman having lots of uninhibited sex? What if she tells you in graphic detail about her alarming bowel movements while she's at it? It's hard to tell how much, if any, of this is autobiographical (at one point Edwards briefly breaks the fourth wall to refer to 'my character'), but on the surface the issue-based nature of the play feels deeply personal. It begins with the character luxuriating in the aftermath of sex with a person so famous they have a blue tick on Instagram, and very quickly finds her caught short by the discharge of 'placentas from my arse'. Soon, she's diagnosed with Crohn's colitis. This revelation that she's 'the youngest and hottest person on the gastroenterology ward' spurs a period of increasingly hungry sexual promiscuity and experimentation, initially because she wants to have as much sex as possible before she has a stoma bag fitted, although the way the text later ties together physical and mental health is lightly and cleverly done. Advertisement Hide Ad Advertisement Hide Ad Through it all, Edwards is bright, compelling and very funny, with an energetic physicality (the commode in centre stage becomes both podium and unlikely bed) and a frank delivery which lends seriousness to the character's increasingly manic sexual exploits and silliness to a concerning, life-changing diagnosis. So yeah, if you liked Fleabag, you will indeed love Shitbag. David Pollock The Horniest Girls in New York City ★★★★ Underbelly Cowgate (Venue 61) until 11 August Riley Stark and Tess Lancaster's new play is a hoot and a half, exuding the kind of don't-give-a-shit eccentricity of John Waters' early punk filmmaking, and almost as silly. The Horniest Girls in New York City is a Gen Z sex comedy-meets-social satire featuring rampant heroine Riley, possessed of a horny bone (it's genetics, baby), her innocent but biddable best friend Tess, dorky neighbourhood bar owner Derek, lesbian elder Dr Barbara and dastardly mayor Jake, who is partial to a Malcolm Tucker-style tirade of obscenities and threats, such as banning gay people from dancing. What a shady kryptonite move to pull on the sassiest kids on the block. Advertisement Hide Ad Advertisement Hide Ad This is gonzo Youth versus The Man stuff, as Riley and the freshly enlightened Tess use sex as a weapon to outwit authority ('you don't want to be the mayor that all the cool people don't like' they warn with withering disdain) and foment revolution by founding the Gay and Horny Club, a loose polyamorous association divested of all hang-ups. It's the Stonewall Riots without the IRL stakes. Chuck a couple of loony tunes into this hot mess and they could have an Off-Off-Off-Broadway smash. The script is gloriously unfiltered and gleefully executed by Stark, Lancaster, Alex Forrest and a particularly gung ho Liam Caplan having far too much fun across a bunch of ridiculous roles. There's something being said somewhere in the slapstick and crosstalk about tolerance, liberation, solidarity and punching upwards against Trumpian bluster, plus a bonus cool soundtrack of new wave nuggets because who doesn't love a rudimentary dance routine finale set to the fidgety groove of Devo's Whip It? Fiona Shepherd Dropped ★★★ Easter Road Stadium (Venue 518) until 10 August Advertisement Hide Ad Advertisement Hide Ad There's a bruising authenticity to this monologue from debut writer-actor Alfie Cain that sets it apart from other plays dealing with the beautiful game. Cain was a trainee at Chelsea's football academy until he was unceremoniously dropped by the age of 18. Alfie took the opportunity to retrain as an actor at LAMDA but the rejection he suffered clearly still stings and while autobiographical to an extent this play presents a fictionalised account that documents the pressures faced by young players. Although informed by a love of the game — at least initially — this quickly becomes a cautionary tale. Academy players have a one in thousands chance of going on to enjoy a professional career. Cain's young footballer ploughs on against the odds, desperate for affirmation from his father and success in the face of verbal and physical abuse — both on and off the pitch. It offers some insight into how toxic masculinity takes root and looks at the fallout of filling young boys with unrealistic dreams. Advertisement Hide Ad Advertisement Hide Ad While necessarily bleak, Cain's powerful performance holds your attention and it's to Hibs credit that they would host such an unflinching look at the challenges facing young players — for whom it should be required viewing. Rory Ford Timonopoly ★★★ Scottish Storytelling Centre (Venue 30) until 12 August Timonopoly is the final instalment in Brite Theater's Coward Conscience trilogy, a series of Shakespearean adaptations including Richard III (a one-person show) and Hamlet (an experience). One needn't have experienced the company's previous works to appreciate their latest piece, however. In this reimagining of Timon of Athens (a cautionary tale exploring wealth, greed and betrayal), which is entirely audience specific, six participants become characters in a game of fortune. To begin, each player – the Philosopher, Poet, Painter, Jeweller, Dancer, and Aristocrat – is allotted an individual amount of gold based on their earning power. The gold, here represented by foil-wrapped sweets, is Brite Theater's version of monopoly money (the artists, as one might expect, bank little to nothing at this juncture). Performed in the round, Timonopoly is very physically demanding for Timon, who, dressed as the Monopoly Man, produces property cards (Forest of Arden, The Capitol and Elysium are just some examples) in accordance with the roll of a giant dice and orchestrates dinner party games where we write sonnets, draw, or dance. Advertisement Hide Ad Advertisement Hide Ad These games can become a little repetitious, but overall, Timonopoly is engaging and entertaining, with the game-show format allowing themes of friendship, generosity, and wealth to take on new significances. Josephine Balfour-Oatts Loose Threads ★★★ the Space @ Surgeons Hall (Venue 53) until 12 August Created by Malachy O'Callaghan, Loose Threads is a gloriously rich, laugh-out-loud sketch comedy featuring a cloakroom attendant at a London nightclub. Known only as 'Danny's brother's boy' (his lack of self-identity will later become a key plot point), he experiences a series of encounters with drunken strangers, estranged school friends, and friends of family, all of whom utilise the conversation-stopper that is the recent death of his best friend, the weight of which gathers focus as the narrative endures. Notable scenes involve a drunken lad who consistently leaves his shoes at the venue (the lost property box seems to be tenanted exclusively with his belongings) a stag do, a hen party, and a Louis Theroux impersonator. Watch out for the easter eggs that the company of four plants, and that occur and reoccur to the audience's delight. Advertisement Hide Ad Advertisement Hide Ad Perhaps it's his height, or his self-confessed resemblance to the Lord Jesus Christ, but others trust Danny's brother's boy and his counsel, which true to form, gets him into trouble further down the line. Credit to the company, the cloakroom setting proves perfect for good old-fashioned miscommunication, brilliantly timed references to Simon and Garfunkel, and voicemails from a concerned father to his grieving son. Josephine Balfour-Oatts Bluffstone is Starvin' ★★ theSpace on the Mile (Venue 39) until 13 August With no rain for months, barren fields and dying cattle, remote dirt-bowl outpost Bluffstone is indeed fast running out of food. So when two mysterious drifters roll into town, they're viewed with suspicion - especially when one sets his sights on local girl Dolly. String Cheese Theatre's early-morning Western has a promising set-up but struggles to deliver, with a disconcertingly variable tone (from schoolboy humour to bleak despair), similarly variable acting and a storyline that could do with quite a bit of tightening. Advertisement Hide Ad Advertisement Hide Ad Kudos, however, to multitasking Zachary Hodges for an effective musical score (played by a live trio), some idiomatic blues guitar and a memorable turn as absent-minded barman Jim. David Kettle

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store